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Bidding adieu to the inspiring Mart Crowley

And celebrating the impact of ‘Boys in the Band’

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Mart Crowley, gay news, Washington Blade
Mart Crowley (Screen capture via YouTube)

“…If we…if we could just…not hate ourselves so much. That’s it, you know. If we could just learn not to hate ourselves quite so very much.”

Perhaps it’s that line, spoken in the final moments of The Boys in the Band — written by Mart Crowley who died on March 7 at 84 years old — that has infused the 1968 play with its immortal reputation as the first gay play, like it or not, to depict us with a degree of verisimilitude.

In retrospect, it’s interesting to note that my exposure to Crowley’s Boys occurred while I was studying acting at Goodman School of Drama at the Art Institute of Chicago, between 1969 and 1971. Rarely having seen more than one gay male character on the stage or the screen at a time, for an impressionable young actor to witness eight (or nine) of them was astounding. Not only could you see yourself up there on the stage or on the Silver Screen, you could see who you might become (ye gods) or, if you were an aspiring thespian, who you might one day portray.

While Goodman was teeming with a homosexual population (staff, faculty, students), that didn’t translate to any form of gay liberation even as Stonewall came and went during my tenure there. The male acting students who flamed in the hallways butched it up in the classrooms (even under the tutelage of the most effete of instructors) and when playing a homo, they would play the character like they imagined a straight man would play gay so their portrayal resulted in an inauthentic mess which more often than not received high praise.

So, you can imagine when I saw some real queer actors, in addition to some actors who could really play queer, in roles that were written as authentically as any modern American gay voice ever to emerge from a typewriter.

It was a turning point in my consciousness—a Stonewall moment, if you will—and the reason that I would spend the next 50-plus years defending Crowley’s brilliant play.

While Boys is what Crowley is most celebrated for, he also spent time in Hollywood as a producer on Hart to Hart and wrote several other plays including a lovely memoir, A Breeze from the Gulf.

The grousing that I heard about The Boys in the Band had a familiar ring to it, resembling the voices of the characters depicted in The Boys in the Band: the poisoned barbs, the wicked one-liners, the character assassinations when Michael throws a drunken birthday party for his bestie, Harold, the Queen of Mean. And most of these negative pronouncements came from my gay brethren.

So what was the beef? “Those guys were so stereotypical, so gaaaaaaaay.” “They were so swishy.” “They were mean.” “They were self-loooooathing.” “I don’t want people to think I act like them.”

From the time I first saw Crowley’s play and today, I cannot count the number of parties I’ve attended that have very closely, if not almost identically, resembled the one he so eloquently paints in The Boys in the Band. If there’s a difference—and I suppose there is—it’s that we live on an equal playing ground now with the knowledge that everyone hates themselves to a degree. From the innumerable talk shows devoted to the subject and the hundreds of self-help books, not to mention the television shows devoted to deliverance from low self-esteem, it is a catastrophic epidemic in this country and not exclusively the province of gay men.

The condition that Michael and his cohorts suffer from is the human condition. This is not to suggest that Crowley didn’t intend for Michael to have internalized this notion in 1968 (the year Boys takes place), five years before the American Psychiatric Association removed homosexuality from its list of mental illnesses. It was virtually impossible for us to believe, or behave, otherwise—again, something Crowley depicts with meticulous honestly. His “boys” ooze vulnerability.

Over the decades, I had a spectacular ride with Boys, beginning in the early 1970s with a staged reading in Provincetown that was scheduled for one performance and lasted most of the summer. Later in the decade, after having seen the movie several times, I found myself in a windowless office in Hollywood doing temp work to pay the bills, gossiping with the cute guy in the adjoining office who was doing the same thing. His voice was so familiar.

Oh my God, it turned out to be Frederick Combs, the accessible one in Boys—the one who brought LaCoste shirts into fashion, the one everyone fell in love with—and the one who directed me in Robert Patrick’s T-Shirts and Harvey Fierstein’s The International Stud (Part One of Torch Song Trilogy), the two one-acts that put me on the map.

In the 1980s, I played Michael again—this time in Des Moines, Iowa, back-to-back on a bill with Robert Chesley’s Jerker in which I played J.R. Under the umbrella title Then & Now, it was a long and energizing evening. Finally, in the ‘90s, I did a celebrity reading fundraiser for the Victory Fund (again playing Michael) produced by Steve Tyler with Bruce Vilanch, Gordon Thomson, Chad Allen, Greg Louganis, and Michael Jeter.

In 1998, I was honored to introduce Mart at the Palm Springs International Film Festival, which celebrated the 30th Anniversary of The Boys in the Band.

And so now I bid adieu and express appreciation to an inspiring playwright who granted me permission to discover Michael by playing Michael at various junctures over three decades.

Michael Kearns is an actor, playwright and author.

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Fathers should speak to kids about drugs, alcohol

Highlight dangers of illicit substances, how to manage peer pressure

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What does it take to be a good father? While there are many answers, it generally involves showing up daily, playing an essential role in their life, being there for them, and loving them unconditionally. 

Fathers are there to provide abundant love and support. Most fathers know the sacrifice it takes to ensure their children are loved and cared for. A father is always there for their kids, offering guidance, support, and education. The greatest joy for any father is seeing their children thrive, do well in life, and be healthy. 

However, things can get derailed in life, and teens and young adults take risks, such as experimenting with drugs or alcohol. Fathers have a responsibility to speak to their kids about drugs and alcohol and help them understand the risks and consequences. 

Data has shown that more than half of LGBTQ youth used alcohol in the last year, and more than one in three LGBTQ youth used marijuana in the previous year. Approximately 11% of LGBTQ youth reported regular use (defined as daily or weekly use) of both alcohol and marijuana.

Illegal drugs today are more readily available than ever before. According to the DEA, drug traffickers have turned smartphones into a one-stop shop to market, sell, buy, and deliver deadly fake prescription pills and other drugs. Amid this ever-changing age of social media influence, kids, teens, and young adults are easily influenced.  

Drug traffickers advertise on social media platforms like Instagram, Snapchat, TikTok, Twitter, YouTube, and Facebook. The posts are promptly posted and removed with code words and emojis used to market and sell illicit drugs. Unfortunately, digital media provides an increased opportunity for both marketing and social transmission of risk products and behaviors. 

Fathers are responsible for protecting and preparing our children for the world. Drug education is essential. Take the time to speak to your kids about the dangers of illicit substances, how to avoid and manage peer pressure, and what to look for. Be prepared to share personal experiences and help them understand that some choices have consequences. 

However, it can be challenging to see our kids struggle with things in life, and as fathers, we can also face our own difficulties, making it more difficult to help our children. The responsibility of raising children can be a lot; there are many challenges along the way, and the pressure of being a good influence can get the best of us. 

All of this makes it vital not to ignore our mental health; children, especially younger kids, mimic what they see. How we cope with frustration, anger, sadness, or isolation impacts our children in several ways. 

Our actions have consequences. Children see how we handle every situation, and while no father is perfect, we must be conscious of the fact they are impressionable when they are young. They look up to us, mimic our actions, and see when we are doing well in life mentally.   

The key for fathers caring for children is to take the time to care for themselves. However, if you are struggling, contact the 988 Suicide and Crisis Lifeline. Taking care of your mental health is the same as taking care of your physical health; it is an integral part of your well-being and contributes to you being the best father you can be.

Nickolaus Hayes is a healthcare professional in the field of substance use and addiction recovery and is part of the editorial team at DRS. His primary focus is spreading awareness by educating individuals on the topics surrounding substance use.

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In debate, Biden must stay on offense

President needs more lines like ‘I am running against a 6-year-old’

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President Joe Biden (Washington Blade file photo by Michael Key)

On June 27, President Joe Biden will debate the man he has called a six-year-old. A great line, and he needs a few more like that. Unless there is a clear stumble by either candidate, we know what they will say. Trump will call Biden ‘sleepy Joe,’ among other names. But the reality is, people are used to it. They are not as used to Biden returning the favor. And Biden, aside from referring to Trump as a convicted felon, needs some lines that will make headlines the next day. Something with a little humor in it, but still making a strong point. 

Trump is scary. The recent column in the Washington Post on how Russ Vought, the former president’s budget director, is laying the groundwork for a broad expansion of presidential powers, is truly frightening. Now if it were me, I would be able to use my usual litany of words when referring to Trump: racist, sexist, misogynist, homophobic pig, found liable for sexual assault, and convicted felon. I may even go as far as suggesting society replace the word felon with “Trump.” People at trials could be convicted of 34 “Trumps.” But Biden can’t really use that. Maybe Biden can do something like look him in the eye and say, “You can’t really believe all the BS you keep spouting!” Then add, “The world is a complicated place, and even most six-year-olds seem to have a better understanding and grasp of it than you do.” 

Then there is the focus on the very serious part of the debate. The discussion of issues including the economy, abortion, contraception, and foreign policy. Reminding people, it was Trump who killed the immigration bill in Congress, telling energy billionaires if they raise him a billion dollars, in essence bribe him, they can “drill baby drill.” The president needs to speak to African Americans, Latinos, women, and the young. He needs to tell each of those groups what will happen if the six-year-old he is running against, were to become president again. 

Then he needs to look directly into the camera and say to the audience at home, “It isn’t only Trump you need to fear, it is the people he will surround himself with. His sycophants and cult, who will let him get revenge on anyone who says a word against him.” You can count on the fact it will be much worse than the last time around when he tried to stage a coup, because no decent person will work for him.

The first debate will take place 18 weeks before the Nov. 5 election. So much can change between then and the election. Remember when we talked about an October surprise? In today’s world there could be July, August, and September surprises as well. Between now and election day we will be treated to an overload of polling, most of it wrong. We will read hundreds of headlines, many of them clickbait. If you watch TV you will get to listen to hundreds of talking heads, many knowing no more than you. The difference being, they are being paid to spout off on the election, giving not facts, but their opinions. 

It seems every four years we hear this could be the most important, the most crucial, election of our lifetime. Well, this time those who say it just may be telling the truth. One candidate, convicted of 34 “Trumps,” is telling you he will be a dictator, and using Hitler’s words. He has the likes of Russ Voight advising him, and openly says he will seek revenge. Nothing could be more frightening. He is telling the young he doesn’t care about climate change, and telling the poor their programs will be cut because he will cut taxes for the rich.  

He calls our soldiers, those who sacrificed their lives and died in wars, “suckers and losers.” He called John McCain “a war hero because he was captured,” saying, “I like people who weren’t captured.” This frightening, sick man, with the world view of a warped six-year-old, will lead the United States if we aren’t willing to stand up to him, and his MAGA cult. Yes, I am afraid! And you should be too! If you are a woman, a minority, a member of the LGBTQ community, or just poor, be scared, be very afraid! If Trump and his cult win, you will lose what little you think you now have.

Peter Rosenstein is a longtime LGBTQ rights and Democratic Party activist. He writes regularly for the Blade.

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Why you should celebrate pride with a musical about GenderCannibalism?

Rose: You Are What You Eat, through June 23 at Woolly Mammoth.

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Photo courtesy of Woolly Mammoth.

Because when I came out as trans my aunt told me it was because I ate my twin in the womb…and that’s what the show is about

Because…remember that time when you decided to dress like exactly like your older sister; or you stole your mothers’ makeup or your brother’s tie; or you decided to dress up like Katherine Hepburn for halloween when you were (i dunno) 10; or you started to look eerily like your lover…..that’s all gender cannibalism

Because because because because because….” because if you know that song this was made for you…and if you don’t…it’s okay, we’ll work on it

Because you can probably find a cute date at the show irl instead of just swiping in your phone…think of theater as an in person dating app without as much drunkenness as the bar

Because maybe that cute date is me

Because you can sing along to music written by a bunch of queers from Philly and D.C. 

Because we are all so hungry and so so thirsty 

Because I guarantee you will leave feeling fed

Because cannibalism puns are tasty

Because it’s a comedy

Because there are pay-what-you-can tickets

Because it plays all of June

Because we are consuming gender all the time but rarely watching what and how we eat it 

Because it’s an anti-assimilationist endeavor: the corporations can’t co-opt “gender cannibalism” for pride month (but there is merchandise available at the show…)

Because it’s only 75 minutes

Because I dance around in tighty whities with socks on my hands

Because there is a free clothing swap and treats in the gallery next to the show

Because why not?

Because you will be cast as my Mother, and that’s the role of a lifetime (or at least my lifetime)

Because you won’t know what will happen; you can’t pause or rewind the show; you will be taking a risk; you will find it’s more than just entertainment; you will feel me talking right to you

Because I’ve been writing this show for 34 years and am finally ready to share it with you

Because I’ll be in the lobby afterwards to say hi, and receive hugs, stories, and phone numbers 

Because I made this piece for you, my dear deviants, trans folx, genderful ones and for the people that care for us. It is a good laugh and a good cry and meant as a gift, a way to end your day feeling loved, nourished and worthy

Because don’t you want to be nourished and reminded that you are loved and worthy? 

And frankly because art needs you to survive and you need art to thrive

Because I took the time to write this letter to you and you took the time to read it, and neither you nor I want to waste that investment

Because you won’t want to miss it

Get tickets to Rose: You Are What You Eat, playing through June 23rd.

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