Arts & Entertainment
Pointing the way
Scholarships help LGBT students achieve career and education dreams
Jorge Valencia, director of the Point Foundation, at last year's event. (Blade file photo by Michael Key)
The Point Foundation, with offices in New York and Los Angeles, boasts doctors, lawyers, filmmakers and even the nation’s youngest openly gay mayor as alumni of its scholarship program, which has connected gay college students with millions in financial support and a robust professional network for more than a decade.
Yet organizers say there remain countless LGBT students whose educations are cut short by limited funds and unsupportive families. And even as LGBT youth find more mainstream acceptance, interest in the innovative scholarship program has not dissipated.
In fact it’s growing, say organizers who will host a May 3 fundraiser meant to jumpstart donations and boost financial support for the expanding pool of scholars. The event will take place from 6 to 8 p.m. at the Equality Center (1640 Rhode Island Ave. NW). Tickets are $75.
It will feature remarks from founders Bruce Lindstrom and Carl Strickland, as well as success stories shared by some of the Foundation’s growing crop of alumni.
Organizers are finalizing this year’s recipients from a field of some 2,000 applicants, up about 33 percent from last year. Scholars will be announced in June.
“We’re getting a lot more applications from geographically diverse parts of the country, also people of color and women,” says Jorge Valencia, Point’s executive director and CEO. “We’re very happy with that, a lot of that has to do with our outreach efforts.”
The Washington Cornerstone Society event — named for large gift donors — will be one of eight the foundation plans this year to help support the roughly 75 scholars it sponsors annually.
The amount of each scholarship fluctuates based on the number of scholars, but officials say the funds help cover everything from tuition to living expenses for undergraduates and graduate students at institutions across the country. The competitive qualification process involves a 10-part application and culminates with phone and in-person interviews.
Each year, Valencia said, the pile of applications gets thicker.
“That’s why these Cornerstone events are so important,” he says. “We need to be able to raise more money to support these scholars.”
The scholarship program’s continued success is bittersweet, however. Valencia says it’s evidence that there remains a lot of work to be done in boosting acceptance of LGBT youth.
“I hope one day there isn’t a need for organizations that serve underserved communities,” says Valencia, explaining that though scholarships are not limited to scholars who face rejection from their families, those students still comprise many recipients. “The opposition is fighting even harder to make these young people all over the country and all over the world really feel less than equal, so the need is just as high as ever before.”
For Ashland Johnson, rejection came not from her family, but from her employers.
“I worked at Morehouse School of Medicine, my boss found out I was gay and I was fired,” says Johnson, who channeled the messy experience — which eventually involved the American Civil Liberties Union — into a desire to practice LGBT civil rights law.
Johnson had studied English and planned on being a professor before the 2006 incident but soon found herself looking at law schools — and looking for money. In Point Foundation, she says she found both financial support and a commitment to developing fully rounded students through leadership training.
“I saw they were really more than a paycheck,” says Johnson, who graduated in 2011 and now works as policy counsel for the National Center for Lesbian Rights, in Washington.
Scholars are required to complete community service projects benefiting the LGBT community; in exchange, Valencia says they receive support through the duration of their academic career, training opportunities and mentors in their field.
The latter can be invaluable as young professionals navigate complex fields, says Daniel O’Neill, a 2011-2012 scholarship recipient and aspiring primary care physician. Through his program mentor, O’Neill says he has expanded both his knowledge of HIV treatment and his vision of where medicine can take him. He plans to spend time working in San Francisco this year to learn even more about medical issues largely impacting gay and lesbian patients.
“They’ve accelerated my ability to pay it forward and help the LGBT community,” O’Neill says of the foundation. “They’ve galvanized the passion of mine to affirm that I’m part of this large LGBT community.”
Scholars also gain access to the foundation’s large network of prestigious alumni, including one who epitomizes Point’s growing influence.
Alex Morse, mayor of Holyoke, Mass., is the nation’s youngest openly gay mayor and a Point Foundation scholar.
“The Point Foundation assisted me financially as a student at Brown University,” he said in an email. “But more importantly, it introduced me to an intergenerational network of successful members of the [LGBT] community from all across the country. It helped give me the confidence I needed to achieve my goals and set me on a strong path into the future.”
Eight contestants vied for Mr., Miss and Mx. Capital Pride 2024 at a pageant at Penn Social on Saturday. Xander Childs Valentino was crowned Mr. Capital Pride, Dylan B. Dickherson White was crowned Mx. Capital Pride and Sasha Adams Sanchez was crowned Miss Capital Pride.
(Washington Blade photos by Michael Key)
Theater
Round House explores serious issues related to privilege
‘A Jumping-Off Point’ is absorbing, timely, and funny
‘A Jumping-Off Point’
Through May 5
Round House Theatre
4545 East-West Highway, Bethesda, Md.
$46-$83
Roundhousetheatre.org
In Inda Craig-Galván’s new play “A Jumping-Off Point,” protagonist Leslie Wallace, a rising Black dramatist, believes strongly in writing about what you know. Clearly, Craig-Galván, a real-life successful Black playwright and television writer, adheres to the same maxim. Whether further details from the play are drawn from her life, is up for speculation.
Absorbing, timely, and often funny, the current Round House Theatre offering explores some serious issues surrounding privilege and who gets to write about what. Nimbly staged and acted by a pitch perfect cast, the play moves swiftly across what feels like familiar territory without being the least bit predictable.
After a tense wait, Leslie (Nikkole Salter) learns she’s been hired to be showrunner and head writer for a new HBO MAX prestige series. What ought to be a heady time for the ambitious young woman quickly goes sour when a white man bearing accusations shows up at her door.
The uninvited visitor is Andrew (Danny Gavigan), a fellow student from Leslie’s graduate playwriting program. The pair were never friends. In fact, he pressed all of her buttons without even trying. She views him as a lazy, advantaged guy destined to fail up, and finds his choosing to dramatize the African American Mississippi Delta experience especially annoying.
Since grad school, Leslie has had a play successfully produced in New York and now she’s on the cusp of making it big in Los Angeles while Andrew is bagging groceries at Ralph’s. (In fact, we’ll discover that he’s a held a series of wide-ranging temporary jobs, picking up a lot of information from each, a habit that will serve him later on, but I digress.)
Their conversation is awkward as Andrew’s demeanor shifts back and forth from stiltedly polite to borderline threatening. Eventually, he makes his point: Andrew claims that Leslie’s current success is entirely built on her having plagiarized his script.
This increasingly uncomfortable set-to is interrupted by Leslie’s wisecracking best friend and roommate Miriam who has a knack for making things worse before making them better. Deliciously played by Cristina Pitter (whose program bio describes them as “a queer multi-spirit Afro-indigenous artist, abolitionist, and alchemist”), Miriam is the perfect third character in Craig-Galván’s deftly balanced three-hander.
Cast members’ performances are layered. Salter’s Leslie is all charm, practicality, and controlled ambition, and Gavigan’s Andrew is an organic amalgam of vulnerable, goofy, and menacing. He’s terrific.
The 90-minute dramedy isn’t without some improbable narrative turns, but fortunately they lead to some interesting places where provoking questions are representation, entitlement, what constitutes plagiarism, etc. It’s all discussion-worthy topics, here pleasingly tempered with humor.
New York-based director Jade King Carroll skillfully helms the production. Scenes transition smoothly in large part due to a top-notch design team. Scenic designer Meghan Raham’s revolving set seamlessly goes from Leslie’s attractive apartment to smart cafes to an HBO writers’ room with the requisite long table and essential white board. Adding to the graceful storytelling are sound and lighting design by Michael Keck and Amith Chandrashaker, respectively.
The passage of time and circumstances are perceptively reflected in costume designer Moyenda Kulemeka’s sartorial choices: heels rise higher, baseball caps are doffed and jackets donned.
“A Jumping-Off Point” is the centerpiece of the third National Capital New Play Festival, an annual event celebrating new work by some of the country’s leading playwrights and newer voices.
Nightlife
Ed Bailey brings Secret Garden to Project GLOW festival
An LGBTQ-inclusive dance space at RFK this weekend
When does a garden GLOW? When it’s run by famed local gay DJ Ed Bailey.
This weekend, music festival Project GLOW at RFK Festival Grounds will feature Bailey’s brainchild the Secret Garden, a unique space just for the LGBTQ community that he launched in 2023.
While Project GLOW, running April 27-28, is a stage for massive electronic DJ sets in a large outdoor space, Secret Garden is more intimate, though no less adrenaline-forward. He’s bringing the nightclub to the festival. The garden is a dance area that complements the larger stages, but also stands on its own as a draw for festival-goers. Its focus is on DJs that have a presence and following in the LGBTQ audience world.
“The Secret Garden is a showcase for what LGBTQ nightlife, and nightclubs in general, are all about,” he says. “True club DJs playing club music for people that want to dance in a fun environment that is high energy and low stress. It’s the cool party inside the bigger party.”
Project GLOW launched in 2022. Bailey connected with the operators after the first event, and they discussed Bailey curating his own space for 2023. “They were very clear that they wanted me to lean into the vibrant LGBTQ nightlife of D.C. and allow that community to be very visibly a part of this area.”
Last year, club icon Kevin Aviance headlined the Secret Garden. The GLOW festival organizers loved the its energy from last year, and so asked Bailey to bring it back again, with an entire year to plan.
This year, Bailey says, he is “bringing in more D.C. nightlife legends.” Among those are DJ Sedrick, “a DJ and entertainer legend. He was a pivotal part of Tracks nightclub and is such a dynamic force of entertainment,” says Bailey. “I am excited for a whole new audience to be able to experience his very special brand of DJing!”
Also, this year brings in Illustrious Blacks, a worldwide DJ duo with roots in D.C.; and “house music legends” DJs Derrick Carter and DJ Spen.
Bailey is focusing on D.C.’s local talent, with a lineup including Diyanna Monet, Strikestone!, Dvonne, Baronhawk Poitier, THABLACKGOD, Get Face, Franxx, Baby Weight, and Flower Factory DJs KS, Joann Fabrixx, and PWRPUFF.
Secret Garden also brings in performers who meld music with dance, theater, and audience interactions for a multi-sensory experience.
Bailey is an owner of Trade and Number Nine, and was previously an owner of Town Danceboutique. Over the last 35 years, Bailey owned and operated more than 10 bars and clubs in D.C. He has an impressive resume, too. Since starting in 1987, he’s DJ’d across the world for parties and nightclubs large and intimate. He says that he opened “in concert for Kylie Minogue, DJed with Junior Vasquez, played giant 10,000-person events, and small underground parties.” He’s also held residencies at clubs in Atlanta, Miami, and here in D.C. at Tracks, Nation, and Town.
With Secret Garden, Bailey and GLOW aim to bring queer performers into the space not just for LGBTQ audiences, but for the entire music community to meet, learn about, and enjoy. While they might enjoy fandom among queer nightlife, this Garden is a platform for them to meet the entirety of GLOW festival goers.
Weekend-long Project GLOW brings in headliners and artists from EDM and electronic music, with big names like ILLENIUM, Zedd, and Rezz. In all, more than 50 artists will take the three stages at the third edition of Project GLOW, presented by Insomniac (Electric Daisy Carnival) and Club Glow (Echostage, Soundcheck).
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