Arts & Entertainment
Steve Grand says ‘people love to hate good-looking, white, gay men’
musician says he doesn’t expect people to understand him
Musician Steve Grand is known for his music as much as he is for showing off his body. In an interview with PrideSource, the 26-year-old singer says the hate he gets is because he’s good-looking.
“I’m not so bad. People have (such) incredibly low expectations of me, that I just need to show up. For my performances, I need to not be terrible and people will be impressed. I just know people have really, really low expectations of me and that’s what the Internet does,” Grand told PrideSource.
“I’m such an easy person to target. Young, good-looking, white, gay men – we love to hate those people. But there’s been a real person there the whole time,” Grand continued.
Grand, whose music video “All-American Boy” has more than five million views on YouTube, also addressed the struggle to be taken seriously as a musician while having scantily clad photos of himself floating around the internet.
“I don’t have that high of expectations for the general public – I mean, we don’t even understand things that really actually fucking matter, like, with this election. So why should I expect people to take the time to understand me? I don’t matter. And people don’t even care about things that do matter,” Grand says.
“I take my music seriously. I’m a good musician and I’m a good performer, and I also like to work out my body and show it off sometimes. It’s a fleeting thing; when I’m 50, I’m not gonna look like this,” Grand continued.
“Everybody has to feel like they have to be a special snowflake. People can’t just look at a picture of a hot guy and let it be beautiful. It has to be some statement about them. Let people just fucking appreciate what is beautiful and let things be beautiful if they’re beautiful,” Grand concluded.
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
(Washington Blade photos by Michael Key)


























