Arts & Entertainment
New York City is ready to dazzle visitors again
New York City felt like it was almost its bustling self again.
New York City felt like it was almost its bustling self again as I walked through the streets enjoying the warm spring weather during a recent trip.
The city, like many others, is forever changed after more than two years of the COVID pandemic, but in true New York fashion, the Big Apple is coming back. It was my second trip within six months after about a two and a half year break.
New Yorkers rolled up their sleeves (more than 80% are vaccinated), masked up, and have done pretty much everything they can to get their groove back. However, COVID subvariants continue to emerge in the ongoing pandemic. Some venues are still enforcing proof of vaccination and masks. Face coverings are still required on all public transportation until further notice and in Broadway theaters at least until May 31.
Recently, COVID cases have been on the rise in New York due to the new highly contagious Omicron subvariant, BA.2.12.1. People planning to visit should check the city’s visitor site (under Basic Information) for the latest.
Some Broadway shows have canceled performances due to COVID. Other shows are taking place. New restaurants are opening, and reservations are harder to get than ever before. New museum exhibits are opening. Big events are coming back like New York Pride, which returns in-person June 26 with the theme “Unapologetically Us.”
“Our community has been through tremendous hardships over the past few years, beginning with the pandemic, and continuing with a reckoning with social justice, threats to our democracy, and more recently armed conflict overseas,” stated NYC Pride’s new executive director, Sandra Perez, in a March 25 news release. “Compounding these struggles is the onslaught of legislation around the country that directly targets LGBTQIA+ individuals.
“In spite of these challenges and attacks, we are here to tell the country and the world: we will not be erased,” Perez continued, stating that the community will stand together to face the attacks on the LGBTQ community across the country and around the world. “We will continue to love and live our truth and be our full and complete selves – and we are not going to apologize for it.”
NYC Pride board Co-Chair Sue Doster noted the importance of the annual celebration that attracts upward of two million people from across the United States and all over the world.
“We’re thrilled to be able to finally invite everyone back,” she stated.
Tourism officials said the city is rebounding.
“The city is as vibrant as ever,” said Chris Heywood, a gay man who’s executive vice president of global communication of NYC & Company, New York City’s destination marketing and convention and visitors bureau.
The pandemic did not completely stop New York from retrofitting, innovating, and building new hotels, spectacular sites, and opening new restaurants.
“That’s the beauty about New York,” Heywood continued. “Resilience is really our middle name. People are going to encounter a city that is continuing to come back.”
New attractions
Some of the new things to see in New York are Summit One Vanderbilt, the Moynihan Train Hall, and Little Island, the latest park near the Chelsea Piers.
The city’s newest vantage point is at Summit One Vanderbilt. The Summit is a 65,000 square foot space at the top of the 93-story office and residential building at One Vanderbilt adjacent to Grand Central Station.
The observatory deck opened in October 2021. It is much more than the highest view (for the moment) of New York City; it’s an experience with a view. Each room is an art installation accentuating the feeling of being high in the sky or in the clouds. At the very top are Apres and the Summit Terrace, where my girlfriend and I enjoyed a cocktail while admiring New York’s sparkling skyline under the night sky.
Tickets to catch the sunset view cost about an extra $16. The Summit does not itemize what the extra amount is at checkout, but it’s for experiencing the Summit at the golden hour, the optimal time of day.
It wouldn’t be New York City without the many opportunities to see art. This spring and summer visitors can catch the 80th edition of the Whitney Museum of American Art’s “Biennial 2022: Quiet As It’s Kept,” which opened April 6. The two-floor exhibit brings together a survey of 63 American artists exploring the darkness and disruption of 2020. The title is a colloquial phrase taken from the late novelist Toni Morrison. The show runs through September 5.
Henri Mattise lovers can take in a rare exhibit of the French artist’s early works that formed modern art at the Museum of Modern Art exhibition “Mattise: The Red Studio,” which opened May 1. The show runs through September 10.
The Brooklyn Museum is featuring “Andy Warhol: Revelation”, showing now through June 19.
Brooklyn Academy of Music is featuring the DanceAfrica Festival, which is celebrating its 45th anniversary through the end of this month.
I rarely leave New York without seeing at least one show on Broadway. Right now, it’s all about the classics and some new musicals (“Wicked,” “Chicago,” and “Funny Girl”) and plays (“Plaza Suite” and “To Kill A Mockingbird”).
Dining and drinking
Food draws my girlfriend and I to New York just as much as Broadway’s musicals. For this trip, I sought out restaurants that were old favorites that survived the pandemic, some that were reborn, and others that were new.
During the day we lunched at the fun, cheeky and very gay diner Cafeteria; a Chelsea neighborhood staple, Elmo; and famed chef and restaurateur David Chang’s Momofuku Noodle Bar.
At night we hit the town enjoying dishes crafted by some of New York’s finest lesbian chefs. Chef and restaurateur duo Rita Sodi and Jody Williams’ beloved Via Carota lived up to the hype. You can’t go wrong with pasta, but this is exceptional pasta. I also dined at the culinary couple’s newest venture The Commerce Inn. It veers away from the chefs’ usual turf, French and Italian cuisine, exploring and modernizing American Shaker dishes that hit the mark.
Lesbian executive chef Hillary Sterling crafted a distinctive Italian menu at Ci Siamo restaurateur Danny Meyer’s latest culinary venture. Lesbian executive chef Mary Attea at the Michelin-rated The Musket Room serves a revisioned world on your plate. There was no doubt that I wouldn’t enjoy chef and restaurateur Mark Strausman’s new restaurant Mark’s Off Madison, which has a warm atmosphere and incredible, flavorful comfort food.
Two unique restaurants that might signal a shift in the queer culinary scene in New York are Tagmo and Hags. Both restaurants are queer-owned and -operated. They actively hire LGBTQ staff and are deeply involved in the community.
Queer chef Surbhi Sahni is the heart behind Tagmo, an Indian restaurant that opened in Seaport, a small shopping and dining center near One World Trade Center, in September 2021. Tagmo is not your average Indian restaurant. Dining there is a gastronomic adventure through India with all its diverse cuisines.
The much-anticipated Hags is targeted to open just ahead of Memorial Day weekend, May 25. The Lower Eastside restaurant aims to be the first upscale queer restaurant, according to business and life partners Telly Justice, a transgender woman, and Camille Lindsley, a queer woman.
New York’s nightlife isn’t quite what it used to be like yet. My girlfriend and I enjoyed early nightcaps at Tiny’s & The Bar Upstairs in Tribeca, the historic Stonewall Inn in Greenwich Village, and Bar Veloce in Chelsea.
Village lesbian bar mainstays – Henrietta Hudson and Cubbyhole – and Brooklyn’s Ginger’s Bar got makeovers during the pandemic and recently reopened. Catch roving lesbian events hosted by Dyke Beer and Dave’s Lesbian Bar on their websites or follow them on social media.
The boys are back in action from Midtown to Harlem with bars and nightclubs for every stripe in the rainbow flag. Check out Midtown’s swanky The Townhouse of New York. Head to the West Village’s Playhouse or get nostalgic at New York’s oldest gay bar Julius’ and the historic Stonewall Inn. Head uptown to Harlem for the last remaining Black-owned gay bar Alibi Lounge.
Where to stay
My girlfriend and I stayed at the Smyth Tribeca. The newly renovated modern 100-room hotel opened in September 2021. The hotel is comfortable, chic, and perfectly located on the corner of Chambers Street and West Broadway above the Westside’s 1 line. The subway line is a direct vein to Broadway, the Village, and many of New York’s most popular destinations.
Getting around
New York’s metro is going touchless with Omny, an app that allows riders to tag on and off the subway and buses with their smartphones and other smart devices. Riders can choose to use the Metro Card or the app to get around the city.
Photos
PHOTOS: Blade Summer Kickoff Party
Ashley Biden accepts award for Beau Biden at annual Rehoboth fundraiser
The 19th annual Blade Foundation Summer Kickoff Party was held on Friday, May 15 at Diego’s in Rehoboth Beach, Del. An award presentation was held for former Delaware Attorney General Beau Biden. Ashley Biden accepted the award on her brother’s behalf and gave remarks. Other speakers included Delaware state Rep. Claire Snyder-Hall, CAMP Rehoboth Executive Director Dr. Robin Brennan and Washington Blade Editor Kevin Naff. The event was a fundraiser for the Steve Elkins Memorial Fellowship in Journalism.
(Washington Blade photos by Daniel Truitt)
Photos
PHOTOS: Taste of Point
Annual fundraiser supporting LGBTQ youth scholarships and mentorships held at Room & Board
The Point Foundation held the annual Taste of Point fundraiser at Room & Board on Wednesday, May 13.
(Washington Blade photos by Michael Key)
Theater
‘The Inheritance’ is most-nominated at this year’s Helen Hayes Awards
42nd annual celebration of excellence in local theater set for May 18
Helen Hayes Awards 2026
May 18, 2026
For tickets go to theatrewashington.org
Last year, when out director Tom Story took on the daunting task of directing Round House Theatre’s production of “The Inheritance, Parts One and Two,” he knew that casting would be important, maybe even paramount, to the endeavor’s success. So, Story didn’t mess around.
Penned by queer playwright Matthew López, “The Inheritance” (inspired by E.M. Forster’s 1910 novel “Howards End”) is based on gay culture in the wake of the AIDS crisis.
Story looked at actors he knew, and some he didn’t. He wanted low drama and maybe players who could relate to the LGBTQ experience. In the end, the production’s 13-person cast was entirely queer except for brilliant local favorite Nancy Robinette as Margaret, the wise housekeeper.
Clearly, Story’s vision resonated with audiences. Round House’s production of “The Inheritance” is the most-nominated work of this year’s Helen Hayes Awards, earning 14 nominations. It’s also one of Round House’s highest grossing popular successes ever.
The queer cast members whose ages ranged from about 22 to 60, worked hard and enjoyed the process, and along the way garnered an Outstanding Ensemble in a Play (Hayes) nomination for their efforts.
The ensemble included Jamar Jones as Tristan, a brilliant doctor who leaves New York for Canada after deciding there’s no place for a gay, HIV-positive Black man in America. For the experienced actor, being part of “The Inheritance” was profound: “I think it was a divinely orchestrated production.”
He adds “I really feel that it’s so rare that you get to work on a show of that magnitude…size, time, where virtual strangers genuinely fell into rhythm. We became a cohort. I never felt a sense of unease, or reluctance to try things. I could be as big or bold as I wanted to be; or I could be small. Fail, mess up, try again. I didn’t feel judged.”
Jones considers Richmond his home, but says “I’m based where the work is.” Currently, he’s back at Round House rehearsing “Sally & Tom” (May 27-June28), a play within a play/meta exploration of the relationship between Thomas Jefferson and Sally Hemings by Suzan-Lori Parks.
Jones plays both a contemporary violinist and an enslaved fiddler, parts that have required him to learn to “air fiddle.” He’s all over it: “I want to represent the art and to be as precise as possible. Taught by an instructor, I’ve made strides with movement of the bow; next up is finger placement.”
Will he leave the play a violinist? “I’ll report back on closing night. Maybe I will have added something to the special skills list on my resume.”
For about a decade, Jones worked in living history, interpreting, performing, and writing pieces about the enslaved people of Colonial Virginia. Among the many historical characters he portrayed was Jupiter (Thomas Jefferson’s longtime enslaved manservant), an experience that’s proved a connection and preparation for his current role.
The 42nd Helen Hayes Awards celebration recognizing excellence in professional theater in the DMV will be held on Monday, May 18, 2026 at The Anthem on the District Wharf in Washington, D.C. Named for Helen Hayes, the legendary first lady of Broadway, the program consists of the awards presentation hosted by Felicia Curry, Awa Sal Secka, and Derrick Truby, followed by an after-party at nearby Whitlow’s.
With works selected from 149 eligible productions presented in the 2025 calendar year, nominations were made in 41 categories and grouped as either “Helen” (non-Equity/small Equity presence) or “Hayes” (Equity-heavy).
The many nominations are the result of 49 vetted judges considering 1,997 pieces of work, such as design, direction, choreography, performances, and more. The productions under consideration included 42 musicals, 107 plays, and 33 world premieres.
The following are more of this year’s queer nominees.
A past Helen Hayes Award recipient and nominee, Fran Tapia is competing against herself this year in the Outstanding Lead Performer in a Musical (Helen) category. Nominated for her memorable turn as the diva barkeep in GALA Theatre’s “Columbia Heights Bolero Bar,” an immersive musical centered on songs of longing and immigration set in a diverse neighborhood on the eve of a divisive presidential election
“It was a challenging time, because a lot of what was happening in the show was happening in the neighborhood,” says Tapia who lives in Columbia Heights just eight minutes from GALA.
Based in D.C. since 2019, Tapia says “Being recognized in a country that is not my homeland but where I’m building my artistic home, is deeply meaningful. And the variety of roles I have been able to play speaks to the richness of DC theater and the collaborators who trusted me with these roles.”
Her other individual nomination is for the title role in Spooky Action Theater’s “Professor Woland’s Black Magic Rock Show,” a passionately comedic political satire. She approached the mysterious central character as nonbinary.
Tapia (“Chilean, Latina, queer and proud immigrant”) says while very different, both performances involved particularly strong characters. She’s grateful audiences responded positively to her work.
Stanley Bahorek, who moved to D.C. with his husband four years ago, is best known as an accomplished actor with a long list of Broadway and regional credits (including playing Carl, the gay son in Studio Theatre’s recent production of “The Mother Play”). Now, he is nominated for Outstanding Music Direction (Helen) for his work on “A Strange Loop,” a production of D.C.’s Visionaries of the Creative Arts (VOCA) in collaboration with Deaf Austin Theatre. He shares this nomination with Walter “Bobby” McCoy.
Michael R. Jackson’s Tony and Pulitzer wining play “A Strange Loop,” is the story of Usher, a Black, queer theater usher trying to write a musical. VOCA’s take on the work is seen through a deaf BIPOC lens with a deaf Usher played by a deaf actor (out actor Gabriel Silva). Invited by director and longtime friend Alexandria Wailes (who is deaf), Bahorek (who is hearing) joined the creative team as a sort of hybrid associate director/ music supervisor.
“I’m fluent in conversational American Sign Language (ASL),” he says. “I sort of functioned as a sherpa between the hearing and deaf and hard-of-hearing creatives. It’s been a great thrill to be a part of VOCA’s biggest production to date.”
If he and McCoy take home the prize, who makes the acceptance speech? Bahorek takes a beat before replying “That’s something we still need to talk about. And soon.”
A full list of award recipients will be available at theatrewashington.org on Tuesday, May 19, 2026.
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