District of Columbia
Trial set for D.C. gay murder case four years after arrest of suspect
Police say victim stabbed 47 times by man he invited to his apartment

A then 26-year-old U.S. Navy Hospital Corpsman charged in the Jan. 6, 2019, murder of gay retail manager Vongell Lugo inside Lugo’s D.C. apartment is scheduled to go on trial for first-degree murder and other charges on April 18, 2023, according to D.C. Superior Court records.
A spokesperson for the Office of the U.S. Attorney for the District of Columbia, which is prosecuting the case, has confirmed the trial date but declined to say why or whether it is unusual that it has taken more than four years to schedule a trial for a suspect arrested at the scene of the murder and on the day it took place.
Court records and a D.C. police arrest affidavit filed in court state that then U.S. Navy Hospital Corpsman 3rd Class Collin J. Potter allegedly stabbed Lugo at least 47 times in the upper body and genital area shortly after Lugo, 36, invited him into his apartment at 2844 Wisconsin Ave., N.W. near the Washington National Cathedral.
The arrest affidavit says police arrived at the apartment building when a neighbor called 911 after hearing screams coming from Lugo’s apartment. Upon their arrival, the affidavit says, officers saw Potter fully nude standing over Lugo’s nude body, which was lying on the floor in the hall outside Lugo’s apartment door.
“Defendant Potter had blood visible on various areas of his body, to include his arms and feet, however he did not have any apparent injuries,” the arrest affidavit says.
During an April 26, 2019 preliminary hearing in D.C. Superior Court, D.C. Police Homicide Det. Tony Covington testified that police believe Potter dragged Lugo outside the apartment door after allegedly fatally stabbing him inside the apartment.
Covington in his testimony reiterated the arrest affidavit’s assertion that Potter referred to Lugo as his “girlfriend” and as “she” when officers first approached him outside the apartment. NBC News reported that police sources said Potter told police his “girlfriend” had died by suicide and he asked police to kill him.
The detective also testified that a police investigation found that Potter and Lugo met on the night of the murder at the Black Whisky bar at 1410 14th St., N.W. in D.C. Covington said the investigation at that time had not determined whether Potter and Lugo knew each other prior to the time they met up at the Black Whiskey on the night of the murder.
A friend of Lugo’s told the Washington Blade that Lugo, who was openly gay, liked to hang out at straight bars and the Black Whiskey was one of the bars he patronized.
In his court testimony, Det. Covington said police had no known motive for why Potter allegedly stabbed Lugo to death in the apartment.
Court records show police initially charged Potter with second-degree murder and prosecutors extended a plea bargain offer calling for him to plead guilty to second-degree murder in exchange for prosecutors not seeking a first-degree murder charge before a grand jury. The court records show Potter through a court-appointed attorney rejected the offer.
The records show a D.C. Superior Court Grand Jury on Aug. 20, 2019, handed down a five-count indictment against Potter, charging him with two counts of First-Degree Felony Murder While Armed, Felony Murder While Armed Aggravating Circumstances, First-Degree Sexual Abuse While Armed, and Kidnapping.
Potter has pleaded not guilty to the charges.
Under D.C.’s criminal code, First Degree Sexual Abuse replaced what used to be the charge of rape under D.C. law.
“On or about January 6, within the District of Columbia, Collin Potter, while armed with and having readily available a dangerous weapon, that is a knife or other sharp object, engaged in a sexual act with Vongell Lugo, that is, the penetration of Vongell Lugo’s anus by Collin Potter’s penis, by using force against Vongell Lugo (First Degree Sexual Abuse While Armed),” the indictment states.
The indictment states that on the same day and location, while armed with a knife, Potter “seized, confined, kidnapped, abducted, physically assaulted and carried away Vongell Lugo, with the intent to hold and detain Vongell Lugo, for the purpose of sexually assaulting him (Kidnapping While Armed).”
During the April 2019 preliminary hearing, in which Judge Juliet McKenna found probable cause that Potter committed the offense, defense attorney Matthew Davies argued that police and prosecutors provided insufficient evidence that Potter committed the murder. He said the evidence cannot rule out the assertion by the defense that the murder was committed by someone else who had access to Lugo’s apartment.
“We don’t know who else was in that apartment and who else was in there and left,” he said.
Assistant U.S. Attorney Nebiyu Feleke, one of the prosecutors in the case, argued that prosecutors presented “ample evidence” to show Potter and Lugo were the only two in the apartment at the time of the murder. He noted that Potter himself told police at the time they arrived on the scene that he and Lugo were the only two in the apartment that night.
Court observers have said the COVID-19 pandemic has caused delays in many cases, especially civil cases, pending before the D.C. Superior Court, and that could have played a role in the delay in scheduling the trial for Potter.
Court records show that Davies, Potter’s attorney, introduced an emergency motion in March 2020 requesting that Potter be released into a halfway house while awaiting trial because of the high risk of contracting and dying from COVID in the D.C. Jail. The records show that, at the request of prosecutors, the judge denied the motion on grounds that Potter would pose a risk to the community if released.
Potter has been held without bond since the time of his arrest. The next court hearing, prior to the start of the April 18 trial, is a trial readiness hearing scheduled for Feb. 18 before Judge Marisa J. Demeo.
More than 80 friends, co-workers, and family members turned out for a candlelight vigil to honor the life of Lugo, which was held Jan. 11, 2019 in a small park across the street from where Lugo lived. Among those participating were employees of TransPerfect, an international company that provides foreign language translation, interpretation and business services where Lugo worked as an associate manager.
District of Columbia
Juvenile arrested for anti-gay assault in D.C.
Police say suspect targeted victim in house with Pride flags

D.C. police announced on June 16 that they have arrested a 13-year-old juvenile male on a charge of Assault With Significant Bodily Injury for allegedly throwing a rock through the window of a house in Northeast D.C. and “striking the victim in the face.”
In a statement announcing the arrest, police said the incident took place on Friday, June 6, and “LGBTQ+ flags were displayed at the front of the home.”
A separate D.C. police incident report obtained by the Washington Blade states, “Victim 1 reports he was sitting in his living room at the listed location watching television when a rock came through the front window and struck him about his left eye. Victim 1 suffered a laceration under his left eye.”
The report adds, “Victim 1 states he observed Suspect 1 running away.”
According to the June 16 statement issued by police, “On Sunday, June 15, 2025, officers located the suspect and placed him under arrest. [A] 13-year-old juvenile male of Northeast D.C., was charged with Assault With Significant Bodily Injury (Hate/Bias).”
The statement says the house where the incident occurred is located on the 400 block of 20th Street, N.E.
Similar to statements D.C. police have issued regarding LGBTQ bias-related cases in the past, the statement announcing this case says that while the case is being investigated as being potentially motivated by hate or bias, that designation could be changed at any time during the investigation.
It adds that a hate crime designation by D.C. police may not be prosecuted as a hate crime by prosecutors. Under D.C. law, juvenile cases are prosecuted by the Office of the D.C. Attorney General.
Since court records for cases involving juveniles are sealed from public access, the Blade could not immediately determine whether prosecutors designated the case as a hate crime.
It also could not immediately be determined if the juvenile charged in the case was being held in detention while awaiting trial at juvenile court or whether he was released to a parent or guardian and whether a judge set any conditions for release.
The police statement concludes by saying that the department’s Special Liaison Branch, which includes the LGBT Liaison Unit, is assisting with the investigation.
District of Columbia
Drive with Pride in D.C.
A new Pride-themed license plate is now available in the District, with proceeds directly benefiting local LGBTQ organizations.

Just in time for Pride month, the D.C. Department of Motor Vehicles has partnered with the Mayor’s Office of LGBTQ Affairs to create a special “Pride Lives Here” license plate.
The plate, which was initially unveiled in February, has a one-time $25 application fee and a $20 annual display fee. Both fees will go directly to the Office of Lesbian, Gay, Bisexual, Transgender and Questioning Affairs Fund.
The MOLGBTQA Fund provides $1,000,000 annually to 25,000 residents through its grant program, funding a slew of LGBTQ organizations in the DMV area — including Capital Pride Alliance, Whitman-Walker, the D.C. Center for the LGBTQ Community, and the Washington Blade Foundation.
The license plate features an inclusive rainbow flag wrapping around the license numbers, with silver stars in the background — a tribute to both D.C.’s robust queer community and the resilience the LGBTQ community has shown.
The “Pride Lives Here” plate is one of only 13 specialty plates offered in the District, and the only one whose fees go directly to the LGBTQ community.
To apply for a Pride plate, visit the DC DMV’s website at https://dmv.dc.gov/
District of Columbia
Drag queens protest Trump at the Kennedy Center
President attended ‘Les Misérables’ opening night on Wednesday

On Wednesday night, four local drag performers attended the first night of the Kennedy Center’s season in full drag — while President Donald Trump, an outspoken critic of drag, sat mere feet away.
Three queens — Tara Hoot, Vagenesis, and Mari Con Carne — joined drag king Ricky Rosé to represent Qommittee, a volunteer network uniting drag artists to support and defend each other amid growing conservative attacks. They all sat down with the Washington Blade to discuss the event.
The drag performers were there to see the opening performance of “Les Misérables” since Trump’s takeover of the historically non-partisan Kennedy Center. The story shows the power of love, compassion, and redemption in the face of social injustice, poverty, and oppression, set in late 19th century France.
Dressed in full drag, the group walked into the theater together, fully aware they could be punished for doing so.
“It was a little scary walking in because we don’t know what we’re going to walk into, but it was really helpful to be able to walk in with friends,” said drag queen Vagenesis. “The strongest response we received was from the staff who worked there. They were so excited and grateful to see us there. Over and over and over again, we heard ‘Thank you so much for being here,’ ‘Thank you for coming,’ from the Kennedy Center staff.”
The staff weren’t the only ones who seemed happy at the act of defiance.
“We walked in together so we would have an opportunity to get a response,” said Tara Hoot, who has performed at the Kennedy Center in full drag before. “It was all applause, cheers, and whistles, and remarkably it was half empty. I think that was season ticket holders kind of making their message in a different way.”
Despite the love from the audience and staff, Mari Con Carne said she couldn’t help feeling unsettled when Trump walked in.
“I felt two things — disgust and frustration,” Carne said. “Obviously, I don’t align with anything the man has to say or has to do. And the frustration came because I wanted to do more than just sit there. I wanted to walk up to him and speak my truth — and speak for the voices that were being hurt by his actions right now.”
They weren’t the only ones who felt this way according to Vagenesis:
“Somebody shouted ‘Fuck Trump’ from the rafters. I’d like to think that our being there encouraged people to want to express themselves.”
The group showing up in drag and expressing themselves was, they all agreed, an act of defiance.
“Drag has always been a protest, and it always will be a sort of resistance,” Carne said, after pointing out her intersectional identity as “queer, brown, Mexican immigrant” makes her existence that much more powerful as a statement. “My identity, my art, my existence — to be a protest.”
Hoot, who is known for her drag story times, explained that protesting can look different than the traditional holding up signs and marching for some.
“Sometimes protesting is just us taking up space as drag artists,” Hoot added. “I felt like being true to who you are — it was an opportunity to live the message.”
And that message, Ricky Rosé pointed out, was ingrained with the institution of the Kennedy Center and art itself — it couldn’t be taken away, regardless of executive orders and drag bans
“The Kennedy Center was founded more than 50 years ago as a place meant to celebrate the arts in its truest, extraordinary form,” said Ricky Rosé. “President Kennedy himself even argued that culture has a great practical value in an age of conflict. He was quoted saying, ‘the encouragement of art is political in the most profound sense, not as a weapon in the struggle, but as an instrument of understanding the futility of struggle’ and I believe that is the basis of what the Kennedy Center was founded on, and should continue. And drag fits perfectly within it.”
All four drag performers told the Washington Blade — independently of one another — that they don’t think Trump truly understood the musical he was watching.
“I don’t think the president understands any kind of plot that’s laid out in front of him,” Vagenesis said. “I’m interested to see what he thinks about “Les Mis,” a play about revolution against an oppressive regime. I get the feeling that he identifies with the the rebellion side of it, instead of the oppressor. I just feel like he doesn’t get it. I feel it goes right over his head.”
“Les Misérables” is running at the Kennedy Center until July 13.
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