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REVIEW: Debut novel ‘Something to Talk About’ is frothy lesbian Hollywood rom-com

Author Meryl Wilsner offers light, breezy read set in Tinseltown

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Something to Talk About review, gay news, Washington Blade
(Image courtesy of Berkeley)

‘Something to Talk About’

By Meryl Wilsner

Berkeley

May 26

$16

336 pages

You never know about love stories. When they’re good, you ravenously, even rapturously, turn the page.  When they’re bad, you’re a kid on a car trip with your parents, whining, “Are we there yet?” 

Thankfully, “Something to Talk About,” the debut novel by queer author Meryl Wilsner, takes you on an enthralling road trip. Wilsner’s tale of romance, featuring Hollywood, award shows, fashion and gossip, is an exhilarating ride.

“Something to Talk About” is the story of Jo Jones, a 42-year-old showrunner, and her 27-year-old assistant Emma Kaplan. Though, the novel is an entertaining rom-com, it deals with issues of our time — from racism to workplace sexual harassment.

Jo, who is Chinese-American and a (mostly) closeted lesbian, has been in show business since she was a teen. For seven seasons, beginning at age 13, she played Amanda, the adopted daughter of a white family on the TV show “The Johnson Dynasty.”  

“Every other series regular was white. Jo never mentioned it. No one ever mentioned it,” Wilsner writes. “Jo had never known if people were ignoring it or simply didn’t notice.”

After the show ended, Jo stars in four blockbuster movies. Then she wrote about being Chinese-American in Hollywood. 

“What it was like to be the butt or racist jokes on her own televison show. About casting notices for white actresses only,” Wilsner writes.

Work dries up for Jo for five years until she writes a script for a TV show. The network pats itself on the back for giving a second chance to a “disgraced actress” and Jo wins Emmys for the show.

Now Jo’s getting ready to be the executive producer of “Agent Silver,” an action movie franchise. But skeptics wonder: how could she, a Chinese-American woman, succeed at a genre traditionally helmed by white men?

Emma, who’s openly bisexual and Jewish, dropped out of film school because she lacked confidence. But she loves being Jo’s assistant. She’s got Jo’s back, from bringing her coffee with a smile to keeping her organized. Nothing about Jo’s mood or needs escapes Emma’s notice. She knows when to get Jo another latte and when it’s going to be a bad day because Jo’s ponytail is, as Wilsner writes, “high and tight enough to look severe.”    

From her vantage point as Jo’s right-hand-woman, Emma learns about making movies. Jo mentors Emma and encourages her to go for it when she says she wants one day to direct.

It’s no spoiler to say that “Something to Talk About” is the story of a romance between Jo and Emma.  Early on, you sense that they have feelings for each other. Emma goes with Jo to the SAG Awards. She isn’t Jo’s date. She’s there to help Jo handle the paparazzi on the red carpet. But, after they smile at each other, rumors that they’re an item flood social media.

Emma and Jo are freaked out about the gossip. At this point, they aren’t aware (or wouldn’t admit to themselves) of their attraction to each other. But they don’t want their careers to be tainted by rumors. Emma dreads having people erroneously think that she got her job by sleeping with her boss. Jo, who’s never discussed her love life with the press, doesn’t wish to be falsely accused of sexually harassing an employee. 

“You think people don’t look at pictures of us and think I’m corrupting this lovely young lady? I’m a predatory lesbian in the middle of a midlife crisis,” Jo says.

The passion between Jo and Emma is so slow-burning that, at times, you want to stoke the flames. How many smiles, accidental kisses and iced chai lattes will it take before they get that they’re in love? When will Jo be fully out? But the romantic pay-off, though it seems to take forever to arrive, is worth the wait.  

This romance will make you hungry, not only for love, but for food. Jo and Emma like to eat — everything from salmon with lemon butter sauce to pizza to latkes.

If you’re seeking romance that’s a perfect fit for these times, “Something to Talk About” is for you.

Author Meryl Wilsner (Photo by Brooke Wilsner)
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‘Fiona and Jane’ an enticing look at lifelong friendship

Two women bicker, fall distant – then meet again

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(Book cover image courtesy of Viking)

‘Fiona and Jane’
By Jean Chen Ho
c. 2022, Viking
$26/275 pages

“Fiona and Jane,” a new short story collection by Jean Chen Ho is an enticing New Year’s present. The captivating volume features secrets, family conflict, queerness, astute cultural observations, and above all, friendship.

We long to fall in love. So we lose our hearts to our lovers and go to pieces when our relationships break up.

Yet, especially, if we’re women and/or queer, we want a best friend as much, maybe more, than we do a lover.

Fiona and Jane, Asian Americans, grew up in Los Angeles. They’ve been best friends since they met in LA in second grade. Jane’s family emigrated to Los Angeles from Taiwan. Fiona, with her mother, came to LA from Taiwan when she was a young child.

In “Fiona and Jane,” Ho’s debut collection, the two friends over 30 years grow from second-graders to 30-somethings. Ho’s linked stories draw us into Fiona and Jane’s friendship as they become, at different times, incredibly close, then distant (both geographically and emotionally) from each other.

Ho, 41, has more writing chops than you can imagine. She is a doctoral candidate in creative writing and literature at the University of Southern California where she is a Dornsife Fellow in fiction. Ho has an MFA from the University of Nevada, Las Vegas. Her writing has been published in The Georgia Review, GQ, Harper’s Bazaar, McSweeney’s, and other publications.

Ho was born in Taiwan, grew up in Southern California and lives in Los Angeles. But, “none of the things that happen to Fiona and Jane are autobiographical,” she said on the podcast “All of It with Alison Stewart,” “I didn’t mine my particular life experiences and put them in the book out of respect to my oldest and dearest friends.”

Fiona is hetero, smart  and attractive. As a teen, she earns enough money to buy a secondhand car (named Shamu, Ho writes, “after the Sea World killer whale because of the corroding white patches all over the black paint.”).

While Fiona’s mother isn’t religious, Jane’s Mom is devoutly Christian. Jane is bisexual. When she and Fiona are teens, they kiss  “to practice” – what kissing’s like. Though she doesn’t tell her Mom, Jane, when a teenager, has a romantic relationship with her female piano teacher.

When she’s young, Jane often does what Fiona does. Because Jane’s tall, she’s often thought of as “Fiona’s bodyguard.” As she grows older, Jane begins to rely more on herself.

Fiona is eager to leave LA. She goes to college, then moves to New York City with her first boyfriend. She enters law school, then drops out.

Jane stays in Los Angeles. She opts to take a gap year between high school and college. The gap year morphs into a couple of years. Jane has relationships with women as well as with Julian, a vet who has PTSD.

Though Fiona and Jane are quite different from one another, they keep circling back to each other. Despite their differences, they have one thing in common: they both have lost their fathers.

In one of the collection’s most moving stories, “The Night Market,” Jane speaks of her visit before she graduated high school to Taiwan where she has come to see her Dad. Her Dad has gone from LA to Taiwan for a temporary job. Jane learns that he’s going to stay in Taiwan because he’s fallen in love with a man there. Her Dad asks her to keep this a secret. But, in her pain at his revelation, she outs him. Jane blames herself for his suicide.

Fiona discovers as a child that she’s never known her father. Her mother raises her on her own.

Over the years, Fiona and Jane bicker, fall distant – then meet again. As teens, they help each other get fake IDs so they can drink. As adults, they help each other through moving apartments, love affairs and mourning.

 “Sixteen years since my father died, and I was still alive,” Jane thinks, “I got up, every morning. I lived, day by day. I had my best friend, Fiona Lin.”

Check out “Fiona and Jane.” Then, text your best friend.

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Books

Seeking love and community in Nicaragua

‘High-Risk Homosexual’ explores author’s youth, coming out

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(Book cover image courtesy of Soft Skill Press)

High-Risk Homosexual: A Memoir
By Edgar Gomez
c.2022, Soft Skull Press
$16.95/304 pages

Here. Try this.

It fits you, but the color isn’t flattering. It’s too long, too short, too tight, too loose. That’s not your style, so try something else until you find the thing that looks like you. The perfect thing is out there. As in the new book “High-Risk Homosexual” by Edgar Gomez, when something’s right, it’s right.

He was 13 when he figured out that he was a problem to be solved.

Edgar Gomez’ mother had left him in her native Nicaragua with his tíos, just for a while because she had to return to Florida to work. He wasn’t there without her for long, but it took years for him to understand that his time with his uncles was meant to make him more masculine.

In retrospect, he says, nobody wanted him to be a man more than he did. He wanted to be liked by other kids and so he told lies in school to make himself stand out. He wanted his mother to see his love of pretty things and say that it was OK. He wanted his brother to acknowledge that Gomez was gay, and to tell him that he loved him.

Instead, after his brother left for college, Gomez got his first boyfriend, a boy he came out to but who couldn’t come out to himself. He was called names in school. He came out to his mother, who freaked out about it. He befriended a drag queen, but “Princess” used him.

Things he wanted: a real boyfriend. Love. A ban on the stereotype of a macho Latinx man.

Things he still had, while in college: his mother and older brother. A tormentor-turned-mentor. A part-time job. His weirdness. His virginity.

Things he wanted to lose, while in college: his room at his mother’s house. His virginity, but that wouldn’t happen until later, during a painful one-afternoon-stand with a hot man who said he had a girlfriend. That hurt, both physically and emotionally but like so many things at so many times, Gomez tried not to think about it.

If he never considered what he didn’t have, he says, “I wouldn’t miss it.”

In a way, you could say that “High-Risk Homosexual” is a book in search of a point. It’s really quite random and told (mostly) linearly, but not quite. It has its peaks, but also low valleys. And you won’t care about any of this, because you’ll be enjoying every bit of it.

Yeah, this memoir is good: author Edgar Gomez’s literary wandering makes it feel much like an honest conversation with readers. There are wince-worthy moments that allow empathy here, and experiences that are unique but oddly ubiquitous, that leave space for a sense of sympatico. There are passages that are so wistfully uncomfortable that you might squirm, or start “snort-laughing,” or want to stop a moment and just think.

And there’s room for that, too, so take your time. “High-Risk Homosexual” is an affable book with just enough seriousness to make it worth a try.

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Books

A lesbian Baby Boomer’s relatable story

‘Audacity of a Kiss’ a warm, familiar biography

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The Audacity of a Kiss: A Memoir
By Leslie Cohen
c.2021, Rutgers University Press
$24.95/235 pages

Don’t move.

Stay entirely still, don’t even breathe. You’re about to become a symbol of something that’s bigger than you are, something you’ll be proud of for the rest of your days. Don’t flinch, scratch, or sneeze, just don’t do anything. Don’t. Move. Unless it’s to turn the pages of “The Audacity of a Kiss” by Leslie Cohen.

Behind every statue is a story, and the one behind those representing four people in Christopher Park in New York’s Greenwich Village is no different. But to explain how this monument came about means also telling a long love story and a tale about a nightclub.

Leslie Cohen’s mother was her very best friend, although there were misunderstandings in the relationship. Seven-year-old Leslie couldn’t see why she received pink girly things for her birthday. In later years, she couldn’t understand why her mother deferred to Leslie’s father and endured his abuse.

The one thing Cohen did understand was that once puberty hit, the boys in her neighborhood were no longer pals to roughhouse with. She was supposed to want to date them and it didn’t entirely make sense, but Cohen went along with it even after she left home for college. She went out with boys and lost her virginity to one, but meeting Beth was the most remarkable thing about higher learning. She was sure she was in love with Beth, but Beth was obsessed with a boy and so Cohen moved on.

She moved on to other men and then women, at a time when women loving women was unthinkable, and the Summer of Love. Cohen embraced her lesbianism, fell in and out of love, and went into a partnership with three other women to open New York’s first lesbian club, where lesbians and straight feminists were welcome to dance and drink.

To be sure, it was a heady time. Cohen worked nonstop, gained confidence and learned to run a bar business. She was busy, but happy.

And then Beth came back into her life.

Let’s face it: author Leslie Cohen’s life story is basically like that of a lot of lesbians born at the beginning of the Baby Boom. A solid childhood, confusion, self-awareness, entrepreneurship all make a somewhat familiar story set apart by one abundant thing: warmth.

Indeed, “The Audacity of a Kiss” is an easy tale. It’s comfortable, like a crackling fireplace and a glass of wine on a cushy sofa.There are accomplishments here, told so that you really share the pride in them. Readers are shown the struggle that Cohen had, too, but experiences are well-framed by explanations of the times in which they occurred, with nothing overly dramatic – just the unabashed truth, and more warmth. Opening this book, in a way, then, is like accepting an invitation to own the recliner for an evening, and you won’t want anything else.

Younger lesbians will get a lot from this book, but anyone who’s been there will relish it. Get “The Audacity of a Kiss,” then sit down and don’t move.

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