Books
Out author Nicole Dennis-Benn unveils knotty new novel ‘Patsy’
Immigration, mothering and queer identity themes in sophomore tome

Nicole Dennis-Benn
Young African Professionals D.C.
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‘Patsy’ book release event
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Author Nicole Dennis-Benn got the kind of media attention and interest with her 2016 novel “Here Comes the Sun,” most first-time authors can only dream of — she won a Lambda Literary Award, was a finalist for several other literary prizes, got reviewed in the New York Times (which named it one of its “notable books of the year”) and other high-profile outlets.
Her sophomore effort “Patsy” was released Tuesday and is already generating buzz with more media love from the Times, Oprah’s magazine, NPR and more. “Patsy” is the story of the title character, an undocumented Jamaican queer immigrant in New York and the daughter she left behind, Tru. Going back and forth between Brooklyn and Jamaica, Dennis-Benn, herself Jamaican and a lesbian, covers her characters’ lives over a decade.
The 37-year-old writer will be at Politics & Prose (Union Market) in Washington on Saturday, June 8 at 6 p.m. Details at politics-prose.com. She spoke to the Blade by phone last week. Her comments have been slightly edited for length.
WASHINGTON BLADE: Your first book got the kind of industry attention most authors only dream of. How did you manage that?
NICOLE DENNIS-BENN: When I started my debut novel, I had no idea all the work that went into getting a book out there to readers. I used to think it just appears on the bookshelf. I wasn’t one of those readers in college and grad school looking at the New York Times or the Washington Post for the next book I wanted to read. So I was really shocked as a first-time writer. My agent, she worked really hard at putting my book in the eyes of publishers and also really doubled down when it came out. She said, “This is a debut novel, we have to have a big splash,” so she and her team worked extra hard and I was really happy that they loved it enough to want to really invest in it. But there’s really a machine behind all that publicity.
BLADE: Did you have to fight to get “Patsy” published or was it much easier after the first book was successful?
DENNIS-BENN: It was easy after that, for sure. I had some anxiety writing as a woman of color and my story is about a Jamaican woman wth a queer identity as well as an immigrant … but it’s a relief to know there’s a place for my books. I can’t say the same for many other writers who are women of color or LGBT writers, but at the same time I’m happy that they’re being published somewhere.
BLADE: How has your publisher Liveright been to work with? Any wrangling over final edit?
DENNIS-BENN: It was a good relationship and that’s definitely something I was relieved about. I didn’t have to fight them on anything. I used patois, a Jamaican dialect, in the dialogue and I was really happy that the editor and also the copy editors were able to work with me on maintaining that. I think it was really a good match.
BLADE: Is there some autobiography woven into the fiction?
DENNIS-BENN: I would say it’s like 80 percent fiction and 20 percent autobiographical. Patsy comes to America and wants more for herself but then realizes there are issues here just like anywhere else. Unlike myself, Patsy is not educated or documented, so she immediately meets that wall, no pun intended. She actually gets trapped and she’s not able to move upward financially. She has no social security at all, so of course, taking Patsy on that journey, took a lot more imagination and also talking to folks, like my father for example, who came here undocumented and has worked his way through the system before marrying an American citizen and getting his papers.
BLADE: What is your working process like? How does one begin to tackle a work of this scope?
DENNIS-BENN: I started really with writing scenes. Patsy’s voice came to me first and I wrote more following that voice. I would think about it on my morning ride to Staten Island where I was teaching at the College of Staten Island and it was like I was somehow dictating in the sense that I was imagining this woman riding the subway and she’s on her early morning trip to her first nanny job and really thinking about who that woman is, why did she come to this country, what did she leave behind. … That’s when I started outlining and this is actually the first novel where somehow everything I wrote was against that outline.
BLADE: How did you know instinctively that was right?
DENNIS-BENN: I didn’t know it was right at all. I slept on it awhile. A lot of it came from being raised as a woman in Jamaica, it’s a society that tells you we ought to all want motherhood, that that’s the ultimate satisfaction. Well, so what about this woman who doesn’t really want that but has no choice? It took a lot of self reflection.
BLADE: How long did it take? I assume you balanced it with your teaching duties?
DENNIS-BENN: Right, exactly. Those rides on the ferry were in 2012 so really like seven years.
BLADE: How long did “Here Comes the Sun” take to write?
DENNIS-BENN: It was faster. I started it in 2010 and got my agent in 2014, so more like four years. It was quicker than “Patsy.”
BLADE: How disciplined did you have to be? Were there days your wife wanted to go to the mall or everybody else was on holiday but you forced yourself to write?
DENNIS-BENN: I did it when the mood struck. I was teaching as an adjunct so it was only like two days a week. So on the other days, I stayed home and worked on my books. My wife would be getting rady for work and she leaves around 9 a.m. so that’s when my writing day started and I’d write til about 4. But I didn’t adhere to that every single day, every week. Sometimes ideas would come or not come. Some days the characters would just not speak, so I’d take a little time to do normal things. I feel like living life a little bit, I absorb a lot. So I take myself to the museum, I meet up with friends and somehow gather a lot of energy by stepping away from the work.
BLADE: How long have you been teaching at Princeton?
DENNIS-BENN: A year. I started fall, 2018.
BLADE: What do you teach?
DENNIS-BENN: Creative writing, fiction.
BLADE: Is Joyce Carol Oates still there?
DENNIS-BENN: YEs, but I’ve not met her. I only teach there one day a week. I want to, but I haven’t had the chance.
BLADE: Are you familiar with her work?
DENNIS-BENN: Oh yes, definitely. There are so many people at Princeton working whose work I admire like Jhumpa Lahiri, she’s also there, Tracy K. Smith and Yiyun Li. I had to work on myself not to be star struck in the department.
BLADE: How many copies did you sell of “Here Comes the Sun”?
DENNIS-BENN: Um, I’m not sure. I know it did well. I’m actually only going by what my publishers have been telling me or my agent.
BLADE: But what’s considered successful for a debut hardcover novel?
DENNIS-BENN: I have no idea.
BLADE: Aren’t you curious?
DENNIS-BENN: I’m curious, yeah, but I don’t know. That’s a good question. I think for me … as a creative person, success is actually touching readers, so when I get a note through social media or somebody tells me they saw themselves on the page, that really is success for me.
BLADE: To what degree does being a lesbian inform your work any more or less, say, than being from Jamaica, being an immigrant or other aspects that inform your work?
DENNIS-BENN: I would say the same. I feel like an outsider in many ways — my sexuality, as a black woman, as a woman, as an immigrant, a working-class Jamaican, I felt like an outsider growing up all those things. But it gives you a vision where you can look down into that world and sketch it. Having been an outsider in Jamaica and America gives me the ability to write from those perspectives.
BLADE: How long have you been in the U.S.?
DENNIS-BENN: Twenty years now, since ’99. I came here for college when I was 17.
BLADE: What was your path to citizenship like?
DENNIS-BENN: My father came here undocumented, he married an American citizen and by doing that, he was able to get his naturalization. Then he was able to file for me and my siblings and we were able to come here on a green card. … I see myself as a lucky one, going to Cornell then on to graduate school. That’s a luxury for many people. Many people like my father came here driving taxis to support themselves and send money back home.
BLADE: Have you encountered any racism or homophobia from publishing industry gatekeepers?
DENNIS-BENN: Again, that’s a question I would need to ask my agent. She was more on the forefront of all of this. If there was, she probably absorbed it and didn’t relate it to me word for word. I had people say, “Oh, we’re unable to represent this book,” but no real solid reason. …. I have sometimes felt like my novels are puzzle pieces that don’t fit but that’s how I learned to embrace them.
BLADE: Was it difficult to find an agent?
DENNIS-BENN: I got a lot of rejection letters in grad school. My first agent was not on board with the dialect and we parted ways. I just knew there was no way I could have to Jamaicans speaking to each other in standard English, it just didn’t sound authentic. I knew if it was published like that, I wouldn’t be happy with the product. So I went back to the drawing board and I was really crushed but I took a year to revise my first book and started sending query letters. Three agents responded and one happened to be my current agent. She said she respected me as a writer and was behind what I was doing in my work. That was a huge relief to hear that.
BLADE: What are your dreams as an author? Do you plan to keep releasing novels?
DENNIS-BENN: Yes, definitely. You can get away with so much more with fiction. I get stressed out fact checking an essay for the New York Times, so I can’t imagine a 300-page memoir. I see myself continuing with fiction.
BLADE: Your piece about pregnancy in the Times was very candid. Were you wary of sharing so many personal details?
DENNIS-BENN: I never had any desire to be pregnant and it was something I always grappled with. Why do I feel this way? It was a similar feeling I had as a teenager coming out as a lesbian. Why do I feel this way? It’s not normal. But it turns out it’s absolutely normal and something a lot of women feel. I thought, “Wow, this is something in society we do not talk about as women.” We don’t have this maternal yearning, we must be bad people. That’s how “Patsy” was born.
BLADE: It seems you’re trying to do more than merely entertain your readers. What are your goals as a novelist?
DENNIS-BENN: I write for myself first. I write the kind of books I want to read. I never saw anybody, except Edwidge Danticat, write about immigrants and that desire to migrate somewhere for financial reasons. I was thinking about Patsy, this voluptuous nanny on the Upper West Side pushing babies around Central Park. Who is she? Mother, immigrant, religious — all those things that even myself as an author, I would have been pre-judging her but when you open a book or dissect Patsy, you see a completely different story. Here’s a woman who if she could afford it, would be at MIT studying programming. These are the things I wanted to put on the page.
Books
Pioneering gay journalist takes on Trump 2.0 in new book
Nick Benton’s essays appeared in Fall Church News-Press
Nicholas Benton is a well-known local LGBTQ advocate and journalist and the longtime owner and editor of the Falls Church News-Press, a weekly newspaper.
In his eighth book out now, Benton offers a new set of remarkable essays all crafted in the first eight months of Trump 2.0 and its wholesale effort at dismantling democracy and the rule of law. Most were published in the Falls Church News-Press, but he adds a new piece to this volume, as an addendum to his “Cult Century” series, revealing for the first time his experiences from decades ago in the political cult of Lyndon LaRouche, aimed at providing a clearer grasp of today’s Cult of Trump.
His “Please Don’t Eat Your Children” set takes off from the satire of Jonathan Swift to explore society’s critical role of drumming creativity out of the young.

Below is an excerpt from “Please Don’t Eat Your Children, Cult Century, and other 2025 Essays.”
Please Don’t Eat Your Children
In his famous short essay, “A Modest Proposal: For Preventing the Children of Poor People in Ireland From Being a Burden to Their Parents or Country and for Making Them Beneficial to the Public,” author and Anglican priest Jonathan Swift (1667-1745) uses cutting satire to suggest that cannibalism of the young might help solve a battery of social ills.
As we examine our broken society today, it seems to me that reflecting on Swift’s social critique can be quite useful. Now we face a nation filled with anger and division and there is little to suggest any real solutions other than insisting people “don’t do that!” We can start out with the observation that young children, left to their own, are neither hateful nor cruel. How do they get that way later on in their lives? What drives them toward such emotional states and behaviors? It is not a problem only for the margins of society, for the extreme misfits or troubled. It is defining the very center of our culture today. Our divisions are not the cause, but the result of something, and nobody is saying what that is.
Swift doesn’t say what it is in his biting little essay. But it is implied by a context of a lack of bounty, or poverty, on the one hand, and an approach to it characterized by obscenely cruel indifference, on the other. He coined the phrase “useless eaters” in defining his radical solution. In Hitler’s Germany, that term resonated through the death camps and some in our present situation are daring to evoke it again as the current administration pushes radical cuts in Medicaid funding.
But while that refers to the old and infirm, mostly, it is the young we are talking about here. The problem is that our society is structured to devour our young and as they begin to find that out, they rebel. Not in all cases is this the practice, of course. Where there is little or no lack, things are different. We nurture our young, as we should, and we love them. Lucky is the child who is born to parents who are of means, and in a community where nurture is possible and valued. But even such children are ultimately not immune from facing a destiny of pale conformity battered by tightly delimited social expectations and debt slavery. If they have enough ambition, education and doors opened for them, some can run the gauntlet with relative effectiveness. Otherwise, our young are raised to die on battlefields, or to struggle in myriad other painful social conflicts aimed at advancing the world of their elders. In the Bible, there is a great admonition against this process that comes at the very precondition for the tradition it represents that begins with Abraham.
It is in the book of Genesis at the beginning of the Biblical story when, as that story goes, God commanded Abraham to kill his son, Isaac, as a sacrifice. As Abraham is about to obey, God steps in and says no. The entire subsequent eons-long struggle to realize Abraham’s commission by God to make a great nation that would be a light to the world would have been cut short right then if Abraham had slain his own son. The message is that all of the Abrahamic traditions, Judaism, Islam and Christianity, owe their source, and in fact are rooted, in God’s command to reject the sacrifice of children to the whims of their elders. The last thousands of years can be best defined in these terms, where nurture is pitted against exploitation of our young with, at best, vastly mixed results. Scenes like that at the opening of “All Quiet on the Western Front,” the World War I novel and film where a teacher rallies a classroom full of boys to enlist in the war, is bone chilling. Or, the lyric in Pink Floyd’s iconic song, Comfortably Numb, “When I was a child, I caught a fleeting glimpse out of the corner of my eye. I turned to look but it was gone. I cannot put my finger on it now. The child is grown, the dream is gone.”
Nick Benton’s new book is available now at Amazon.
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Books
New book highlights long history of LGBTQ oppression
‘Queer Enlightenments’ a reminder that inequality is nothing new
‘Queer Enlightenments: A Hidden History of Lovers, Lawbreakers, and Homemakers’
By Anthony Delaney
c.2025, Atlantic Monthly Press
$30/352 pages
It had to start somewhere.
The discrimination, the persecution, the inequality, it had a launching point. Can you put your finger on that date? Was it DADT, the 1950s scare, the Kinsey report? Certainly not Stonewall, or the Marriage Act, so where did it come from? In “Queer Enlightenments: A Hidden History of Lovers, Lawbreakers, and Homemakers” by Anthony Delaney, the story of queer oppression goes back so much farther.

The first recorded instance of the word “homosexual” arrived loudly in the spring of 1868: Hungarian journalist Károly Mária Kerthbeny wrote a letter to German activist Karl Heinrich Ulrichs referring to “same-sex-attracted men” with that new term. Many people believe that this was the “invention” of homosexuality, but Delaney begs to differ.
“Queer histories run much deeper than this…” he says.
Take, for instance, the delightfully named Mrs. Clap, who ran a “House” in London in which men often met other men for “marriage.” On a February night in 1726, Mrs. Clap’s House was raided and 40 men were taken to jail, where they were put in filthy, dank confines until the courts could get to them. One of the men was ultimately hanged for the crime of sodomy. Mrs. Clap was pilloried, and then disappeared from history.
William Pulteney had a duel with John, Lord Hervey, over insults flung at the latter man. The truth: Hervey was, in fact, openly a “sodomite.” He and his companion, Ste Fox had even set up a home together.
Adopting your lover was common in 18th century London, in order to make him a legal heir. In about 1769, rumors spread that the lovely female spy, the Chevalier d’Éon, was actually Charles d’Éon de Beaumont, a man who had been dressing in feminine attire for much longer than his espionage career. Anne Lister’s masculine demeanor often left her an “outcast.” And as George Wilson brought his bride to North American in 1821, he confessed to loving men, thus becoming North America’s first official “female husband.”
Sometimes, history can be quite dry. So can author Anthony Delaney’s wit. Together, though, they work well inside “Queer Enlightenments.”
Undoubtedly, you well know that inequality and persecution aren’t new things – which Delaney underscores here – and queer ancestors faced them head-on, just as people do today. The twist, in this often-chilling narrative, is that punishments levied on 18th- and 19th-century queer folk was harsher and Delaney doesn’t soften those accounts for readers. Read this book, and you’re platform-side at a hanging, in jail with an ally, at a duel with a complicated basis, embedded in a King’s court, and on a ship with a man whose new wife generously ignored his secret. Most of these tales are set in Great Britain and Europe, but North America features some, and Delaney wraps up thing nicely for today’s relevance.
While there’s some amusing side-eyeing in this book, “Queer Enlightenments” is a bit on the heavy side, so give yourself time with it. Pick it up, though, and you’ll love it til the end.
The Blade may receive commissions from qualifying purchases made via this post.
Books
A history of lesbian workarounds to build family
Fighting for the right to have and raise kids
‘Radical Family: Trailblazing Lesbian Moms Tell Their Stories’
Edited by Margaret Mooney
c.2025, Wisconsin Historical Society Press
$20/150 pages
You don’t have a white picket fence with an adorable gate.
The other parts of the American Dream – the house in the suburbs, a minivan, and a big backyard – may also be beyond your reach. You’ve never wanted the joyous husband-wife union, but the two-point-five kids? Yeah, maybe that’s possible. As in the new book “Radical Family,” edited by Margaret Mooney, it’s surely more so than it was in the past.

Once upon a time, if a lesbian wanted to raise a family, she had two basic options: pregnancy or adoption. That is, says Mooney, if she was willing to buck a hetero-centric society that said the former was “selfish, unnatural and radical” and the latter was often just simply not possible or even legal.
Undaunted, and very much wanting kids, many lesbians ignored the rules. They built “chains” of women who handed off sperm from donor to doctor to potential mother. They demanded that fertility clinics allow single women as customers. They wrote pamphlets and publications aimed to help others become pregnant by themselves or with partners. They carefully sought lesbian-friendly obstetricians and nurses.
Over time, lesbians who wanted kids were “emboldened by the feminist movement and the gay and lesbian rights movement” and did what they had to do, omitted facts when needed, traveled abroad when they could, and found workarounds to build a family.
This book tells nine stories of everyday lesbians who succeeded.
Denise Matyka and Margaret McMurray went to Russia to adopt. Martha Dixon Popp and Alix Olson raised their family, in part and for awhile in conjunction with Popp’s husband. Gail Hirn learned from an agriculture publication how to inseminate herself. MC Reisdorf literally stood on her head to get pregnant. Mooney says that, like most lesbian parents then, she became a mother “without any safety nets…”
Such “struggles likely will feel familiar as you read about [the] desire to become parents…” says Mooney. “In short, these families are ordinary and extraordinary all at once.”
In her introduction, editor Margaret Mooney points out that the stories in this book generally take place in the latter part of the last century, but that their relevance is in the struggles that could happen tomorrow. There’s urgency in those words, absolutely, and they’re tinged with fear, but don’t let them keep you from “Radical Family.”
What you’ll see inside these nine tales is mostly happy, mostly triumphant – and mostly Wisconsin-centric, though the variety in dream-fulfillment is wide enough that the book is appropriate anywhere. The determination leaps out of the pages here, and the storytellers don’t hide their struggles, not with former partners, bureaucracy, or with roadblocks. Reading this book is like attending a conference and hearing attendees tell their tales. Bonus: photos and advice for any lesbian thinking of parenthood, single or partnered.
If you’re in search of positive stories from lesbian mothers and the wall-busting they did, or if you’ve lived the same tales, this slim book is a joy to read. For you, “Radical Family” may open some gates.
The Blade may receive commissions from qualifying purchases made via this post.
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