Books
Queer Visitors: How drag and Oz are inspiring a new adult LGBTQ book club
The new adult LGBTQIA+ book club uses “The Wonderful Wizard of Oz” to explore themes of self-acceptance, found family, and community with special drag performances.
When looking at media, few works of literature have achieved the critical success and enduring resonance with the LGBTQ community that “The Wonderful Wizard of Oz” has.
From its messages of radical acceptance, home, and belonging, to its subversions of gender norms and its memorable, fluidly gendered characters, “The Wizard of Oz” has remained a queer cultural touchstone more than 125 years after its first publication.
The book itself offered many LGBTQ readers one of their first glimpses of a world that celebrated differences that might otherwise be considered “queer.” The 1939 MGM film adaptation, starring gay icon Judy Garland, further cemented Dorothy—and Oz—into LGBTQ culture, contributing (somewhat debatedly) to the origin of the term “Friend of Dorothy” as a euphemism for LGBTQ individuals and helping to establish rainbows as a queer symbol.
The story also inspired the wildly popular musical “Wicked,” which reimagines the witches of Oz and is rich with LGBTQ subtext.
Given all this, it makes perfect sense that an adult LGBTQ book club would choose to start its journey in the fantastical world L. Frank Baum created with Oz.
Queer Visitors, a book club made for LGBTQIA+ adults and named after a comic strip L. Frank Baum published in 1904 called “Queer Visitors from the Marvelous Land of Oz,” created by Drag Story Hour—a national non-profit whose goals include “celebrating storytelling through the dynamic art of drag performance”—chose to kick off this new venture with “The Wonderful Wizard of Oz.”
The Washington Blade had the chance to speak with Jonathan Hamilt, co-founder of Drag Queen Story Hour, about what the LGBTQ adult book club will entail, why now, and why Oz.
When asked what spurred the choice to start an adult LGBTQ book club, Hamilt explained that the club has been a long time in the making.
“‘Drag Story Hour’ is celebrating 10 years of stories this year. We’ve always served families and children reading public books… but we really wanted to expand our programming for an adult-focused book club that was basically a drag story hour for adults only,” Hamilt said.
For years, the organization has worked to inspire children and promote diversity across the U.S.—and the globe. Now, they are venturing over the rainbow into adult territory.
“It’s like Oprah’s book club, but gay, where we will have a monthly book club… with a virtual experience with the drag artist and a subject matter expert of the book.”
For their first month, Queer Visitors went with drag queen (and face of Queer Visitors) Nana Tuckit from Portland, Ore., and Tori Calamito—a self-described “Oz historian” and LGBTQ ally known as “The Oz Vlog” on social media—to stand alongside the club online.
“Nana Tuckit brings a really fun energy to the space… and Tori is an Oz historian and can tell us all the things about that world,” Hamilt said when explaining their choice to go with Tuckit and Calamito. “I think the two of them will be a really amazing powerhouse chatting about this book.”
Calamito and Tuckit both sat down with the Blade to discuss why they chose to partner with Drag Queen Story Hour and Queer Visitors—both going into detail about why “The Wizard of Oz” is a perfect pick for the first meeting of the book club, explaining that LGBTQ people can see themselves in the story.
“‘The Wizard of Oz’ at its core, is a story about self-actualization and achieving self-actualization alongside your found family,” Tori Calamito told the Blade. “And I think those are themes that the LGBTQIA+ community can really relate to.”
She sees “The Wizard of Oz” as a story that resonates universally: “I think it’s a story everyone knows. So no matter where you’re coming from, in society, where you live in the country, where you hail from, everybody can hear Oz and go, ‘Aha, there’s some sort of association in your memory.’”
“Queer people are just naturally drawn to those stories where the interesting oddball characters are accepted and welcomed and present and they’re celebrated,” Nana Tuckit said. “I feel like it’s important right now to tell people’s stories to understand perspectives that are different… there is such a huge range of lives people are living.”
“’The Wizard of Oz’ is such an interesting cultural capstone… all generations know ‘The Wizard of Oz’ in some capacity… there are so many original books and I think they’re so innately queer if you read between the lines,” Hamilt said. “One way to look at it: it’s just so campy and so colorful and so fun… and this idea of queer diaspora… Dorothy being displaced or in a new land, kind of finding her chosen family… it’s kind of like an allegory for the whole queer experience.”
Calamito echoed Hamilt’s points and said her LGBTQ followers—more than 375,000 combined on Instagram and TikTok—helped show her that.
“You know, when I first read the L. Frank Baum original series of Oz books, I didn’t pick up on the very queer, coded themes and the gender fluid themes because reading it through the lens of a straight cis woman—just those things didn’t hit me,” she said. “But interacting with other folks in the broader [Oz] fandom opened my eyes to how obvious those themes are.”
“When we hear stories about those kinds of people [queer], and they aren’t the villains of the story—they aren’t the people who are being scrutinized and condemned or picked apart for those aspects of themselves—I think that’s what gets people so excited,” Tuckit told the Blade. “We need to create some worlds that are super fun for queer people to experience, because we need to know that we can be the main character, the hero, the savior. We can be all of the good things, the magical things.”
Hamilt also noted that the childlike wonder the Oz books and story have been able to provide to people for over a century reflects the need to heal their internal child selves.
“Queer adults have to do a lot of inner child healing… getting back to the magic of books where the excitement maybe first happened for you… it brings a lot of joy at face value with this book club that makes you feel like a kid at heart,” Hamilt said.
Tuckit went on to emphasize how the feeling of community—which has been life-saving for LGBTQ people when families have, and continue to, shun them for coming out—is present throughout the book.
“Even at the end of the book, The Lion, the Scarecrow, and the Tin Woodman all become the king of their own… the people have chosen you to be this figure for them, because they know you’re going to be supportive of them and looking out for them,” Tuckit said.
That community, she explained, can help the reader find what Dorothy was searching for when her house landed in Oz.
“If I think about what feels like home for me, it’s definitely not necessarily the physical place, but it is about who I’m with and the people that I’ve created my community with.”
Hamilt also saw the opportunity for book club members to create real-world connections using the club as a goal.
“It’s really easy as an adult to get sucked into your phone or social media… my hope is that this book club gets a physical book in your hands… gets you to meet other people that are excited about a really dorky topic… bring back this idea of real community.”
The act of drag has long been a community- and family-maker in the LGBTQ world. From ballroom families to the unique feeling of love one can get when watching a truly moving piece of drag, the art form has community woven into its history that adds an additional layer to the complexities of LGBTQ relationships.
“Drag is starting to represent just more of a wide range of people and experiences, just reflecting what we are as people… it’s all the same,” Tuckit said. “Drag artists are just expressing that something inside them that they want to get out and show the rest of the world.”
“I love Drag Story Hour. I take my own daughter, we go to drag brunch. We love drag queens in this household. And it harkens back to classic theater and pantomime in the days of Shakespeare,” the Oz historian said, highlighting that drag has been around for centuries, despite what anti-LGBTQ conservatives say.
“The opposition to Drag Story Hour isn’t new. We’ve been around for 10 years, and there’s always been an ebb and flow,” Hamilt explained. “One common comment we hear from people who are homophobic or transphobic is, ‘Why do you only read to kids? Why don’t you read to adults?’ And the truth is, we do! We read to elderly people, we go into hospitals—we read to a wide variety of audiences. So, if the issue really is age, we’ve even started side projects just for adults. Will there be protests? Opposition? Pushback when it’s only adult-focused programming? Absolutely. Because it’s never really been about children. It’s about control, hatred, and trying to erase the queer experience altogether.”
When asked what she hopes Queer Visitors brings to all fans of Oz, LGBTQ members, or allies, Calamito said she hopes it helps create good feelings during difficult times for members of the LGBTQ community.
“I hope this fosters a safe space for people to have good community outreach,” she said. “I hope this becomes a place where we can dispel fear.”
For Hamilt, the goal is both playful and proud: “Stories are for everybody… the goal is to celebrate self-expression and imagination through glamorous, playful, proud, queer role models… the more we love and accept the diversity of the world, it makes us more empathetic.”
For more information on joining the book club, where to pick up a copy, and how to get involved, visit www.dragstoryhour.org/queer-visitors.
Books
Something’s off about Dad. When is it time to step in?
‘When Memory Fades’ can help when families face dementia
‘When Memory Fades’
By Nathaniel Chin, MD
c.2026, St. Martin’s Essentials
$30/422 pages
Mom called you in a panic the other day.
She’d lost her keys and by the time you arrived to help, she’d found them. In the refrigerator.
These kinds of things keep happening, not often but often enough, and you don’t know quite what to worry about. But in the new book “When Memory Fades” by Nathaniel Chin, MD, you’ll learn about the journey ahead, for both of you.
You can’t remember why you walked into a room. You got lost last week, going to the bank. Popular wisdom says that things like that are normal as we age, but Chin says that’s not true – although the answer may not be a worst-case scenario, either. Yes, memory problems could just be signs of stress, dehydration, or lack of sleep – or is it time to see a doctor?
Chin says maybe, yes.
He was working his way through medical residency when his father, a geriatrician in Madison, Wisc., was diagnosed with Alzheimer’s. Chin, now a geriatrician, was blindsided, but that diagnosis also changed his life.
Here, he writes about the brain, and how Alzheimer’s and dementia are diagnosed, explaining that dementia has many faces and, depending on a doctor’s evaluation, memory problems might be slowed or improved. He shares his father’s illness with readers, but he also writes about his mother, a steadfast, steady caretaker.
Her story reminds reader-guardians to care for themselves, too.
Know how to talk the talk, so that you can have “a more productive” conversation with your doctor. Understand that there’s nothing “normal” about dementia or Alzheimer’s. Know the statistics – African Americans are affected with dementia twice as much as whites – and know how to lower your risks. Learn here what questions to ask, how to break the news to everyone, and any legal matters that will be important soon. And know how to tend to you.
Says Chin, “The best action you can take is to educate yourself… The more you understand, the better equipped you are to make sound judgments.”
Something’s off about Dad, just a lot of little things that don’t add up. When is it time to step in? “When Memory Fades” can help you decide.
Wise, wide-spread, comprehensive, and compassionately helpful, this is a book you can read and then take it to the doctor with your loved one. It’s a book that makes sense when nothing else does, and its biggest feature is that it smoothly transitions from easy-to-grasp science and charts, to gentle coaching for caregivers. Author Nathaniel Chin, MD writes with storytelling, humility, grace, and experience from both sides of the Alzheimer’s/dementia issue, and his words are reassuring but also urgent. Learn, but don’t wait, he says. Know how to safeguard yourself. See your doctor, and don’t fear testing. Watch for signs of depression. And never, ever stop asking for help.
Read those last seven words, and find “When Memory Fades” now. It’s a book to have on your shelf, whether you’re 45 or 95 because, as you’ll see, dementia happens and knowledge is key.
Books
New book chronicles gay man’s life in hippie commune
Vietnam War-era tale a serious, sexy, joyous memoir
‘Qtopia: A Memoir of Love, Land and Liberation’
2026, University of Wisconsin Press
By Juda Bennett
Duffel packed, the new high school graduate could not fall asleep. “On the night before my departure, I stared at the duffel bag as if it were a body bag. We lived close to Dover, where the dead from Vietnam were shipped.”
It is 1971, and Charles was leaving home to join a hippie commune in rural Virginia. “I kept imagining bodies fitting into the bag and popping out in the middle of the night,” Juda Bennett writes in his memoir, “Qtopia: A Memoir of Love, Land and Liberation.” During Bennett’s high school years from 1968-1971 some 35,000 U.S. soldiers were killed in the Vietnam War, the vast majority processed at Dover Air Force Base.
Young Bennett was clueless about what lay ahead but he had a commune’s brochure in his pocket, certain his destiny was not in the military. “My father was a walking recruitment center, and my mother could have worked for the USO. Uncle Sam and the Andrews Sisters had nothing on them.” Inspired to find his way out of suburban Wilmington, Del., he boarded a Greyhound bus to Lexington, Va., and communes yet unknown. “Qtopia” is a serious, sexy and joyous memoir about a young man who knows he’s different in search of chosen family and, over coming decades, his own queer Utopia.
“We are leaving; you don’t need us,” was the popular refrain in the day from the Crosby, Stills & Nash song “Wooden Ships.” Communards like young Charles (going by the moniker C.B. with a full beard covering his handsome, androgynous features) were living it. How far this is from urban queer stories of the ‘70s. For this reason alone, it is marvelous reading about hot naked hippies farming together in the country, living and loving in secluded teepees when everything seemed possible. Novels like “Drop City” by T.C. Boyle (2003) and “Arcadia” (2012) by Lauren Groff set in hippie communes had no gay characters, only free-love for straights. When C.B.’s parents arrive to visit his back-to-the-land commune North Mountain bearing gifts like the orange powder Tang and Frosted Flakes, he “maintained” as the saying went. “It was a great time for visitors to see how hard we had worked—fields of sorghum swaying in the breeze, acres of vegetables in neat rows with beans, tomatoes and peppers hanging down….I was still thin as a matchstick, but I was a strong and muscular matchstick,” he tells the story of his development. By contrast, he had considered suicide before leaving home; this memoir fills in the pain, too.
There are times when C.B.’s voice as a teen communard with a secret is so authentic and rich, it is like reading fictional stories of American innocents on journeys of their own like J.D. Salinger’s character Holden Caulfield or Demon Copperhead from rural Virginia by Barbara Kingsolver. He tells us there was this guy Mark at North Mountain who had been pressuring him to sleep on the mattress next to his. C.B. was known as the only gay at North Mountain. One of the hippie women warned him Mark is “a square, the biggest downer.” Stepping out of the memoir, C.B. directly addresses the reader about the Mark issue, “I don’t want to write about Mark anymore because he’s not important to my story, and I didn’t even like him.” Got it. Hitchhiking with C.B. is like that, too.
“I got my best ride of the whole hike from a truck driver named TJ….If an eighteen wheeler…is willing to stop for you, it is because the driver wants something from you…I will forever remember this trucker as the most beautiful man I could have had sex with if I weren’t so innocent.”
North Mountain required the hippies work one week a month in Richmond to earn cash for the commune. For C.B., this translated into seven communards living in one small apartment on this cultish mission. It was in a Richmond park where he meets a stranger who would sexually abuse him over a month until C.B. ends it. Furious, the man threatens to shut down the commune if he does not obey. In a state of panic, C.B. attempts suicide by overdosing on every pill he can get his hands on. The memoir takes the reader through the author’s horror by deepening the shadows. What was the specific nature of the abuse? How did this stranger have credible power to threaten the commune? Entitled “What It’s Like to Die,” the chapter is a skillfully told, expressionistic turning point from an innocent’s hell to salvation at the intentional queer Lavender Hill commune in Central New York. C.B. desperately needed to “find my people.”
He’s a resilient young man after living in three communes by the time he hit San Francisco. His two gay neighbors on Ashbury Street—Crow and Moonsnake—pressure him to get a new “hippie name.” Walking home from Golden Gate Park he zeroes in on a passing streetcar, “North Judah.” Goodbye “Charles,” Judah will be his new hippie name. Crow and Moonsnake, approve: “If that’s what the Universe called out to you.” If you remember the Sixties…
“Too often,” Bennett writes, “we think of dropouts as withdrawing from life, but in truth, I think they are in a heightened state of seeking their rightful path and purpose. Nothing stays the same.” Juda Bennett remains a believer to this day, “Always putting my faith in my journey to Utopia”.
(Charles Francis is president of the Mattachine Society of Washington, D.C., and author of “Archive Activism: Memoir of a ‘Uniquely Nasty’ Journey.”)
Books
Liza’s book a tale that’s better than most celebrity memoirs
‘Kids, Wait Till You Hear This!’ dishes on marriages, heartbreak
‘Kids, Wait Till You Hear This! My Memoir’
By Liza Minnelli, as told to Michael Feinstein
c.2026, Grand Central
$36/ 421 pages
Twenty feet In front of you, and you can’t see a thing.
Even the closest faces are in shadow – lit, but not quite enough for you to see for sure what the people there are thinking. Still, you can hear them, their gasps, their laughter, and applause. Such is life, on-stage. Now read “Kids, Wait Till You Hear This! My Memoir” by Liza Minnelli, as told to Michael Feinstein, and read about it beyond the spotlight.

Almost from the moment she was born, Liza Minnelli was famous.
It was inevitable: her mother was Judy Garland. Her father was director Vincente Minnelli. Her godparents were Hollywood glitterati, her neighbors were famous, her playmates would be famous someday, too.
But her life wasn’t all starlight and happiness.
She made her stage debut as a toddler. She became her “mother’s caretaker” at age 13.
At 16, she had a growing career of her own – one that her mother tried to stop. But, she says, “In her own way, Mama was wonderful to me. Try understanding – she was my mother, not a movie star…. I knew her as the person who loved me and always would.”
At 19, Minnelli was working, happy, and madly in love with the man who’d become her first husband, and life was wonderful – until she came home one day to find him in their bed with another man. Before they were divorced, she lost her beloved mother, and became “engaged” to two other men simultaneously, neither of which made it to the altar with her.
She married her second husband, the son of one of her mother’s former co-stars, in 1974 but her love affairs and addictions led to a second divorce.
Her third husband was a stage manager.
She doesn’t have much good to say about her fourth, and last, husband.
Overall, she says, “You gotta play the comedy for all it’s worth and leave ‘em laughing. Even when your heart is breaking.”
Are you expecting bluntness, sass, or attitude here? Good, because that’s what you get inside “Kids, Wait Till You Hear This!” It’s strong on honesty and don’t-give-a-flip. It’s wonderfully edited, so it moves fast. It’s eye-opening and funny and a pleasant surprise for a first, and only (so far), memoir.
Even better, author Liza Minnelli (with best friend, Michael Feinstein) is really quite candid and nicely gossipy, starting from the beginning. There are some Hollywood folks, in fact, who are feeling edgy because of what’s inside this book and the secrets spilled. Minnelli and Feinstein seemed to have fun telling her story, and they comfortably lure readers in.
That’s not to say that it’s all a cabaret. Minnelli tells about her addictions and recoveries, her marriages and why she wed two gay men, and the losses she endured, including miscarriages, deaths, and broken relationships. The bad balances well with the good for a tale that’s several notches above most celebrity memoirs. “Kids, Wait Till You Hear This!” is, in fact, a real joy to read, a genuine bright spot.
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