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District of Columbia

Drag artists lead protest march to Kennedy Center

Queens and kings denounce Trump administration policies

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Hundreds marched from Washington Circle to the Kennedy Center on Saturday in the March for Drag. (Washington Blade photo by Michael Key)

Local drag artists and their supporters gathered for a march from Washington Circle to the Kennedy Center on Saturday to protest the Trump-Vance administration’s anti-transgender policies and the decisions made by the President Donald Trump-appointed Kennedy Center board of trustees.

The March for Drag began with a rally at Washington Circle near George Washington University.

One of the organizers of the March for Drag was drag king Lord Henry. The local performer addressed the gathered activists at Washington Circle.

“We demand that the Kennedy Center Board reinstate queer programming, including but not limited to drag-oriented workshops and shows and any other equity and DEI initiatives at the Kennedy Center,” Lord Henry said. “We want to force Congress to drop the multiple attempts at criminalizing gender non-conformity, including Trump’s executive order conflating sex and gender and the attack on drag artists through budget amendments, denying funds to organizations supporting and protecting this queer art form.”

“We care deeply about D.C. home rule,” Lord Henry concluded. “If home rule goes away, drag goes away in D.C.”

Other speakers at the event included the drag performers Crystal Edge, Indiana Bones, Cake Pop!, Tara Hoot, Mari Con Carne, Blaq Dinamyte, Mx.Noir, and Ricky Rosé.

“Drag is not just an invaluable form of self expression, but is a means of self discovery,” drag artist Brooke N Hymen told the crowd. “And not only are our livelihoods and artistry as drag artists under attack by the current administration, but the very existence of trans people as well.”

Brooke N Hymen, who identified himself as a trans man to the gathered protesters, continued discussing the effect of Trump’s policies on trans people.

“Beyond the executive orders meant to erase trans people from public life, Trump and his cronies want to define living in a trans body and expressing yourself in a way that aligns with your gender identity as ‘doing drag,'” Brooke N Hymen continued. “So, by attacking drag and attempts to outlaw drag on local and national levels, Trump is simultaneously attempting to outlaw trans people’s very existence.”

‘And now, one of our oldest and most sacred art forms, the art of drag, is again under attack’ said Sister Sybil of the D.C. Sisters of Perpetual Indulgence at the March for Drag on March 8, 2025. (Washington Blade photo by Michael Key)

Sister Sybil of the D.C. Sisters of Perpetual Indulgence was slated to give a non-religious benediction before the march.

“This evening as we walk down the streets of our capital city, we are walking in the footsteps of our queer ancestors who fought tooth and nail for every right that we have ever attained,” Sister Sybil said.

“And now, one of our oldest and most sacred art forms, the art of drag, is again under attack,” Sister Sybil continued. “Our queer culture is now on the chopping block. And the only political party with any positioning to do anything about it has abandoned us: The Democratic Party.”

“But we have been here before,” Sister Sybil said. “Our culture and our community has never known a time without governmental targeting and neglect based on who we love, how we look, artistic expression, or even who we know ourselves to be, regardless of our birth certificate.”

“We must reclaim our community wisdom,” Sister Sybil told the crowd. “Our queer ancestors gave us tools to protest the indignities of heteronormative oppression. They gave us art, dance, disco, ballroom. They gave us drag as we know it. Most importantly, they gave us a love for our queer culture and a pride for being who we are. They loved and supported each other. They acted up. They organized, marched, lobbied, and tonight, after we are done marching, we must continue to do those things.”

It is now time for us to take our queer power and fight back,’ said Mari Con Carne at the March for Drag on March 8, 2025. (Washington Blade photo by Michael Key)

Drag artist Mari Con Carne spoke at the rally in Washington Circle before the march. The local performer said, “As our queer ancestors have shouted out before, our community has always been here, we have always been queer, but they have yet to get used to it.”

“It is time we stop asking for their approval for our existence and it’s time we stop looking at ourselves as something to get used to,” Mari Con Carne continued.

“Our ancestors have always had to fight against a government that actively tries to erase us,” Mari Con Carne said to the gathered activists. “Think of the Stonewall riots, the AIDS epidemic protests and the queer liberation movement. Now it’s time to look up to them and see the fight for queer acknowledgment and acceptance only stopped because we wanted the system to get used to us.”

“It is now time for us to take our queer power and fight back,” Mari Con Carne concluded. “It is now time to defend our trans siblings and is now time that we stop wanting to get used to and begin fighting for acknowledgment and acceptance.”

The activists then marched down New Hampshire Avenue, N.W., chanting slogans and waving flags along the way. There was no police escort or presence in the march, yet activists were met with a small line of Kennedy Center security officers when they arrived near the front of the building.

The crowd stopped on the access road in front of the Kennedy Center and a second set of speeches began. A number of busses and cars attempting to access the venue were temporarily inconvenienced.

‘We are still fighting and we will not back down, because drag is a protest,’ said Cake Pop! at the March for Drag on March 8, 2025. (Washington Blade photo by Michael Key)

Cake Pop!, a well-known local drag performer and DJ, addressed the crowd gathered in front of the Center.

“The reprehensible leadership of Donald Trump and his supporters isn’t just about politics anymore,” Cake Pop! said. “It’s a full-on assault on free speech, on art and on self-expression. The takeover of the Kennedy Center is not just a political move, it’s a direct attack on every single artist, on queerness itself, and on anyone who dares to exist outside of his narrow, hateful vision of America.”

“We are living proof that no matter how much they try to erase us, silence us or shame us, we are still here,” Cake Pop! continued. “We are still fighting and we will not back down, because drag is a protest. Drag is resilience and drag is the very embodiment of joy in the face of oppression.” 

‘Our art makes a world where you can be who you are: whoever that is.,’ Blaq Dinamyte told the activists gathered in front of the Kennedy Center at the March for Drag on March 8, 2025. (Washington Blade photo by Michael Key)

Blaq Dinamyte, a drag king performer and president of the activist organization Qommittee, spoke in front of the Kennedy Center when addressing the gathered activists.

“What’s happening isn’t new,” Blaq Dinamyte said. “Throughout history, we’ve seen this before. The Nazi’s ban what they label as ‘degenerate art’ anything that didn’t fit their narrow vision of culture: Art that showed freedom, showed difference, complexity, all banned. Now it’s us.”

“When the government bans art from our national stage, they are not just attacking performers: They are attacking ideas,” Blaq Dinamyte continued. “They target drag because we are liberation. Our art makes a world where you can be who you are: Whoever that is. We are a threat to governments that would want to control how we live and express ourselves. Drag performers have always been at the front lines. Here in D.C., we’re seeing this play out on federal property. These bans hit our communities first, but they never stop with us.”

Following the march and rally, participants were invited to a dance party at the LGBTQ establishment As You Are.

“NO MORE DRAG SHOWS, OR OTHER ANTI-AMERICAN PROPAGANDA — ONLY THE BEST,” Trump wrote on his Truth Social platform on Feb. 10 as part of an announcement of his appointment of Richard Grenell to serve as the interim executive director of the Kennedy Center.

Trump then announced on Feb. 12 on Truth Social that he had been “unanimously voted” Chairman of the Board of Trustees of the Kennedy Center.

The Kennedy Center cancelled a performance of the Gay Men’s Chorus of Washington that was to be held in May.

See photos from the March for Drag here.

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District of Columbia

Sentencing for Ruby Corado postponed for second time

Former Casa Ruby director pleaded guilty to wire fraud

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Ruby Corado’s sentencing is now scheduled for April 29. (Washington Blade file photo by Ernesto Valle)

The sentencing in D.C. federal court for Ruby Corado, the founder and executive director of the now-defunct LGBTQ community services organization Casa Ruby on a charge of wire fraud, has been postponed for the second time, from March 28 to April 29.

A spokesperson for U.S. District Court Judge Trevor N. McFadden, who is presiding over the case, said it was the judge who postponed the sentencing due to a scheduling conflict. The earlier postponement, from Jan. 10 to March 28, came at the request of Corado’s attorney and was not opposed by prosecutors with the Office of the U.S. Attorney for D.C.

Corado pleaded guilty on July 17, 2024, to a single charge of wire fraud as part of a plea bargain deal offered by prosecutors. The charge to which she pleaded guilty in U.S. District Court for D.C. says she allegedly diverted at least $150,000 “in taxpayer backed emergency COVID relief funds to private offshore bank accounts for her personal use,” according to a statement from the U.S. Attorney’s office.

Under the federal wire fraud law, for which Corado is being prosecuted, she could be subjected to a possible maximum sentence of up to 20 years in prison, a fine of up to $250,000, and restitution requiring her to repay the funds she allegedly stole.

Court observers, however, have said that due to Corado’s decision to waive her right to a trial and plead guilty to the lesser charge, prosecutors will likely ask the judge to hand down a lesser sentence than the maximum sentence.

An earlier criminal complaint filed against Corado, which has been replaced by the single charge to which she has pleaded guilty, came at the time the FBI arrested her on March 5, 2024, at a hotel in Laurel, Md., shortly after she returned to the U.S. from El Salvador.

At the request of her attorney and against the wishes of prosecutors, another judge at that time agreed to release Corado into custody of her niece in Rockville, Md., under a home detention order. The release order came seven days after Corado had been held in jail at the time of her March 5 arrest.

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District of Columbia

Harvey Fierstein says he was banned from Kennedy Center

Gay icon called out President Donald Trump

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Harvey Fierstein (Photo courtesy of Knopf)

Gay icon and film legend Harvey Fierstein, 72, announced in an Instagram post on Tuesday that he was banned from the Kennedy Center as a result of President Donald Trump’s sweeping anti-LGBTQ measures in the performing space. 

Fierstein, who is a longtime fixture of queer storytelling both on screen and on stage, took to social media to criticize Trump for his recent decisions to take control of the John F. Kennedy Center for the Performing Arts and to hide — if not erase — LGBTQ art, and sounds the alarm for the future of the United States. 

In the picture posted on Instagram, Fierstein alongside LGBTQ rights activist Marsha P. Johnson is walking in the Christopher Street Liberation Day parade in 1979, with the caption beginning with “I have been banned from THE KENNEDY CENTER.”

The multiple Tony Award-winning artist, who may be best known for “Torch Song Trilogy,” “La Cage aux Folles,” and “Kinky Boots,” to name a few, went on to explain his thoughts on Trump’s very public takeover of the national cultural center.

“A few folks have written to ask how I feel about Trump’s takeover of The Kennedy Center. How do you think I feel? The shows I’ve written are now banned from being performed in our premier American theater. Those shows, most of which have been performed there in the past, include, KINKY BOOTS. LA CAGE AUX FOLLES, TORCH SONG TRILOGY, HAIRSPRAY, SAFE SEX, CASA VALENTINA, SPOOKHOUSE, A CATERED AFFAIR, THE SISSY DUCKLING, BELLA BELLA and more.”

“I have been in the struggle for our civil rights for more than 50 years only to watch them snatched away by a man who actually couldn’t care less,” the post continued. “He does this stuff only to placate the religious right so they’ll look the other way as he savages our political system for his own glorification. He attacks free speech. He attacks the free press. He attacks America’s allies. His only allegiance is to himself – the golden calf.”

Fierstein then issued a warning for Americans, remarking that removing works that don’t align with Trump’s personal agenda represents a slippery slope that can lead to the erosion of democracy and emergence into fascism.  

“My fellow Americans I warn you – this is NOT how it begins. This is how freedom ENDS!”

He finished the post with a call to action for Americans to recognize and confront Trump’s injustice. 

“Trump may have declared ‘woke’ as dead in America. We must prove him wrong. WAKE THE HELL UP!!!!!”

The post seemingly also pushes back on the Trump administration’s choice to remove any mention of transgender people from the Stonewall National Monument’s website by including Marsha P. Johnson in his post. 

Since its upload on Tuesday, the post has gained more than 14,000 likes and 300 comments supporting Fierstein.  

Trump’s reported banning of Fierstein from the Kennedy Center comes amid the president’s drastic overhaul of the cultural venue after calling out “woke” programming on its stages, including a drag show. His actions signal a broader effort to reshape the nation’s artistic landscape to align with his administration’s ideology.

The Kennedy Center couldn’t immediately be reached to confirm Fierstein’s claims. This post will be updated.

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District of Columbia

Town nightclub lawsuit against landlord dismissed in September

Court records show action was by mutual consent

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The former St. Phillips Baptist Church at 1001 North Capitol St., N.E., was slated to be the new home of Town 2.0. (Washington Blade photo by Lou Chibbaro, Jr.)

A lawsuit filed in April 2024 by Town 2.0, the company that planned to reopen the popular LGBTQ nightclub Town in a former church on North Capitol Street that accused its landlord of failing to renovate the building as required by a lease agreement was dismissed in a little-noticed development on Sept. 6, 2024.

A document filed in D.C. Superior Court, where the lawsuit was filed against Jemal’s Sanctuary LLC, the company that owns the church building, shows that a “Stipulation of Dismissal With Prejudice” was jointly filed by the attorneys representing the two parties in the lawsuit and approved by the judge.

Jemal’s Sanctuary is a subsidiary of the Douglas Development Corporation, one of the city’s largest real estate development firms. 

An attorney familiar with civil litigation who spoke to the Washington Blade on condition of not being identified said a stipulation of dismissal indicates the two parties reached a settlement to terminate the lawsuit on conditions that are always confidential and not included in court records.

The attorney who spoke with the Blade said the term “with prejudice” means the lawsuit cannot be re-filed again by either of the two parties.

The public court records for this case do not include any information about a settlement or the terms of such a settlement. However, the one-sentence Stipulation Of Dismissal With Prejudice addresses the issue of payment of legal fees.

“Pursuant to Rule 41(a) of the District of Columbia Superior Court Civil Rules, Plaintiff Town 2.0 LLC and Defendant Jemal’s Sanctuary LLC, by and through their undersigned counsel, hereby stipulate that the lawsuit be dismissed in its entirety, with prejudice, as to any and all claims and counterclaims asserted therein, with each party to bear its own fees and costs, including attorneys’ fees.”

The Town 2.0 lawsuit called for the termination of the lease and at least $450,000 in damages on grounds that Jemal’s Sanctuary violated the terms of the lease by failing to complete renovation work on the building that was required to be completed by a Sept. 1, 2020 “delivery date.”

In response to the lawsuit, attorneys for Jemal’s Sanctuary filed court papers denying the company violated the terms of the lease and later filed a countersuit charging Town 2.0 with violating its requirements under the lease, which the countersuit claimed included doing its own required part of the renovation work in the building, which is more than 100 years old.

Court records show Judge Maurice A. Ross, who presided over the case, dismissed the countersuit at the request of Town 2.0 on Aug. 20, 2024, on grounds that it was filed past the deadline of a three-year statute of limitations for filing such a claim.

Neither the owners of Town 2.0, their attorney, nor the attorney representing Jemal’s Sanctuary responded to a request by the Washington Blade for comment on the mutual dismissal of the lawsuit.

Town 2.0 co-owner John Guggenmos, who also owns with his two business partners the D.C. gay bars Trade and Number Nine, did not respond to a question asking if he and his partners plan to open Town 2.0 at another location.

What was initially known as Town Danceboutique operated from 2007 to 2018 in a large, converted warehouse building on 8th Street, N.W., just off Florida Avenue. It was forced to close when the building’s owner sold it to a developer who built a residential building in its place.

It was the last of the city’s large LGBTQ dance hall nightclubs that once drew large crowds, included live entertainment, and often hosted fundraising events for LGBTQ community organizations and causes.  

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