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Rehoboth Women’s FEST: We’ve come a long way, baby

Annual beach celebration features dances, speakers, yoga, and much more

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Singer Chely Wright plays Women’s FEST in Rehoboth on April 9.

It’s taken more than two decades for an idea born of fear, frustration, and tragic stories to turn into a joyous four-day festival celebrating more than 20 years of bringing women together at the beach.

When CAMP Rehoboth’s Women’s FEST kicks off on Thursday, April 7, the event celebrates more than 20 years and the societal changes in attitude and legislation achieved for the LGBTQ community during these past two decades. The FEST, mirroring society, has grown and changed with the times. For 2022, it’s a time for camaraderie, nationally known entertainers, education, sports, speakers, and fun. 

But back in 2000, prior to marriage equality laws, there were too many horror stories. Area women could lose everything they owned because they lacked the proper legal paperwork to claim their rights to homes or bank accounts after a bad romantic break-up or the death of a partner. 

Too often, a grieving, long-time partner would be left homeless and helpless as parents or siblings of the deceased swept into town, claimed the home, and evicted the partner. This happened more than most people realize.

Likewise, in 2000 there were far fewer LGBTQ-welcoming medical practices. Many women avoided doctors or screenings for fear of coming out as lesbian to providers. Sadly, this reticence to seek treatment sometimes led to tragedy. 

To try and help halt these horrors, at the turn of the millennium a handful of women worked with CAMP Rehoboth, the LGBTQ non-profit service organization on Baltimore Avenue in Rehoboth Beach, to get something started.

What Did These Gals Do?

In April 2001, nine women volunteers, this author among them, put together a half-day event hosting speakers on women’s health, financial planning, and legal protection for lesbians. The speakers provided advice and identified gay-friendly resources for women whose fear kept them from taking actions they needed for wellness and security.

Now-retired attorney Ellen Feinberg says, “At that time, in Delaware, there were absolutely no legal protections for lesbians, and many women did not know what legal paperwork they needed to protect themselves, their relationships, and their finances.” 

That first morning conference, upstairs at the Rehoboth Library, saw 75 local women packed into the small space, eager to hear advice specifically pertinent to their lives. 

They learned about mortgages with “rights of survivorship” so the family of a deceased partner could not claim the couple’s home; they learned of medical practices that treated gays and lesbians with respect; they learned from medical and financial professionals how to find the resources they needed.

From those original planners — Andrea Andrus, Ellen Feinberg, Joan Glass, Maggie Ottato, Leslie Rogan, Maggie Shaw, Libby Stiff, Bea Wagner, and me—came a second conference a year later. Added volunteers helped produce a full-day event at the Rehoboth Beach Convention Center, complete with opening remarks by Delaware’s then-Gov. Ruth Ann Minner. 

Her speech was about women in politics, without a single mention of the word ‘lesbian’ or the LGBTQ community. “But she came to us to speak,” a committee member said, “and for that we were thrilled.”

Leslie Rogan recalls more than 200 women attending that second year, which, along with Gov. Minner, included nationally known 1970s activist and musical icon Margie Adam. “Actually, it was 236 people attending,” Feinberg adds, “not that I was counting,” she says, smiling. 

Following that weekend, Feinberg and Rogan, and friends Barb Fischel and Wendy Grooms, formed an entertainment committee to find performers willing to come to Rehoboth. “We started by looking to see which entertainers were booked on Olivia’s women’s cruises,” says Leslie. 

“We really had no idea about producing; we were flying by the seat of our pants,” Feinberg recalls.

By 2003, the event became Women’s Weekend, headlined by comic Suzanne Westenhoefer and Olivia Records legend Teresa Trull. In addition to educational seminars, some fun sessions included Mixology and Two-Stepping.

By 2004, the word was out. Women converged from Virginia, D.C., New Jersey, and Pennsylvania to hear women’s music pioneer Cris Williamson, with the event drawing the largest crowd yet. 

As news spread, agents and entertainer reps reached out to CAMP Rehoboth with inquiries from their clients. Over the next few years, well-known lesbian comics Kate Clinton, Vickie Shaw, and Karen Williams appeared, along with songwriter Tret Fure and famed singer Holly Near. 

When the iconic women’s travel company Olivia came onboard as a sponsor, many, many local women learned about the company and signed up for their all-women Caribbean cruises, where they could mingle with gay women from all over the country.

On one cruise, as a swarm of women posed for photos in their Rehoboth T-shirts, a bystander asked “What’s Re-Ho-BOTH, a sorority? A church? A college? What is it?”

Linda Kemp, Olivia’s director of strategic sales and marketing, answered, “Rehoboth is a gay-friendly beach town in Delaware where all these women are from.”

“But where’s Delaware?” the onlooker asked. Linda rolled her eyes and offered a geography lesson. 

Not only was Women’s Weekend promoted, but women from all over the country learned about the resort town of Rehoboth Beach. 

Sometime in those early years, artist Geri Dibiase offered up a vibrant photo design for a Women’s Weekend T-shirt to be sold at the event and she’s been donating new designs each year since. In addition, Geri donates the original artwork to be auctioned off to raise money for CAMP Rehoboth. 

“I’m so grateful for the opportunity to produce the T-shirts and proud to have my art featured in this nationally recognized event,” Dibiase says. 

By 2008 and 2009, as the CAMP Rehoboth office expanded into a Community Center, it provided a welcoming hub for all the women converging downtown each April. And there was a new intimate performance space for musicians plus theatrical events like a production of “The Vagina Monologues” and a one-woman show about journalist Molly Ivins.

Women’s Weekend now had nine years under its belt, and included events like golf, craft fairs, and more to make it a beloved spring custom.

And Then Came FEST

For the 10th anniversary in 2010, the weekend became FEST, an acronym for Fun, Entertainment, Spring Tradition. 

New partnerships saw Olivia as presenting sponsor and a collaboration with Ladies 2000, the famed Philly dance promoters, bringing a fantastic Tea Dance to the mix. Wednesday was now Locals Night with a big Welcome Party (now funded by an endowment from the late Georgette Krenkel), plus added events like a bike ride, Rehoboth walking tour, juried photo/art show featuring women artists, and singles speed dating.

“My now-spouse Diane and I started dating right before Women’s FEST 2010,” says Rehoboth resident Jennifer Rubenstein, “and it was very odd going to speed dating, where we did the round robin with a bunch of other singles but kept a watchful eye on each other.” It turned out well.

A decade in the making, the 2011 FEST was now the largest women’s event in the mid-Atlantic. A partnership with the Delaware Breast Cancer Coalition (DBCC) added the Broadwalk on the Boardwalk, a walk to help raise funds to fight breast cancer and honor those affected by it.  

“A flood of pink-wearing walkers showed up, some with their dogs, also in pink, and some supportive guys in pink boas and drag,” says one participant. “It was fun, and also serious, with a moving ceremony at the end. I loved it.” 

Volunteer Kathy Wiz, whose sister had the disease, helped bring CAMP Rehoboth and DBCC together for the event. ”For me, the Broadwalk is a way of showing gratitude for my sister’s survival.” 

Since 2011, Broadwalk on the Boardwalk has raised over $75,000 in donations benefiting the Delaware Breast Cancer Coalition.

Of course, over the years dozens and dozens of volunteers populated the official FEST Committee, with steadfast support from the CAMP Rehoboth staff and Board. 

“I clearly remember that first event, filling 75 seats at the library, hearing the presenters, and thinking this was new, uncharted territory, and hoping it could be expanded,” says long-time CAMP Rehoboth Board Member Jane Blue. “Boy, that was an understatement!”

In conjunction with national advances in LGBTQ rights, specifically the lifting of the ban on gay and lesbian service members, the 2012 FEST welcomed special guest Col. Grethe Cammermeyer. Instrumental in overturning the military’s “Don’t Ask Don’t Tell” law. Cammermeyer hosted a Saturday Q&A after the showing of the film “Serving in Silence,” based on her life story and starring Glenn Close. 

Musician Tret Fure recalls sitting with her hero, Col. Cammermeyer, in the front row at comic Suzanne Westenheofer’s show. “When my friend Suzanne looked down and saw us together in the front row, she almost fell off the stage.” 

But 2013 brought drama. Out and proud country singer Chely Wright, pregnant with twins, was to be the headliner. Unfortunately, her doctor put her on bed rest a week before the show. She sent her apologies and the committee freaked out! 

“We sold 700 tickets and had no entertainer. We were hysterical,” recalls Committee Chair Dottie Cirelli. Frantic committee members hit their phones and by the end of the day, comic Kate Clinton shuffled her schedule and bailed the event out. It was another huge success and Chely Wright’s twins were born happy and healthy.

Making good on her earlier promise, Chely performed to a packed house the next year and the Broadwalk was bigger than ever—honoring not only survivors and sisters lost to breast cancer, but adding women and men touched by all cancers. 

By 2015, with stunning LGBTQ victories like marriage equality and protections for transgender rights, the FEST’s original workshop concept morphed into invited guest speakers sharing their stories. Guests have included Feminist Majority leader Eleanor Smeal, Congresswoman Lisa Blunt Rochester, transgender activist Sarah McBride, and the brave D.C. law enforcement officer who helped save lives during a mass shooting at a congressional softball game.

Two-time headliner comic Poppy Champlin performed and offered a stand-up comedy workshop. “I’ve loved my times at FEST, the spirit of the women, the huge number of women flocking to town. And doing a show for 800 women is a real thrill for a comedian.” 

The rest, as they say, is herstory. 

In 2018, FEST statistics showed 3,832 seats filled at 23 different venues plus a new partnership with Beebe Medical Center for a health fair at the community center—further fulfilling one of the original Women’s Project goals.

For 2019, the numbers were even bigger. And while there was still emphasis on topics especially important for lesbian and transgender women, the FEST had become popular with a diverse group of attendees.

Rehoboth resident Deb Ward said, “My mother-in-law started visiting us on Women’s Weekend and loved it—and as a breast cancer survivor walked in the Broadwalk. Next thing I knew, her sister started coming, then my own sister joined us. It’s a spectacular event for all women, and it’s become a family tradition.”

It was different, 22 years later, far from when women had no idea how to protect themselves legally or find a welcoming doctor. “Our community is being courted now,” Ellen Feinberg said, “and everything is so open and accessible.” 

It was a long way, baby, from those turn-of-the-century workshops at the library. That fledgling Women’s Project Committee launched the event, then they and so many other hard-working volunteers took the idea and ran with it—with no plans to stop celebrating anytime soon.

Then Came 2020

The 2020 FEST, a special 20th anniversary event featuring The Indigo Girls, was canceled due to the COVID pandemic. Bummer! 

One bright spot was that all of our wonderful sponsors kept their money in the FEST pot for the future. We love our sponsors! Especially presenting sponsor Olivia Travel and Legacy sponsors Jenn Harpel, Jeanine O’Donnel, and Lana Warfield.

The 2021 FEST happened online, with a few Zoom events and some fun in the midst of the dark days.

But now, FEST is live again for 2022. Our wonderful sponsors are back, country singer superstar Chely Wright and the hilarious Funny Girlz will be performing (among others), and we are back on track.

FEST Passes are now on sale, as are individual event tickets—visit camprehoboth.com. to purchase yours.

Oh yes, we HAVE come a long way, baby! 

There are many events associated with Women’s FEST. Visit camprehoboth.com for the full schedule. A few highlights:

• Thursday, April 7, 7 p.m., Georgette Krenkel Welcome Dance Party – free, Rehoboth Beach Convention Center. 

• Friday, April 8, 12-1 p.m., Concert: Singer Regina Sayles—$20. CAMP Rehoboth Community Center.

• Friday, April 8, 8 p.m., Chely Wright concert— FEST Pass or $40 individual ticket. Rehoboth Beach Convention Center.

• Saturday, April 9, 9 a.m-3 p.m. Women’s FEST EXPO – free. Rehoboth Beach Convention Center

• Saturday, April 9, 12-1 p.m., keynote speaker Del. Sen. Marie Pinkney — free. Rehoboth Beach Sands Hotel Ball Room 1

• Saturday, April 9, 6-10:30 p.m. Women’s FEST Dance Party, $15. Located at the Sands Hotel Ballroom

• Sunday, April 10, 9-11 a.m. 12th Annual Broadwalk on the Boardwalk—free at CAMP Rehoboth. Fundraiser for Delaware Breast Cancer Coalition


Author Fay Jacobs is one of the founders of Rehoboth’s Women’s FEST.

(This story was originally published in Letters from CAMP Rehoboth. Fay Jacobs is the author of five published books and is touring with her one-woman sit-down comedy show, Aging Gracelessly. Her reports on Rehoboth’s LGBTQ history can be heard on RadioRehoboth, 99.1.)

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Doug Spearman takes his chance

‘Noah’s Arc: The Movie’ debuted on Paramount+ last month

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(Photo courtesy of Paramount+)

There’s no question that when Patrik-Ian Polk’s series “Noah’s Arc” premiered on Logo 20 years ago, it was a groundbreaking creation. The story of a group of Black gay men and their wonderful friendship. The titular arc was that of the cute main character, Noah (Darryl Stephens), and his close-knit circle of friends, including Chance played by gay actor Doug Spearman. This compelling and loving fraternity may, in fact, be what brought viewers back repeatedly, including a 2008 movie, “Noah’s Arc: Jumping the Broom,” as well as the 2020 “Noah’s Arc” short, and now, a new full-length feature “Noah’s Arc: The Movie,” debuting on Paramount+ on June 20. In the movie, filled with equal measures of laughs and tears, Chance, who has faced a devastating loss, finds his dependable friends there, ready to support and comfort him at a moment’s notice. I had the pleasure of speaking with Spearman the morning of the streaming premiere of “Noah’s Arc: The Movie.”

WASHINGTON BLADE: Doug, since the early 2000s, when the “Noah’s Arc” series premiered on Logo, you have been playing the character of Chance, including in the latest installment, “Noah’s Arc: The Movie.” What was it about Chance that appealed to you as an actor?

SPEARMAN: When Patrik (-Ian Polk) called me to ask me to play him (Chance), I was at JFK airport in the baggage claim, waiting for a suitcase. He explained what the part was. The thing that stuck out to me was the fact that Chance was in a long-term relationship with another Black man. And, they had a child; they had a 4-year-old daughter named Kenya. I had never seen two Black gay men raise a child on TV before. I thought it was the most revolutionary thing I’d ever seen. I immediately thought I’ve got to do this because that was something nobody had seen. I thought it was incredibly important to take the part.

BLADE: “Noah’s Arc: The Movie” was, once again, written and directed by Patrik-Ian Polk, who you just mentioned, is the creator of the entire franchise. What’s the secret to your long-standing working relationship?

SPEARMAN: [Laughs] the whole team, all of us, are like a band of brothers. We fight like brothers, we come together like brothers, we hash things out, we talk, because we’re all very different from our characters. I think the challenge of playing these guys and then uplifting these men, playing a part, especially something written by Patrik, is like solving a math equation. There’s always a challenge that’s enjoyable for me as an actor: to try to find out what it is that Patrik wants, and then how do I do it.

BLADE: I think you do a very good job of it.

SPEARMAN: Thank you very much

BLADE: In the years between “Jumping the Broom” and the new full-length movie, many changes have occurred, and the story addresses some of them, including gay widowhood, which is something that the aging community is now confronting, as well as mental health issues. Please say a few words about how you approached those subjects in the new movie.

SPEARMAN: I had a lot of loss in my life, right before we started shooting. Two months before we started shooting the first series, my mother died. I was going through the grief process through that whole first season. Since then, I’ve lost a lot of people in my life. In fact, when we started shooting the second season, the second week we were shooting, my ex died of a heart attack. I was having to fold that into what I was doing with my life on the set and off the set. You’ve got to show up and you’ve got to do your work. The first two seasons of “Noah’s Arc” are always tinged with the memory of grief. So, when I had to deal with the death that Chance faces (in the new movie), which is a significant death in his life, it wasn’t that hard to reach back, especially the scene in the graveyard. It was something that I unfortunately could pull from personal experience.

BLADE: Shifting gears, the movie features delightful cast surprises, including Jasmine Guy and TS Madison. Did you have a chance to interact with either or both when they were on set?

SPEARMAN: No, I didn’t have any scenes with Jasmine, and I missed her. I wish I had gotten to see her because I actually got to direct Jasmine for a CBS promo shoot for “Queen,” back in the early ‘90s. I had a huge crush on her when she was on “A Different World.” So, I really would have liked to reconnect. But TS and I got to see each other every day because I was in all her scenes. It was extraordinary being around somebody like that. That is one outspoken woman!

BLADE: Even though Beyoncé never makes an appearance in the movie, there’s a lot of talk about her. Would you say you are a Beyoncé fan?

SPEARMAN: Yes! I’m breathing! Yes, I’m a Beyoncé fan. I actually got the chance to meet her. I knew her mom. Her mom was extraordinary to me. She is in the second movie I directed. She also gave us a wedding gown to use in the very first scene of the movie. That family is extraordinarily important to me. Not only just to be a fan, but to be somebody who’s gotten to know them and work with them and see how hard they work. I don’t think anybody works as hard as Tina or Beyoncé.

BLADE: There was a recent news item about gay actor Benito Skinner of the Amazon Prime series “Overcompensating” being told not to bother auditioning for straight roles. As an out actor yourself, how important do you think it is for queer characters to be portrayed by queer actors, and vice versa?

SPEARMAN: Being queer is a multifaceted identity. There’s no one kind of queer person. I think finding the best actor that’s your first circle of casting. I think one of the joys about being an actor is that you get to play different parts. I play straight guys all the time. Dads and husbands and things like that. I think a lot of people are told not to do it. In fact, I wouldn’t be Chance if the actor who was originally cast as Chance hadn’t been pulled out of the series by his agents because they didn’t want him to play a gay character.

BLADE: That’s amazing! Thank you for sharing that. Without giving away too much, the ending of the movie is a little ambiguous, even ending with a question mark. If there was a “Noah’s Arc: The Movie” sequel, would you come back for that?

SPEARMAN: Yeah! A lot of it would depend on what Chance’s journey is going to be like. Patrik and I have conversations like that all the time. He’s very interested and supportive of input. I hope I would be, as we all would be, part of the creative growth with these characters. They live in Patrik’s head, and he writes them, but we’re the ones who have to flesh them out. It’s a conversation, it’s always a conversation.

BLADE: You are currently performing in Molière’s “The Imaginary Invalid” as part of the New Orleans Shakespeare Festival at Tulane. What has this experience been like for you?

SPEARMAN: It’s extraordinary! I started on stage when I was seven. There’s nothing like working with a live audience and having that immediacy. I’m working with an extraordinarily talented cast in a really great play, and I have some of the best scene partners I could ever want.

BLADE: Are there any upcoming film or TV projects you’d like to mention?

SPEARMAN: I’m still a writer, and I’m still a director, and I’ve still got scripts that I would like to make. I have a little something that’s a cross between “Treme” and “Bridgerton” that I want to do. I’m always trying to figure out what the next thing is.

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Visit Cambridge, a ‘beautiful secret’ on Maryland’s Eastern Shore

New organization promotes town’s welcoming vibe, LGBTQ inclusion

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Cambridge, Md., is home to quaint shops, restaurants, and Victorian homes on Maryland’s Eastern Shore. (Photo courtesy James Lumalcuri)

CAMBRIDGE, Md. — Driving through this scenic, historic town on Maryland’s Eastern Shore, you’ll be charmed by streets lined with unique shops, restaurants, and beautifully restored Victorian homes. You’ll also be struck by the number of LGBTQ Pride flags flying throughout the town.

The flags are a reassuring signal that everyone is welcome here, despite the town’s location in ruby red Dorchester County, which voted for Donald Trump over Kamala Harris by a lopsided margin. But don’t let that deter you from visiting. A new organization, Proudly Cambridge, is holding its debut Pride event this weekend, touting the town’s welcoming, inclusive culture.

“We stumbled on a beautiful secret and we wanted to help get the word out,” said James Lumalcuri of the effort to create Proudly Cambridge.

The organization celebrates diversity, enhances public spaces, and seeks to uplift all that Cambridge has to share, according to its mission statement, under the tagline “You Belong Here.”

The group has so far held informal movie nights and a picnic and garden party; the launch party is June 28 at the Cambridge Yacht Club, which will feature a Pride celebration and tea dance. The event’s 75 tickets sold out quickly and proceeds benefit DoCo Pride.

“Tickets went faster than we imagined and we’re bummed we can’t welcome everyone who wanted to come,” Lumalcuri said, adding that organizers plan to make “Cheers on the Choptank” an annual event with added capacity next year.

One of the group’s first projects was to distribute free Pride flags to anyone who requested one and the result is a visually striking display of a large number of flags flying all over town. Up next: Proudly Cambridge plans to roll out a program offering affirming businesses rainbow crab stickers to show their inclusiveness and LGBTQ support. The group also wants to engage with potential visitors and homebuyers.

“We want to spread the word outside of Cambridge — in D.C. and Baltimore — who don’t know about Cambridge,” Lumalcuri said. “We want them to come and know we are a safe haven. You can exist here and feel comfortable and supported by neighbors in a way that we didn’t anticipate when we moved here.”

James Lumalcuri and Lou Cardenas sailing in Cambridge, Md. The couple bought a second home there and are spreading the word about the town’s pro-LGBTQ culture. (Photo courtesy the couple)

Lumalcuri, 53, a federal government employee, and his husband, Lou Cardenas, 62, a Realtor, purchased a Victorian house in Cambridge in 2021 and embarked on an extensive renovation. The couple also owns a home in Adams Morgan in D.C.

“We saw the opportunity here and wanted to share it with others,” Cardenas said. “There’s lots of housing inventory in the $300-400,000 range … we’re not here to gentrify people out of town because a lot of these homes are just empty and need to be fixed up and we’re happy to be a part of that.”

Lumalcuri was talking with friends one Sunday last year at the gazebo (affectionately known as the “gayzebo” by locals) at the Yacht Club and the idea for Proudly Cambridge was born. The founding board members are Lumalcuri, Corey van Vlymen, Brian Orjuela, Lauren Mross, and Caleb Holland. The group is currently working toward forming a 501(c)3.

“We need visibility and support for those who need it,” Mross said. “We started making lists of what we wanted to do and the five of us ran with it. We started meeting weekly and solidified what we wanted to do.”

Mross, 50, a brand strategist and web designer, moved to Cambridge from Atlanta with her wife three years ago. They knew they wanted to be near the water and farther north and began researching their options when they discovered Cambridge.

“I had not heard of Cambridge but the location seemed perfect,” she said. “I pointed on a map and said this is where we’re going to move.”

The couple packed up, bought a camper trailer and parked it in different campsites but kept coming back to Cambridge. 

“I didn’t know how right it was until we moved here,” she said. “It’s the most welcoming place … there’s an energy vortex here – how did so many cool, progressive people end up in one place?” 

Corey van Vlymen and his husband live in D.C. and were looking for a second home. They considered Lost River, W.Va., but decided they preferred to be on the water.

“We looked at a map on both sides of the bay and came to Cambridge on a Saturday and bought a house that day,” said van Vlymen, 39, a senior scientist at Booz Allen Hamilton. They’ve owned in Cambridge for two years.

They were drawn to Cambridge due to its location on the water, the affordable housing inventory, and its proximity to D.C.; it’s about an hour and 20 minutes away.

Now, through the work of Proudly Cambridge, they hope to highlight the town’s many attributes to residents and visitors alike.

“Something we all agree on is there’s a perception problem for Cambridge and a lack of awareness,” van Vlymen said. “If you tell someone you’re going to Cambridge, chances are they think, ‘England or Massachusetts?’”

He cited the affordability and the opportunity to save older, historic homes as a big draw for buyers.

“It’s all about celebrating all the things that make Cambridge great,” Mross added. “Our monthly social events are joyful and celebratory.” A recent game night drew about 70 people.

She noted that the goal is not to gentrify the town and push longtime residents out, but to uplift all the people who are already there while welcoming new visitors and future residents. 

They also noted that Proudly Cambridge does not seek to supplant existing Pride-focused organizations. Dorchester County Pride organizes countywide Pride events and Delmarva Pride was held in nearby Easton two weeks ago.

“We celebrate all diversity but are gay powered and gay led,” Mross noted.  

To learn more about Proudly Cambridge, visit the group on Facebook and Instagram.

What to see and do

Cambridge, located 13 miles up the Choptank River from the Chesapeake Bay, has a population of roughly 15,000. It was settled in 1684 and named for the English university town in 1686. It is home to the Harriet Tubman Museum, mural, and monument. Its proximity to the Blackwater National Wildlife Refuge makes it a popular stop for birders, drawn to more than 27,000 acres of marshland dubbed “the Everglades of the north.”

The refuge is walkable, bikeable, and driveable, making it an accessible attraction for all. There are kayaking and biking tours through Blackwater Adventures (blackwateradventuresmd.com).

Back in town, take a stroll along the water and through historic downtown and admire the architecture. Take in the striking Harriet Tubman mural (424 Race St.). Shop in the many local boutiques, and don’t miss the gay-owned Shorelife Home and Gifts (421 Race St.), filled with stylish coastal décor items. 

Stop for breakfast or lunch at Black Water Bakery (429 Race St.), which offers a full compliment of coffee drinks along with a build-your-own mimosa bar and a full menu of creative cocktails.

The Cambridge Yacht Club (1 Mill St.) is always bustling but you need to be a member to get in. Snapper’s on the water is temporarily closed for renovations. RaR Brewing (rarbrewing.com) is popular for craft beers served in an 80-year-old former pool hall and bowling alley. The menu offers burgers, wings, and other bar fare.

For dinner or wine, don’t miss the fantastic Vintage 414 (414 Race St.), which offers lunch, dinner, wine tasting events, specialty foods, and a large selection of wines. The homemade cheddar crackers, inventive flatbreads, and creative desserts (citrus olive oil cake, carrot cake trifle) were a hit on a recent visit.

Also nearby is Ava’s (305 High St.), a regional chain offering outstanding Italian dishes, pizzas, and more.  

For something off the beaten path, visit Emily’s Produce (22143 Church Creek Rd.) for its nursery, produce, and prepared meals.

“Ten minutes into the sticks there’s a place called Emily’s Produce, where you can pay $5 and walk through a field and pick sunflowers, blueberries, you can feed the goats … and they have great food,” van Vlymen said.

As for accommodations, there’s the Hyatt Regency Chesapeake Bay (100 Heron Blvd. at Route 50), a resort complex with golf course, spa, and marina. Otherwise, check out Airbnb and VRBO for short-term rentals closer to downtown.

Its proximity to D.C. and Baltimore makes Cambridge an ideal weekend getaway. The large LGBTQ population is welcoming and they are happy to talk up their town and show you around. 

“There’s a closeness among the neighbors that I wasn’t feeling in D.C.,” Lumalcuri said. “We look after each other.”

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James Baldwin bio shows how much of his life is revealed in his work

‘A Love Story’ is first major book on acclaimed author’s life in 30 years

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(Book cover image courtesy of FSG)

‘Baldwin: A Love Story’
By Nicholas Boggs
c.2025, FSG
$35/704 pages

“Baldwin: A Love Story” is a sympathetic biography, the first major one in 30 years, of acclaimed Black gay writer James Baldwin. Drawing on Baldwin’s fiction, essays, and letters, Nicolas Boggs, a white writer who rediscovered and co-edited a new edition of a long-lost Baldwin book, explores Baldwin’s life and work through focusing on his lovers, mentors, and inspirations.

The book begins with a quick look at Baldwin’s childhood in Harlem, and his difficult relationship with his religious, angry stepfather. Baldwin’s experience with Orilla Miller, a white teacher who encouraged the boy’s writing and took him to plays and movies, even against his father’s wishes, helped shape his life and tempered his feelings toward white people. When Baldwin later joined a church and became a child preacher, though, he felt conflicted between academic success and religious demands, even denouncing Miller at one point. In a fascinating late essay, Baldwin also described his teenage sexual relationship with a mobster, who showed him off in public.

Baldwin’s romantic life was complicated, as he preferred men who were not outwardly gay. Indeed, many would marry women and have children while also involved with Baldwin. Still, they would often remain friends and enabled Baldwin’s work. Lucien Happersberger, who met Baldwin while both were living in Paris, sent him to a Swiss village, where he wrote his first novel, “Go Tell It on the Mountain,” as well as an essay, “Stranger in the Village,” about the oddness of being the first Black person many villagers had ever seen. Baldwin met Turkish actor Engin Cezzar in New York at the Actors’ Studio; Baldwin later spent time in Istanbul with Cezzar and his wife, finishing “Another Country” and directing a controversial play about Turkish prisoners that depicted sexuality and gender. 

Baldwin collaborated with French artist Yoran Cazac on a children’s book, which later vanished. Boggs writes of his excitement about coming across this book while a student at Yale and how he later interviewed Cazac and his wife while also republishing the book. Baldwin also had many tumultuous sexual relationships with young men whom he tried to mentor and shape, most of which led to drama and despair.

The book carefully examines Baldwin’s development as a writer. “Go Tell It on the Mountain” draws heavily on his early life, giving subtle signs of the main character John’s sexuality, while “Giovanni’s Room” bravely and openly shows a homosexual relationship, highly controversial at the time. “If Beale Street Could Talk” features a woman as its main character and narrator, the first time Baldwin wrote fully through a woman’s perspective. His essays feel deeply personal, even if they do not reveal everything; Lucian is the unnamed visiting friend in one who the police briefly detained along with Baldwin. He found New York too distracting to write, spending his time there with friends and family or on business. He was close friends with modernist painter Beauford Delaney, also gay, who helped Baldwin see that a Black man could thrive as an artist. Delaney would later move to France, staying near Baldwin’s home.

An epilogue has Boggs writing about encountering Baldwin’s work as one of the few white students in a majority-Black school. It helpfully reminds us that Baldwin connects to all who feel different, no matter their race, sexuality, gender, or class. A well-written, easy-flowing biography, with many excerpts from Baldwin’s writing, it shows how much of his life is revealed in his work. Let’s hope it encourages reading the work, either again or for the first time.

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