Arts & Entertainment
Antoni Porowski shared food and laughter at Bentzen Ball Comedy Brunch
The event raised funds for Whitman-Walker Health
Antoni Porowski at Lyft’s Bentzen Ball Comedy Brunch (Washington Blade photo by Mariah Cooper)
Lyft’s Bentzen Ball Comedy Brunch “Belly Laughs” brought plenty of food, laughter and thought-provoking conversation led by co-hosts “Queer Eye” food and wine expert Antoni Porowski and comedian Michelle Buteau at the Eaton DC on Sunday.
The charity brunch was presented in partnership with the ride-sharing app, Lyft. It raised funds for the non-profit organization and community health center serving the LGBT community, Whitman-Walker Health, which marks its 40th anniversary this year. Lyft also made a special $10,000 donation to Whitman-Walker Health in honor of LGBT History month.
Fans were only able to receive access to the brunch by applying the code “AVOCADO,” a known Porowski food favorite, into the Lyft app. Winners were then selected to participate in the private brunch.
The event kicked off with mingling as attendees sipped on Bloody Marys and orange juice and vodka courtesy of Smirnoff Vodka. Soon after, Buteau took the stage for a brief stand-up comedy set before bringing Porowski to the stage.
Porowski gave a cooking demonstration for a carrot and date salad, which he said was a recipe inspired by his father. The demonstration got interactive when Porowski chose a participant from the audience to assist with the recipe. Buteau pitched in as well, cracking jokes and banter with Porowski throughout the demonstration, and everyone in the audience received the salads for their own taste test. Porowski finished up by showing the crowd how to make his version of a Bloody Mary.
After a brief intermission, and some more food including tacos, Porowski and Buteau returned to the stage for a Q&A with the audience.
One member of the audience asked what are some of the perks of having a platform to use their voice on issues they care about.
For Buteau, it was important for her to make a positive impact on someone’s day.
“As a woman of color I’m realizing now more than ever what a social media platform is for and what kind of good it can do. Whether it’s reminding people to vote or helping people do whatever that is. At the end of the day what I love is when people slide into my DMs and they’re like ‘I was having such a shit day. Thank you so much for just putting a smile on my face,’” Buteau said.
Porowski noted that his fame has caused him to look at speaking up on issues in a different way.
“For me I think the greatest perk is a forced education on a lot of topics. I tended to be more quiet and private about a lot of things. But with the current climate it makes it more and more challenging not to say anything,” Porowski said.
He also revealed his view on Pride celebrations changed after he was invited to Montreal Pride by Prime Minister Justin Trudeau this past summer. Porowski shared that despite growing up in Montreal he had never attended Pride.
“Pride was something that when I was in my first relationship with a guy I always stayed away from because I associated it with parties and a lot of excessive drug use. It wasn’t at all the way that I look at it now,” Porowski said.
After a fan from Poland reached out to him on social media thanking him for attending Pride because “it’s so nice to just see somebody who is able to celebrate freely,” Porowski says he felt like a “brat” about his previous views on Pride.
Now, Porowski encourages people to look for the positive things during the current political climate.
“What I still try to do is instead of focusing on all the negative that’s happening and going after He Who Shall Not Be Named [Trump] is focus on all the positive things that are happening because I think we still really need to remember that. It’s very easy to just fall in a hole of ‘What the fuck did he do today?’ and that becomes the new normal, that becomes acceptable. I think it’s important to remember that, we need to shed light on that, because with all the bad that’s going on there’s still a lot of good as well,” Porowski said.
It’s a sentiment that seemed to reflect throughout Bentzen Ball’s numerous comedy shows this weekend. Fellow “Queer Eye” star Jonathan Van Ness hosted three live shows of his “Getting Curious” podcast over the weekend including one conversation with Mara Keisling from the National Center for Trans Equality and another conversation with House of Representatives minority leader Nancy Pelosi.
Brightest Young Things co-founder Svetlana Legetic told the Washington Blade the goal of the comedy weekend was to get people laughing but also mobilized for action.
“Bentzen Ball is supposed to be four days where you forget about everything but you leave energized to do something,” Legetic said. “You go there and see these people who are incredibly busy and doing all this stuff and they’ve taken the time, they really care, they’re really passionate. And people say ‘Yes, I’m going to vote. Yes, I’m going to say something. Yes, it’s hilarious but I am a 100 percent voting.’”
Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.
(Washington Blade photos by Michael Key)
Arts & Entertainment
Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week
Pride on the Pier officially launches Pride Week in D.C.
The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.
Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.
“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”
Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.
Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.
Event Details:
📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026
⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP
Theater
National tour of ‘Gatsby’ comes to National Theatre
Out actor Edward Staudenmayer talks playing the show’s gangster
‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com
Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.
Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.
It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”
Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).
While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.
WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?
EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].
There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.
BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.
STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].
BLADE: When did the 1925 novel first surface on your radar?
STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.
Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.
BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?
STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.
Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.
BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?
STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.
BLADE: Have you had to do that in your career?
STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.
It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.
BLADE: What was your coming of age like?
STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.
BLADE: Did he live to see your success in theater?
STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.
BLADE: Looking ahead, is there a part you’d especially like to play?
STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.
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