Arts & Entertainment
Writing and ruminating
Center gives queer authors forum with Outwrite Book Fair
Outwrite LGBT Book Fair
Friday and Saturday
Various times
D.C. Center
1318 U St., N.W.
Readings and discussions are scheduled throughout the event
Visit thedccenter.org/outwritedc for times
Lesbian writer and performance artist Kimberly Dark is one of the performers at this weekend’s OutWrite LGBT Book Fair. (Photo by Roni Galgano; courtesy Dark)
Even in a culture-rich town like Washington, there are always a few pockets of time — usually in the dead of winter after the holidays or right about now when the novelty of summer has worn off but nobody’s ready for fall yet either — when there’s almost nothing going on.
Organizers at the D.C. Center think the “dog days” are a perfect time for the OutWrite Book Fair, which is back this weekend for a second installment. Organizers guess between 200-300 attended last year’s maiden event and say it’s important, even with book sales having migrated mostly online, for queer authors and readers to have a place to gather.
“Literature is one of the many ways in which we express ourselves and find echoes of our own lives,” says Lin Wang, a Center intern who helped organize the event. “Hosting an LGBT book fair is one way to affirm queer identities and give them an empowering environment where they can keep creating and celebrating their art.”
Several readings, performances, discussions and spoken word events are planned throughout today and Saturday. Many new and used LGBT-themed books will be available.
Among the highlights:
• Gay author and former stripper Rick McGranahan will read from his memoir “The Ghost of Puppyboy,” which tells of his years in the ‘90s working at the former D.C. gay strip club WET, where he found what he calls “microcelebrity” status, good money but also drugs and alcohol. His reading will be Saturday at 11 a.m.
“I kept journals during all of my dancing years,” he says. “The relationships, people, places and endless nights. I would revisit the journals and read them over and over and end up with insomniac attacks from the memories.”
• Lesbian poet and mother Brittany Fonte of Annapolis, Md., will read from her book “Buddha in My Belly,” a prose poetry collection, Saturday at 5 p.m. She says having two kids, now 2 and 6, made novel writing too time consuming. She found the shorter windows of time she had available more conducive to writing poetry. Her book just came out two weeks ago.
“I think when I was a kid, I didn’t see any gay or lesbian authors,” she says. “We heard about Walt Whitman and Langston Hughes in school but we didn’t know anything about them being gay. … Teens coming out now have so much more experience with being able to find role models and people to talk to … there’s less suppression and bullying.”
• Gay poet and novelist Rashid Darden, a life-long Washingtonian, will be part of a poetry reading with several other poets dubbed “head/heart/soul” Saturday at 6:30 p.m.
He says with Lambda Rising no longer in business in D.C. and precious few mainstream bookstores remaining anywhere, it’s important for writers to have a place to gather.
“There’s a chance to do some of that at Pride events, but that’s not the kind of thing where you can have much of a niche market either,” he says. “I think it’s really important for the Center to provide an alternative to the existing constructs, as a sort of replacement for the bookstores that no longer exist.”
• Saturday night at 8:15, performance artist Kimberly Dark will close the festival. The San Diego-and-Hawaii-based lesbian has been performing for LGBT audiences in arenas of all sorts since the mid-‘90s. She says issues of sexual orientation and gender, which largely inform her work, provide almost endless fodder for observation and discussion.
“Everyone’s lives matter and even today, we still have a really narrow image of who’s who in the world,” she says. “It’s very hard for many people to see their own lives reflected on stage or TV.”
Theater
‘The Inheritance’ is most-nominated at this year’s Helen Hayes Awards
42nd annual celebration of excellence in local theater set for May 18
Helen Hayes Awards 2026
May 18, 2026
For tickets go to theatrewashington.org
Last year, when out director Tom Story took on the daunting task of directing Round House Theatre’s production of “The Inheritance, Parts One and Two,” he knew that casting would be important, maybe even paramount, to the endeavor’s success. So, Story didn’t mess around.
Penned by queer playwright Matthew López, “The Inheritance” (inspired by E.M. Forster’s 1910 novel “Howards End”) is based on gay culture in the wake of the AIDS crisis.
Story looked at actors he knew, and some he didn’t. He wanted low drama and maybe players who could relate to the LGBTQ experience. In the end, the production’s 13-person cast was entirely queer except for brilliant local favorite Nancy Robinette as Margaret, the wise housekeeper.
Clearly, Story’s vision resonated with audiences. Round House’s production of “The Inheritance” is the most-nominated work of this year’s Helen Hayes Awards, earning 14 nominations. It’s also one of Round House’s highest grossing popular successes ever.
The queer cast members whose ages ranged from about 22 to 60, worked hard and enjoyed the process, and along the way garnered an Outstanding Ensemble in a Play (Hayes) nomination for their efforts.
The ensemble included Jamar Jones as Tristan, a brilliant doctor who leaves New York for Canada after deciding there’s no place for a gay, HIV-positive Black man in America. For the experienced actor, being part of “The Inheritance” was profound: “I think it was a divinely orchestrated production.”
He adds “I really feel that it’s so rare that you get to work on a show of that magnitude…size, time, where virtual strangers genuinely fell into rhythm. We became a cohort. I never felt a sense of unease, or reluctance to try things. I could be as big or bold as I wanted to be; or I could be small. Fail, mess up, try again. I didn’t feel judged.”
Jones considers Richmond his home, but says “I’m based where the work is.” Currently, he’s back at Round House rehearsing “Sally & Tom” (May 27-June28), a play within a play/meta exploration of the relationship between Thomas Jefferson and Sally Hemings by Suzan-Lori Parks.
Jones plays both a contemporary violinist and an enslaved fiddler, parts that have required him to learn to “air fiddle.” He’s all over it: “I want to represent the art and to be as precise as possible. Taught by an instructor, I’ve made strides with movement of the bow; next up is finger placement.”
Will he leave the play a violinist? “I’ll report back on closing night. Maybe I will have added something to the special skills list on my resume.”
For about a decade, Jones worked in living history, interpreting, performing, and writing pieces about the enslaved people of Colonial Virginia. Among the many historical characters he portrayed was Jupiter (Thomas Jefferson’s longtime enslaved manservant), an experience that’s proved a connection and preparation for his current role.
The 42nd Helen Hayes Awards celebration recognizing excellence in professional theater in the DMV will be held on Monday, May 18, 2026 at The Anthem on the District Wharf in Washington, D.C. Named for Helen Hayes, the legendary first lady of Broadway, the program consists of the awards presentation hosted by Felicia Curry, Awa Sal Secka, and Derrick Truby, followed by an after-party at nearby Whitlow’s.
With works selected from 149 eligible productions presented in the 2025 calendar year, nominations were made in 41 categories and grouped as either “Helen” (non-Equity/small Equity presence) or “Hayes” (Equity-heavy).
The many nominations are the result of 49 vetted judges considering 1,997 pieces of work, such as design, direction, choreography, performances, and more. The productions under consideration included 42 musicals, 107 plays, and 33 world premieres.
The following are more of this year’s queer nominees.
A past Helen Hayes Award recipient and nominee, Fran Tapia is competing against herself this year in the Outstanding Lead Performer in a Musical (Helen) category. Nominated for her memorable turn as the diva barkeep in GALA Theatre’s “Columbia Heights Bolero Bar,” an immersive musical centered on songs of longing and immigration set in a diverse neighborhood on the eve of a divisive presidential election
“It was a challenging time, because a lot of what was happening in the show was happening in the neighborhood,” says Tapia who lives in Columbia Heights just eight minutes from GALA.
Based in D.C. since 2019, Tapia says “Being recognized in a country that is not my homeland but where I’m building my artistic home, is deeply meaningful. And the variety of roles I have been able to play speaks to the richness of DC theater and the collaborators who trusted me with these roles.”
Her other individual nomination is for the title role in Spooky Action Theater’s “Professor Woland’s Black Magic Rock Show,” a passionately comedic political satire. She approached the mysterious central character as nonbinary.
Tapia (“Chilean, Latina, queer and proud immigrant”) says while very different, both performances involved particularly strong characters. She’s grateful audiences responded positively to her work.
Stanley Bahorek, who moved to D.C. with his husband four years ago, is best known as an accomplished actor with a long list of Broadway and regional credits (including playing Carl, the gay son in Studio Theatre’s recent production of “The Mother Play”). Now, he is nominated for Outstanding Music Direction (Helen) for his work on “A Strange Loop,” a production of D.C.’s Visionaries of the Creative Arts (VOCA) in collaboration with Deaf Austin Theatre. He shares this nomination with Walter “Bobby” McCoy.
Michael R. Jackson’s Tony and Pulitzer wining play “A Strange Loop,” is the story of Usher, a Black, queer theater usher trying to write a musical. VOCA’s take on the work is seen through a deaf BIPOC lens with a deaf Usher played by a deaf actor (out actor Gabriel Silva). Invited by director and longtime friend Alexandria Wailes (who is deaf), Bahorek (who is hearing) joined the creative team as a sort of hybrid associate director/ music supervisor.
“I’m fluent in conversational American Sign Language (ASL),” he says. “I sort of functioned as a sherpa between the hearing and deaf and hard-of-hearing creatives. It’s been a great thrill to be a part of VOCA’s biggest production to date.”
If he and McCoy take home the prize, who makes the acceptance speech? Bahorek takes a beat before replying “That’s something we still need to talk about. And soon.”
A full list of award recipients will be available at theatrewashington.org on Tuesday, May 19, 2026.
Anthony Oakes will host “DC Black Pride Comedy Show” on Thursday, May 21 at 7 p.m.
Oakes will workshop his new hour about addiction, incarceration, recovery, and redemption with special guests.
This event will be hosted by the hilarious Apple Brown Betty with TJ So Silly, Howl Cooper, and featuring Patrice Deveaux. DJ Art.is will be spinning on the 1’s & 2’s. Libations will be provided by Drink Alchy. Images by RGF ENT. Tickets are $28.52 and can be purchased on Eventbrite.
Out & About
United Night Out set for Saturday
Team DC hosts evening of soccer, Pride, music, drag and community
On Saturday, May 16, Team DC is taking over Audi Field for United Night OUT as D.C. United faces St. Louis SC.
Come out for an evening of soccer, Pride, music, drag, and community. The night kicks off with pre-game fun featuring DC Different Drummers, DJ Heat, and a Pride Night OUT Party at the Heineken Rooftop. Then get ready for a 7:30 p.m. match, including the National Anthem sung by Dana Nearing and a halftime drag performance.
After the match, the celebration continues at the Post-Game Rooftop Party with DJ Heat and the After Party at Dacha Navy Yard. Game tickets and after party tickets are available now through Zeffy. After party tickets are $20 and include one drink.
‘The Inheritance’ is most-nominated at this year’s Helen Hayes Awards
HIV Vaccine Awareness Day set for May 18
DC Black Pride is around the corner
United Night Out set for Saturday
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