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Rehoboth Women’s FEST: We’ve come a long way, baby

Annual beach celebration features dances, speakers, yoga, and much more



Singer Chely Wright plays Women’s FEST in Rehoboth on April 9.

It’s taken more than two decades for an idea born of fear, frustration, and tragic stories to turn into a joyous four-day festival celebrating more than 20 years of bringing women together at the beach.

When CAMP Rehoboth’s Women’s FEST kicks off on Thursday, April 7, the event celebrates more than 20 years and the societal changes in attitude and legislation achieved for the LGBTQ community during these past two decades. The FEST, mirroring society, has grown and changed with the times. For 2022, it’s a time for camaraderie, nationally known entertainers, education, sports, speakers, and fun. 

But back in 2000, prior to marriage equality laws, there were too many horror stories. Area women could lose everything they owned because they lacked the proper legal paperwork to claim their rights to homes or bank accounts after a bad romantic break-up or the death of a partner. 

Too often, a grieving, long-time partner would be left homeless and helpless as parents or siblings of the deceased swept into town, claimed the home, and evicted the partner. This happened more than most people realize.

Likewise, in 2000 there were far fewer LGBTQ-welcoming medical practices. Many women avoided doctors or screenings for fear of coming out as lesbian to providers. Sadly, this reticence to seek treatment sometimes led to tragedy. 

To try and help halt these horrors, at the turn of the millennium a handful of women worked with CAMP Rehoboth, the LGBTQ non-profit service organization on Baltimore Avenue in Rehoboth Beach, to get something started.

What Did These Gals Do?

In April 2001, nine women volunteers, this author among them, put together a half-day event hosting speakers on women’s health, financial planning, and legal protection for lesbians. The speakers provided advice and identified gay-friendly resources for women whose fear kept them from taking actions they needed for wellness and security.

Now-retired attorney Ellen Feinberg says, “At that time, in Delaware, there were absolutely no legal protections for lesbians, and many women did not know what legal paperwork they needed to protect themselves, their relationships, and their finances.” 

That first morning conference, upstairs at the Rehoboth Library, saw 75 local women packed into the small space, eager to hear advice specifically pertinent to their lives. 

They learned about mortgages with “rights of survivorship” so the family of a deceased partner could not claim the couple’s home; they learned of medical practices that treated gays and lesbians with respect; they learned from medical and financial professionals how to find the resources they needed.

From those original planners — Andrea Andrus, Ellen Feinberg, Joan Glass, Maggie Ottato, Leslie Rogan, Maggie Shaw, Libby Stiff, Bea Wagner, and me—came a second conference a year later. Added volunteers helped produce a full-day event at the Rehoboth Beach Convention Center, complete with opening remarks by Delaware’s then-Gov. Ruth Ann Minner. 

Her speech was about women in politics, without a single mention of the word ‘lesbian’ or the LGBTQ community. “But she came to us to speak,” a committee member said, “and for that we were thrilled.”

Leslie Rogan recalls more than 200 women attending that second year, which, along with Gov. Minner, included nationally known 1970s activist and musical icon Margie Adam. “Actually, it was 236 people attending,” Feinberg adds, “not that I was counting,” she says, smiling. 

Following that weekend, Feinberg and Rogan, and friends Barb Fischel and Wendy Grooms, formed an entertainment committee to find performers willing to come to Rehoboth. “We started by looking to see which entertainers were booked on Olivia’s women’s cruises,” says Leslie. 

“We really had no idea about producing; we were flying by the seat of our pants,” Feinberg recalls.

By 2003, the event became Women’s Weekend, headlined by comic Suzanne Westenhoefer and Olivia Records legend Teresa Trull. In addition to educational seminars, some fun sessions included Mixology and Two-Stepping.

By 2004, the word was out. Women converged from Virginia, D.C., New Jersey, and Pennsylvania to hear women’s music pioneer Cris Williamson, with the event drawing the largest crowd yet. 

As news spread, agents and entertainer reps reached out to CAMP Rehoboth with inquiries from their clients. Over the next few years, well-known lesbian comics Kate Clinton, Vickie Shaw, and Karen Williams appeared, along with songwriter Tret Fure and famed singer Holly Near. 

When the iconic women’s travel company Olivia came onboard as a sponsor, many, many local women learned about the company and signed up for their all-women Caribbean cruises, where they could mingle with gay women from all over the country.

On one cruise, as a swarm of women posed for photos in their Rehoboth T-shirts, a bystander asked “What’s Re-Ho-BOTH, a sorority? A church? A college? What is it?”

Linda Kemp, Olivia’s director of strategic sales and marketing, answered, “Rehoboth is a gay-friendly beach town in Delaware where all these women are from.”

“But where’s Delaware?” the onlooker asked. Linda rolled her eyes and offered a geography lesson. 

Not only was Women’s Weekend promoted, but women from all over the country learned about the resort town of Rehoboth Beach. 

Sometime in those early years, artist Geri Dibiase offered up a vibrant photo design for a Women’s Weekend T-shirt to be sold at the event and she’s been donating new designs each year since. In addition, Geri donates the original artwork to be auctioned off to raise money for CAMP Rehoboth. 

“I’m so grateful for the opportunity to produce the T-shirts and proud to have my art featured in this nationally recognized event,” Dibiase says. 

By 2008 and 2009, as the CAMP Rehoboth office expanded into a Community Center, it provided a welcoming hub for all the women converging downtown each April. And there was a new intimate performance space for musicians plus theatrical events like a production of “The Vagina Monologues” and a one-woman show about journalist Molly Ivins.

Women’s Weekend now had nine years under its belt, and included events like golf, craft fairs, and more to make it a beloved spring custom.

And Then Came FEST

For the 10th anniversary in 2010, the weekend became FEST, an acronym for Fun, Entertainment, Spring Tradition. 

New partnerships saw Olivia as presenting sponsor and a collaboration with Ladies 2000, the famed Philly dance promoters, bringing a fantastic Tea Dance to the mix. Wednesday was now Locals Night with a big Welcome Party (now funded by an endowment from the late Georgette Krenkel), plus added events like a bike ride, Rehoboth walking tour, juried photo/art show featuring women artists, and singles speed dating.

“My now-spouse Diane and I started dating right before Women’s FEST 2010,” says Rehoboth resident Jennifer Rubenstein, “and it was very odd going to speed dating, where we did the round robin with a bunch of other singles but kept a watchful eye on each other.” It turned out well.

A decade in the making, the 2011 FEST was now the largest women’s event in the mid-Atlantic. A partnership with the Delaware Breast Cancer Coalition (DBCC) added the Broadwalk on the Boardwalk, a walk to help raise funds to fight breast cancer and honor those affected by it.  

“A flood of pink-wearing walkers showed up, some with their dogs, also in pink, and some supportive guys in pink boas and drag,” says one participant. “It was fun, and also serious, with a moving ceremony at the end. I loved it.” 

Volunteer Kathy Wiz, whose sister had the disease, helped bring CAMP Rehoboth and DBCC together for the event. ”For me, the Broadwalk is a way of showing gratitude for my sister’s survival.” 

Since 2011, Broadwalk on the Boardwalk has raised over $75,000 in donations benefiting the Delaware Breast Cancer Coalition.

Of course, over the years dozens and dozens of volunteers populated the official FEST Committee, with steadfast support from the CAMP Rehoboth staff and Board. 

“I clearly remember that first event, filling 75 seats at the library, hearing the presenters, and thinking this was new, uncharted territory, and hoping it could be expanded,” says long-time CAMP Rehoboth Board Member Jane Blue. “Boy, that was an understatement!”

In conjunction with national advances in LGBTQ rights, specifically the lifting of the ban on gay and lesbian service members, the 2012 FEST welcomed special guest Col. Grethe Cammermeyer. Instrumental in overturning the military’s “Don’t Ask Don’t Tell” law. Cammermeyer hosted a Saturday Q&A after the showing of the film “Serving in Silence,” based on her life story and starring Glenn Close. 

Musician Tret Fure recalls sitting with her hero, Col. Cammermeyer, in the front row at comic Suzanne Westenheofer’s show. “When my friend Suzanne looked down and saw us together in the front row, she almost fell off the stage.” 

But 2013 brought drama. Out and proud country singer Chely Wright, pregnant with twins, was to be the headliner. Unfortunately, her doctor put her on bed rest a week before the show. She sent her apologies and the committee freaked out! 

“We sold 700 tickets and had no entertainer. We were hysterical,” recalls Committee Chair Dottie Cirelli. Frantic committee members hit their phones and by the end of the day, comic Kate Clinton shuffled her schedule and bailed the event out. It was another huge success and Chely Wright’s twins were born happy and healthy.

Making good on her earlier promise, Chely performed to a packed house the next year and the Broadwalk was bigger than ever—honoring not only survivors and sisters lost to breast cancer, but adding women and men touched by all cancers. 

By 2015, with stunning LGBTQ victories like marriage equality and protections for transgender rights, the FEST’s original workshop concept morphed into invited guest speakers sharing their stories. Guests have included Feminist Majority leader Eleanor Smeal, Congresswoman Lisa Blunt Rochester, transgender activist Sarah McBride, and the brave D.C. law enforcement officer who helped save lives during a mass shooting at a congressional softball game.

Two-time headliner comic Poppy Champlin performed and offered a stand-up comedy workshop. “I’ve loved my times at FEST, the spirit of the women, the huge number of women flocking to town. And doing a show for 800 women is a real thrill for a comedian.” 

The rest, as they say, is herstory. 

In 2018, FEST statistics showed 3,832 seats filled at 23 different venues plus a new partnership with Beebe Medical Center for a health fair at the community center—further fulfilling one of the original Women’s Project goals.

For 2019, the numbers were even bigger. And while there was still emphasis on topics especially important for lesbian and transgender women, the FEST had become popular with a diverse group of attendees.

Rehoboth resident Deb Ward said, “My mother-in-law started visiting us on Women’s Weekend and loved it—and as a breast cancer survivor walked in the Broadwalk. Next thing I knew, her sister started coming, then my own sister joined us. It’s a spectacular event for all women, and it’s become a family tradition.”

It was different, 22 years later, far from when women had no idea how to protect themselves legally or find a welcoming doctor. “Our community is being courted now,” Ellen Feinberg said, “and everything is so open and accessible.” 

It was a long way, baby, from those turn-of-the-century workshops at the library. That fledgling Women’s Project Committee launched the event, then they and so many other hard-working volunteers took the idea and ran with it—with no plans to stop celebrating anytime soon.

Then Came 2020

The 2020 FEST, a special 20th anniversary event featuring The Indigo Girls, was canceled due to the COVID pandemic. Bummer! 

One bright spot was that all of our wonderful sponsors kept their money in the FEST pot for the future. We love our sponsors! Especially presenting sponsor Olivia Travel and Legacy sponsors Jenn Harpel, Jeanine O’Donnel, and Lana Warfield.

The 2021 FEST happened online, with a few Zoom events and some fun in the midst of the dark days.

But now, FEST is live again for 2022. Our wonderful sponsors are back, country singer superstar Chely Wright and the hilarious Funny Girlz will be performing (among others), and we are back on track.

FEST Passes are now on sale, as are individual event tickets—visit to purchase yours.

Oh yes, we HAVE come a long way, baby! 

There are many events associated with Women’s FEST. Visit for the full schedule. A few highlights:

• Thursday, April 7, 7 p.m., Georgette Krenkel Welcome Dance Party – free, Rehoboth Beach Convention Center. 

• Friday, April 8, 12-1 p.m., Concert: Singer Regina Sayles—$20. CAMP Rehoboth Community Center.

• Friday, April 8, 8 p.m., Chely Wright concert— FEST Pass or $40 individual ticket. Rehoboth Beach Convention Center.

• Saturday, April 9, 9 a.m-3 p.m. Women’s FEST EXPO – free. Rehoboth Beach Convention Center

• Saturday, April 9, 12-1 p.m., keynote speaker Del. Sen. Marie Pinkney — free. Rehoboth Beach Sands Hotel Ball Room 1

• Saturday, April 9, 6-10:30 p.m. Women’s FEST Dance Party, $15. Located at the Sands Hotel Ballroom

• Sunday, April 10, 9-11 a.m. 12th Annual Broadwalk on the Boardwalk—free at CAMP Rehoboth. Fundraiser for Delaware Breast Cancer Coalition

Author Fay Jacobs is one of the founders of Rehoboth’s Women’s FEST.

(This story was originally published in Letters from CAMP Rehoboth. Fay Jacobs is the author of five published books and is touring with her one-woman sit-down comedy show, Aging Gracelessly. Her reports on Rehoboth’s LGBTQ history can be heard on RadioRehoboth, 99.1.)

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Tagg turns 10

D.C. magazine thriving post-pandemic with focus on queer women



‘Tagg is a form of resistance,’ says editor Eboné Bell. (Blade photo by Michael Key)

In a 10-year-old YouTube video, owner and editor of Tagg magazine, Eboné Bell, — clad in a white cotton T-shirt, gray vest and matching gray fedora — smiled with all her pearly whites as a correspondent for the magazine interviewed her outside now-closed Cobalt, a gay club in downtown D.C. that hosted the magazine’s official launch in the fall of 2012. 

“I want to make sure that people know that this is a community publication,” Bell said in the video. “It’s about the women in this community and we wanted to make sure that they knew that ‘This is your magazine.’”

As one of just two queer womxn’s magazines in the country, Tagg has established itself as one of the nation’s leading and forthright LGBTQ publications that focuses on lesbian and queer culture, news, and events. The magazine is celebrating its 10th anniversary this month.

Among the many beats Tagg covers, it has recently produced work on wide-ranging political issues such as the introduction of the LGBTQ+ History Education Act in the U.S. House of Representatives and the Supreme Court’s assault on reproductive rights through a reversal of its landmark Roe v. Wade ruling; and also attracted the attention of international queer celebrities, including Emmy-nominated actress Dominique Jackson through fundraisers.

“Tagg is a form of resistance,” Bell said in a Zoom interview with the Washington Blade. “I always say the best form of activism is visibility and we’re out there authentically us.”

Although the magazine was created to focus on lifestyle, pressing political issues that affect LGBTQ individuals pushed it to dive deeper into political coverage in efforts to bring visibility to LGBTQ issues that specifically affect queer femme individuals. 

“We know the majority of our readers are queer women,’ said Bell. “[So] we always ask ourselves, ‘How does this affect our community?’ We are intentional and deliberate about it.”

Rebecca Damante, a contributing writer to the magazine echoed Bell’s sentiments. 

“The movement can sometimes err toward gay white men and it’s good that we get to represent other groups,” said Damante. “I feel really lucky that a magazine like Tagg exists because it’s given me the chance to polish my writing skills and talk about queer representation in media and politics.”

Tagg’s coverage has attracted younger readers who visit the magazine’s website in search of community and belonging. Most readers range between the ages of 25 and 30, Bell said. 

“[The magazine] honestly just took on a life of its own,” said Bell. “It’s like they came to us [and] it makes perfect sense.”

Prior to the magazine becoming subscription-based and completely online, it was a free publication that readers could pick up in coffee shops and distribution boxes around D.C., Maryland, and Virginia. 

Battling the pandemic 

Eboné Bell (Washington Blade photo by Michael Key)

When the COVID-19 pandemic struck in 2020, newsrooms across the world were forced to function virtually. Additionally, economic strife forced many publications to downsize staffs and — in some cases — cancel entire beats as ad revenue decreased, forcing them to find alternative ways to self-sustain financially. Tagg was no exception. 

“We didn’t fly unscathed,” said Bell. “[The pandemic] took a huge emotional toll on me because I thought we were going to close. I thought we were going to fail.”

However, the magazine was able to stand firm after a fundraiser titled “Save Tagg Magazine” yielded about $30,000 in donations from the community. 

The fundraiser involved a storefront on Tagg’s website where donations of LGBTQ merchandise were sold, including a book donated by soccer superstar Megan Rapinoe. 

There was also a virtual “Queerantine Con” — an event that was the brainchild of Dana Piccoli, editor of News Is Out— where prominent LGBTQ celebrities such as Rosie O’Donnell, Lea DeLaria and Kate Burrell, gave appearances to help raise money that eventually sustained the publication. 

“There was a time where I was ready to be like ‘I have to be OK that [Tagg] might not happen anymore,” said Bell. “But because of love and support, I’m here.” 

While the outpouring of love from community members who donated to the magazine helped keep the magazine alive, it was also a stark reminder that smaller publications, led by women of color, have access to fewer resources than mainstream outlets. 

“It’s statistically known that Black women-owned businesses get significantly less support, venture capital investments, things like that,” said Bell. “I saw similar outlets such as Tagg with white people making $100,000 a month.”

Bell added that Tagg had to work “10 times harder” to survive, and although the magazine didn’t cut back on the people who worked for it, it ended free access to the magazine in the DMV especially as the places that housed the magazine were no longer in business. The publication also moved to a subscription-based model that allowed it to ameliorate printing costs. 

Despite the challenges brought about by the pandemic, Tagg remains steadfast in its service to the LGBTQ community. The magazine hired an assistant editor in 2021 and has maintained a team of graphic designers, photographers, writers and an ad sales team who work to ensure fresh content is delivered to readers on a regular basis. 

For Bell, Tagg mirrors an important life experience — the moment she discovered Ladders, a lesbian magazine published throughout the 1950s, 1960s and early 1970s. 

“To that young person coming up, I want you to see all the things that happened before them, all the people that came before them, all the stories that were being told” she said.

Eboné Bell (Washington Blade photo by Michael Key)
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Daisy Edgar-Jones knows why ‘the Crawdads sing’

Actress on process, perfecting a southern accent, and her queer following



Daisy Edgar-Jones as Kya Clark. (Photo courtesy Sony/Columbia)

Daisy Edgar-Jones is an actor whose career is blossoming like her namesake. In recent years, she seems to be everywhere. LGBTQ viewers may recognize Edgar-Jones from her role as Delia Rawson in the recently canceled queer HBO series “Gentleman Jack.” She also played memorable parts in a pair of popular Hulu series, “Normal People” and “Under the Banner of Heaven.” Earlier this year, Edgar-Jones was seen as Noa in the black comedy/horror flick “Fresh” alongside Sebastian Stan. 

With her new movie, “Where the Crawdads Sing” (Sony/Columbia), she officially becomes a lead actress. Based on Delia Owens’ popular book club title of the same name, the movie spans a considerable period of time, part murder mystery, part courtroom drama. She was kind enough to answer a few questions for the Blade.

BLADE: Daisy, had you read Delia Owens’s novel “Where the Crawdads Sing” before signing on to play Kya?

DAISY EDGAR-JONES: I read it during my audition process, as I was auditioning for the part. So, the two went hand in hand.

BLADE: What was it about the character of Kya that appealed to you as an actress?

EDGAR-JONES: There was so much about her that appealed to me. I think the fact that she is a very complicated woman. She’s a mixture of things. She’s gentle and she’s curious. She’s strong and she’s resilient. She felt like a real person. I love real character studies and it felt like a character I haven’t had a chance to delve into. It felt different from anyone I’ve played before. Her resilience was one that I really admired. So, I really wanted to spend some time with her.

BLADE: While Kya is in jail, accused of killing the character Chase, she is visited by a cat in her cell. Are you a cat person or do you prefer dogs?

EDGAR-JONES: I like both! I think I like the fact that dogs unconditionally love you. While a cat’s love can feel a bit conditional. I do think both are very cute. Probably, if I had to choose, it would be dogs.

BLADE: I’m a dog person, so I’m glad you said that.


BLADE: Kya lives on the marsh and spends a lot of time on and in the water. Are you a swimmer or do you prefer to be on dry land?

EDGAR-JONES: I like swimming, I do. I grew up swimming a lot. If I’m ever on holidays, I like it to be by the sea or by a nice pool.

BLADE: Kya is also a gifted artist, and it is the thing that brings her great joy. Do you draw or paint?

EDGAR-JONES: I always doodle. I’m an avid doodler. I do love to draw and paint. I loved it at school. I wouldn’t say I was anywhere near as skilled as Kya. But I do love drawing if I get the chance to do it.

BLADE: Kya was born and raised in North Carolina. What can you tell me about your process when it comes to doing a southern accent or an American accent in general?

EDGAR-JONES: It’s obviously quite different from mine. I’ve been lucky that I’ve spent a lot of time working on various accents for different parts for a few years now, so I feel like I’m developed an ear for, I guess, the difference in tone and vowel sounds [laughs]. When it came to this, it was really important to get it right, of course. Kya has a very lyrical, gentle voice, which I think that North Carolina kind of sound really helped me to access. I worked with a brilliant accent coach who helped me out and I just listened and listened.

BLADE: While I was watching “Where the Crawdads Sing” I thought about how Kya could easily be a character from the LGBTQ community because she is considered an outsider, is shunned and ridiculed, and experiences physical and emotional harm. Do you also see the parallels?

EDGAR-JONES: I certainly do. I think that aspect of being an outsider is there, and this film does a really good job of showing how important it is to be kind to everyone. I think this film celebrates the goodness you can give to each other if you choose to be kind. Yes, I definitely see the parallels.

BLADE: Do you have an awareness of an LGBTQ following for your acting career?

EDGAR-JONES: I tend to stay off social media and am honestly not really aware of who follows me, but I do really hope the projects I’ve worked on resonate with everyone.

BLADE: Are there any upcoming acting projects that you’d like to mention?

EDGAR-JONES: None that I can talk of quite yet. But there are a few things that are coming up next year, so I’m really excited.

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CAMP Rehoboth’s president talks pandemic, planning, and the future

Wesley Combs marks six months in new role



Wesley Combs took over as president of CAMP Rehoboth six months ago and is now focused on searching for a new permanent executive director. (Blade photo by Daniel Truitt)

June marks half a year since Wesley Combs stepped into his role as president of CAMP Rehoboth. In a conversation with the Blade, Combs recounted his first six months in the position — a time he said was characterized by transition and learning.

Since 1991, CAMP Rehoboth has worked to develop programming “inclusive of all sexual orientations and gender identities” in the Rehoboth Beach, Del. area, according to the nonprofit’s website. As president, Combs oversees the organization’s board of directors and executive director, helping determine areas of focus and ensure programming meets community needs.

For Combs, his more than three decades of involvement with CAMP Rehoboth have shaped the course of his life. In the summer of 1989 — just before the organization’s creation — he met his now-husband, who was then living in a beach house with Steve Elkins and Murray Archibald, CAMP Rehoboth’s founders.

Since then, he has served as a financial supporter of the organization, noting that it has been crucial to fostering understanding that works against an “undercurrent of anti-LGBTQ sentiment” in Rehoboth Beach’s history that has, at times, propagated violence against LGBTQ community members.

In 2019, after Elkins passed away, Combs was called upon by CAMP Rehoboth’s Board of Directors to serve on a search committee for the organization’s next executive director. Later that year, he was invited to become a board member and, this past November, was elected president.

Combs noted that CAMP Rehoboth is also still recovering from the pandemic, and is working to restart programming paused in the switch to remote operations. In his first six months, he has sought to ensure that people feel “comfortable” visiting and engaging with CAMP Rehoboth again, and wants to ensure all community members can access its programming, including those from rural parts of Delaware and those without a means of getting downtown.

Still, Combs’s first six months were not without unexpected turns: On May 31, David Mariner stepped down from his role as CAMP Rehoboth executive director, necessitating a search for his replacement. Combs noted that he would help facilitate the search for an interim director to serve for the remainder of the year and ensure that there is “a stable transition of power.” CAMP Rehoboth last week announced it has named Lisa Evans to the interim director role.

Chris Beagle, whose term as president of CAMP Rehoboth preceded Combs’s own, noted that the experience of participating in a search committee with the organization will “better enable him to lead the process this time.”

Before completing his term, Beagle helped prepare Combs for the new role, noting that the “combination of his professional background, his executive leadership (and) his passion for the organization” make Combs a strong president. Regarding the results of the election, “I was extremely confident, and I remain extremely confident,” Beagle said.

Bob Witeck, a pioneer in LGBTQ marketing and communications, has known Combs for nearly four decades. The two founded a public relations firm together in 1993 and went on to work together for 20 years, with clients ranging from major businesses like Ford Motor Company to celebrities including Chaz Bono and Christopher Reeve. According to Witeck, Combs’s work in the firm is a testament to his commitment to LGBTQ advocacy.

“Our firm was the first founded primarily to work on issues specific to LGBTQ identities, because we wanted to counsel corporations about their marketing and media strategies and working in the LGBTQ market,” he explained. By helping develop communications strategies inclusive of those with LGBTQ identities, Combs established a background of LGBTQ advocacy that truly “made a mark,” Witeck said.

Witeck emphasized that, in his new position, Combs brings both business experience and a renewed focus on historically underrepresented in LGBTQ advocacy — including people with disabilities, trans people and people of color.

Looking to the rest of the year, CAMP Rehoboth hopes to host a larger-scale event during Labor Day weekend. In addition, the organization will revisit its strategic plan — first developed in 2019 but delayed due to the pandemic — and ensure it still meets the needs of the local community, Combs said. He added that he intends to reexamine the plan and other programming to ensure inclusivity for trans community members.

“CAMP Rehoboth continues to be a vital resource in the community,” he said. “The focus for the next two years is to make sure we’re doing and delivering services that meet the needs of everyone in our community.”

Wesley Combs, gay news, Washington Blade
Wesley Combs (Washington Blade photo by Daniel Truitt)
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