Books
‘Oscar Wars’ an exhilarating read for film critics and fans alike
Awards a conflict zone for issues of race, gender, representation
‘Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears’
By Michael Schulman
c.2023, Harper
$40/589 pages
Get out the guacamole! The game, beloved by millions — especially queers — is being played. This Sunday, the 95th Academy Awards ceremony at the Dolby Theatre in Los Angeles will be seen worldwide.
Few have written more compellingly about the ego, campiness, politics, and intrigue of the Academy Awards than Michael Schulman in his new book “Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears.”

The Oscars are “the closest thing America has to royalty,” writes Schulman, a staff writer at The New Yorker. “They’re the only thing forcing Hollywood to factor art into commerce.”
Schulman likens the Oscars to a horse race and a relic. The Academy Awards prop up Hollywood, a multibillion-dollar business, canonize movies and showcase fashion, he notes.
“They’re an orgy of self-congratulation by rich and famous people who think too highly of themselves.” Schulman adds, “They’re the Gay Super Bowl.”
You can bet that every year, something will throw the Oscars off their game. Last year, it was the Slap (when Will Smith, upset by Chris Rock’s joke about his wife Jada Pinkett Smith, hit the comedian).
There are the insipid production numbers and lackluster hosts. More seriously, there is the continuing racism and sexism in Hollywood.
You have to keep the Academy Awards in perspective, Schulman wryly notes. “The Oscars … are always getting it wrong,” he writes, “Twenty-four centuries after Euripides came in third place at the Athenian dramatic festival, Brokeback Mountain lost Best Picture to Crash, and the outcry will probably last another twenty-four centuries.”
It’s tempting to view the Academy Awards annual bash as enjoyable froth. To lap up the glam, glitz, and camp. But in “Oscar Wars,” Schulman persuasively argues that the Oscars should, also, be taken seriously.
“The Oscars are a battlefield,” Schulman writes, “where cultural forces collide and where the victors aren’t always as clear as the names drawn from the envelopes.”
“In recent years,” he adds, “the Oscars have become a conflict zone for issues of race, gender, and representation, high profile signifiers of whose stories get told and whose don’t.”
Thankfully, Schulman’s nearly 600-page book isn’t an Oscars encyclopedia. Volumes of Oscar facts and trivia already exist. Even if you’re a movie buff, these books will make your eyes glaze over. “Oscar Wars” is filled with Schulman’s painstaking research and in-depth reporting. It’s not surprising that he’s said in interviews that he worked on the book for four years.
Schulman, author of “”Her Again: Becoming Meryl Streep,” is a powerhouse. While writing “Oscar Wars,” Schulman produced numerous hard-to-put-down profiles at his New Yorker day job. Tongues are still wagging over his profile of actor Jeremy Strong (Kendall Roy in “Succession”).
In 11 intriguing installments, Schulman illuminates how, from the first Academy Awards in 1929 to our present #OscarsSoWhite and #MeToo era, conflict has been embedded in the Oscars.
The Academy Awards was started in an effort to squelch labor unions in Hollywood. Spoiler alert: the effort of Louis B. Mayer and other Hollywood moguls to stop the unions flopped as the awards caught on.
There’s much in “Oscar Wars” to engage Old Hollywood aficionados. There’s the sad tale of Peg Entwistle, a 24-year-old actress, who, in 1932, played Hazel in “Thirteen Women, a movie about a group of former sorority sisters. Hazel stabs her husband. Entwistle’s 16 minutes in the movie were cut to four, Schulman writes, because the Hays office felt “that her scenes with another actress had unacceptable lesbian undertones.” After a series of horrible events, the actress killed herself.
There is the story of how one of Bette Davis’s husbands divorced her because she read too much.
It’s well-known among cinephiles that Bette Davis (for “All About Eve”) and Gloria Swanson (for “Sunset Boulevard”) were up against each other in 1951 for the Oscar and lost to Judy Holliday (for “Born Yesterday”). But Schulman brings new depth and insight into this saga.
The Academy Awards are steeped in Hollywood and entertainment. But Schulman makes it clear that the Oscars, from the Black List of the 1940s-1950s to the racism of “Gone with the Wind” to sexism to homophobia, are entwined with cultural attitudes and politics.
“Citizen Kane” was one of the greatest films ever made. Yet, there was no way it could have won an Oscar because the newspaper tycoon William Randolph Hearst was furious that “Kane’s” protagonist was based on him.
One of the most campy, but poignant, accounts in the book is that of Allan Carr, who produced the 1989 Oscars. Carr, who was gay, dreamed up a tasteless, unintentionally campy production number. It featured Rob Lowe and Snow White (Google it.) Yet, he created, Schulman reports, some innovations that are still part of the Oscars (such as the red carpet).
“Oscar Wars” is an exhilarating read for everyone from film critics to fans.
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Books
In ‘The Lost Brontë,’ a complicated lie can lead to danger
New book features sweetly romantic girl-meets-girl twist
‘The Lost Brontë’
By Catherine Friend
c.2026, Bywater Books
$22.95/335 pages
Mom always said to tell the truth.
One lie leads to another and another and you have to remember them all until pretty soon, you’re caught. Fibs are hard, mistruths are messy, even little white social lies can destroy trust. Worst of all, as in the new novel, “The Lost Brontë” by Catherine Friend, a complicated lie can lead to danger.

Though Lilianne Loxley was very young when she lost her parents, she understood that her uncle didn’t really want her. As time passed, though, Lily made herself useful to Uncle, writing and signing letters for him and she became a good companion, helping him with his collection of Brontë memorabilia. Uncle was a keen enthusiast.
She had no idea that his obsession was out of control and he was deeply in arrears. The day Lily learned of his debt was the day she learned that he’d agreed to send her to his debtor’s home to work off the money owed.
It was so sudden. One minute, Lily was at Loxley House, happy and loved by Uncle’s staff … and five hours later, she was at Crag Thorn Manor, home of Lord Bexton, who informed her that she’d be working on his ledgers – work that seemed routine, but Lily tackled it.
Uncle always did say she was headstrong.
But would headstrong be enough to survive, when she was restricted from most of the Manor, when she was forced to dine with Brexton and his slimy friend, or – the worst! – when Brexton told Lily that her next task was to forge a letter from Emily Brontë? And then an entire manuscript?
Lily struggled to do what was right. She had to get Uncle out of debt but this last order horrified her. Did she dare refuse Brexton’s orders and commit a crime? It was unthinkable!
The only brightness in the whole situation was Wren, the ladies’ maid assigned to Lily’s room. Wren was adorable with freckles and the sweetest smile. But with everything else happening at Crag Thorn Manner, could Lily act upon her feelings?
This time of year, you may come to crave dark, spooky stories, and “The Last Brontë” fits those needs perfectly with its Gothic deliciousness. Think: Daphne du Maurier-type, stormy-night squirms with a dangerously chaste, sweetly romantic girl-meets-girl twist for fun.
If it’s been awhile since you’ve read a Gothic novel, you’re in for a nice reminder of why you love them here. You can almost tick off the must-haves: a novel like this is nothing without a foreboding stone manor with damp walls; stone steps to a dank basement; a mysterious portrait; and a nearby bog, and author Catherine Friend gives readers every one of them. You’d be disappointed if there was no ghost, wouldn’t you? Ha. You can practically feel the cold blow through the attic, right? Yeah, it’s that kind of book.
If you’re a fan of the Brontës, you’ll like this novel. If you love Gothic mysteries or Victorian romances, ditto. “The Lost Brontë” is good, no lie.
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Books
Eliot Glazer’s new book an engaging collection of essays
From growing up gay to turning down ‘Queer Eye’
“The Terrible, Horrible, No Good, Very Bad Gay: Essays”
By Eliot Glazer
c.2026, Gallery Books
$28.99/240 pages
You try and you try.
Once, twice, you go back at that thorny issue, the dream you have, the punchline that’s not hitting quite right. Sometimes, time is all you need to make it better, or a new approach, or a second look. And then there are days when you actually get things right, as in “The Terrible, Horrible, No Good, Very Bad Gay” by Eliot Glazer, and it’s all good.

Throughout his life, Eliot Glazer has made mistakes. And it’s OK, everybody trips and falls now and then. In his case, though, he’s perfectly willing to document his failures, foibles, and whoopsies in this book.
He writes of his mother, Sandi, “a Queens-born balabosta” who wouldn’t tolerate laziness in herself or Glazer. He found work as soon as he was legally able to do so, and he had many jobs throughout high school. He was a gardener, ice cream scooper, camp counselor, golf caddy, chocolatier, telemarketer, and video store clerk. The one that fit him best, however, was working at Talbots, a department store for older women, where he found his people.
Even with all those jobs, he was a theater kid in his time off, little though it was. Back then, he was just a boy growing up on Long Island but swagger was important, so swagger he did. He still appreciates a good Broadway show, even the silliest ones.
Glazer says that he had just recently come out when gayness exploded on TV with “Will & Grace” and “Queer Eye for the Straight Guy,” with which he was obsessed. It helped him feel not othered, he says. Producers of the reboot asked him to be a second-generation Eye, but Glazer turned them down, though he thinks he’d have been good at it.
The show helped him with love of décor. His unexpected advisory skills came naturally, through age and wisdom and learning that wild partying isn’t really so much fun.
As for finding love, well, that’s a long, boy-meets-boy-meets-boy story…
So you’re looking for something to easily pick up and put down, something that speaks to your inner impatience? You’ll find that in “The Terrible, Horrible, No Good, Very Bad Gay,” a book that’s practically meant for you to skip around and you don’t have to read everything.
Essays can be like that, which is nice, even refreshing. Author Eliot Glazer is entertaining enough to make things work, engaging enough to keep it moving, and funny enough to make you want more of what he has to say. He’s open with his life and, despite his fame, his writing isn’t lofty; you can expect stories that’ll make you snort and ones with spice, but also some surprisingly tender moments that soften this book in a way that’s just right.
Readers who want a quick, mostly light book to finish will find something appealing in this collection of essays. If you don’t mind a bit of non-linearity and you need a laugh, “The Terrible, Horrible, No Good, Very Bad Gay.” is worth a try.
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Books
Curl up with a good book this fall
New releases include mysteries, biographies, religion, and more
The fall books season offers lots of options so curl up and get ready to read.
FICTION
For the mystery fan who likes a sprinkle of thriller, look for “The Longest Death” by Kevin Jagernauth (Soho Crime, December). Richard Cobson hates his small town, he’s bored and desperate to get away. Stealing from his employer is the only thing that makes life bearable. That all changes when Marlon Montgomery comes to town and the two fall in love because if one guy can steal so easily, what can two do?
If you like graphic novels, try the “Tripping Over You” trilogy by Suzana Harcum and Owena White. Milo and Liam are finally able to be open about their relationship, no more hiding their love. They’re living together now, but can it last? “Tripping Over You Book 3” (First Second Books) is in stores in early November.
Also try “Diana: The Punk Singer Who Ripped Through Time” by Nate Powell (Abrams ComicArts, October). It’s about a young woman who’s trying desperately to escape her past, until a mysterious murder sidetracks her plans.
So you say you’re a romantic at heart? Then look for “Unspeakable Things: A Novel” by Elizabeth Hand (Little, Brown & Company, October). It’s a story set in the 1920s, when two young women arrive in the English Countryside to a dark and ancient manor. But, of course, nothing in a Gothic novel is easy, right? And you’ll love this tale.
NONFICTION
So this upcoming year is going to be one of exploration, right? Then look for “Free Love: Adventures in Marriage and Polyamory” by Michelle Tea (HarperOne, November). It’s a well-researched, personal, and interesting look at the lives of polyamorous couples and what it’s like to live what used to be called an “alternative” lifestyle.
If “fall” says “biography” to you, then look for “Showbiz! My Life as a Middle-Aged Man” by Murray Hill (Gallery Books, October). For decades, Hill has been making audiences laugh with his signature humor, but getting laughs hides his past all too well. He grew up in an abusive family and learning to hone his talents took some ingenuity. If you’re not a Hill fan yet, you will be, once you read this book.
For the reader who’s searching for a spiritual place, “Reading the Bible Through Queer Eyes: Good News for LGBTQ+ People from Genesis to Revelation” by podcasters Brian G. Murphy and Shannon T.L. Kearns (HarperOne, December) might help. Here, the authors look deeply at Scripture to find the queerness that’s there, proving to readers that the Word is not always what it seems.
Young readers may want to check out “Bitter Pill: Randy Shilts and the Dawn of the HIV/AIDS Epidemic” by Clement Xavier, illustrated by Heloise Cochois, foreword by Michael Lee (Abrams ComicArts, November). It’s a highly researched true story of activist Shilts, but also of Harvey Milk, and the earliest days of the AIDS crisis, when gay men needed a loud voice to advocate for them.
And finally, if you want a fun book for your kids or a child you love, look for “Good Night, Break a Leg: Life with Broadway Dads” by Bret Shuford, illustrated by Elena Hager (Penguin Workshop). What do parents do when they go to work? A little boy learns that his dads have very special jobs by day – and by night! It’s a cute book for kids, but a special tale for lovers of Broadway.
Be aware that publication dates change, titles change, books can be canceled, and your librarian or favorite bookseller can help you find what you need. Season’s readings!
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Virginia5 days agoCampaign urges Virginia High School League to reverse stance on trans athletes
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California5 days agoCalif. GOP gubernatorial candidate ad ‘disgusting attempt to exploit lesbian intimacy’
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Commentary5 days agoCenter Arts Gallery celebrates 10 years with reception, auction
