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Dark waters

Added dimension of water gives added flair to Synetic’s latest

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The Tempest, Philip Fletcher, David Istrate, Synetic, gay news, theater, Washington Blade
The Tempest, Philip Fletcher, David Istrate, Synetic, gay news, theater, Washington Blade

Philip Fletcher, left, and David Istrate in Synetic’s ‘The Tempest.’ (Photo by Johnny Shrycock; courtesy Synetic)

‘The Tempest’
Through March 24
Synetic Theater
1800 S. Bell Street, Arlington
$35-$55
synetictheater.org

As it if it weren’t already daunting enough to silently interpret Shakespeare through stylized moves and gravity-defying vertical jumps, Synetic Theater has now added water to the mix. For its current take on “The Tempest,” the celebrated movement-based company has transformed its Crystal City stage into a lake of shallow dark water with stunning results.

Because the sea is so integral to the island-set romantic dramedy, performing in ankle deep water doesn’t feel all that farfetched. The play opens with Prospero, the disposed Duke of Milan, and his daughter Miranda landing on a remote, strange island. Armed with a magical staff, Prospero conjures a storm, causing his political enemies/estranged family members’ ship to wreck, landing them on the island too. And like a body of water, the story is always changing, whipsawing from splashy merriment to dangerous mystery to contemplative calm.

Paata Tsikurishvili’s lucid staging along with Irina Tsikurishvili’s wildly inventive choreography performed by a cast of impressively fit and mostly graceful young actors, go straight to the essence of the bard’s work, capturing its spirit while invigorating it with sexy, very watchable action. Whether a fight to the death between Prospoero and Caliban’s scary mother Sycorax (Victoria Bertocci) or a big dozen-person brawl, the glorious acrobatic combat scenes are stunningly staged by fight choreographer Ben Cunis.

“The Tempest” is the ninth installment of Synetic’s ongoing Silent Shakespeare Series. No dialogue is spoken. In fact, except for a few grunts and one or two harrumphs, the actors are entirely mute. And while you won’t hear Prospero waxing poetic, “We are such stuff as dreams are made on, and our little life is rounded with a sleep” or treacherous young Sebastian barking “A pox o’ your throat, you bawling, blasphemous, incharitable dog,” you will feel the full of impact of the text. What’s lost in spoken word is made up for in the expressive comedy, anger and poignancy of the movement

Shakespeare wrote “The Tempest” late in his career, incorporating varied influences from his other works. Similarly, the seasoned Synetic rises to the occasion, using its full range of skill in the retelling of this epic tale.

As Prospero, out actor Philip Fletcher convincingly conveys his character’s journey from anger to forgiveness and acceptance. His quietly compelling performance complements showier turns by Vato Tsikurishvili as the wild-eyed, indigenous island red devil Caliban and David Istrate as Prospero’s tender favorite Ariel (played as magically manic with a dash of Nosferatu creepiness by the almost unrecognizable, head-to-toe platinum-painted Synetic regular). And Irinka Kavsadze charmingly plays Miranda as an awkward girl on the precipice of becoming a lovely young woman.

With its expanse of dark water backed by a huge rock with a derelict, water-streaming grand piano to the side, Anastasia Simes’ set is serviceable yet mysteriously dreamy. Ragged curtains suggested torn ship sails and at times seaweed. Andrew F. Griffin lighting design and Riki Kim’s projections effectively create a feel of constant motion, the movement of the sea. Moody and hard driving, Konstantine Lortkipanidze’s original score helps set the scene and propel the fast-paced action forward.

For DC theater-goers, water-filled stages are all the rage around town at the moment. At Arena Stage though Sunday, Mary Zimmerman’s Tony Award-winning adaptation of Ovid’s “Metamorphoses” is being performed in a pool, and like Synetic’s latest, it’s also soaking both actors and a few intrepid front row audience members. Get wet while you can.

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John Waters released from hospital after car accident

Crash took place in Baltimore County

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John Waters (Washington Blade photo by Michael Key)

BY TAJI BURRIS | Baltimore filmmaker John Waters was released from the hospital Tuesday morning following a car accident.

The 78-year-old released a statement saying that although he was hurt in the Baltimore County crash, he did not sustain major injuries.

The rest of this article can be found on the Baltimore Banner’s website.

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Arts & Entertainment

Washington Blade’s Pride on the Pier and fireworks show returning June 8

The annual Pride on the Pier Fireworks Show presented by the Leonard-Litz Foundation will take place on Saturday, June 8 at 9 p.m.

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Pride on the Pier (Photo Courtesy The Wharf)

The Washington Blade, in partnership with LURe DC and The Wharf, is excited to announce the 5th annual Pride on the Pier and fireworks show during D.C. Pride weekend on Saturday, June 8, 2024, from 2-10 p.m.

The event will include the annual Pride on the Pier Fireworks Show presented by the Leonard-Litz Foundation at 9 p.m. 

Pride on the Pier (Photo Courtesy The Wharf)

Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Southwest waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older. Local DJ’s Heat, Eletrox and Honey will perform throughout the event.

3 p.m. – Capital Pride Parade on the Big Screen

3:30 p.m. – Drag Show hosted by Cake Pop!

9 p.m. – Fireworks Show Presented by Leonard-Litz Foundation

Pride on the Pier (Photo Courtesy of The Wharf)

The event is free and open to the public. The Dockmasters Building will be home to a VIP experience. To learn more and to purchase tickets go to www.prideonthepier.com/vip. VIP tickets are limited.

Event sponsors include Absolut, Buying Time, Capital Pride, DC Brau, DC Fray, Burney Wealth ManagementInfinate Legacy, Leonard-Litz FoundationMayor’s Office of LGBTQ Affairs, MISTR, NBC4, The Wharf. More information regarding activities will be released at www.PrideOnThePier.com

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‘RuPaul’s Drag Race: All Stars’ cast visits D.C.

8 queens vie for $200,000 prize for charity in new season, premiering May 17

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The cast of the latest ‘RuPaul’s Drag Race All Stars’ season sashayed on the National Mall to promote the reality show's ninth season on Monday. (Photo by Tasos Katopodis/Getty Images for MTV; used with permission)

Donning sparkling and star-studded red, white, and blue attire on a gloomy, humid D.C. Monday, the cast of the latest “RuPaul’s Drag Race All Stars” season sashayed on the National Mall to promote the reality show’s ninth season.  

This upcoming season is different than those in the past — eight queens are competing for a donation of $200,000 for the charity of their choosing, rather than a personal cash prize. 

Several cast members noted how it felt important to visit the nation’s capital, being authentically themselves and wearing drag. Nina West, who competed in season 11, likened drag to armor. 

“We’re here during a really specific time in history, that’s, I would say, markedly dark,” she told the Blade at the steps of the Lincoln Memorial. “And there’s an opportunity, as drag has always done, which is for our community as specifically LGBTQI+ people, to stand in our truth and be wonderful — like guardians and fighters for our community.” 

She’s competing for the Trevor Project, which is focused on suicide prevention and crisis intervention for young LGBTQ people. This season’s pivot to compete for charity made Nina West want to come back on the show for the All Stars season. She’s been offered the spot two times before this, she said, and this twist aligned with what she wanted to do. 

Several of the other queens mentioned that it’s an honor to be featured in this season, including season 5’s Roxxxy Andrews. She also competed in two subsequent All-Stars seasons. 

She chose the organization Miracle of Love, which provides HIV/AIDS prevention programming and assistance in central Florida. It’s a smaller, more local organization, which is why Roxxxy Andrews chose it. She wants to make its work more nationally known. Also, vying to win during a charity season makes the competition feel more rewarding, she said. 

Plastique Tiara of season 11 also noted it’s different competing for charity. She’s competing for the Asian American Foundation, which launched in 2021 in response to the rise in anti-Asian hate and aims to curb discrimination and violence through education and investments in nonprofits. 

“It’s more competitive because then you’re fighting not just only for yourself, but your ideas and the things that you love,” she said. 

Vanessa Vanjie of seasons 10 and 11 agreed that competing for charity adds a bit more pressure — she chose the ASPCA. And as onlookers near the Lincoln Memorial took pictures of and with the queens, she said she was relieved. 

“I was a little bit worried somebody would yell some slurs at us,” Vanessa Vanjie said. “Nothing happened. Everybody came to take pictures like Santa Claus in the middle of the mall.”

There’s a range of contestants from different seasons for this round of All Stars. Some queens hail from recent seasons, but Shannel competed on the show’s first season. To be a part of this new season is surreal, she said. 

She’s competing for the Anxiety and Depression Association of America, which she has a close tie to. She’s dealt with anxiety her entire life. The association is focused on increasing awareness and improving diagnosis and treatment. 

“I always felt like I just wasn’t normal, sadly,” she said. “And so now being able to be able to do this season and to get back to that organization is like amazing to me.”

Gottmik, from season 13, is competing for Trans Lifeline — a nonprofit providing advocacy, a hotline and grants created by trans people, for trans people. Being able to do drag and give back is the “perfect scenario,” Gottmik said. 

Gottmik was the first openly trans man on Drag Race, which was overwhelming when first on the show. Gottmik felt pressure to be the “perfect example,” but later realized that they didn’t have to worry so much. 

“I just want to show people that trans people are real people. We can express ourselves however we want to express ourselves, through drag, through whatever it may be,” Gottmik said. 

The new season will be available to stream on Paramount+ on May 17. 

The cast of RuPaul’s Drag Race pose with White House Press Secretary Karine Jean-Pierre at The Little Gay Pub on Monday. (Photo by Tasos Katopodis/Getty Images for MTV; used with permission)
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