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LGBTQ ally Hoffberger stepping down at American Visionary Art Museum

Iconic Baltimore attraction looking for a successor

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The Divine statue is a tribute to the gay actor and Baltimore native that was championed by outgoing AVAM founder and director Rebecca Hoffberger.

A longtime ally of the LGBTQ community is leaving her job in the arts world.

After 26 years as founder, director and primary curator of the American Visionary Art Museum in Baltimore, Rebecca Alban Hoffberger disclosed this week that she will retire in March of 2022.

In 1992, Congress designated the museum as a “national repository and educational center for visionary art,” which is defined as works “produced by self-taught individuals, usually without formal training” which arise from “an innate personal vision that revels foremost in the creative act itself.”

Rather than focusing on works of visionary art as objects unto themselves, Hoffberger curates exhibits that combine art, science, philosophy, and humor, always with an underlying focus on social justice and betterment. AVAM’s exhibits have explored themes ranging from hunger, public health and climate change to sleep and what makes us smile.

Throughout her tenure, Hoffberger has supported LGBTQ artists by featuring their work and stories in her themed exhibits and adding their work to the museum’s permanent collection. While other museums have only recently begun to call attention to their efforts to support Diversity, Equity, Inclusion and Access, AVAM has done it all along.

One of AVAM’s best known and most photographed pieces by an LGBTQ artist is British sculptor Andrew Logan’s 10-foot-tall statue of Divine, a tribute to the gay actor and Baltimore native who starred in drag in “Pink Flamingos,” “Multiple Maniacs,” “Hairspray” and other movies by filmmaker John Waters.

Logan, whose paintings and sculpture fill the Andrew Logan Museum of Sculpture between England and Wales, has two other works at AVAM: Icarus, a figure suspended above the main staircase, and the Cosmic Galaxy Egg, an eight-foot sculpture on a plaza outside the museum’s Jim Rouse Visionary Center.

Other LGBTQ artists highlighted at AVAM include painter James Snodgrass; Judy Tallwing McCarthy, an Apache leatherwoman and multi-media artist who won the first International Ms. Leather contest in 1987; Andrey Bartenev, a Russian performer, sculptor and experimentalist who won the Alternate Miss World pansexual beauty pageant in 2018 as Miss UFO; and psychic and “consciousness researcher” Ingo Douglas Swann, co-founder of the Stargate Project that was launched to investigate psychic phenomena in military and domestic intelligence applications.

Local visionary talents include woodworker Bob Little; Bob Adams, a multi-media artist and one of John Waters’ Dreamlanders, whose photographs, scrapbooks, shrines and other assemblages have been featured in three AVAM exhibits, and Bob Benson, a popular classical music radio host who became a prolific visual artist later in life, responsible for the fart machine in the museum’s Flatulence exhibit; the blinged-out Universal Tree of Life visible on Key Highway (made with Rick Ames and David Hess); the ocean beneath Icarus and the sky above him, and many other creations.

The museum has supported the LGBTQ community in other ways as well. It was one of the first places in Maryland to offer a welcoming setting for same-sex weddings, even before they were legal in the state. Couples would get married in the District of Columbia, where it was legal, and then come to AVAM’s Meditation Chapel to have a second wedding and reception.

One of Hoffberger’s year-long exhibits was called “Race, Class and Gender: 3 Things that Contribute “0” to CHARACTER (Because being a Schmuck is an equal opportunity for everyone!), also known as The Character Show. As part of that 2005-2006 presentation, she wrote an essay entitled “gender,” in which she explored the ways people in different countries think about transgender citizens; “intersex” children born with both male and female reproductive organs; gender “verification” for athletes; gender fluidity, the “gender rights” movement and related subjects.

“Every human being is precious,” she argued at the end. “We are all, all of us, part of God’s family. We all must be allowed to love each other with honor.”

The museum’s shop, Sideshow, has a gay owner whom she recruited from Chicago, Ted “Uncle Fun” Frankel, and is filled with gay-friendly books and gifts that reflect his sensibility. TripSavvy.com, a website last month named AVAM the LGBTQ+ Best Hidden Gem in Maryland. Readers of The Baltimore Sun just chose it as Baltimore’s Best Museum and Best Tourist Attraction.

In announcing her departure, Hoffberger said she loves her time at the museum but wants to pursue other interests, including writing a play about the close friendship between inventor Nikola Tesla and writer Mark Twain.

“I consider myself the luckiest woman I know,” she said. “It has been such a fantastic privilege to imagine, birth and to help our American Visionary Art Museum flourish over these past decades, alongside the most wonderful hardworking staff imaginable. Every beautiful thought, opportunity to communally inspire some greater good, we have joyfully undertaken.”

Her final curated exhibit as director will be “Healing & The Art of Compassion (And The Lack Thereof!),” scheduled for Oct. 9, 2021 to Sept. 4, 2022. A farewell gala and fundraiser has been set for Nov. 20. The museum’s board has appointed m/Oppenheim Executive Search to help find her replacement.

Waters, a big fan of the museum, is one of many who think Oppenheim doesn’t have an easy assignment.

“Rebecca Hoffberger’s name is almost synonymous with the word ‘irreplaceable,” the writer and filmmaker said in an email message.

“She has given the world the perfect museum to celebrate Baltimore’s reputation as a welcoming home to eccentric artistic outsiders and crackpot personalities,” he said. “The statue of Divine watches over the international visiting guests with benevolence and the same understanding Rebecca has for all artists who don’t fit in. Rebecca is passionate, obsessive in her drive, and nobody else could have made this place become such a major tourist destination. And now to find a successor? Who knows? We need another Glinda, the Good Witch of the Visionary. She’s out there somewhere.”

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Rehoboth Beach

Rehoboth’s Blue Moon is for sale but owners aim to keep it in gay-friendly hands

$4.5 million listing includes real estate; business sold separately

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The real estate at Rehoboth’s Blue Moon is for sale for $4.5 million. (Washington Blade photo by Michael Key)

Gay gasps could be heard around the DMV earlier this week when a real estate listing for Rehoboth Beach’s iconic Blue Moon bar and restaurant hit social media.

Take a breath. The Moon is for sale but the longtime owners are not in a hurry and are committed to preserving its legacy as a gay-friendly space.

“We had no idea the interest this would create,” Tim Ragan, one of the owners, told the Blade this week. “I guess I was a little naive about that.”

Ragan explained that he and longtime partner Randy Haney are separating the real estate from the business. The two buildings associated with the sale are listed by Carrie Lingo at 35 Baltimore Ave., and include an apartment, the front restaurant (6,600 square feet with three floors and a basement), and a secondary building (roughly 1,800 square feet on two floors). They are listed for $4.5 million. 

The bar and restaurant business is being sold separately; the price has not been publicly disclosed. 

But Ragan, who has owned the Moon for 20 years, told the Blade nothing is imminent and that the Moon remains open through the holidays and is scheduled to reopen for the 2026 season on Feb. 10. He has already scheduled some 2026 entertainment. 

“It’s time to look for the next people who can continue the history of the Moon and cultivate the next chapter,” Ragan said, noting that he turns 70 next year. “We’re not panicked; we separated the building from the business. Some buyers can’t afford both.” 

He said there have been many inquiries and they’ve considered some offers but nothing is firm yet. 

Given the Moon’s pioneering role in queering Rehoboth Beach since its debut 44 years ago in 1981, many LGBTQ visitors and residents are concerned about losing such an iconic queer space to redevelopment or chain ownership.

“That’s the No. 1 consideration,” Ragan said, “preserving a commitment to the gay community and honoring its history. The legacy needs to continue.” He added that they are not inclined to sell to one of the local restaurant chains.

You can view the real estate listing here.

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Comings & Goings

Tristan Fitzpatrick joins TerraPower

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Tristan Fitzpatrick

The Comings & Goings column is about sharing the professional successes of our community. We want to recognize those landing new jobs, new clients for their business, joining boards of organizations and other achievements. Please share your successes with us at [email protected]

Congratulations to Tristan Fitzpatrick on his new position as Digital Communications Manager with TerraPower. TerraPower creates technologies to provide safe, affordable, and abundant carbon-free energy. They devise ways to use heat and electricity to drive economic growth while decarbonizing industry.

Fitzpatrick’s most recent position was as Senior Communications Consultant with APCO in Washington, D.C. He led integrated communications campaigns at the fourth-largest public relations firm in the United States, increasing share of voice by 10 percent on average for clients in the climate, energy, health, manufacturing, and the technology. Prior to that he was a journalist and social media coordinator with Science Node in Bloomington, Ind. 

Fitzpatrick earned his bachelor’s degree in journalism with a concentration in public relations, from Indiana University.

Congratulations also to the newly elected board of Q Street. Rob Curis, Abigail Harris, Yesenia Henninger, Stu Malec, and David Reid. Four of them reelected, and the new member is Harris. 

Q Street is the nonprofit, nonpartisan, professional association of LGBTQ+ policy and political professionals, including lobbyists and public policy advocates. Founded in 2003 on the heels of the Supreme Court’s historic decision in Lawrence v. Texas, when there was renewed hope for advancing the rights of the LGBTQ community in Washington. Q Street was formed to be the bridge between LGBTQ advocacy organizations, LGBTQ lobbyists on K Street, and colleagues and allies on Capitol Hill.

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District of Columbia

New queer bar Rush beset by troubles; liquor license suspended

Staff claim they haven’t been paid, turn to GoFundMe as holidays approach

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A scene from the dance floor of Rush at a preview night on Friday, Nov. 28. (Washington Blade photo by Michael Key)

The D.C. Alcoholic Beverage and Cannabis Board on Dec. 17 issued an order suspending the liquor license for the recently opened LGBTQ bar and nightclub Rush on grounds that it failed to pay a required annual licensing fee.

Rush held its grand opening on Dec. 5 on the second and third floors of a building at 2001 14 Street, N.W., with its entrance around the corner on U Street next to the existing LGBTQ dance club Bunker. 

It describes itself on its website as offering “art-pop aesthetics, high-energy nights” in a space that “celebrates queer culture without holding back.” It includes a large dance floor and a lounge area with sofas and chairs.

Jackson Mosley, Rush’s principal owner, did not immediately respond to a phone message from the Washington Blade seeking his comment on the license suspension.  

The ABC Board’s order states, “The basis for this Order is that a review of the Board’s official records by the Alcoholic Beverage and Cannabis Administration (ABCA) has determined that the Respondent’s renewal payment check was returned unpaid and alternative payment was not submitted.”

The three-page order adds, “Notwithstanding ABCA’s efforts to notify the Respondent of the renewal payment check return, the Respondent failed to pay the license fee for the period of 2025 to 2026 for its Retailer’s Class CT license. Therefore, the Respondent’s license has been SUSPENDED  until the Respondent pays the license fees and the $50.00 per day fine imposed by the Board for late payment.”

ABCA spokesperson Mary McNamara told the Blade that the check from Rush that was returned without payment was for  $12,687, which she said was based on Rush’s decision to pay the license fee for four years. She said that for Rush to get its liquor license reinstated it must now pay $3,819 for a one-year license fee plus a $100 bounced check fee, a $750 late fee, and $230 transfer fee, at a total of $4,919 due.

Under D.C. law, bars, restaurants and other businesses that normally serve alcoholic beverages can remain open without a city liquor license as long as they do not sell or serve alcohol. 

But D.C. drag performer John Marsh, who performs under the name Cake Pop and who is among the Rush employees, said Rush did not open on Wednesday, Dec. 17, the day the liquor board order was issued. He said that when it first opened, Rush limited its operating days from Wednesday through Sunday and was not open Mondays and Tuesdays. 

Marsh also said none of the Rush employees received what was to be their first monthly salary payment on Dec. 15. He said approximately 20 employees set up a GoFundMe fundraising site to raise money to help sustain them during the holiday period after assuming they will not be paid.

He said he doubted that any of the employees would return to work in the unlikely case that Mosley would attempt to reopen Rush without serving liquor or if he were to pay the licensing fee to allow him to resume serving alcohol without having received their salary payment. 

As if all that were not enough, Mosley would be facing yet another less serious problem related to the Rush policy of not accepting cash payments from customers and only accepting credit card payments. A D.C. law that went into effect Jan. 1, 2025, prohibits retail businesses such as restaurants and bars from not accepting cash payments. 

A spokesperson for the D.C. Department of Licensing and Consumer Protection, which is in charge of enforcing that law, couldn’t immediately be reached to determine what the penalty is for a violation of the law requiring that type of business to accept cash payments.

The employee GoFundMe site, which includes messages from several of the employees, can be accessed here.

Mosley on Thursday responded to the reports about his business with a statement on the Rush website. 

He claims that employees were not paid because of a “tax-related mismatch between federal and District records” and that some performers were later paid. He offers a convoluted explanation as to why payroll wasn’t processed after the tax issue was resolved, claiming the bank issued paper checks.

“After contacting our payroll provider and bank, it was determined that electronic funds had been halted overnight,” according to the statement. “The only parties capable of doing so were the managers of the outside investment syndicate that agreed to handle our stabilization over the course of the initial three months in business.”  

Mosley further said he has not left the D.C. area and denounced “rumors” spread by a former employee. He disputes the ABCA assertion that the Rush liquor license was suspended due to a “bounced check.” Mosley ends his post by insisting that Rush will reopen, though he did not provide a reopening date.  

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