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Blade’s 50-year history reflects struggles, advances of LGBT community
‘Paper of record’ chronicled police entrapment and blackmail, AIDS epidemic, marriage
In its 50-year history, the Washington Blade has covered news for the LGBT community that has reflected dramatic advances as well as struggles ranging from workplace discrimination and attempts at blackmail to the AIDS epidemic and the achievement of marriage equality, establishing the Blade’s reputation as the LGBT newspaper of record.
In its very first issue in October of 1969 as a one-page monthly newsletter called “The Gay Blade,” the paper reported on the 1960s era fear of blackmail and the possibility of being fired from a government job because of one’s sexual orientation.
“Warning to Dupont Circle people,” the first issue states in its third story. “Cars seen too frequently in the Circle area are having their license numbers taken down; their owners later are being harassed and blackmailed.”
That same first issue included articles on pioneering gay rights activist Frank Kameny being available to provide help for gays or lesbians subjected to a security check by their employer, the formation of the Gay Liberation Front in New York City, and the launching by the Gay Blade of a gay roommate referral service.
Fifty years later, the now weekly Washington Blade has a correspondent accredited to cover the White House and presidential news conferences and an editor-reporter who frequently travels abroad to cover international LGBT news.
Since September 1995, the Blade has been available online through its website, enabling it to publish breaking LGBT news on a daily and even an hourly basis.
The Blade’s founding editors in October 1969 were Nancy Tucker, a lesbian, and Bart Wenger, a gay man who at the time went by the name Art Stone. Both had been members of the Mattachine Society of Washington, the first D.C. gay rights organization of note co-founded by Kameny.
Tucker and Wenger have said in subsequent years that although they supported the work of the Mattachine Society, they wanted to launch, four months after the Stonewall riots in New York, an independent news publication to provide needed information for D.C.’s then fledgling gay rights movement.
It was Kameny, Tucker told the Blade years later, who convinced her to help produce the new publication.
“It filled a clear need right from the get-go – and it has been that way ever since,” Kameny recalled in an October 2009 interview with the Washington Blade, two years before his passing in 2011.
Tucker, who later moved to Albuquerque, N.M., has said several people were involved in producing the Blade’s first issue, including Martha Taylor, her partner at the time, who operated a mimeograph machine that printed the first 500 copies of the paper.
But she said many of the people that helped produce and distribute the first issue and the next few issues withdrew from participation a short time later, leaving only a small “staff,” all of whom were volunteers.
“It eventually came down to my doing all of the writing, most of the news work, some of the distribution, all of the advertising selling – and Bart did some of the distribution and let me know what news tips that he came up with,” Tucker said.
She said she knew the Blade was becoming influential because LGBT people were using the Blade to publicize the activities of their organizations or businesses.
“I have a profound belief that it contributed to really the creation of the gay community in Washington,” Tucker said. “It helped publicize various bars and businesses and stuff as they opened.”
In July 1973, Tucker announced she was stepping down from her role as editor and publisher of the Blade and issued a call for interested parties to assume control of the then newsletter. Lesbian activist Pat Price, who used the pseudonym Pat Kolar, answered that call and became the new editor and publisher.
Although she and others who began to write for the Blade used pseudonyms, their names appearing in the paper marked the first time stories contained bylines. A little over one year later in November 1974 the Blade ended its newsletter size page and began publishing as a standard tabloid format on newsprint paper. Also in November 1974 the paper moved into its first offices at 1724 20th St., N.W. in Dupont Circle.
In December 1974, Joseph Crislip, who began writing for the Blade one month earlier under the pseudonym Christian Deforrest, assumed the position of Blade editor and “coordinator” of its business operations. In November 1975, under Crislip’s leadership, the Gay Blade officially changed its name to the Blade and incorporated as a nonprofit corporation called Blade Communications, Inc.
In early 1977, shortly after the Blade had moved to a two-room suite on the 2400 block of Pennsylvania Avenue, N.W, a gay activist who had recently moved to D.C. from Buffalo, N.Y. named Don Michaels showed up at a Blade volunteer meeting. It was the start of Michaels’ 24-year association with the Blade in which he would eventually become publisher and oversee the Blade’s growth in size and status to become one of the nation’s major LGBT publications.
According to a detailed account of the Blade’s history by D.C.’s Rainbow History Project, in 1978 Michaels became managing editor while Crislip retained the position of publisher. That same year, in November, the Blade changed from operating as a monthly to a bi-weekly newspaper in response to the growth in its readership and advertising.
In October 1980, the Blade reincorporated into a for-profit, employee-owned business and changed its name to the Washington Blade. By early 1982 Michaels assumed the position of publisher succeeding Crislip, and as the paper continued to grow, the decision was made to become a weekly. Steve Martz, who joined the Blade a few years earlier in the advertising department, became managing editor and Lisa Keen, who started at the Blade in 1979 as a freelance reporter, became assistant editor.
From several years prior to that time up until 2001, the Blade had moved to several different locations, including 930 F St., N.W., an office building that became home on its first floor to the 9:30 Club; and later to a small office building at 724 9th St., N.W. It was during that time, around 1984 that Martz left the Blade and Keen assumed the role as top editor, which eventually was given the title of executive editor while Michaels continued as publisher.
In 1992, the Blade moved to 1408 U St., N.W., in the city’s newly developing “U Street corridor” that quickly evolved into an entertainment district. One year later, in April 1993, coinciding with the 1993 LGBT March on Washington that brought tens of thousands to the nation’s capital, the Blade published its largest issue to date, containing 216 pages.
In 1995, the Blade launched its website, WashingtonBlade.com, further expanding its ability to cover breaking LGBT news on a daily basis.
In May 2001, a gay-owned media company named Window Media that also owned the Southern Voice LGBT newspaper in Atlanta, purchased the Blade. William Waybourn, one of its principal owners, became the Blade’s new publisher and Chris Crain, another Window Media owner, became the Blade’s executive editor.
Michaels, Keen, and others on the Blade’s editorial and management leadership team left the Blade at the time of the sale. In 2006, Waybourn and Crain left the Blade to pursue other endeavors.
Crain was succeeded as executive editor by Kevin Naff, who remains the Blade’s editor today. In December 2007, Lynne Brown, who had worked for many years on the Blade’s advertising team, was named Blade publisher.
“It’s been a privilege to edit the Blade and help preserve its legacy of quality journalism as we’ve navigated the challenges facing the entire newspaper industry,” said Naff.
The Blade relocated from U Street to the National Press Building at 14th and F Street, N.W. in February 2008, bringing it to a location where many of the nation’s most prestigious news media outlets had their Washington news bureaus.
But less than two years later, in November 2009, Window Media’s parent company filed for Chapter 7 bankruptcy, resulting in the shutdown of the Blade and the other LGBT publications owned by Window Media. However, just four days later, the Blade’s staff, which banded together as volunteers, took the extraordinary step of creating a temporary replacement for the Blade called the D.C. Agenda and published its first issue.
Through financial support from loyal advertisers and readers, the former Blade staffers continued to publish the D.C. Agenda as a weekly placeholder until former publisher Brown, former editor Naff, and the Blade’s former advertising executive, Brian Pitts, formed a business partnership that purchased the Blade’s assets from the bankruptcy court.
The three partners created a new parent company, Brown Naff Pitts Omnimedia, and relaunched the Washington Blade brand in April 2010. The new company opened its offices at 1712 14th St., N.W., the Blade’s current headquarters.
In October 2010, the Washington Blade Foundation, a new 501(c)3 nonprofit organization, was formed to raise money to digitize the full Blade archives. In January 2011, Brown Naff Pitts Omnimedia launched a new business unit, Azer Creative as a boutique marketing firm. And in March 2017, BNPO launched the Los Angeles Blade, a sister LGBT newspaper headed by publisher Troy Masters and veteran journalist Karen Ocamb as news editor.
Recollections by former Blade leaders
“I still live in D.C. and treasure a 45+ year relationship with John Yanson, who in the early days of the Blade was the staff photographer,” Michaels said when asked what he’s been doing since leaving the Blade. He and Yanson also spend time in San Diego, Calif., where they own a condo, he said.
Michaels was quick to reply to the question of what he most remembers about the Blade during his years working there.
“How eager our community was for a publication that focused on news and features rather than sexually oriented content,” he said. “Our approach attracted many really dedicated staffers who worked hard and tirelessly to make the paper grow from those 24-page monthly editions way back when into a well-regarded weekly newspaper of record.”
Keen, who had worked on the Blade staff for 20 years before leaving in 2001 as executive editor, said her years at the paper left a lasting impression.
“I remember a team of really dedicated colleagues and intensely loyal readers,” she said. “Don Michaels articulated a vision of the paper as one that would strive to meet professional standards and serve the LGBT community,” said Keen.
“People who joined the staff shared that vision and commitment at a time when working at a ‘gay paper’ was very likely to diminish one’s future employment prospects,” she said. “They were courageous and tough as nails, fun and funny, talented and reliable.”
Keen said she and her spouse, Sheilah McCarthy, currently live in Wellesley, Mass., where Keen has been covering national legal and political news for several LGBT news outlets around the country, including her own KeenNewsService.com. The couple is raising a 15-year-old son, Sam Keen.
Former publisher Waybourn said he and his partner maintain a D.C. residence but spend most of their time in Virginia’s Shenandoah Valley. They own several businesses, including the Long View Gallery in D.C.
“It was a great time to be involved in D.C. media,” Waybourn said in discussing his tenure at the Blade. “I loved working with the staff and individuals I met through community groups and organizations, and still maintain friendships with the individuals I met through the Blade.”
Crain, the former executive editor, said he and Waybourn “look back with great pride” on the years the two worked at the Blade. He said their acquisition of the Blade in 2001 through Window Media took place “at the height of prominence in LGBTQ media” and enabled them to work with “a wonderful and talented staff to expand the paper’s local coverage, improve its production quality, grow its advertising base and dramatically increase its presence on the internet.”
Crain said by the mid-2000s the Blade was “facing the same challenge as print publications everywhere” such as the loss of classified advertising to the internet. But he said the Blade nevertheless remained profitable, even at the time after he and Waybourn left and the Window Media parent company declared bankruptcy.
“We were greatly pleased that the staff took up the mantle to carry on the Blade’s rich history, and we join in celebrating this terrific milestone,” Crain said.
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Introducing the Torchbearers Awards honoring queer, trans women and nonbinary people
Meet the Legends and Illuminators lighting new paths
The Torchbearers Awards are more than recognition—they are a continuation of legacy. They honor the quiet architects of progress in our community: those who organize, advocate, build, and protect, often without fanfare but always with purpose. Rooted in a belief in intentional recognition, this honor names those who carry our movements forward—those who make room for others, who remind us that change is both generational and generative. In a time marked by uncertainty and challenge, these leaders push forward with courage, clarity, and an unwavering commitment to expanding opportunity and equity.
This year’s honorees reflect the full breadth of our community, spanning generations, backgrounds, identities, and industries. From Legends, with decades of leadership and having created pathways for others, to Illuminators, who are lighting new paths with creativity and innovation, each Torchbearer represents the power of intergenerational leadership and the strength found in our diversity. They are organizers, advocates, artists, policy leaders, healers, and changemakers whose lived experiences shape a shared vision for equity and liberation.
This award is our love letter to queer and trans women and nonbinary people who carry the flame when it would be easier to let it dim. To those who consistently show up, who use their voice and visibility and stand firm, often without recognition, so that others may live more freely and fully. The Torchbearers Awards celebrates not just what has been done, but the enduring spirit, responsibility, and collective care that ensure the work continues, and that the flame is always passed forward.
Co-Creators of the Torchbearers Awards: Shannon Alston, June Crenshaw, Heidi Ellis
Torchbearers Awards Advisory Board: Aditi Hardikar, Lesley Bryant, Jasmine Wilson-Bryant, Stephen Rutgers
ILLUMINATOR AWARDEES
- Representative Sharice Davids (she/her), (D, KS-03)
— U.S. House of Representatives - Greisa Martinez Rosas (she/her/ella)
— Executive Director, United We Dream - Paola Ramos (she/her)
— Journalist & Correspondent - Meagan A. Fitzgerald (she/her)
— Journalist & Correspondent - Jessica L. Lewis (she/her)
— Founder / Producer, Play Play DC - Savannah Wade (she/her)
— Founder, OAR Agency - Suhad Babaa (she/her)
— Filmmaker/ Former Executive Director of Just Vision - Ashlee Davis (she/her)
— Global Head of Inclusive Outcomes, Ancestry - Jazmine Hughes (she/her)
— Journalist and Former Editor at New York Times Magazine - Queen Adesuyi (she/they)
— Policy Advisor & Organizer, ReFrame Health & Justice - Michele Rayner, Esq. (she/her)
— Civil Rights Attorney, State Representative (Florida House of Representatives) - Gaby Vincent (she/her)
— Sports/Cultural Commentator and Community Leader - Jenny Nguyen (she/her)
— Founder & Owner, The Sports Bra - Denice Frohman (she/her)
— Independent Artist, Poet / Performer - Vida Rangel (she/her)
— Founder, Our Trans Capital - Roxanne Anderson (they/them)
— Executive Director, Our Space - Ann Marie Gothard (she/her)
— Co-Founder & President, Pride Live (Stonewall National Monument Visitor Center) - Diana Rodriquez (she/her)
— Co-Founder & CEO, Pride Live (Stonewall National Monument Visitor Center) - Wendi Cooper (she/her)
— Founder / Executive Director, Transcending Women - Toya Matthews (she/her)
— City of San Antonio, Texas - Mayor Gina Ortiz Jones (she/her)
— Sports/Cultural Commentator and Community Leader - Charity Blackwell (she/her)
— Poet, LGBTQ Advocate & Community Leader - Wilhelmina Indermaur (she/her)
— Director of Communications, Tyler Clementi Foundation - Em Chadwick (she/her)
— CMO, For Them & Autostraddle - Kylo Freeman (they/he)
— CEO, For Them & Autostraddle
LEGEND AWARDEES
- Sheila Alexander-Reid (she/her)
— Executive Director, PHL Diversity, Philadelphia Convention & Visitors Bureau - Cassandra Cantave Burton (she/her)
— Interim Director of Thought Leadership & Senior Research Advisor, AARP - leigh h. mosley (she/her)
— Photographer / Educator, PhotoFlo Photography - Jenn M. Jackson, PhD (they/them)
— Assistant Professor of Political Science; Author & Columnist, Syracuse University - Jordyn White (she/her)
— COO, Washington Prodigy / VP of Leadership Development & Research, HRC Foundation - AJ Hikes (they/them)
— Deputy Executive Director, ACLU - RaeShanda Lias (she/her)
— Digital Creator, RL Lockhart - Donna Payne-Hardy (she/her)
— Educator, EEO Specialist, Founder of NBJC, Former Leader at the Human Rights Campaign - Courtney R. Snowden (she/her)
— Principal, Blueprint Strategy Group - Gaye Adegbalola (she/her)
— Musician & Activist, Musician / Inductee of the Blues Hall of Fame - Cheryl A. Head (she/her)
— Independent Author, Novelist (Crime Fiction) - Letitia Gomez (she/her)
— The American LGBTQ+ Museum, Board Chair - Lynne Brown (she/her)
— Publisher, Washington Blade - Shay Franco-Clausen (She/Her/Ella/Queen)
— Political Strategist and Organizer - Melissa L. Bradley (she/her)
— Founder & Managing Partner, New Majority Ventures - Meghann Burke (she/her)
— Executive Director, NWSL Players Association - Victoria Kirby York, MPA (she/they)
— Director of Public Policy & Programs, National Black Justice Collective - Joli Angel Robinson (she/her)
— CEO, Center on Halsted - Jeannine Frisby LaRue (she/her)
— CEO, Moxie Strategies - Alice Wu (she/her)
— Film Director (Saving Face, The Half of It) / Screenwriter - Storme Webber (she/her)
— Interdisciplinary Artist / Educator, University of Washington - Kim Stone
— CEO of the Washington Spirit, Washington Spirit - Mickalene Thomas
— American Visual Artist, Mickalene Thomas Studio - Erika Lorshbough (any/they/she)
— Executive Director, interACT - J. Gia Loving (she/ella)
— Co-Executive Director, GSA Network
a&e features
D.C. springs back to life with new, returning events
Cherry blossoms, Rehoboth season kickoff, and more on tap
Longer and warmer days are back meaning: It’s time to get out of the house and enjoy Washington D.C.’s many events. Below are a few to check out this spring.
The National Museum of Women in the Arts will host “Making their Mark: Works from the Shah Garg Collection” until Sunday, July 26. This exhibition illustrates women artists’ vital role in abstraction, considers historical contributions, formal and material breakthroughs and intergenerational relationships among women artists over the last eight decades. For more details, visit. NMWA’s website.
Art in the Attic will host a pop-up on Saturday, March 14 at 6 p.m. at 1012 Madison St., Alexandria, Va. There will be a variety of vendors selling products across different modes of art. For more details, visit Eventbrite.
Play Play will host “Indoor Recess – The art of play” on Sunday, March 15 at 2 p.m. This event will embody classic recess energy, including opportunities to build and experience community and connections through games, movement, art stations, and creative freedom. Tickets are $12.51 and can be purchased on Eventbrite.
Spark Social will host “Gay Bar Crawl on U Street” on Friday, March 20 at 7:30 p.m. This will be a fun night out in gay D.C. with other gay people, whether you’re visiting D.C., new to the area, or just looking to expand your social circle. Many crawlers have formed lasting friendships and even romantic relationships after just one night out. Tickets are $35.88 and are available on Eventbrite.
Creative Suitland Arts Center will host “EFFERVESCENT: House of Swann” on Saturday, May 30 at 7 p.m. This will be a gay, good time where we will celebrate love, joy, wellness, and visibility for the LGBTQIA+ community. Tickets start at $17.85 and can be purchased on Eventbrite.
SWAG Works DC will host “Unapologetically Her” on Saturday, March 14 at 2 p.m. at 701 E St., S.E. This event is a powerful celebration of womanhood, resilience, creativity, and self-expression in honor of Women’s History Month. This all-women exhibition highlights the diverse voices, stories, and artistic perspectives of women who create boldly, live authentically, and stand confidently in their truth. This event is free and more details are available on Eventbrite.
9:30 Club will host “Gimme Gimme Disco: A Dance Party Inspired by ABBA” on Saturday, March 14 at 6 p.m. There will also be a “Donna Summer Power Hour – The Queen of Disco” segment during this event. It’ll be one hour of music with no skips. Tickets are available on 9:30 Club’s website.
Harder Better Faster Stronger will host “Heated Rivalry Rave” on Friday, March 20 at 9 p.m. at Howard Theatre. This event is open to all ages. Tickets are available on the theater’s website.
CAMP Rehoboth hosts its 25th annual Women’s+ FEST, April 9-12 in Rehoboth Beach, Del. Entertainers include headliner Mina Hartong, a comedian, storyteller, and founder of Lez Out Loud; and singer Yoli Mayor. There are dances, dinners, pickleball, and much more. Details and tickets at camprehoboth.org.
Also in Rehoboth Beach, the Washington Blade’s 19th annual Summer Kickoff Party is set for Friday, May 15 featuring Ashley Biden, who will accept an award on behalf of her brother Beau. State Rep. Claire Snyder-Hall will also speak. More speakers and the venue to be announced soon.
The annual D.C. Cherry Blossom Festival kicks off March 21 at DAR Constitution Hall and culminates with Petalpalooza on April 4, the day-long, outdoor street party with music and art, stretching across Navy Yard, and ending with fireworks over the Anacostia River.
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‘Queer Eye’ star Dorriene Diggs on life before and after appearing on hit show
Emotional January episode highlighted 40-year love affair with partner
Dorriene Diggs, 70, whose 40-year relationship with her domestic partner, Diane until Diane’s passing in 2020, the couple’s tense relationship with their respective parents, and Dorriene’s current living arrangement with her straight sister Jo, were the focus of a final season episode of the popular TV series “Queer Eye.”
In a recent interview with the Washington Blade, Diggs told of how her appearance on the show has impacted her life. She elaborated on the many aspects of her life experiences that she told to the five “Queer Eye” co-hosts who interviewed her and her sister in their D.C. home.
Although her parents and her partner’s parents, who have since passed away, were not accepting of their relationship, Diggs has said most of her family members at this time reacted positively to her appearance on the show.
“They loved it,” she told the Blade. “Yes, everybody that saw the show called me and said they loved the show, they really enjoyed themselves watching it.”
Through an arrangement with D.C.’s Rainbow History Project, the “Queer Eye” show featuring Diggs and her sister was presented in a special screening on a large video screen at the D.C. History Center in January.
“Dorriene, a 70-year-old Black lesbian living in Washington, D.C., had spent decades building a life with her partner while navigating silence within her own family,” a “Queer Eye” statement announcing the episode on Diggs states.
“The Fab Five did not arrive to introduce Dorriene to herself, but to help ensure her story was finally heard in full,” the statement says.
Blade: Can you tell us how your appearance on the “Queer Eye” program came about? How did they find out about you?
Diggs: You know, I still don’t have all the details. I think it was my niece, Missy. And she knows somebody there from “Queer Eye.”
Blade: So, did you first learn about it when someone from “Queer Eye” contacted you?
Diggs: No, the “Queer Eye” guy knocked on my bedroom door and started talking. I was in my bedroom watching television and the next thing I know my door opened up and there was Karamo [Karamo Brown, one of the “Queer Eye” co-hosts] with his big black cowboy hat on, opening the door grinning. … They contacted Jo first. And when they came here, they realized there was a gay woman in the house, too. Because my name was not mentioned at first. After they came here, they learned about me, because when Missy reached out to them, she reached out to them about Jo. But that doesn’t bother me. This was all about Jo in the beginning, and not me. … They started talking to me and Jo. And he said, Dorriene, ‘you’ve done so much for so many people, it’s time for someone to do something for you.’ That’s what they said. He said, ‘this is the day we’re doing it for you.’
And so, they put me and my sister up in a hotel for a week. They gave us a personal driver to take us anywhere we wanted to go. And then they took us to a bunch of places. We didn’t know why they were doing all of this. We had no idea that they were renovating the house and renovating our bedrooms. We had no idea.
Blade: What was your reaction when you saw the home renovation?
Diggs: It was amazing. And they bought us all new complete wardrobes – clothes, shoes. But most of the stuff they got me I gave away to a women’s shelter. But it was so nice. Actually, to meet the guys. I’ve been watching the show for 10 years. I have watched it from the beginning. And actually, it brought me and my sister closer – really. We’re closer now than we’ve ever been. She’s my baby sister – not the baby, but next to the baby. She’s the younger one.
Blade: What has been the reaction to your appearance on the show? Do more people now recognize you?
Diggs: Yes, yes. I’m getting phone calls and it’s almost like I’m a celebrity. And I don’t want people to make a fuss over me. All the things I did I did from the heart. I really did. And I don’t want people to think I’m more than I am. I’m just a good Christian woman that believes in giving back.
And I do. God gives me help giving. That’s what I do. And I don’t want anything in return from anyone. You know, because I know what it means to not to have. I know what it means to go to bed hungry, with no food. Going to school with holes in your shoes. I know that. I know that feeling. I’ve been there. And I promised myself as a kid I would never live like this again. And when I got bold enough to leave home, I left home at 14, and I moved in with a drag queen. Damen was his name.
Blade: Did your appearance on the show change your life and your relationship with your sister?
Diggs: Yeah, yeah, it actually did. We are actually closer now than we’ve ever been. Because, like I said, I moved away from home early and I never went back. My parents had a problem with my lifestyle. They really did. My mom looked at me with such hatred. When I was old enough to say goodbye, I never looked back. And to come back around now in the last few years after Diane died, that’s when I came back here.
And at one point I stayed with my nephew Todd and his wife – but he got killed in a car accident. I couldn’t stay at his house anymore. So, then I called Jo and told her I need to get out of here. And without hesitating she came and picked me up and brought me to her home. And I’ve been here ever since.
Blade: Can you tell a little about when it came about and how you met your partner?
Diggs: We lived on 18th Avenue in condos. I just bought one. Hers was above mine. I bought the bottom one. When my brother came over, she was getting out of her car. She was driving a Vega. And I turned to my brother and I said – this is the God’s honest truth – I said Keith, that’s the woman I’m going to spend the rest of my life with. Just like that. And he started laughing. He said, girl you’re crazy. I said I know I’m crazy, Keith, but I’m telling you that woman right there is who I’m going to spend the rest of my life with.
Blade: And when was that?
Diggs: It was 1980 actually. And then I started going to the laundry room to do my laundry. So I started talking to her. She said, ‘I’m not speaking to you.’ Isaid ‘why not?’ She said ‘because you’re nothing but a female gigolo.’ And I said I’m not dating anymore. I’m waiting for you. ‘No, you’re too fast for me.’ I said, ‘well, I’m not giving up.’
And I didn’t give up. So, I was playing an album one day and she knocked on the door and asked what I was playing, I think. I said you liked that. She said yeah. I said OK, I’ll bring it upstairs and we can listen to it together. So, when I went up there to her apartment that day and whenever I went up there, I never left.
Blade: So, your partner’s name was Diane?
Diggs: Yes, Ruth Diane Robinson. But she hated the name Ruth. So, the only people who called her Ruth were at work, the people she worked with. Everybody else called her Diane.
Blade: And how many years were you together?
Diggs: Forty. Forty years together
Blade: And where were you living with her most of the time?
Diggs: We lived in Hagerstown the longest, Hagerstown, Md. And so, if Diane hadn’t died I probably still would have been in our house in Hagerstown.
Blade: Can you tell me a little about what you were doing career wise during those years?
Diggs: I do computers. I used to do computers. And before that I cooked. I love to cook like my mom. And then I wanted to do something else. So, I taught myself computers. I taught myself how to build computers and stuff. So, then I got my own computer business called Ida One Computer Consulting. And so, we helped build computers for people.
Blade: Around when was this, in the 1980a or 1990s?
Diggs: Yes, in the 1980s. I think I stopped I would say around ’96, when I stopped. Because we both said we were going to retire at 55. And we did. We both retired at 55. And then she started diabetes. Every day I had to give her an injection because she was afraid of needles. She couldn’t give it to herself. So, I had to give her an injection every day One time, I don’t remember when, she had a mild stroke. And I had to take care of her. I’ve always taken care of her. And I don’t regret it. I never regretted it. It’s taking care of the one you love.
Blade: When was it that she passed away?
Diggs: In 2020. I found her on the kitchen floor.
Blade: How did your family and your extended family react to your relationship with Diane?
Diggs: Well, her family, oh my God, they hated me – her mother the worst. Because I put a stop to them treating her really bad. I told her mother – I said never in my life – my mother raised me well. Never disrespect someone’s mother. I said but this time I’m going to disrespect you because you are going to start treating Diane like you ought to. This is a wonderful woman and you and your son and you it’s always about your son. You never, ever say anything good about your daughter.
I said it isn’t going to happen again. You’re never going to disrespect her again. I said you take a damn good look at her because you’ll never see her again. I meant that. I grabbed Diane. I said it’s time to go. They don’t care about you.
Blade: Can you tell a little about your family?
Diggs: Yeah, I’m a triplet sister. So, it’s Dorriene, Chorine, and Chrissy — we are the triplets. So, my mom had a set of twins and a set of triplets within nine months. One of the twins died at birth. So, the other twin is Margaret.
Blade: So then how did your family react to you and Jo being on “Queer Eye”?
Diggs: Most of my family really had no problem with it.
Blade: Were you out to them?
Diggs: Oh yeah. I was never in the closet. I didn’t give a damn what people felt about me, sweetheart. I really didn’t. I didn’t care. Because I was going to be me. And for people who didn’t like it, I wasn’t living for them, I was living for me. I’ve always been out. I had a brother who was also gay, Marvin. God rest his soul, too. But he stayed in the closet. He was in the closet until he was about 55 years old.
But everything I said on the show was the truth – my account. The things that I went through with family … You can’t tell me how I felt. If they try to make mom and dad out as perfect, they weren’t perfect. They were the worst parents. That’s my account of it.
So yes, everything I said on that interview was the truth. That’s one thing people who know me know – I do not lie.
Blade: What are some of the things you like to do these days?
Diggs: I’m a sports lover. I love sports. So, my baseball season is getting ready to get started. Baseball is my favorite sport. Yes, I love baseball. I like the statistics of it. And watching the guys. I wish they had a women’s professional baseball team, honestly. … I’m a D.C. sports fan. The Wizards, the Nationals, the Mystics, the Caps. … And see, I’m a diehard Redskins fan and I refuse to call them the Commanders. They’re the Redskins. They will always be the Redskins to me. I love my sports teams.
Blade: Can you tell a little about the history of the house where you and Jo now live and where they did the filming of the “Queer Eye” show?
Diggs: Jo had a house on 17th Street, I think it was Northeast because it was over there by H Street, N.E. And I think somebody wanted to buy her house. I don’t know why she moved. So, she found this house. Because she wanted to buy something where she could buy a house straight out. She didn’t want a mortgage on another house.
Blade: What are your thoughts on being on the last season of “Queer Eye?”
Diggs: Yeah, we were the last ones. We took it out with a bang, me and Jo. That was it.
Blade: Can you say how you and Jo appearing on the show impacted your life?
Diggs: I don’t know. I’m the same person. I’ve been getting calls from people saying I saw you on the show. And friends who I haven’t seen in years have been calling. … So yeah, the show, people I haven’t seen and talked to in years have been calling. I think that’s a good thing.
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Photos5 days agoPHOTOS: Capital Stonewall Democrats 50th anniversary
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Poland5 days ago
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District of Columbia5 days ago
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District of Columbia4 days ago
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