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Queer fans’ love of Wonder Woman is bulletproof

Anticipated sequel ‘1984’ bows on Christmas Day

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Wonder Woman 1984
Gal Gadot’s ‘Wonder Woman 1984’ (Photo courtesy Warner Brothers HBO Max)

With the release of “Wonder Woman 1984” on Christmas Day, a whole new generation of queer fans will be able to connect to the iconic DC superhero through a campy, nostalgic lens – something countless GenX-ers hold near and dear in their memory, thanks to the ‘70s TV show starring Lynda Carter.

The character herself, of course, predates that series by decades. Debuting in DC’s “All Star Comics #8” in 1941, she was quickly embraced by readers, and soon became a star in her own right. In “official” mythology, she was sculpted from clay by her mother, Queen Hippolyta of the island nation Themyscira, and given life as an Amazon princess before joining the outside world in its battle against the Axis powers of WWII. Those details have been retooled from time to time over the years, adapting it to the needs of an ever-evolving canon and the changing cultural tides of time; but her essence has remained the same – a strong, confident, and independent female character who can not only stand as an equal among men but outthink and outperform most of them without even breaking a sweat.

As such, she has been embraced as a feminist icon – though in the early years, many (mostly male) readers and critics dismissed her as a representation of the “angry, man-hating lesbian,” an interpretation undoubtedly stoked both by her provenance as a member of an all-female society and a heavy dose of fragile masculine ego. As years have gone on, however, that view has been mostly eclipsed by an acceptance of Wonder Woman as a symbol of feminine empowerment and equality.

For women, regardless of sexual orientation, it’s not difficult to understand why; in a pop culture that still features a comparative dearth of such role models, she continues to loom large. What might be less apparent is the reason behind the character’s enduring popularity with gay men – which goes far deeper than the obvious camp associations arising from the ‘70s TV show.

Some of that appeal can surely be traced to her real-life origin story. Created by writer and psychologist William Moulton Marston (under the pen name Charles Moulton), she embodied his views around feminism, influenced by feminist thinkers of his day and his own observations about the impact on women of male-centric assumptions and expectations. More relevant, perhaps, is the inside story of the character’s development, which was influenced by not only his wife, Elizabeth Holloway Marston, but by their shared life partner, Olive Byrne; in an arrangement that would have been seen as beyond shocking during their era, the three of them were a polyamorous triad, and the involvement of the two women on shaping the character surely went far beyond just a visual design, which was based on features of both.

While those undeniably queer roots might link directly to Wonder Woman’s status as an LGBTQ fan favorite, they still don’t explain why gay men find the character so compelling – particularly since that history was largely unknown (for reasons that should be obvious) for much of her near-eight-decade existence.

Queer critics, theorists and scholars, of course, have provided volumes of their thoughts on the subject; but to get to the heart of the matter, there is no better source than the fans themselves.

For example, Jake Charles, a 40-something gay man who proudly sports a Wonder Woman tattoo on his arm and still heads to the bookstore as soon as every new issue of her comic hits the stands. He doesn’t remember, specifically, how he was introduced to Wonder Woman, but he knows it happened when he was about 5 or 6.

“Here was someone who could be a hero,” he tells us, “even though they weren’t butch and manly – and I needed to see that. I couldn’t tell you why, at the time, but I did.”

He elaborates, “She’d give you a charming smile, she’d be nurturing to someone she just saved in a way that Batman wouldn’t be. There was something loving and maternal that was just kind of built into her. Even when they’ve decided she needs to be more of a warrior, when they’ve tried to make her tougher and more manly over the years, that maternal side of her just keeps peeping through.”

That observation is echoed by another out-and-proud superfan, Keith Lamont, who says, “She was kind, loving and nurturing, traits that many of us didn’t receive as kids. She offered me protection and fantasy – her fabulous beauty and costumes, her invisible jet, Paradise Island.”

He goes on to add an important point. “I wanted to BE Wonder Woman, because that meant I could be adored by her love interest, Steve Trevor. She was really the only female superhero at that time, and I think it’s easier for a young gay boy to identify with a woman who is longing for the love of a man – as opposed to liking Superman or Batman, which is a different thing.”

Possibly the most universal shared experience of gay men with the character is expressed by another gay GenX-er, David Diaz, who tells us, “I loved her as a comic book superhero before the TV show, but once she came to life so spectacularly on the screen I was thoroughly entranced. Lynda Carter was stunningly gorgeous, but she played it straight, and she never traded on her looks or sexuality like so many other female action heroes. And she wasn’t an offshoot of some male hero, like Supergirl or Batgirl. She was her own woman.

“And of course, there was her transformation.  Every time she spun around to change into Wonder Woman, I would do the same in my family room.  I think the idea of her metamorphosis, from someone mundane and looked over to someone powerful and FABULOUS, was incredibly empowering for me. Even though I was years away from any real self-awareness of myself as a queer person, I clearly had some semi-conscious understanding of it, because I dreamed of being able to make that transformation myself.”

Even within this sampling of three voices, one can spot the common cord that binds them all together like Wonder Woman’s Lasso of Truth, as well as the variations of perspective that help to give this Amazon Warrior-turned-All-American-Hero such a profound influence on so many queer lives. What it comes down to, in the end, might be the reason she’s been embraced by members of almost every community that has been traditionally dismissed and sidelined by a dominant patriarchal culture – she inspires us to rise above the programming and carve our own space in the world.

Whether or not the new big screen blockbuster captures the cultural imagination as strongly as the 2017 blockbuster that spawned it remains to be seen – but even if it doesn’t, you can be sure that Wonder Woman will continue to hold a place in the hearts of millions of fans for whom she represents that powerful, primal desire to define ourselves by our own truth, and not the narratives foisted upon us by those who would keep us in the background.

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Anne Heche dies after removal from life support

Actress dated Ellen DeGeneres in late 1990s

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(Screenshot/YouTube Inside Edition)

Actress Anne Heche died after she was removed from life support on Sunday, nearly two weeks after her Mini-Cooper crashed through a two-story house in Los Angeles’ Mar Vista neighborhood. Investigators with the Los Angeles Police Department believe she was intoxicated at the time.

She sustained a severe anoxic brain injury along with severe burns and was being treated at the Grossman Burn Center at West Hills Hospital, near Chatsworth in the San Fernando Valley.

The 53-year-old actress who was a star of films like “Donnie Brasco,” the political satire “Wag the Dog” and the 1998 remake of “Psycho,” had been declared legally dead under California law on Friday, however, her family kept her alive long enough to be an organ donor.

In a statement Friday, the LAPD announced that: “As of today, there will be no further investigative efforts made in this case. Any information or records that have been requested prior to this turn of events will still be collected as they arrive as a matter of formalities and included in the overall case. When a person suspected of a crime expires, we do not present for filing consideration.” LAPD detectives had previously made public that investigators into the crash found narcotics in a blood sample taken from Heche.

The actress’s family released a statement on Friday:

“Today we lost a bright light, a kind and most joyful soul, a loving mother, and a loyal friend. Anne will be deeply missed but she lives on through her beautiful sons, her iconic body of work, and her passionate advocacy. Her bravery for always standing in her truth, spreading her message of love and acceptance, will continue to have a lasting impact,” the statement added.

Heche was married to camera operator Coleman Laffoon from 2001 to 2009. The two had a son, Homer, together. She had another son, named Atlas, during a relationship with actor James Tupper, her co-star on the TV series “Men In Trees.”

Laffoon left a moving tribute on an Instagram reel in which he also gave an update on how their 20-year-old son Homer Laffoon is coping with the loss of his mother.

“I loved her and I miss her, and I’m always going to,” he said adding: “Homer is okay. He’s grieving, of course, and it’s rough. It’s really rough, as probably anybody can imagine. But he’s surrounded by family and he’s strong, and he’s gonna be okay.”

“Rest In Peace, Mom, I love you, Homer,” the actor’s 20-year-old son, Homer, said in a statement after Heche was declared legally dead on Friday.“ My brother Atlas and I lost our Mom,” read the statement. “After six days of almost unbelievable emotional swings, I am left with a deep, wordless sadness. Hopefully, my mom is free from pain and beginning to explore what I like to imagine as her eternal freedom. Over those six days, thousands of friends, family, and fans made their hearts known to me. I am grateful for their love, as I am for the support of my Dad, Coley, and my stepmom Alexi who continue to be my rock during this time. Rest In Peace Mom, I love you, Homer.”

Tupper, a Canadian actor who starred alongside Heche in “Men in Trees,” had a 13-year-old son, Atlas, with her. “Love you forever,” Tupper, 57, wrote on his Instagram post’s caption with a broken heart emoji, which shared an image of the actress from Men in Trees.

Between 1997 and 2000, Heche was also in a relationship with talk show host Ellen DeGeneres.

“This is a sad day,” DeGeneres posted on Twitter. “I’m sending Anne’s children, family and friends all of my love.” The year after her break-up with the comedian, in September 2001, Heche recounted in her memoir “Call Me Crazy,” about her lifelong struggles with mental health and a childhood of abuse.

KTLA’s entertainment reporter Sam Rubin noted that over the past two decades, Heche’s career pivoted several times. In 2017, she hosted a weekly radio show on SiriusXM with Jason Ellis called “Love and Heche.”

In 2020, Heche made her way into the podcast world. She launched “Better Together” which she cohosted alongside Heather Duffy Boylston. The show was described as a way to celebrate friendship. 

She also worked in smaller films, on Broadway, and on TV shows. She recently had recurring roles on the network series “Chicago P.D.,” and “All Rise” and was a contestant on “Dancing with the Stars.”

People magazine reported that several of Heche’s acting projects are expected to be released posthumously.

These include “Girl in Room 13,” expected to be released on Lifetime in September, “What Remains,” scheduled to be released in 2023, and HBO Max TV series “The Idol,” created by Abel Tesfaye (The Weeknd) and Euphoria creator Sam Levinson.

In her Instagram post from earlier this year Heche stands between her sons Atlas, 13 and Homer, 20.

From KTLA:

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‘Star Trek’ actress Nichelle Nichols dies at 89

George Takei tweets ‘we lived long and prospered together’

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(Screenshot/YouTube The Smithsonian Channel)

She was a groundbreaking cultural icon who broke barriers in a time of societal upheaval and battling for the civil rights of Black Americans. An actress, a mother and thoroughly devoted to the legions of fans of “Star Trek,” Nichelle Nichols, Star Trek’s Lt. Nyota Uhura, has died at 89.

The announcement on her Facebook page by her son read:

Sunday, July 31, 2022

Friends, Fans, Colleagues, World

I regret to inform you that a great light in the firmament no longer shines for us as it has for so many years.

Last night, my mother, Nichelle Nichols, succumbed to natural causes and passed away. Her light however, like the ancient galaxies now being seen for the first time, will remain for us and future generations to enjoy, learn from, and draw inspiration.

Hers was a life well lived and as such a model for us all.

I, and the rest of our family, would appreciate your patience and forbearance as we grieve her loss until we can recover sufficiently to speak further. Her services will be for family members and the closest of her friends and we request that her and our privacy be respected.

Live Long and Prosper,

Kyle Johnson

Nichols was born in Robbins, Ill., in 1932, according to her IMDb page. Legendary composer Duke Ellington “discovered” Nichols and helped her become a singer and dancer. She later turned to acting, and joined Gene Roddenberry’s “Star Trek,” where she played Uhura from 1966 to 1969.

Out actor George Takei who played ‘Sulu’ on Star Trek the original series with Nichelle Nichols who played Lt. Nyota Uhura, at a Star Trek convention in this undated photo. (George Takei/Twitter)

It was in that role of Uhura that Nichols not only broke barriers between races, most famously her onscreen kiss, the first between a Black person and a white person, with castmate William Shatner, who played Capt. James T. Kirk, but she also became a role model for young Black women and men inspiring them to seek out their own places in science, technology, and other human endeavors.

In numerous interviews over the years Nichols often recalled how the Rev. Martin Luther King, Jr., was a fan of the show and praised her role and personally encouraged her to stay with the series.

When the first series ended Nichols went on to become a spokesperson for NASA, where she “helped recruit and inspire a new generation of fearless astronauts.” She later reprised her role in several successful “Star Trek” films and continued to advocate for the advancement of Black Americans especially in the areas of science and technology.

Formerly a NASA deputy administrator, Frederick Gregory, now 81, told the Associated Press he once saw an advertisement in which Nichols said “I want you to apply for the NASA program.”

“She was talking to me,” he recounted. The U.S. Air Force pilot would apply and later become the first African American shuttle pilot.

President Joe Biden weighed in Sunday afternoon on her passing in a statement issued by the White House:

In Nichelle Nichols, our nation has lost a trailblazer of stage and screen who redefined what is possible for Black Americans and women.
 
A daughter of a working-class family from Illinois, she first honed her craft as an actor and singer in Chicago before touring the country and the world performing with the likes of Duke Ellington and giving life to the words of James Baldwin.
 
During the height of the Civil Rights Movement, she shattered stereotypes to become the first Black woman to act in a major role on a primetime television show with her groundbreaking portrayal of Lt. Uhura in the original Star Trek. With a defining dignity and authority, she helped tell a central story that reimagined scientific pursuits and discoveries. And she continued this legacy by going on to work with NASA to empower generations of Americans from every background to reach for the stars and beyond.
 
Our nation is forever indebted to inspiring artists like Nichelle Nichols, who show us a future where unity, dignity, and respect are cornerstones of every society.

Nichols son said that services will be private for family members and her closest friends.

In 2008 the actress at a news conference, coordinated by the filmmakers of the motion picture “TRU LOVED,” in honor of the more than 900 students at Los Angeles’ Miguel Contreras Learning Complex’s School of Social Justice who participated in the GLSEN Day of Silence.

Nichelle Nichols speaks on LGBTQ rights:

Her fellow castmate and life long friend, openly Out actor George Takei shared his sadness on hearing of Nichols’ passing on Twitter:

From the September 2016 edition of the Smithsonian Channel: “Star Trek’s decision to cast Nichelle Nichols, an African American woman, as major character on the show was an almost unheard-of move in 1966. But for black women all over the country, it redefined the notions of what was possible.”

Star Trek’s Nichelle Nichols on Uhura’s Radical Impact:

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Miscellaneous

Emma Corin becomes first nonbinary person featured on cover of American Vogue

The star of The Crown opened up about their identity.

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Emma Corrin Jamie Hawkesworth/Vogue

Emma Corin was announced as the cover star of the August edition of Vogue. It’s the first time a nonbinary person is featured on the cover of American Vogue.

Corin posted the cover photo and wrote, “My grin really says it all! A huge honour to be your August cover.”

In early 2021, Corin quietly came out as a queer and nonbinary, changing pronouns to “she/they” in their instagram bio. Currently Corin sticks to pronouns “they/them.”

“I feel much more seen when I’m referred to as ‘they,’ but my closest friends, they will call me ‘she,’ and I don’t mind, because I know they know me,” Corin explained during the interview with Vogue.

Corin stated that they’ve still gone on dates with various kinds of people and set no limit on who they date. “I like people,” they simply said and shrugged.

Corin also shared some of their dating experiences. “My first date with a girl, they were like, Oh! You’re a baby queer!” Corin said, “It was amazing. We actually didn’t end up seeing each other again, but she really gave me the lowdown.”

Besides, Corin was frank about their conflicting feelings towards gender and sexuality issues. “I’m working out all this complex gender and sexuality stuff. And yet, I’m seeing a guy? That feels very juxtaposed, even if I’m very happy.”

Corin is known for playing Diana on the Netflix series The Crown.

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