Arts & Entertainment
Singer-songwriter releases powerful ‘I Am Samantha’ for International Trans Day of Visibility
In honor of International Trans Day of Visibility, singer-songwriter and theatre artist Benjamin Scheuer has released “I Am Samantha,” a new track that recounts the real-life journey a transgender woman he met and befriended at a coffeeshop in New York City, along with a powerful accompanying music video.
Scheuer is well-known throughout the theatre world on both sides of the Atlantic for his 2014 one-man show “The Lion,” which won numerous awards including a Drama Desk Award for Outstanding Solo Performance, an off-West End Award for Best New Musical, and an ASCAP Cole Porter Award for Songwriting. He’s also a published children’s author (alongside wife Jemima Williams) for Simon & Schuster, having written “Hibernate With Me” and “Hundred Feet Tall,” as well as the author of “Between Two Spaces,” which documented his diagnosis with (and successful treatment for) stage IV Hodgkins’ Lymphoma.
The new track originated when Scheuer met Samantha Williams, a trans woman barista with whom he first became acquainted at the New York coffee shop he frequented. In response to Williams’ observation that she had never heard a song about someone named “Samantha,” he promised to change that fact, filling notebooks with details of her life and her journey to transition, and ultimately writing what is now “I Am Samantha.”
According to press materials:
“‘I Am Samantha’ is the story of one trans woman. It is also the story of what it means to love and be loved. With uncommon empathy, Scheuer unpacks not just Samantha’s journey, but the human journey we all take to find identity, acceptance, and love.”
The song comes accompanied by a music video directed by T Cooper (director of the award-winning documentary “Man Made”) and featuring a cast of 27 trans actors – believed to be the largest trans cast assembled to date. The visual was also helmed by an all-female, LGBTQ, and/or person of color crew. Notable cast members include Monica Helms (creator of the Transgender Pride Flag) and Skyler Jay(Season 2 of “Queer Eye”).
The official video is joined by a behind-the-scenes “making of” documentary, directed by Allison Glock-Cooper, who is herself an acclaimed author/director.
The release is also accompanied by personal note from Williams, dated June 6, 2019, sharing her perspective on the origins of the song:
“He’s a customer at the West Village coffee shop where I work, a fellow artist (I’m a writer; he’s a musician) who attended a reading of one of my screenplays and gave truly helpful notes, a tall guy with a boyish face and steampunk style, with cherry-dyed hair, elaborate boots and epaulets, and yet announcing his presence most resoundingly with his seemingly ever-present smile and earnest, enthusiastic greetings. Benjamin Scheuer (pronounced SHOY-er) is a storyteller with a guitar, sharing through song his own very personal trials and triumphs as well as those of others. I already knew this when in his presence I complained to a coworker, as we listened to the Foo Fighters song ‘Sean’ (also my fellow barista’s name), that there were no popular songs about ‘Samantha,’ the name I had taken as my own about a year before (though I’m still not sure this oversight of songwriters throughout contemporary music history is actually true).
“‘I Am Samantha’ was conceived in that moment of everyday food-service-industry banter, both songwriter and subject knowing this wouldn’t be just another lighthearted serenade or would-be rock hit in which the name was chosen simply because it rhymed with something or had the right number of syllables. This was highlighted for Benjamin when I told him the origin of ‘Samantha,’ that it had been the only name my parents could agree on prior to my birth, not yet knowing what was between my legs—which would ultimately lead to a name I went by for decades before all but erasing it from identifying documents (Ohio being one of four states that don’t allow changes to one’s birth certificate).
“Benjamin and those involved in every aspect of the recording, producing and upcoming release of ‘I Am Samantha’ have each endeavored to understand and do right by the story of my transition from [dead name] to the fully realized, confident person I am today. Each of them I’ve had the pleasure of meeting is just as evidently excited as I am to share this song, this story of struggle and self-discovery, with the world—so that it might do what art uniquely can, which is to increase empathy by revealing the world through someone else’s eyes, while also, I can attest, making some of us feel just a little less lonely.”
The song is being released today,March 31, on International Transgender Day of Visibility in partnership with a host of incredible organizations including the Transgender Legal Defense & Education Fund (TLDEF), GLAAD, Trans Lifeline and The Ally Coalition.
You can watch the video for “I Am Samantha,” along with the accompanying BTS clip, below.
Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino
‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.
The Washington Blade hosted the inaugural WorldPride Boat Parade at The Wharf DC on Friday, June 6. NBC4’s Tommy McFly served as the emcee.
(Washington Blade photos by Michael Key)
The 2025 Capital Pride Honors awards ceremony and gala reception was held at the National Building Museum on Thursday, June 5. Honorees included Cathy Renna, Jerry St. Louis, Ernest Hopkins, Lamar Braithwaite, Rev. Dr. Donna Claycomb Sokol, Kriston Pumphrey, Gia Martinez, Kraig Williams and SMYAL. Presenters and speakers included U.S. Rep. Mark Takano (D-Calif.), Amber Ruffin, Raven-Symoné and Paul Wharton.
(Washington Blade photos by Michael Key)
Pride and protests: a weekend full of division
Man arrested for destroying D.C. Pride decorations, spray painting hate message
Delaware hosts LGBTQ flag raising ceremony
South African activists demand action to stop anti-LGBTQ violence
Gay pharmacist’s murder sparks outrage in Chile
I interviewed Biden in late 2024 and he was attentive, engaged
Delaware Gov. Meyer announces LGBTQ commission
U.S. Park Service closes Dupont Circle Park for WorldPride weekend
PHOTOS: Capital Pride Honors
