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Setting the stage

Gay theater designer says less is more in his field

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Local theater set designer Tony Cisek whose long career in Washington has garnered him four Helen Hayes Awards. (Blade photo by Michael Key)

A playwright sets the scene with words, but it’s up to the scenic designer to bring it to life visually.

As one of D.C.’s top set designers, Tony Cisek is a master at transporting audiences to places both foreign and familiar. In this year’s season alone, he’s taken us to an exotic Cypriot encampment, a steamy Florida cigar factory, an airport terminal and with his most recent work — “The Taming of the Shrew” currently running at the Folger Theatre — the Wild West.

Cisek (pronounced Chis-eck) explains that while sets can range anywhere from totally abstract to highly realistic, his typically lie someplace in between. For Ford’s Theatre fall production of “Parade” (the musical account of the 1913 murder of teenage factory work Mary Phagan in Atlanta in 1913 and the subsequent lynching of her accused murderer Leo Frank two years later), Cisek’s design was serviceable yet haunting: he imagined a newly industrialized red brick Atlanta with two towering columns, each in unchecked stages of decay, standing as fading remnants of a more glorious South.

“The ‘Parade’ set was the result of over 20 sketches,” he says. “My favorite way to design is to distill and distill, to edit down until you have just what you need. I’m not good at decorating or excessive dressing.”

“I’m not interested in a purely naturalistic representation of something that leaves nothing to the imagination,” says Cisek, who’s gay. “I feel the audiences come to theater because they’re interested in doing a little work, in having to lean forward and fill in, and they have the capacity to do this. I like using elements that evoke certain feelings, times and places by using textures and forms.”

Growing up in Queens, New York, Cisek was introduced to set design while working stage crew on high school plays, but it was as a pre-med major at Georgetown University that he began to get serious about it. “A friend dragged me to a Masque and Bauble production [Georgetown University’s student-run theater group],” he says. “And I was blown away that people my age could do something with such artistry. I got involved and learned a lot. If you had the aptitude and the inclination you could do almost anything.”

Soon, Sunday evening phone calls home focused on shows and sets rather than organic chemistry. By Cisek’s senior year it was obvious to both him and his parents that a future in medicine was out and a career as a professional set designer was taking shape. He went on to study scenic design at New York University’s Tisch School of the Arts. After receiving his master’s in 1994, he planned to stay on in Manhattan, but things worked out differently. Offers from the Washington theater scene came fast and frequently (and have continued uninterrupted), so he and his longtime partner, a scientist, make D.C. their home.

For the four-time Helen Hayes Award winner, inspiration comes in many ways.

“I like to say I never know when the muse will descend,” says Cisek, 47. “Sometimes it’s in the not-fully awake early hours when your brain is figuring things out without you or when you’re fiddling with the white model [a preliminary small scale model] or Skyping across country with a director. Often the indispensable lighting and costume designers will have a great suggestion.”

But Cisek’s favorite path to inspiration is brainstorming with the director in the theater. In the case of Folger Theatre’s “Othello” that ran earlier this season, he and director Robert Richmond did just that, spending several hours chasing down ideas and scribbling on napkins.  In time, sketches and models were rendered and the technical director oversaw the execution of the design. Ultimately, the result was a dazzling set that morphed from a towering canopy bed elaborately crowned in carved wood to magistrate’s office to billowing ship sails to a fabulously appointed Bedouin-style tent.

Like many designers, Cisek enjoys working with simpatico directors. This season he collaborated with gay director José Carrasquillo three times: WSC Avant Bard’s “Happy Days” (memorably encasing actor Delia Taylor in a gigantic dress); GALA Theatre’s “Ana en el Tropico”; and Arthur Miller’s “After the Fall” at Theatre J, all well-received productions.

José Carrasquillo says, “Tony is fearless in expressing his feelings and opinions, but most importantly he enjoys making theater. It’s a gift to have a designer that despite the hard work that goes into doing a show, would not be anyplace else in the world, but right next to the director and the other team members inside a theater making a story three dimensional.”

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Celebrity News

Brazilian police arrest two men who allegedly targeted Lady Gaga concert

Authorities say suspects wanted to target LGBTQ Brazilians

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(Screen capture via AP YouTube)

Brazilian police have arrested two people who allegedly sought to detonate explosives at a free Lady Gaga concert that took place on Rio de Janeiro’s Copacabana Beach on Saturday.

The Associated Press reported Felipe Curi, a spokesperson for the city’s Civil Police, told reporters the men who authorities arrested hours before the concert took place wanted to target LGBTQ Brazilians. Civil Police Chief Luiz Lima said the men posted hate speech and violent content online “aimed at gaining notoriety in order to attract more viewers, more participants — most of them teenagers, many of them children.”

“They were clearly saying that they were planning an attack at Lady Gaga’s concert motivated by sexual orientation,” said Cury, according to the AP.

An estimated 2.5 million people attended the concert.

A Lady Gaga spokesperson told the AP the singer learned about the threats on Sunday from media reports.

“Prior to and during the show, there were no known safety concerns, nor any communication from the police or authorities to Lady Gaga regarding any potential risks,” said the spokesperson. “Her team worked closely with law enforcement throughout the planning and execution of the concert and all parties were confident in the safety measures in place.”

Lady Gaga in an Instagram post thanked her Brazilian fans.

“Nothing could prepare me for the feeling I had during last night’s show — the absolute pride and joy I felt singing for the people of Brazil,” she wrote. “The sight of the crowd during my opening songs took my breath away. Your heart shines so bright, your culture is so vibrant and special, I hope you know how grateful I am to have shared this historical moment with you.”

“An estimated 2.5 million people came to see me sing, the biggest crowd for any woman in history. I wish I could share this feeling with the whole world — I know I can’t, but I can say this — if you lose your way, you can find your way back if you believe in yourself and work hard,” added Lady Gaga. “You can give yourself dignity by rehearsing your passion and your craft, pushing yourself to new heights — you can lift yourself up even if it takes some time. Thank you Rio for waiting for me to come back. Thank you little monsters all over the world. I love you. I will never forget this moment. Paws up little monsters. Obrigada. Love, Mother Monster.”

An estimated 1.6 million people attended Madonna’s free concert on Copacabana Beach last May.

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Books

A boy-meets-boy, family-mess story with heat

New book offers a stunning, satisfying love story

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(Book cover image courtesy of Random House)

‘When the Harvest Comes’
By Denne Michele Norris
c.2025, Random House
$28/304 pages

Happy is the bride the sun shines on.

Of all the clichés that exist about weddings, that’s the one that seems to make you smile the most. Just invoking good weather and bright sunshine feels like a cosmic blessing on the newlyweds and their future. It’s a happy omen for bride and groom or, as in the new book “When the Harvest Comes” by Denne Michele Norris, for groom and groom.

Davis Freeman never thought he could love or be loved like this.

He was wildly, wholeheartedly, mind-and-soul smitten with Everett Caldwell, and life was everything that Davis ever wanted. He was a successful symphony musician in New York. They had an apartment they enjoyed and friends they cherished. Now it was their wedding day, a day Davis had planned with the man he adored, the details almost down to the stitches in their attire. He’d even purchased a gorgeous wedding gown that he’d never risk wearing.

He knew that Everett’s family loved him a lot, but Davis didn’t dare tickle the fates with a white dress on their big day. Everett’s dad, just like Davis’s own father, had considerable reservations about his son marrying another man – although Everett’s father seemed to have come to terms with his son’s bisexuality. Davis’s father, whom Davis called the Reverend, never would. Years ago, father and son had a falling-out that destroyed any chance of peace between Davis and his dad; in fact, the door slammed shut to any reconciliation.

But Davis tried not to think about that. Not on his wedding day. Not, unbeknownst to him, as the Reverend was rushing toward the wedding venue, uninvited but not unrepentant. Not when there was an accident and the Reverend was killed, miles away and during the nuptials.

Davis didn’t know that, of course, as he was marrying the love of his life. Neither did Everett, who had familial problems of his own, including homophobic family members who tried (but failed) to pretend otherwise.

Happy is the groom the sun shines on. But when the storm comes, it can be impossible to remain sunny.

What can be said about “When the Harvest Comes?” It’s a romance with a bit of ghost-pepper-like heat that’s not there for the mere sake of titillation. It’s filled with drama, intrigue, hate, characters you want to just slap, and some in bad need of a hug.

In short, this book is quite stunning.

Author Denne Michele Norris offers a love story that’s everything you want in this genre, including partners you genuinely want to get to know, in situations that are real. This is done by putting readers inside the characters’ minds, letting Davis and Everett themselves explain why they acted as they did, mistakes and all. Don’t be surprised if you have to read the last few pages twice to best enjoy how things end. You won’t be sorry.

If you want a complicated, boy-meets-boy, family-mess kind of book with occasional heat, “When the Harvest Comes” is your book. Truly, this novel shines.

The Blade may receive commissions from qualifying purchases made via this post.

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Photos

PHOTOS: Victory Fund National Champagne Brunch

LGBTQ politicians gather for annual event

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Rep. Sarah McBride (D-Del.) speaks at the 2025 Victory Fund National Champagne Brunch. (Washington Blade photo by Michael Key)

The Victory Fund held its National Champagne Brunch at the Ritz-Carlton on Sunday, April 27. Speakers included Tim Gunn, Sen. Tammy Baldwin (D-Wis.), Gov. Wes Moore (D-Md.), Rep. Sarah McBride (D-Del.), Rep. Chris Pappas (D-N.H.) and Rep. Mark Takano (D-Calif.).

(Washington Blade photos by Michael Key)

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