Arts & Entertainment
A dash of Basil
Gay puppet innovator dazzles with local run
Basil Twist
‘Petrushka’
March 16-25
Shakespeare Theatre Company
Lansburgh Theatre, 450 7th Street, NW
$22.50-$50
202-547-1122

Puppeteer Basil Twist is having his work exhibited in several D.C. theaters in the coming weeks. (Image courtesy Shakespare Theater Co.)
Basil Twist’s work has been called superhuman, breathtaking and adored — not the usual words used to describe a puppet show. But then, Twist isn’t your usual puppeteer. His sophisticated approach to puppetry melds tradition with innovation and in the process takes the art form to new heights. Throughout March and April, four of his shows can be seen locally as part of “Twist Festival D.C.,” giving area audiences an opportunity to experience his magic.
The mini-fest kicks off at the Shakespeare Theatre Company with “Petrushka,” Twist’s take on the classic Russian ballet about a love triangle involving three puppets: the eponymous clown, a ballerina and a Moor. Originally commissioned for New York’s Lincoln Center in 2000, it’s a puppet show about puppets with music — Russian identical twins Irina and Julia Elkina play a reduction of Igor Stravinsky’s score on identical pianos.
And though he doesn’t perform in the show, Twist selected, trained and directed the unseen puppeteers who animate the 4-foot-tall puppets that he built. “Three puppeteers are required to operate one puppet. For me the puppet is the embodiment of a super human being,” Twist says. “The puppet ballerina soars. She can do things that a human being only wishes she could do.”
A third-generation puppeteer, Twist, who is gay and single, broke onto the scene in 1998 with his underwater, classical musical puppet show “Symphonie Fantastique” (with a festival production at Clarice Smith Performing Arts Center at the University of Maryland in College Park). He credits his training at France’s prestigious École Supérieure Nationale des Arts de la Marionnette with allowing him to think outside the traditional puppet box: “I was taught how puppetry fits into the larger world of art. It’s prompted me to collaborate and think larger and more ambitiously about the place of puppetry in the world.”
The festival’s other two productions are “Arias with a Twist,” his racy and riveting collaboration with New York cabaret and drag performer Joey Arias; and “Dogugaeshi,” a Japanese-inspired journey of images accompanied by original shamisen (Japanese lute) compositions performed by master musician Yumiko Tanaka (at Woolly Mammoth and Studio Theatre respectively).
“A good puppeteer is game, ready and willing to do whatever it takes,” says Twist, 41. “It’s not comfortable: A puppeteer must put his body in weird positions. I’ve tried to use dancers as puppeteers but because they’re so into their own bodies, they have a hard time translating movement into another object. Musicians who play guitar and piano have more success.”
Growing up in San Francisco, Twist played with puppets and made envied Halloween costumes. He loved the Muppets and dreamt of a career in puppetry or animation. He briefly attended Oberlin College where he quickly realized that Ohio undergrad life wasn’t for him. One day at the library he came across a book describing internships at the Center for Puppetry Arts in Atlanta. Instantly he realized, “That’s where I needed to be. It was crystal clear to me.” So Twist left school and moved to New York City, where he still lives. Freshly determined to become a professional puppeteer, he interned in Atlanta and later studied in France. Fortunately for him, “the puppet thing has worked out, because I can’t do anything else.”
Today, the award-winning puppeteer works in a funky Greenwich Village basement studio. And while he considers himself a downtown auteur — a niche he clearly relishes — who does his own puppetry and scenic design projects, Twist isn’t averse to accepting the occasional commercial commission. Recently he traveled to San Paulo, Brazil to tweak his puppets for “The Addams Family Musical” which he created for the original Broadway production. Before heading home, he flew to Rio for Carnival. Of course, Twist says, the party was good and guys were hot, but it was the nightly Samba school competition that impressed him most. “It was like the Super Bowl meets the Oscars meets Burning Man — truly an inspiring experience that I’ll never forget.”
So, can we expect an upcoming show that features hip-shaking, scantily costumed puppets? Maybe someday, but for now, Twist is working on his version of “The Rite of Spring,” another Russian ballet, again with music by Stravinsky.
When creating a new puppet show, Twist says, “I like to think of myself as an audience member. I want to be dazzled. I want it to be very athletic and fast. I want to ask ‘How did they do that?’”
Friday, May 1
Go Gay DC will host “First Friday LGBTQ+ Community Social” at 7 p.m. at Silver Diner Ballston. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
“Illusions The Drag Queen Show Washington, D.C.” will be at 7 p.m. at 2323 18th St., N.W. Come see this amazing D.C. drag show and laugh all night long while being amazed by the stellar performances in tribute to some of your old-time favorite classics as well as the latest pop favorites. Come see the likes of Madonna, Cher, Tina Turner, Whitney Houston, Joan Rivers, Phyllis Diller, Beyoncé, Pink, and many more. Tickets are $12.97 and are available on Eventbrite.
Saturday, May 2
Go Gay DC will host “LGBTQ+ Community Brunch” at 11:00a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Drag Queen Sip and Paint Washington DC will be at 4 p.m. at Town Tavern DC. This event combines the joy of painting with the lively energy of a drag queen, offering an hour and a half of fun, creativity, and entertainment. Participants paint a canvas while enjoying cocktails, all under the guidance of a glamorous drag queen host. Tickets are $47.19 and are available on Eventbrite.
Monday, May 4
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Tuesday, May 5
Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. For more details, email [email protected].
Wednesday, May 6
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Center Aging Women’s Social and Discussion Group will be at 6 p.m. on Zoom. This group is a place where older LGBTQ+ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more information, email [email protected].
Thursday, May 7
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
The new monthly 90’s Flashback Drag Brunch premiered at Red Bear Brewing Co. on Sunday, April 26. Performers included Logan Stone, Tiffany D. Carter and Charlemagne Chateau.
(Washington Blade photos by Michael Key)










Celebrity News
Madonna makes rare club appearance in West Hollywood
Gay icon brought ‘Confessions II’ to The Abbey
A line of celebrities, “Drag Race” queens, influencers, media, and West Hollywood socialites lined the block around West Hollywood’s The Abbey, all clamoring to get into the invite-only celebration of owner Tristan Schukraft’s birthday. The rumor, which became verified gossip, was that Madonna, the Queen of Pop herself, would be taking the stage. Of course, the Blade had to be there.
With disco balls and Abbey statues covered in pink chiffon, it was clear. This party was a direct tie-in to Madonna’s much-anticipated “Confessions on A Dance Floor” album sequel, “Confessions II.” That night, the Abbey also unveiled its remodeled dance floor, a fitting collaboration.
The club was filled to capacity with a completely open bar, keeping the crowd liquored up. Go-go dancers in black leather collars and thongs lined the room, and celebrities that included Lilly Allen, Bebe Rexha, Tori Spelling, Julia Fox, Sam Asghari, Daniel Frenzese, Cynthia Bailey, Meredith Marks, Tom Daley, and more filled the VIP booths alongside World of Wonder personalities. It was a veritable who’s who of queer folk and allies.
The lights began to dim, the dance floor began to rumble, and Madonna graphics hit the screens. At around 1 am, it was time. Introduced by Addison Rae, Madonna grabbed the mic and started chanting, welcoming her “gays.” The venue resounded in thunderous chants of “freedom,” “mother,” and “bitch.”
Madonna was not there to perform. She was there to dance. She took the stage for about 15 minutes, keeping the crowd going with her naughty and fun commentary. There is no list that needs to be provided on how Madonna’s career has become part of queer culture. Going back to her dance music roots and going back to her gay fans is smart.
Released in 2005 (yes, it has been that long), “Confessions on a Dance Floor” was an instant hit, with four singles from the album being released. The album’s lead single, “Hung Up,” topped the charts in 41 countries with Billboard calling it the most successful dance song of the decade. The album had hints of 60s and 70s flair, mixed in with dance music prevalent at that time. The music still dominates at queer clubs across the globe.
Madonna knows we need a little queer joy; she also knows that fans miss the Madonna we all knew and loved. With the nation in such turbulence, we all need some comfort, and going back to a time when we felt safer and had more to celebrate just feels good. For the new album release, she has even partnered with Grindr for a limited edition vinyl release and exclusive behind-the-scenes content.
Her night at The Abbey presented snippets of her new music mixed in with some of her classics. The new material sounded good, sounded familiar in an exciting way, and shows that this diva has still got it.
“Confessions II” releases on July 3.
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