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New York City is ready to dazzle visitors again

New York City felt like it was almost its bustling self again.

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New York City felt like it was almost its bustling self again as I walked through the streets enjoying the warm spring weather during a recent trip.

The city, like many others, is forever changed after more than two years of the COVID pandemic, but in true New York fashion, the Big Apple is coming back. It was my second trip within six months after about a two and a half year break.

New Yorkers rolled up their sleeves (more than 80% are vaccinated), masked up, and have done pretty much everything they can to get their groove back. However, COVID subvariants continue to emerge in the ongoing pandemic. Some venues are still enforcing proof of vaccination and masks. Face coverings are still required on all public transportation until further notice and in Broadway theaters at least until May 31.

Recently, COVID cases have been on the rise in New York due to the new highly contagious Omicron subvariant, BA.2.12.1. People planning to visit should check the city’s visitor site (under Basic Information) for the latest.

New York City Pride returns to an in-person march in Manhattan June 26. Photo: Courtesy Madison Voelkel/NYC Pride 

Some Broadway shows have canceled performances due to COVID. Other shows are taking place. New restaurants are opening, and reservations are harder to get than ever before. New museum exhibits are opening. Big events are coming back like New York Pride, which returns in-person June 26 with the theme “Unapologetically Us.”

“Our community has been through tremendous hardships over the past few years, beginning with the pandemic, and continuing with a reckoning with social justice, threats to our democracy, and more recently armed conflict overseas,” stated NYC Pride’s new executive director, Sandra Perez, in a March 25 news release. “Compounding these struggles is the onslaught of legislation around the country that directly targets LGBTQIA+ individuals.

“In spite of these challenges and attacks, we are here to tell the country and the world: we will not be erased,” Perez continued, stating that the community will stand together to face the attacks on the LGBTQ community across the country and around the world. “We will continue to love and live our truth and be our full and complete selves – and we are not going to apologize for it.”

NYC Pride board Co-Chair Sue Doster noted the importance of the annual celebration that attracts upward of two million people from across the United States and all over the world.

“We’re thrilled to be able to finally invite everyone back,” she stated.

Tourism officials said the city is rebounding.

“The city is as vibrant as ever,” said Chris Heywood, a gay man who’s executive vice president of global communication of NYC & Company, New York City’s destination marketing and convention and visitors bureau.

The pandemic did not completely stop New York from retrofitting, innovating, and building new hotels, spectacular sites, and opening new restaurants. 

“That’s the beauty about New York,” Heywood continued. “Resilience is really our middle name. People are going to encounter a city that is continuing to come back.”

New attractions

Some of the new things to see in New York are Summit One Vanderbilt, the Moynihan Train Hall, and Little Island, the latest park near the Chelsea Piers.

The city’s newest vantage point is at Summit One Vanderbilt. The Summit is a 65,000 square foot space at the top of the 93-story office and residential building at One Vanderbilt adjacent to Grand Central Station.

A new view of New York City from The Summit at One Vanderbilt. Photo: Heather Cassell

The observatory deck opened in October 2021. It is much more than the highest view (for the moment) of New York City; it’s an experience with a view. Each room is an art installation accentuating the feeling of being high in the sky or in the clouds. At the very top are Apres and the Summit Terrace, where my girlfriend and I enjoyed a cocktail while admiring New York’s sparkling skyline under the night sky.

Tickets to catch the sunset view cost about an extra $16. The Summit does not itemize what the extra amount is at checkout, but it’s for experiencing the Summit at the golden hour, the optimal time of day.

It wouldn’t be New York City without the many opportunities to see art. This spring and summer visitors can catch the 80th edition of the Whitney Museum of American Art’s “Biennial 2022: Quiet As It’s Kept,” which opened April 6. The two-floor exhibit brings together a survey of 63 American artists exploring the darkness and disruption of 2020. The title is a colloquial phrase taken from the late novelist Toni Morrison. The show runs through September 5.

Henri Mattise lovers can take in a rare exhibit of the French artist’s early works that formed modern art at the Museum of Modern Art exhibition “Mattise: The Red Studio,” which opened May 1. The show runs through September 10.

The Brooklyn Museum is featuring “Andy Warhol: Revelation”, showing now through June 19.

Brooklyn Academy of Music is featuring the DanceAfrica Festival, which is celebrating its 45th anniversary through the end of this month.

I rarely leave New York without seeing at least one show on Broadway. Right now, it’s all about the classics and some new musicals (“Wicked,” “Chicago,” and “Funny Girl”) and plays (“Plaza Suite” and “To Kill A Mockingbird”).

Dining and drinking

Food draws my girlfriend and I to New York just as much as Broadway’s musicals. For this trip, I sought out restaurants that were old favorites that survived the pandemic, some that were reborn, and others that were new.

During the day we lunched at the fun, cheeky and very gay diner Cafeteria; a Chelsea neighborhood staple, Elmo; and famed chef and restaurateur David Chang’s Momofuku Noodle Bar.

At night we hit the town enjoying dishes crafted by some of New York’s finest lesbian chefs. Chef and restaurateur duo Rita Sodi and Jody Williams’ beloved Via Carota lived up to the hype. You can’t go wrong with pasta, but this is exceptional pasta. I also dined at the culinary couple’s newest venture The Commerce Inn. It veers away from the chefs’ usual turf, French and Italian cuisine, exploring and modernizing American Shaker dishes that hit the mark. 

Lesbian executive chef Hillary Sterling crafted a distinctive Italian menu at Ci Siamo restaurateur Danny Meyer’s latest culinary venture. Lesbian executive chef Mary Attea at the Michelin-rated The Musket Room serves a revisioned world on your plate. There was no doubt that I wouldn’t enjoy chef and restaurateur Mark Strausman’s new restaurant Mark’s Off Madison, which has a warm atmosphere and incredible, flavorful comfort food. 

Two unique restaurants that might signal a shift in the queer culinary scene in New York are Tagmo and Hags. Both restaurants are queer-owned and -operated. They actively hire LGBTQ staff and are deeply involved in the community.

Restaurateurs chef Telly Justice, right, and sommelier Camille Lindsley, are about to open Hags, New York’s first-ever queer fine dining restaurant. Photo: Courtesy Hags

Queer chef Surbhi Sahni is the heart behind Tagmo, an Indian restaurant that opened in Seaport, a small shopping and dining center near One World Trade Center, in September 2021. Tagmo is not your average Indian restaurant. Dining there is a gastronomic adventure through India with all its diverse cuisines.

Queer chef and restaurateur Surbhi Sahni brings the world of India to New York at Tagmo restaurant in the Seaport neighborhood. Photo: Courtesy of Tagmo/Brittainy Newman

The much-anticipated Hags is targeted to open just ahead of Memorial Day weekend, May 25. The Lower Eastside restaurant aims to be the first upscale queer restaurant, according to business and life partners Telly Justice, a transgender woman, and Camille Lindsley, a queer woman.

New York’s nightlife isn’t quite what it used to be like yet. My girlfriend and I enjoyed early nightcaps at Tiny’s & The Bar Upstairs in Tribeca, the historic Stonewall Inn in Greenwich Village, and Bar Veloce in Chelsea.

Village lesbian bar mainstays – Henrietta Hudson and Cubbyhole  – and Brooklyn’s Ginger’s Bar got makeovers during the pandemic and recently reopened. Catch roving lesbian events hosted by Dyke Beer and Dave’s Lesbian Bar on their websites or follow them on social media.

The boys are back in action from Midtown to Harlem with bars and nightclubs for every stripe in the rainbow flag. Check out Midtown’s swanky The Townhouse of New York. Head to the West Village’s Playhouse or get nostalgic at New York’s oldest gay bar Julius’ and the historic Stonewall Inn. Head uptown to Harlem for the last remaining Black-owned gay bar Alibi Lounge.

Where to stay

My girlfriend and I stayed at the Smyth Tribeca. The newly renovated modern 100-room hotel opened in September 2021. The hotel is comfortable, chic, and perfectly located on the corner of Chambers Street and West Broadway above the Westside’s 1 line. The subway line is a direct vein to Broadway, the Village, and many of New York’s most popular destinations.

Getting around

New York’s metro is going touchless with Omny, an app that allows riders to tag on and off the subway and buses with their smartphones and other smart devices. Riders can choose to use the Metro Card or the app to get around the city.

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Theater

A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’

Nonbinary actor Alyssa Keegan stars as Duke Orsino

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Alyssa Keegan (Photo courtesy Folger Theatre)

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu

Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within. 

Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.” 

Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few. 

In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting. 

WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about? 

ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all. 

BLADE: What’s your approach to the fetching, cod-piece clad nobleman?

KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness. 

So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.

Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.

BLADE: As an actor, do you ever risk taking on the feelings of your characters? 

KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character. 

So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character. 

BLADE: Has changing the way you work affected your performances?

KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way. 

BLADE: Is Orsino your first time playing a male role?

KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy. 

As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.

BLADE: Do you have a favorite part? Male or female? 

KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting. 

BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?

KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way. 

The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen.  It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.

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PHOTOS: WorldPride Boat Parade

Blade’s inaugural event held at The Wharf

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The WorldPride 2025 Boat Parade (Washington Blade photo by Michael Key)

The Washington Blade hosted the inaugural WorldPride Boat Parade at The Wharf DC on Friday, June 6. NBC4’s Tommy McFly served as the emcee.

(Washington Blade photos by Michael Key)

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PHOTOS: Capital Pride Honors

Annual awards ceremony held at National Building Museum

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From left, Raven-Symoné presents Kriston Pumphrey with the Capital Pride Breaking Barriers Award at the 2025 Capital Pride Honors on Thursday, June 5. (Washington Blade photo by Michael Key)

The 2025 Capital Pride Honors awards ceremony and gala reception was held at the National Building Museum on Thursday, June 5. Honorees included Cathy Renna, Jerry St. Louis, Ernest Hopkins, Lamar Braithwaite, Rev. Dr. Donna Claycomb Sokol, Kriston Pumphrey, Gia Martinez, Kraig Williams and SMYAL. Presenters and speakers included U.S. Rep. Mark Takano (D-Calif.), Amber Ruffin, Raven-Symoné and Paul Wharton.

(Washington Blade photos by Michael Key)

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