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High notes for ‘Show Boat’

Opera singer Cambridge returns for fourth appearance with WNO

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Alyson Cambridge, Show Boat, music, gay news, Washington Bladen

‘Show Boat’
Opens Saturday, runs through May 26
Washington National Opera
Kennedy Center Opera House
(2700 F Street, NW)
$25-$270
kennedy-center.org

Alyson Cambridge, Show Boat, music, gay news, Washington Blade

Soprano Alyson Cambridge says she’s thrilled to bring ‘Show Boat’ to her native Washington. (Photo by Enrique Vega; courtesy Bucklesweet Media)

D.C.-area native Alyson Cambridge starts a triumphant homecoming this weekend.

The former Arlington, Va., resident — she grew up here — has made a splash in the opera world with debuts at the Metropolitan Opera and other top-level houses in major productions. She opens Saturday in the classic musical “Show Boat,” the Kern/Hammerstein masterpiece that will feature more than 100 singers, actors and dancers on the Kennedy Center Opera House Stage to tell the story of a troupe of riverboat performers as they make their way through the decades. It features classic songs such as “Ol’ Man River” and “Can’t Help Lovin’ Dat Man.”

Cambridge stars as Julie. It will be a busy month for the performer. She’ll also sing the National Anthem at the Washington Nationals game on May 11. And on May 18, the production will be broadcast live to Nationals Park for WNO’s annual “Opera in the Outfield” event. Cambridge opened the show in Chicago last year and says during a lengthy phone chat from her home in Manhattan, she’s excited about bringing it to D.C. (Cambridge’s comments have been edited for length.)

 

BLADE: You still have family here?

CAMBRIDGE: Yes, my parents still live in the same house I grew up in and my brother and sister-in-law live in Falls Church with my niece who’s 1 so yeah, it’s been great spending time with my niece.

 

BLADE: How is the art/theater/music vibe different in New York versus Washington?

CAMBRIDGE: New York is a completely different world. I’ve been there almost 11 years so it feels like home now and I’m used to a fast-paced life where I’m constantly being surrounded by artists, singers, actors and dancers all the time. The person behind the counter at Starbucks is an aspiring acturess. It’s just in the culture that there’s this assumption that you have some ties to the arts. You just feel that vibe all the time here.

 

BLADE: How was the Chicago run?

CAMBRIDGE: Really wonderful. It was the first time for many of us coming to this show .. and my first time doing a musical like this on such a grand scale. About half the cast is new for D.C. and it’s been wonderful welcoming so many newcomers to this production. I can truly say, there’s not a weak link in the cast, everybody is just so strong. … I hope D.C. embraces the show as much as Chicago did. We were completely sold out there and it was the toughest ticket in town to get.

 

BLADE: Most of your professional work has been in opera. Are the lines blurring between the opera world and musical theater and if so, is that a good thing?

CAMBRIDGE: I’ve seen a lot of change just within the last four years or so. I did “Porgy & Bess” in Washington in 2005 and came back in 2010 and the reception was very different. It’s considered a show in the more operatic vein and was really written for classically trained voices. Even just a few years ago, people warned me, ‘Oh, be careful — if you start with that, people won’t see you as a truly legit opera singer,’ but I think what we’re doing is really opening up these musical worlds to different audiences and I think it’s the perfect blend.

 

BLADE: Whatever raw talent you were blest with, as you discovered it and what your strengths were, did that line up pretty naturally with your musical interests as a teen or did you have to learn to appreciate opera, which can be an acquired taste?

CAMBRIDGE: Oh, back in the ‘90s I listened to pop singers and wanted to be a pop singer. I’d be blasting Christina Aguilera out of my car on campus but I discovered I could imitate any voice I heard and had a really finely tuned ear. My mom would have classical music on and I could imitate the opera singers and we had a neighbor say once, ‘You know, that’s not half bad.’ … This led to voice lessons … where I was eventually told I had natural ability in this genre. But yes, it took awhile for me to really embrace what my voice was meant to do. But yeah, Madonna, Whitney Houston, Tiffany, I loved all that too and even went through a rap phase.

 

BLADE: Does it feel really competitive and cut throat as your career unfolds or is there a level you get to where you don’t feel like the next soprano is just waiting in the wings snapping at your heels?

CAMBRIDGE: I think everybody has their own unique path. Mine was pretty fast. I literally went from Curtis to the Metropolitan Opera’s young artist program by the time I was 23 and had my Met debut at 24, but I have certainly leanred you’re always a work in progress and I think it’s a misconception that you don’t have to keep learning. … It’s very much about always coming out and bringing your A game.

 

BLADE: What is your tessitura?

CAMBRIDGE: I’m a full lyric soprano.

 

BLADE: Is that the highest one? I can never remember.

CAMBRIDGE: No, a coloratura is the highest and the lightest … It’s a fuller sound with more meat to it. … The role of Julie, is really a mezzo role. It’s quite low but it suits me quite well.

 

BLADE: Do you have a gay best friend in New York? Your world must be teeming with gay energy.

CAMBRIDGE: It’s all over the map. I’m surrounded by gay people, trans people, bi — everything. It’s really all across the map. But yeah, I’m going to the wedding of one of my college best friends this summer in New York. She was straight all through college but she’s marrying a woman and she’s never been happier.

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Celebrity News

Brazilian police arrest two men who allegedly targeted Lady Gaga concert

Authorities say suspects wanted to target LGBTQ Brazilians

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(Screen capture via AP YouTube)

Brazilian police have arrested two people who allegedly sought to detonate explosives at a free Lady Gaga concert that took place on Rio de Janeiro’s Copacabana Beach on Saturday.

The Associated Press reported Felipe Curi, a spokesperson for the city’s Civil Police, told reporters the men who authorities arrested hours before the concert took place wanted to target LGBTQ Brazilians. Civil Police Chief Luiz Lima said the men posted hate speech and violent content online “aimed at gaining notoriety in order to attract more viewers, more participants — most of them teenagers, many of them children.”

“They were clearly saying that they were planning an attack at Lady Gaga’s concert motivated by sexual orientation,” said Cury, according to the AP.

An estimated 2.5 million people attended the concert.

A Lady Gaga spokesperson told the AP the singer learned about the threats on Sunday from media reports.

“Prior to and during the show, there were no known safety concerns, nor any communication from the police or authorities to Lady Gaga regarding any potential risks,” said the spokesperson. “Her team worked closely with law enforcement throughout the planning and execution of the concert and all parties were confident in the safety measures in place.”

Lady Gaga in an Instagram post thanked her Brazilian fans.

“Nothing could prepare me for the feeling I had during last night’s show — the absolute pride and joy I felt singing for the people of Brazil,” she wrote. “The sight of the crowd during my opening songs took my breath away. Your heart shines so bright, your culture is so vibrant and special, I hope you know how grateful I am to have shared this historical moment with you.”

“An estimated 2.5 million people came to see me sing, the biggest crowd for any woman in history. I wish I could share this feeling with the whole world — I know I can’t, but I can say this — if you lose your way, you can find your way back if you believe in yourself and work hard,” added Lady Gaga. “You can give yourself dignity by rehearsing your passion and your craft, pushing yourself to new heights — you can lift yourself up even if it takes some time. Thank you Rio for waiting for me to come back. Thank you little monsters all over the world. I love you. I will never forget this moment. Paws up little monsters. Obrigada. Love, Mother Monster.”

An estimated 1.6 million people attended Madonna’s free concert on Copacabana Beach last May.

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Books

A boy-meets-boy, family-mess story with heat

New book offers a stunning, satisfying love story

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(Book cover image courtesy of Random House)

‘When the Harvest Comes’
By Denne Michele Norris
c.2025, Random House
$28/304 pages

Happy is the bride the sun shines on.

Of all the clichés that exist about weddings, that’s the one that seems to make you smile the most. Just invoking good weather and bright sunshine feels like a cosmic blessing on the newlyweds and their future. It’s a happy omen for bride and groom or, as in the new book “When the Harvest Comes” by Denne Michele Norris, for groom and groom.

Davis Freeman never thought he could love or be loved like this.

He was wildly, wholeheartedly, mind-and-soul smitten with Everett Caldwell, and life was everything that Davis ever wanted. He was a successful symphony musician in New York. They had an apartment they enjoyed and friends they cherished. Now it was their wedding day, a day Davis had planned with the man he adored, the details almost down to the stitches in their attire. He’d even purchased a gorgeous wedding gown that he’d never risk wearing.

He knew that Everett’s family loved him a lot, but Davis didn’t dare tickle the fates with a white dress on their big day. Everett’s dad, just like Davis’s own father, had considerable reservations about his son marrying another man – although Everett’s father seemed to have come to terms with his son’s bisexuality. Davis’s father, whom Davis called the Reverend, never would. Years ago, father and son had a falling-out that destroyed any chance of peace between Davis and his dad; in fact, the door slammed shut to any reconciliation.

But Davis tried not to think about that. Not on his wedding day. Not, unbeknownst to him, as the Reverend was rushing toward the wedding venue, uninvited but not unrepentant. Not when there was an accident and the Reverend was killed, miles away and during the nuptials.

Davis didn’t know that, of course, as he was marrying the love of his life. Neither did Everett, who had familial problems of his own, including homophobic family members who tried (but failed) to pretend otherwise.

Happy is the groom the sun shines on. But when the storm comes, it can be impossible to remain sunny.

What can be said about “When the Harvest Comes?” It’s a romance with a bit of ghost-pepper-like heat that’s not there for the mere sake of titillation. It’s filled with drama, intrigue, hate, characters you want to just slap, and some in bad need of a hug.

In short, this book is quite stunning.

Author Denne Michele Norris offers a love story that’s everything you want in this genre, including partners you genuinely want to get to know, in situations that are real. This is done by putting readers inside the characters’ minds, letting Davis and Everett themselves explain why they acted as they did, mistakes and all. Don’t be surprised if you have to read the last few pages twice to best enjoy how things end. You won’t be sorry.

If you want a complicated, boy-meets-boy, family-mess kind of book with occasional heat, “When the Harvest Comes” is your book. Truly, this novel shines.

The Blade may receive commissions from qualifying purchases made via this post.

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Photos

PHOTOS: Victory Fund National Champagne Brunch

LGBTQ politicians gather for annual event

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Rep. Sarah McBride (D-Del.) speaks at the 2025 Victory Fund National Champagne Brunch. (Washington Blade photo by Michael Key)

The Victory Fund held its National Champagne Brunch at the Ritz-Carlton on Sunday, April 27. Speakers included Tim Gunn, Sen. Tammy Baldwin (D-Wis.), Gov. Wes Moore (D-Md.), Rep. Sarah McBride (D-Del.), Rep. Chris Pappas (D-N.H.) and Rep. Mark Takano (D-Calif.).

(Washington Blade photos by Michael Key)

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