Arts & Entertainment
‘HUMP!’ Fest offers porn by the people, for the people
Dan Savage’s HUMP! Film Festival is on the road again, bringing a carefully curated collection of porn to a city near you.
Yes, that’s right, porn.
Now in its 15th year, the HUMP! Festival brings audiences “a new kind of porn,” according to its website. The films it screens are submitted, on condition of anonymity and limited viewership, by sexually adventurous couples and friends, “people who aren’t porn stars but want to be one for a weekend.”
The best of the crop, selected by Savage and a 12-person jury, then go on a tour across the country, screened in theatres for a short, limited run and then never to be seen again. The movies are short – each less than five minutes – and they offer proof that, when it comes to sex, it’s all a question of taste. The HUMP Fest’s entries feature “whatever their amateur filmmakers and stars think is hot and sexy, creative and kinky, their ultimate turn-ons and their craziest fantasies […] a cornucopia of body types, shapes, ages, colors, sexualities, genders, kinks, and fetishes, united by a shared spirit of sex-positivity.”
The official line from its creators:
“HUMP! is a celebration of creative sexual expression. You will see films at HUMP! that shock you. You will see films at HUMP! that make you laugh. And you will see films at HUMP! that turn you on. You will also be touched by the sincerity and vulnerability with which these films are lovingly made. HUMP!’s main mission is to change the way America sees—and makes and shares—porn.”
Savage, the out journalist and activist behind the “Savage Love” sex advice column and the “It Gets Better Project,” started the festival back in 2005. He told BuzzFeed in a 2015 interview, “We are reviving old-school, artisanal pornography.”
He explained the purpose of the festival by offering an example from the many films submitted for consideration.
“A couple years ago, there was a film called “Go Ahead and Pee.” It was just a normal, average-looking woman jumping on a trampoline with a leotard, saying, ‘Go ahead, pee.’ Eventually, she’s jumping on the trampoline, and you begin to see that she is urinating. She’s peeing herself. Her leotard is changing color as she pees down her own legs. That was the video. That’s all that happened. And we were like, ‘That’s someone’s kink. That’s somebody’s porn. That’s something we want in the festival.’ Juxtaposed with the other films, I thought it worked really well. It was beautiful.”
He summed it up by saying, “It makes people better humans to be comfortable with and down with what other people are doing, what other people are into. To witness it and cheer for it.
“Under the plumbing, under the kinks, under the gender identity, everything is the same: the desire, the lust, the passion, the humor, the vulnerability. All of those things, the more important things, are the same. That’s the cake, and the differences are the frosting. We are all the fucking cake.”
If you’re interested in seeing some of the many flavors of frosting on display at this year’s HUMP! Film Festival, you can find the tour schedule and ticket info, along with a full listing and description of the selected films, at their website.
The 2026 Mr. Mid-Atlantic Leather competition was held at the Hyatt Regency Capitol Hill on Sunday. Seven contestants vied for the title and Gage Ryder was named the winner.
(Washington Blade photo by Michael Key)
Theater
Voiceless ‘Antony & Cleopatra’ a spectacle of operatic proportions
Synetic production pulls audience into grips of doomed lovers’ passion
‘Antony & Cleopatra’
Through Jan. 25
Synetic Theater at
Shakespeare Theatre Company’s Klein Theatre
450 7th St., N.W.
Synetictheater.org
A spectacle of operatic proportions, Synetic Theater’s “Antony & Cleopatra” is performed entirely voiceless. An adaptation of the Bard’s original (a play bursting with wordplay, metaphors, and poetic language), the celebrated company’s production doesn’t flinch before the challenge.
Staged by Paata Tsikurishvili and choreographed by Irina Tsikurishvili, this worthy remount is currently playing at Shakespeare Theatre Company’s Klein Theatre, the same venue where it premiered 10 years ago. Much is changed, including players, but the usual inimitable Synectic energy and ingenuity remain intact.
As audiences file into the Klein, they’re met with a monumental pyramid bathed in mist on a dimly lit stage. As the lights rise, the struggle kicks off: Cleopatra (Irina Kavsadze) and brother Ptolemy (Natan-Maël Gray) are each vying for the crown of Egypt. Alas, he wins and she’s banished from Alexandria along with her ethereal black-clad sidekick Mardian (Stella Bunch); but as history tells us, Cleopatra soon makes a triumphant return rolled in a carpet.
Meanwhile, in the increasingly dangerous Rome, Caesar (memorably played by Tony Amante) is assassinated by a group of senators. Here, his legendary Ides of March murder is rather elegantly achieved by silver masked politicians, leaving the epic storytelling to focus on the titular lovers.
The fabled couple is intense. As the Roman general Antony, Vato Tsikurishvili comes across as equal parts warrior, careerist, and beguiled lover. And despite a dose of earthiness, it’s clear that Kavsadze’s Cleopatra was born to be queen.
Phil Charlwood’s scenic design along with Colin K. Bills’ lighting cleverly morph the huge pyramidic structure into the throne of Egypt, the Roman Senate, and most astonishingly as a battle galley crashing across the seas with Tsikurishvili’s Antony ferociously at the helm.
There are some less subtle suggestions of location and empire building in the form of outsized cardboard puzzle pieces depicting the Mediterranean and a royal throne broken into jagged halves, and the back-and-forth of missives.
Of course, going wordless has its challenges. Kindly, Synectic provides a compact synopsis of the story. I’d recommend coming early and studying that page. With changing locations, lots of who’s who, shifting alliances, numerous war skirmishes, and lack of dialogue, it helps to get a jump on plot and characters.
Erik Teague’s terrific costume design is not only inspired but also helpful. Crimson red, silver, and white say Rome; while all things Egyptian have a more exotic look with lots of gold and diaphanous veils, etc.
When Synetic’s voicelessness works, it’s masterful. Many hands create the magic: There’s the direction, choreography, design, and the outrageously committed, sinewy built players who bring it to life through movement, some acrobatics, and the remarkable sword dancing using (actual sparking sabers) while twirling to original music composed by Konstantine Lortkipanidze.
Amid the tumultuous relationships and frequent battling (fight choreography compliments of Ben Cunis), moments of whimsy and humor aren’t unwelcome. Ptolemy has a few clownish bits as Cleopatra’s lesser sibling. And Antony’s powerful rival Octavian (ageless out actor Philip Fletcher) engages in peppy propaganda featuring a faux Cleopatra (played by Maryam Najafzada) as a less than virtuous queen enthusiastically engaged in an all-out sex romp.
When Antony and Cleopatra reach their respective ends with sword and adder, it comes almost as a relief. They’ve been through so much. And from start to finish, without uttering a word, Kavsadze and Tsikurishvili share a chemistry that pulls the audience into the grips of the doomed lovers’ palpable passion.
Out & About
Love board games and looking for love?
Quirk Events will host “Board Game Speed Dating for Gay Men” on Thursday, Jan. 22 at 7 p.m. at KBird DC.
Searching for a partner can be challenging. But board games are always fun. So what if you combined board games and finding a partner?
Picture this: You sit down for a night of games. A gaming concierge walks you through several games over the course of the night. You play classics you love and discover brand new games you’ve never heard of, playing each with a different group of fun singles. All while in a great establishment.
At the end of the night, you give your gaming concierge a list of the folks you met that you’d like to date and a list of those you met that you’d like to just hang out with as friends. If any two people put down the same name as each other in either column, then your gaming concierge will make sure you get each other’s e-mail address and you can coordinate a time to hang out.
Tickets cost $31.80 and can be purchased on Eventbrite.
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