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Md. contestant Jeremiah Lloyd Harmon eliminated from ‘American Idol’

The judges chose not to save the out pastor’s son

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Jeremiah Lloyd Harmon on ‘American Idol.’ (Screenshot via YouTube)

Jeremiah Lloyd Harmon was eliminated from “American Idol” on Sunday marking the end of his journey on the reality singing competition.

The out contestant from Catonsville, Md. performed renditions of Barbra Streisand’s “Somewhere” and Joan Baez’s “Swing Low, Sweet Chariot.” Judges Luke Bryan, Katy Perry and Lionel Ritchie praised his performances but ultimately he didn’t receive enough votes from America landing him in the bottom two along with fellow contestant Laci Kaye Booth.

However, the judges could choose to use their one “save” of the season on Harmon or Booth. After debate, the judges decided to save Booth and she advanced to the top five.

The decision confused some fans who thought Harmon was the better singer. According to a poll by Golden Derby, 82 percent of polled viewers believed Harmon should have been saved.

Other fans took to social media to slam “American Idol” for making the wrong choice.

Harmon appeared to address the elimination on Twitter writing, “Your value is never up for a vote. #Mantra.”

Harmon’s singing ability won him many fans but his background story was also memorable. Harmon is the son of a pastor, Rev. Jerry Harmon, and revealed his family had a hard time accepting him for being gay. In a heartwarming moment, Harmon’s parents sat in the audience to support Harmon last week.

Queerty reports that Rev. Jerry Harmon may have supported his son on television but in a sermon delivered in April he denounced LGBTQ equality.

“This is the sign of a society that God has turned over to itself. Now we live in a society today where we are forced to accept this as normal, and if we don’t we are bigots. If we don’t, we hate. We don’t hate anybody friend…We are trying to point you to the only way to salvation, friend,” Rev. Harmon told the congregation at Grace Bible Baptist Church.

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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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