Arts & Entertainment
New York City is ready to dazzle visitors again
New York City felt like it was almost its bustling self again.
New York City felt like it was almost its bustling self again as I walked through the streets enjoying the warm spring weather during a recent trip.
The city, like many others, is forever changed after more than two years of the COVID pandemic, but in true New York fashion, the Big Apple is coming back. It was my second trip within six months after about a two and a half year break.
New Yorkers rolled up their sleeves (more than 80% are vaccinated), masked up, and have done pretty much everything they can to get their groove back. However, COVID subvariants continue to emerge in the ongoing pandemic. Some venues are still enforcing proof of vaccination and masks. Face coverings are still required on all public transportation until further notice and in Broadway theaters at least until May 31.
Recently, COVID cases have been on the rise in New York due to the new highly contagious Omicron subvariant, BA.2.12.1. People planning to visit should check the city’s visitor site (under Basic Information) for the latest.

Some Broadway shows have canceled performances due to COVID. Other shows are taking place. New restaurants are opening, and reservations are harder to get than ever before. New museum exhibits are opening. Big events are coming back like New York Pride, which returns in-person June 26 with the theme “Unapologetically Us.”
“Our community has been through tremendous hardships over the past few years, beginning with the pandemic, and continuing with a reckoning with social justice, threats to our democracy, and more recently armed conflict overseas,” stated NYC Pride’s new executive director, Sandra Perez, in a March 25 news release. “Compounding these struggles is the onslaught of legislation around the country that directly targets LGBTQIA+ individuals.
“In spite of these challenges and attacks, we are here to tell the country and the world: we will not be erased,” Perez continued, stating that the community will stand together to face the attacks on the LGBTQ community across the country and around the world. “We will continue to love and live our truth and be our full and complete selves – and we are not going to apologize for it.”
NYC Pride board Co-Chair Sue Doster noted the importance of the annual celebration that attracts upward of two million people from across the United States and all over the world.
“We’re thrilled to be able to finally invite everyone back,” she stated.
Tourism officials said the city is rebounding.
“The city is as vibrant as ever,” said Chris Heywood, a gay man who’s executive vice president of global communication of NYC & Company, New York City’s destination marketing and convention and visitors bureau.
The pandemic did not completely stop New York from retrofitting, innovating, and building new hotels, spectacular sites, and opening new restaurants.
“That’s the beauty about New York,” Heywood continued. “Resilience is really our middle name. People are going to encounter a city that is continuing to come back.”
New attractions
Some of the new things to see in New York are Summit One Vanderbilt, the Moynihan Train Hall, and Little Island, the latest park near the Chelsea Piers.
The city’s newest vantage point is at Summit One Vanderbilt. The Summit is a 65,000 square foot space at the top of the 93-story office and residential building at One Vanderbilt adjacent to Grand Central Station.

The observatory deck opened in October 2021. It is much more than the highest view (for the moment) of New York City; it’s an experience with a view. Each room is an art installation accentuating the feeling of being high in the sky or in the clouds. At the very top are Apres and the Summit Terrace, where my girlfriend and I enjoyed a cocktail while admiring New York’s sparkling skyline under the night sky.
Tickets to catch the sunset view cost about an extra $16. The Summit does not itemize what the extra amount is at checkout, but it’s for experiencing the Summit at the golden hour, the optimal time of day.
It wouldn’t be New York City without the many opportunities to see art. This spring and summer visitors can catch the 80th edition of the Whitney Museum of American Art’s “Biennial 2022: Quiet As It’s Kept,” which opened April 6. The two-floor exhibit brings together a survey of 63 American artists exploring the darkness and disruption of 2020. The title is a colloquial phrase taken from the late novelist Toni Morrison. The show runs through September 5.
Henri Mattise lovers can take in a rare exhibit of the French artist’s early works that formed modern art at the Museum of Modern Art exhibition “Mattise: The Red Studio,” which opened May 1. The show runs through September 10.
The Brooklyn Museum is featuring “Andy Warhol: Revelation”, showing now through June 19.
Brooklyn Academy of Music is featuring the DanceAfrica Festival, which is celebrating its 45th anniversary through the end of this month.
I rarely leave New York without seeing at least one show on Broadway. Right now, it’s all about the classics and some new musicals (“Wicked,” “Chicago,” and “Funny Girl”) and plays (“Plaza Suite” and “To Kill A Mockingbird”).
Dining and drinking
Food draws my girlfriend and I to New York just as much as Broadway’s musicals. For this trip, I sought out restaurants that were old favorites that survived the pandemic, some that were reborn, and others that were new.
During the day we lunched at the fun, cheeky and very gay diner Cafeteria; a Chelsea neighborhood staple, Elmo; and famed chef and restaurateur David Chang’s Momofuku Noodle Bar.
At night we hit the town enjoying dishes crafted by some of New York’s finest lesbian chefs. Chef and restaurateur duo Rita Sodi and Jody Williams’ beloved Via Carota lived up to the hype. You can’t go wrong with pasta, but this is exceptional pasta. I also dined at the culinary couple’s newest venture The Commerce Inn. It veers away from the chefs’ usual turf, French and Italian cuisine, exploring and modernizing American Shaker dishes that hit the mark.
Lesbian executive chef Hillary Sterling crafted a distinctive Italian menu at Ci Siamo restaurateur Danny Meyer’s latest culinary venture. Lesbian executive chef Mary Attea at the Michelin-rated The Musket Room serves a revisioned world on your plate. There was no doubt that I wouldn’t enjoy chef and restaurateur Mark Strausman’s new restaurant Mark’s Off Madison, which has a warm atmosphere and incredible, flavorful comfort food.
Two unique restaurants that might signal a shift in the queer culinary scene in New York are Tagmo and Hags. Both restaurants are queer-owned and -operated. They actively hire LGBTQ staff and are deeply involved in the community.

Queer chef Surbhi Sahni is the heart behind Tagmo, an Indian restaurant that opened in Seaport, a small shopping and dining center near One World Trade Center, in September 2021. Tagmo is not your average Indian restaurant. Dining there is a gastronomic adventure through India with all its diverse cuisines.

The much-anticipated Hags is targeted to open just ahead of Memorial Day weekend, May 25. The Lower Eastside restaurant aims to be the first upscale queer restaurant, according to business and life partners Telly Justice, a transgender woman, and Camille Lindsley, a queer woman.
New York’s nightlife isn’t quite what it used to be like yet. My girlfriend and I enjoyed early nightcaps at Tiny’s & The Bar Upstairs in Tribeca, the historic Stonewall Inn in Greenwich Village, and Bar Veloce in Chelsea.
Village lesbian bar mainstays – Henrietta Hudson and Cubbyhole – and Brooklyn’s Ginger’s Bar got makeovers during the pandemic and recently reopened. Catch roving lesbian events hosted by Dyke Beer and Dave’s Lesbian Bar on their websites or follow them on social media.
The boys are back in action from Midtown to Harlem with bars and nightclubs for every stripe in the rainbow flag. Check out Midtown’s swanky The Townhouse of New York. Head to the West Village’s Playhouse or get nostalgic at New York’s oldest gay bar Julius’ and the historic Stonewall Inn. Head uptown to Harlem for the last remaining Black-owned gay bar Alibi Lounge.
Where to stay
My girlfriend and I stayed at the Smyth Tribeca. The newly renovated modern 100-room hotel opened in September 2021. The hotel is comfortable, chic, and perfectly located on the corner of Chambers Street and West Broadway above the Westside’s 1 line. The subway line is a direct vein to Broadway, the Village, and many of New York’s most popular destinations.
Getting around
New York’s metro is going touchless with Omny, an app that allows riders to tag on and off the subway and buses with their smartphones and other smart devices. Riders can choose to use the Metro Card or the app to get around the city.
Movies
‘Hedda’ brings queer visibility to Golden Globes
Tessa Thompson up for Best Actress for new take on Ibsen classic
The 83rd annual Golden Globes awards are set for Sunday (CBS, 8 p.m. EST). One of the many bright spots this awards season is “Hedda,” a unique LGBTQ version of the classic Henrik Ibsen story, “Hedda Gabler,” starring powerhouses Nina Hoss, Tessa Thompson and Imogen Poots. A modern reinterpretation of a timeless story, the film and its cast have already received several nominations this awards season, including a Globes nod for Best Actress for Thompson.
Writer/director Nia DaCosta was fascinated by Ibsen’s play and the enigmatic character of the deeply complex Hedda, who in the original, is stuck in a marriage she doesn’t want, and still is drawn to her former lover, Eilert.
But in DaCosta’s adaptation, there’s a fundamental difference: Eilert is being played by Hoss, and is now named Eileen.
“That name change adds this element of queerness to the story as well,” said DaCosta at a recent Golden Globes press event. “And although some people read the original play as Hedda being queer, which I find interesting, which I didn’t necessarily…it was a side effect in my movie that everyone was queer once I changed Eilert to a woman.”
She added: “But it still, for me, stayed true to the original because I was staying true to all the themes and the feelings and the sort of muckiness that I love so much about the original work.”
Thompson, who is bisexual, enjoyed playing this new version of Hedda, noting that the queer love storyline gave the film “a whole lot of knockoff effects.”
“But I think more than that, I think fundamentally something that it does is give Hedda a real foil. Another woman who’s in the world who’s making very different choices. And I think this is a film that wants to explore that piece more than Ibsen’s.”
DaCosta making it a queer story “made that kind of jump off the page and get under my skin in a way that felt really immediate,” Thompson acknowledged.
“It wants to explore sort of pathways to personhood and gaining sort of agency over one’s life. In the original piece, you have Hedda saying, ‘for once, I want to be in control of a man’s destiny,’” said Thompson.
“And I think in our piece, you see a woman struggling with trying to be in control of her own. And I thought that sort of mind, what is in the original material, but made it just, for me, make sense as a modern woman now.”
It is because of Hedda’s jealousy and envy of Eileen and her new girlfriend (Poots) that we see the character make impulsive moves.
“I think to a modern sensibility, the idea of a woman being quite jealous of another woman and acting out on that is really something that there’s not a lot of patience or grace for that in the world that we live in now,” said Thompson.
“Which I appreciate. But I do think there is something really generative. What I discovered with playing Hedda is, if it’s not left unchecked, there’s something very generative about feelings like envy and jealousy, because they point us in the direction of self. They help us understand the kind of lives that we want to live.”
Hoss actually played Hedda on stage in Berlin for several years previously.
“When I read the script, I was so surprised and mesmerized by what this decision did that there’s an Eileen instead of an Ejlert Lovborg,” said Hoss. “I was so drawn to this woman immediately.”
The deep love that is still there between Hedda and Eileen was immediately evident, as soon as the characters meet onscreen.
“If she is able to have this emotion with Eileen’s eyes, I think she isn’t yet because she doesn’t want to be vulnerable,” said Hoss. “So she doesn’t allow herself to feel that because then she could get hurt. And that’s something Eileen never got through to. So that’s the deep sadness within Eileen that she couldn’t make her feel the love, but at least these two when they meet, you feel like, ‘Oh my God, it’s not yet done with those two.’’’
Onscreen and offscreen, Thompson and Hoss loved working with each other.
“She did such great, strong choices…I looked at her transforming, which was somewhat mesmerizing, and she was really dangerous,” Hoss enthused. “It’s like when she was Hedda, I was a little bit like, but on the other hand, of course, fascinated. And that’s the thing that these humans have that are slightly dangerous. They’re also very fascinating.”
Hoss said that’s what drew Eileen to Hedda.
“I think both women want to change each other, but actually how they are is what attracts them to each other. And they’re very complimentary in that sense. So they would make up a great couple, I would believe. But the way they are right now, they’re just not good for each other. So in a way, that’s what we were talking about. I think we thought, ‘well, the background story must have been something like a chaotic, wonderful, just exploring for the first time, being in love, being out of society, doing something slightly dangerous, hidden, and then not so hidden because they would enter the Bohemian world where it was kind of okay to be queer and to celebrate yourself and to explore it.’”
But up to a certain point, because Eileen started working and was really after, ‘This is what I want to do. I want to publish, I want to become someone in the academic world,’” noted Hoss.
Poots has had her hands full playing Eileen’s love interest as she also starred in the complicated drama, “The Chronology of Water” (based on the memoir by Lydia Yuknavitch and directed by queer actress Kristen Stewart).
“Because the character in ‘Hedda’ is the only person in that triptych of women who’s acting on her impulses, despite the fact she’s incredibly, seemingly fragile, she’s the only one who has the ability to move through cowardice,” Poots acknowledged. “And that’s an interesting thing.”
Arts & Entertainment
2026 Most Eligible LGBTQ Singles nominations
We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.
Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.
Our most eligible singles will be announced online in February. View our 2025 singles HERE.
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










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