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Salon Roi entrepreneur Roi Barnard reflects on five decades in business

Stylist recalls AIDS epidemic — and Marilyn’s calming presence

Published

7 years ago

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Roi Barnard, gay news, Washington Blade
Roi Barnard on the roof of his business Salon Roi. (Washington Blade photo by Michael Key)

For some — perhaps gay men disproportionately — the draw of a grand staircase is irresistible. Especially if one has logged much time in square-footage-starved city quarters. 

Roi Barnard looks proudly around his eponymous salon at the staircase and wall beside it decorated in images of Marilyn Monroe. 

“Fifty years I’ve been walking that staircase like Carol Burnett,” he says. “The staircase first sold me on this location. The shop can be whatever you want it to be. It can be elegant because of the staircase. It’s unique and they’re disappearing.”

Roi Barnard (Washington Blade photo by Michael Key)

Barnard still works at Salon Roi, though he sold it 12 years ago and has recently cut back his hours since a heart attack. It celebrated its 50th anniversary in business at the same location this month (Aug. 9). Ten years in, the Marilyn mural was created. Now an official D.C. landmark, she’s about to be refurbished. Barnard is celebrating the milestone with the publication of his book “Mister, are you a Lady?” A documentary is also being planned. 

Still, it’s Marilyn’s face just as much as his clients who continue to inspire him. 

“I first saw her in ‘The Asphalt Jungle’ when I was 10,” he says after having his picture taken in front of her mural painted on his roof. “I remember thinking how sad she looked despite her smile. Like me back then. After she died, I wanted to bring her with me. Now she lives on here.” 

For Barnard, the movie legend is more than a mere decorative element. He sometimes speaks of her as if she’s still around. 

“We’re going out on the roof for a picture with Marilyn,” Barnard says as he’s halfway out the bathroom window. “Come join us.”

It’s hard to believe this nimble 81-year-old survived not only ’70s excesses, the ’80s AIDS crisis and various waves of conservatism, but also a recent heart attack. He says he did it with his salon and a little help from his friends. 

Roi Barnard (Washington Blade photo by Michael Key)

“They’re my family,” Barnard says of his clients and staff. “And those who have been with me from the beginning, we’ve survived a lot. You can see it in their eyes.”

“I would say one part of the attraction of working here for me is not only the beauty of the building but also the family aspect,” says Zakiya St. Rose, a bisexual 28-year-old aesthetician at Salon Roi. “Everyone in my book (of clients) feels loved and cared for, and that’s a part of Roi’s legacy.”

Salon Roi, an upscale salon inside a cozy Woodley Park townhouse, began its life in 1969 as Charles the First, the unisex brainchild of Barnard and his former partner, Charles Stinson. 

“We were co-owners and lovers,” Barnard says. “The late ’60s and early ’70s were so incredibly wild. Be glad you weren’t there then because you probably wouldn’t be here now. Times were that wild.”

While Barnard was in a stable relationship and didn’t do drugs, he did enjoy diamond earrings, long fur coats and driving a gold Rolls Royce to Studio 54 on weekends with Stinson. At discos, they would go out on the dance floor and throw up cards in the air granting one free haircut like cost-effective wishes.

“That’s how we got them in,” he says. “We had a big house off 16th street with a big Marilyn Monroe swimming pool. Charles and I were so public and so out there. I was just coming off a fashion modeling career and we were not afraid.”

Still, he remembered challenges, even from gay folks.

“Gay people were afraid of us back then. We had a better time in the straight community,” Barnard says, frowning. “The gay community liked us but were afraid of us because we were out and they could get fired back then, especially if they worked for the federal government.”

Barnard remembers those pre-Stonewall times when, ”We had to hide everything.”

He remembers paying to go to a private party to meet other gay men and a half-hour after he left, it was raided by police. Some of the men he knew had their names printed in the paper and “they were told not to come back to work. They lost everything.”

He and Stinson each married lesbians because, “that was what you did at the time.” But times changed and a taste of freedom led to men wanting more, both gay and straight. 

“Half my clientele are straight men,” Barnard says. “They love being pampered. Before the ’60s and ’70s, men didn’t have much choice when they went to the barber. Then suddenly they had a lot more freedom in how to wear their hair. And one cookie leads to a whole box.”

This new desire for freedom led Barnard and Stinson to open a unisex salon. One goal was to spread the love to government workers. Their client lists grew from federal workers to senior officials. 

“Why couldn’t we help both men and women?” Barnard says. “Hair is hair. But it caused quite a media frenzy at the time. You see, women went to beauty parlors and men went to barber shops and the twain shall not meet.”

So Barnard and Stinson bucked convention and opened their shop to everyone, but not without controversy.

Barnard recalls being a guest of Maury Povich on D.C.’s “Panorama” and being asked to name-drop his more exclusive clients. He refused. Later, the secretary of defense stopped by his salon to thank him personally. Barnard’s stylists took care of the secretary’s entire family and to this day he is proud to serve the grandchildren of the first children he styled. 

“The children saved us,” he says, memories of the AIDS crisis giving him a haunted look.

The repression of the ’50s gave way to the freedom of the ’60s and the flamboyance of the ’70s, but the crisis of the ’80s threatened to take that all away.

“Everybody was scared,” Barnard says. “In those early days people were getting sick, a lot of people, and we didn’t know what was going on. People were losing their shops.”

He seemed unable to shake the fear of the time. 

“We still have the same eyes. I can see the ravages of war in the eyes of the girls who survived it with me. I lost five gay male hairdressers — major hairdressers,” Barnard says. “They were up-and-comers. Rising stars. I was mentoring them to open their own shops one day because that is what you do. But then suddenly they got sick and were gone. All of them. Gone.”

He says what happened in his shop happened in many shops in many other cities all over the country. Barnard jokes that before the crisis the term “gay hairdresser” was redundant but afterward, women took control of the industry because they had to. 

“We were hit hard in those days,” he says. “Robin Weir, who used to do Nancy Reagan’s hair, had a big salon on P Street. Maybe 25 or 30 hairdressers. He came to say goodbye. So many salons were closing and the owners coming to say goodbye to me.”

He describes how the crisis worsened and how salons started to look like hospital wards as sick stylists kept working despite losing their eyesight, getting tired and having to conceal blotches on their skin. 

“No one knew they were dying back then,” Barnard says. “No one knew what was going on. They were just desperately trying to get through their day. You know when you get sick you think you’ll get better and that there is a better day coming, but it didn’t come. For some it never came.”

To help his business survive, Barnard had to make two tough decisions. One was to get an instructor’s license and train all the female assistants “to the once-pompous boys” to do hair. 

“Not a single girl got sick,” Barnard says. “It was do that or lose the shop.”
The other was to leave Stinson and buy out his stake in the shop. 

“I thought drugs were changing Charles,” Barnard says. “Not a brain tumor caused by AIDS.”

Stinson, Barnard says, was becoming increasingly unstable toward his staff, his clients and his partner. Barnard had to take action, though now older and post-heart surgery he looks back with regret. 

“I should have taken him in,” he says looking around the nail room. “I could have let him work here while we watched over him and took care of him. We shouldn’t have left him alone.”

In those early days of the crisis, before Stinson knew he was sick, both he and Barnard were invited to Georgetown University to explain what they knew about gay life. The goal was to learn what about their “lifestyle” was filling the hospital wards with men who should be in the prime of their lives. 

“Our secrets were killing us,” Barnard says. “So I told them. I told what I knew.”

Barnard and Stinson took straight but intellectually curious doctors to gay bars around town and told of back rooms where sketchy sex could be had easily “in pitch dark with five, 10 men.” 

“At one bar a homeless man walked in off the street,” Barnard says, wrinkling his nose at the memory. “And right into that back room. Even if they couldn’t see him, which was a blessing, they had to be able to smell him, right?”

Barnard’s squeamishness may have saved his life.

He and Stinson introduced the doctors to Jim Graham, the director of a little walk-up clinic on 18th street called Whitman-Walker. Gay men frequented the clinic to treat “VD” or venereal diseases, now called STIs or sexually transmitted infections. 

“Jim didn’t like me telling them our secrets,” Barnard says, shaking his head. “But they had to know. We were dying.”

Back rooms began to close, but Barnard felt he needed to do more so he took his styling scissors on the road. He started doing hair for sick young men to help them feel beautiful again. He also joined DIFA, the Designing Industry Fighting AIDS. 

But like war nurses who suffer their own forms of PTSD, seeing the constant death began to take its toll. 

“One of my beautiful young friends got sick,” Barnard says. “He had these purple spots all over his face. His flesh just hung from him. His skin …”

Barnard was there to cut his friend’s hair but, “I just couldn’t do it.”

“I excused myself to sit alone on his front porch and check in with myself asking, ‘Can I do this? God, please help me.’ I finally told him, ‘I think I’m OK now. I just need some water.’ He asked me, ‘I look that bad?’ And I said, ‘Oh buddy, yeah. Yeah, you do.’”

Barnard styled his hair and warned his friend to take a picture and send it to his family before inviting them out to see him. 

Stinson’s condition deteriorated to the point where he wouldn’t last long. Barnard sent him to a friend connected with the Salk Institute for Biological Studies in California. Once known for developing a safe polio vaccine, the institute was now battling AIDS. Though well treated, Stinson would be experimented on before succumbing to the disease. 

“Over 300 people came to his funeral,” Bernard says. “Kindness came through.”

As the public learned more about the disease and the death toll eased, business slowly recovered at Salon Roi. 

“The fact that we were child-friendly saved us,” he says. “Our children in the ’80s didn’t know about AIDS. They were babies. They are still coming today with their babies.”

The business has now expanded with a spa and other services. Most of the staff still consists of women, but Barnard notes young gay men are returning to the field. Some of the old flair from the ’70s is starting to return as well. 

“Now, there is a boy who works here and is extremely flamboyant,” Barnard says. “But he has no idea what we went through before. The lifestyle had to come way down because of the backlash due to the AIDS crisis. But we came through. We survived.”

Roi Barnard says the undulations he and his business have been through in five decades would be unfathomable to Millennial or Gen Z gays. (Washington Blade photo by Michael Key)
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Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

Published

5 days ago

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July 29, 2026

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Lily Erin, one of Rainbows in Revolt’s signature artists, performed at Capital Pride in June. (Photo courtesy of Rainbows in Revolt)

Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!

The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?

There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?

Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.

The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.

Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.

Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.

In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.

I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.

Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.

Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.

A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.” 

Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”

The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.

Rainbows in Revolt is just getting started bridging gaps and building community.

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Summer in the City: Free exhibits, movies, more fill D.C.’s calendar

America 250 celebrations continue

Published

1 week ago

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July 26, 2026

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Cynthia Erivo and Ariana Grande star in ‘Wicked,’ screening Sept. 12 at Union Market. (Photo courtesy of Universal Pictures)

From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.

Museum exhibitions

The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free. 

The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.

The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.

The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.

Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.

The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.

At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.

The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.

The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3. 

Live performances

On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game. 

Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.

From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.

Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances. 

DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace. 

Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.

Other events

Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.

Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary. 

The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.

For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.

Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.

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Summer in D.C. brings sports, Restaurant Week, festivals, and more

Published

2 weeks ago

on

July 23, 2026

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Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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