Arts & Entertainment
Rehoboth Beach summer 2022: ‘Let’s choose joy!’
Business owners excited for new season
Your return to Rehoboth Beach for the 2022 spring and summer season should be exciting as we look to move past all the COVID cancellations and restrictions of the past two years.
Everyone in town has been working hard over the past year to make sure this summer is safe and fun. There are new businesses, over-the-top new dance parties, and other less welcome changes, like the loss of the Dolle’s sign on the boardwalk.
Fewer than 1,500 people actually live in or own property in the town of Rehoboth Beach with the right to vote, yet the population swells to over 25,000 in the summer. Rehoboth wasn’t always the gay-friendly town it is today, but the work of CAMP Rehoboth, the LGBTQ community center founded by Murray Archibald and Steve Elkins in 1991, helped changed all that. Now the community is not only welcoming but businesses work hard to attract the LGBTQ community to town. CAMP has new leadership this summer, including Wes Combs as the new president of the board. Executive Director David Mariner recently announced his resignation after three years; the acting director is Lisa Evans.
Combs recently announced CAMP is going through “a strategic planning process to carry the organization into its next chapter. CAMP is delivering critically important and impactful free programming to promote community well-being on all levels; to foster the development of community groups; to develop community space; to promote human and civil rights; to work against prejudice and discrimination; to lessen tensions among the community at large; and to help foster economic growth.”
As you plan your return to Rehoboth, there have been some changes since last year. Aqua Grill reopened in April on Baltimore Avenue with a new menu. It remains the go-to spot for outdoor happy hour after the beach. Then there is The Pines across the street, a great place for dinner and a show. Plan on being at the beach July 16-17 for Hair and Heels weekend at the convention center, sponsored by The Pines, a dance and drag brunch extraordinaire. As if that’s not enough, The Pines’s owners along with Lion Gardner, former chef at the Blue Moon, are hoping to open Drift on Baltimore Avenue by the end of June. Lion has already prepared the menu for Drift and you can sample it many Sundays at The Pines in advance of the much-anticipated opening.
If you haven’t been to Rehoboth since last summer, then you missed the grand opening of Freddie’s Beach Bar on 1st Street. Freddie Lutz is planning exciting things for his first full season at the beach and has already hosted the ageless Pamala Stanley, who left The Pines in the off season.
Another hotly anticipated newcomer is Red, White and Basil, which closed its D.C. location in Adams Morgan and is preparing to open on Route 1 just outside of town. It’s owned by Mark Hunker and Jeff McCracken of Duplex Diner fame; the two also own Jam (best avocado toast in town) and Eden in Rehoboth and recently acquired Coho’s Market & Grill on Rehoboth Avenue.
Also this off-season, the long-awaited Agave Mexican restaurant opened on Route 1 in Rehoboth, an offshoot of the ever-popular Lewes location. The huge bar is gorgeous but arrive early as it’s always packed. The authentic mole sauce can’t be beat.
Ava’s Pizzeria and Wine Bar also opened in the off season at 29 Baltimore Ave. It’s part of a small local chain and a comfy spot for good pizzas, wine, and more. Speaking of wine, the new Unwined wine bar is coming soon to the old Azzurro restaurant spot, which closed for good during the pandemic. The second-floor outdoor deck is one of the best spots in town.
Also new this year is Above the Dunes in the old Greene Turtle space on the boardwalk. Rehoboth has a surprising dearth of outdoor, waterfront dining so the transformation of the old Turtle with its overwhelming number of blaring TVs into the bright, inviting Dunes is a welcome development. The staff here are incredibly friendly and the view is all ocean. The menu includes some healthful alternatives to all the boardwalk grease and fries, including a tuna poke and Korean salmon bowl. Don’t miss it.
President Biden and first lady Jill Biden recently visited their home at the beach and took to the bicycle path. Not sure if they will be able to do what they did in past seasons stopping in at Joe Mack’s Double Dippers on 1st Street, but Joe hopes to see them sometime during the summer. I also know Lori Klein would love to see the first lady back during the 26th season at Lori’s Oy Vey Café in the CAMP courtyard, picking up a sandwich for Joe like she used to. Even if she won’t be there you should not miss Lori’s famous chicken salad.
One of the great old standbys at the beach, celebrating its 23rd birthday, is The Purple Parrot Grill and Biergarten on Rehoboth Avenue. Owners Hugh Fuller and Troy Roberts make everyone feel welcome with consistently good food, entertainment, and a handsome group of friendly bartenders and managers. Fuller said, “The town has an excitement about it that has been building since last year. If the last few months are indicative of what’s ahead it’s going to be a record-breaking summer.” He kidded that if you are part of the excitement, then “don’t complain about the crowds, or traffic, sure to be at the beach.”
Then there is the iconic Back Porch on Rehoboth Avenue; as locals know, weekend brunch at the cozy bar is one of the town’s most charming and unforgettable bites. Of course, Meghan Kee’s collection of restaurants, including La Fable, Dalmata, Houston White and the new Bramble and Brine at The Buttery in Lewes, continue to wow local foodies.
“The summers are always too short,” Kee said. “With that in mind, I am looking forward to making this season the best I can for our guests and my staff. Seems that our region will be busy, booming, and bustling come Memorial Day. It’s our duty as business owners and residents to give people what they come here for. Creative thinking and strategy got us all through the past two years, let’s choose joy for this third COVID summer.”
The Blue Moon is back offering some of the best fine dining in town along with drag and other entertainment; talented NYC pianist Nate Buccieri is expected to return for the season. Check Blue Moon’s site for updates.
The gay-owned Port 251 offers drag brunch and a friendly bar where Blade Best Bartender nominee Zane Rego holds court. The fabulous Holly Lane remains behind the bar at Cafe Azafran. Check out Goolees Grill for one of the best breakfasts in town. The Coffee Mill is ready and owner Mel Damascena told the Blade, “We are celebrating 30 years serving the local community. We have special events coming up including fundraising events to help community non- profits at both The Coffee Mill and the Mill Creamery right across from Coffee Mill serving local Hopkins’s ice cream.” Damascena also has Brashhh on 1st street, now celebrating nine years in business. Longtime Rehoboth business owner Steve Fallon has the always fun Gidget’s Gadgets on Rehoboth Avenue and now a second place selling vinyl records, Extendedplay. He invites everyone to Rehoboth and says,“if you stroll the streets, appreciate the diversity and embrace the many shops and eateries, your stay will be memorable.”
Back on Baltimore Avenue don’t forget to stop in at mainstays like Elegant Slumming for exquisite jewelry and Philip Morton Gallery for art, and the delicious Frank and Louie’s for sandwiches andItalian specialties. On Wilmington, Yolanda has remodeled Mariachi. Don’t leave the beach without a gift for your pet from Critter Beach on Rehoboth Avenue and then further out on Rehoboth Avenue is Rigby’s Bar and Grill and the popular Diego’s Bar and Nightclub with regular entertainment and a bustling outdoor beach bar.
Remember that Rehoboth is also home to a vibrant community theater and here’s hoping the town commissioners will not force it to leave town. Plan to see a show at the amazing Clear Space Theatre on Baltimore Avenue. This season’s productions include “The Submission,” “9 to 5,” “Grease,” and “Joseph and the Amazing Technicolor Dreamcoat.”
Make your plans early as hotels and rentals are all booking fast.
Sports
English soccer bans transgender women from women’s teams
British Supreme Court last month ruled legal definition of woman limited to ‘biological women’
The organization that governs English soccer on Thursday announced it will no longer allow transgender women to play on women’s teams.
The British Supreme Court on April 16 ruled the legal definition of a woman is limited to “biological women” and does not include trans women. The Football Association’s announcement, which cites the ruling, notes its new policy will take effect on June 1.
“As the governing body of the national sport, our role is to make football accessible to as many people as possible, operating within the law and international football policy defined by UEFA (Union of European Football Associations) and FIFA,” said the Football Association in a statement that announced the policy change. “Our current policy, which allows transgender women to participate in the women’s game, was based on this principle and supported by expert legal advice.”
“This is a complex subject, and our position has always been that if there was a material change in law, science, or the operation of the policy in grassroots football then we would review it and change it if necessary,” added the Football Association.
The Football Association also acknowledged the new policy “will be difficult for people who simply want to play the game they love in the gender by which they identify.”
“We are contacting the registered transgender women currently playing to explain the changes and how they can continue to stay involved in the game,” it said.
The Football Association told the BBC there were “fewer than 30 transgender women registered among millions of amateur players” and there are “no registered transgender women in the professional game” in England, Scotland, Wales, and Northern Ireland.
The Scottish Football Association, which governs soccer in Scotland, is expected to also ban trans women from women’s teams.
Theater
Theatre Prometheus spreads queer joy with ‘Galatea’
Two girls dressed as boys who find love despite the odds
‘Galatea’
Through May 10
Theatre Prometheus
Montgomery College Cultural Arts Center
7995 Georgia Ave, Silver Spring, Md.
$27
Theatreprometheus.org
In a timely move, Theatre Prometheus thought it would be a beneficial thing to spread a little queer joy. And since the company’s mission includes engaging audiences and artists in queer and feminist art, there was nothing to stop them.
Co-artistic directors Tracey Erbacher and Lauren Patton Villegas, both queer, agree they’ve found that joy in John Lyly’s “Galatea,” an Elizabethan-era comedy about Galatea and Phillida, two girls dressed as boys who find love despite some rather slim odds.
Now playing at Montgomery College Cultural Arts Center on the Takoma Park/Silver Spring campus, the upbeat offering is a mix of contemporary and period, and strives to make audiences happy. Galatea’s cast includes Amber Coleman and Cate Ginsberg as the besotted pair.
Erbacher, also the production’s director, adds “queer joy is something that I prioritized in casting actors and interviewing production people. I asked them what it means to them, and resoundingly the reply — from both them and the play — is that queer joy is the freedom to be yourself without having to think about it.
“Galatea” was first brought to Prometheus’s attention by Caitlin Partridge, the company’s literary director. Erbacher recalls, “she strongly suggested I read this very queer play. I read it and fell absolutely in love. And because it’s a comedy — I really like directing comedy — I knew that I could lean into that while not neglecting its universal themes of young love.”
Villegas, who’s not ordinarily drawn to the classics, was also instantly smitten with Galatea.
“Usually with classics, the language doesn’t jump out at me the way modern works do,” she says. “But not so with ‘Galatea.’ The first time I heard it read aloud, I found it easy to follow and entirely accessible in the best way.”
Whether Lyly deliberately wrote a queer play isn’t known. What’s definitely known is the play was written with an all-boy performing troupe in mind; that’s partly why there are so many young female roles, the parts 10-year-old boys were playing at the time.
There’s not a lot known about Lyly’s personal life, mostly because he wasn’t wildly famous. What’s known about the times is that there wasn’t a concept of “gay,” but there were sodomy laws regarding homosexual activity in England geared toward men having sex with men; it was all very phallocentric, Erbacher says.
She categorically adds, “Women’s sexuality wasn’t considered in the equation. In fact, it was often asked whether women were even capable of having sex with other women. It just was not part of the conversation. If there wasn’t a dick involved it didn’t count.
“Perhaps that’s how the playwright got around it. If there were two male characters in the play he could not have done it.”
Prometheus has done adaptations of ancient myths and some classics, but in this case it’s very faithful to the original text. Other than some cuts winnowing the work down to 90 minutes, “Galatea” is pretty much exactly as Lyly wrote it.
And that includes, “girls dressed as boys who fall in love thinking girls are boys,” says Erbacher. “And then they start to clock things: ‘I think he is as I am.’ And then they don’t care if the object of their affection is a boy or a girl, the quintessential bisexual iconic line.”
And without spoiling a thing, the director teases, “the ending is even queerer than the rest of the play.”
Erbacher and Villegas have worked together since Prometheus’s inception 11 years ago. More recently, they became co-artistic directors, splitting the work in myriad ways. It’s a good fit: They share values but not identical artistic sensibilities allow them to exchange objective feedback.
In past seasons, the collaborative pair have produced an all-women production of “Macbeth” and a queered take on [gay] “Cymbeline,” recreating it as a lesbian love story. And when roles aren’t specifically defined male or female, they take the best actor for the part.
With Galatea, Prometheus lightens the current mood. Erbacher says, “the hard stuff is important but exhausting. We deserve a queer rom-com, a romantic sweeping story that’s not focused on how hard it is to be queer, but rather the joy of it.”
Movies
Jacob Elordi rides high in ‘On Swift Horses’
Sony Pictures’ promotions avoid referencing queer sexuality of main characters
You might not know it from the publicity campaign, but the latest big-screen project for breakout “Euphoria” actor and sex symbol Jacob Elordi is 100% a gay love story.
Alright, perhaps that’s not entirely accurate. “On Swift Horses” – adapted from the novel by Shannon Pufahl and directed by Daniel Minahan from a screenplay by Bryce Kass – actually splits its focus between two characters, the other of which is played by “Normal People” star Daisy Edgar-Jones; but since that story arc is centered around her own journey toward lesbian self-acceptance, it’s unequivocally a “Queer Movie” anyway.
Set in 1950s America, at the end of the Korean War, it’s an unmistakably allegorical saga that stems from the marriage between Muriel (Edgar-Jones) and Lee (Will Poulter), a newly discharged serviceman with dreams of building a new life in California. His plans for the future include his brother Julius (Elordi), a fellow war vet whose restlessly adventurous spirit sparks a kindred connection and friendship with his sister-in-law despite a nebulously strained dynamic with Lee. Though the newlyweds follow through with the plan, Julius opts out in favor of the thrill of a hustler’s life in Las Vegas, where his skills as a card shark gain him employment in a casino. Nevertheless, he and Muriel maintain their friendship through correspondence, as he meets and falls in love with co-worker Henry (Diego Calva) and struggles to embrace the sexual identity he has long kept secret. Meanwhile, Muriel embarks on a secret life of her own, amassing a secret fortune by gambling on horse races and exploring a parallel path of self-acceptance with her boldly butch new neighbor, Sandra (Sasha Calle), as Lee clings obliviously to his dreams of building a suburban family life in the golden era of all-American post-war prosperity.
Leisurely, pensive, and deeply infused with a sense of impossible yearning, it’s the kind of movie that might easily, on the surface, be viewed as a nostalgia-tinged romantic triangle – albeit one with a distinctively queer twist. While it certainly functions on that level, one can’t help but be aware of a larger scope, a metaphoric conceit in which its three central characters serve as representatives of three conflicting experiences of the mid-century “American Dream” that still looms large in our national identity. With steadfast, good-hearted Lee as an anchor, sold on a vision of creating a better life for himself and his family than the one he grew up with, and the divergent threads of unfulfilled longing that thwart his fantasy with their irresistible pull on the wife and brother with whom he hoped to share it, it becomes a clear commentary on the bitter reality behind a past that doesn’t quite gel with the rose-colored memories still fetishized in the imagination of so many Americans.
Fortunately, it counterbalances that candidly expressed disharmony with an empathetic perspective in which none of its characters is framed as an antagonist; rather, each of them are presented in a way with which we can readily identify, each following a still-unsatisfied longing that draws them all inexorably apart despite the bonds – tenuous but emotionally genuine – they have formed with each other. To put it in a more politically-centered way, the staunch-but-naive conformity of Lee, in all his patriarchal tunnel vision, does not make him a villainous oppressor any more than the repressed queerness of Muriel and Julius make them idealized champions of freedom; all of them are simply following an inner call, and each can be forgiven – if not entirely excused – for the missteps they take in response to it
That’s not to say that Minahan’s movie doesn’t play into a tried-and-true formula; there’s a kind of “stock character” familiarity around those in the orbit of the three main characters, leading to an inevitably trope-ish feel to their involvement – despite the finely layered performances of Calva and Calle, which elevate their roles as lovers to the film’s two queer explorers and allow them both to contribute their own emotional textures – and occasionally pulls the movie into the territory of melodrama.
Yet that larger-than-life treatment, far from cheapening “On Swift Horses,” is a big part of its stylish appeal. Unapologetically lush in its gloriously photographed recreation of saturated 1950s cinema (courtesy of Director of Photography Luc Montpellier), it takes us willingly into its dream landscape of mid-century America – be it through the golden suburbs of still-uncrowded Southern California or the neon-lit flash of high-rolling Las Vegas, or even the macabre (but historically accurate) depiction of nuclear-age thrill-seekers convening for a party in the Nevada desert to watch an atom bomb detonate just a few short miles away. It’s a world remembered by most of us now only through the memories and artifacts of a former generation, rendered with an artful blend of romance and irony, and inhabited by people in whom we can see ourselves reflected while marveling at their beauty and charisma.
As lovely as the movie is to look at, and as effective as it is in evoking the mix of idealism and disillusionment that defines the America of our grandparents for many of us at the start of the second quarter of the 21st century, it’s that last factor that gives Minahan’s film the true “Hollywood” touch. His camera lovingly embraces the beauty of his stars. Edgar-Jones burns with an intelligence and self-determination that underscores the feminist struggle of the era, and the director makes sure to capture the journey she charts with full commitment; Poulter, who could have come off as something of a dumb brute, is allowed to emphasize the character’s nobility over his emotional cluelessness; Calle is a fiery presence, and Minahan lets her burn in a way that feels radical even today; Calva is both alluring and compelling, providing an unexpected depth of emotion that the film embraces as a chord of hope.
But it is Elordi who emerges to truly light up the screen. Handsome, charismatic, and palpably self-confident, he’s an actor who frankly needs to do little more than walk into the scene to grab our attention – but here he is given, perhaps for the first time, the chance to reveal an even greater depth of sensitivity and truth, making his Julius into the film’s beating heart and undisputed star. It’s an authenticity he brings into his much-touted love scenes with Calva, lighting up a chemistry that is ultimately as joyously queer-affirming as they are steamy.
Which is why Sony Pictures’ promotions for the film – which avoid directly referencing the sexuality of its two main characters, instead hinting at “secret desires” and implying a romantic connection between Elordi and Edgar-Jones – feels not just like a miscalculation, but a slap in the face. Though it’s an eloquent, quietly insightful look back at American cultural history, it incorporates those observations into a wistful, bittersweet, but somehow impossibly hopeful story that emphasizes the validity of queer love.
That’s something to be celebrated, not buried – which makes “On Swift Horses” a sure bet for your must-see movie list.
English soccer bans transgender women from women’s teams
TRAITOR: Treasury Secretary Scott Bessent has blood on his hands
Theatre Prometheus spreads queer joy with ‘Galatea’
LGBTQ activist murdered in Lesotho
LGBTQ Kashmiri students targeted after terrorist attack
Chronicling disastrous effects of ‘conversion therapy’
Second federal lawsuit filed against White House passport policy
We must show up to WorldPride 2025 in D.C.
Ruby Corado sentencing postponed for third time
Potential Pope Francis successor views homosexuality as an ‘abomination’
-
Books4 days agoChronicling disastrous effects of ‘conversion therapy’
-
U.S. Federal Courts3 days agoSecond federal lawsuit filed against White House passport policy
-
Opinions3 days agoWe must show up to WorldPride 2025 in D.C.
-
District of Columbia3 days agoRuby Corado sentencing postponed for third time