Arts & Entertainment
Family fare, Oscar bait, franchises pepper holiday ’19 movie season
All-star cast leads Fox News harassment drama ‘Bombshell’


With Thanksgiving coming so late this year, the holiday movie release schedule is especially crowded. LGBT cinephiles have plenty of great films to choose from.
Currently on screen is Elizabeth Banks’ stylish and suspenseful reboot of the “Charlie’s Angels” franchise. Despite a great cast, including Kristen Stewart as a queer crimefighter, the movie unfortunately failed to catch fire at the box office. It’s worth a look, especially as a fun break from holiday preparations.
Also on screen is “Parasite,” by South Korean director Bong Joon Ho (“Snowpiercer” and “Okja”). A contemporary fable about class warfare, the movie has already been generating a lot of awards buzz.
Opening Nov. 22 is “Waves” by acclaimed director Trey Edward Shults (“Krishna” and “It Comes at Night”). The moving drama about a suburban African-American family stars Sterling K. Brown (“This Is Us”), Kelvin Harrison Jr., Taylor Russell, Lucas Hedges and Renée Elise Goldberry (“Hamilton”).
“A Beautiful Day in the Neighborhood” stars Tom Hanks as the legendary Mr. Rogers, but the focus of the movie is really on cynical journalist Tom Junod (Matthew Rhys) whose life gets turned around when he’s assigned to do a profile of the legendary children’s television host. Viewers be warned: this is not a movie for the whole family.

This week’s family-friendly opening is Walt Disney’s “Frozen II,” the continued adventures of Elsa, Anna, Kristoff, Sven and Olaf. The confusing sequel lacks the charm (and narrative coherence) of the original, but still packs a significant visual and emotional punch.

Opening in time for the Thanksgiving holiday (Nov. 27) is the delightful family crime caper “Knives Out.” Directed by Silver Spring native Rian Johnson (“The Last Jedi”), the all-star cast includes Daniel Craig, Christopher Plummer, Jaime Lee Curtis, Don Johnson, Michael Shannon, LaKeith Stanfield, Toni Colette and Chris Evans. It’s a great way to spend quality time with your own family.

Queer filmmaker Todd Haynes (“Carol,” “Far from Heaven” and “Velvet Goldmine”) branches out in a very different direction with “Dark Waters.” The true crime drama stars Mark Ruffalo, Anne Hathaway, Tim Robbins, Bill Pullman and out actor Victor Garber.
Also opening for the holiday weekend is “Queen & Slim.” Written by queer authors Lena Waithe and James Frey, the movie stars Daniel Kaluuya (“Get Out”) and newcomer Jodie Turner-Smith in a tale of a first date gone horribly wrong.
In the meantime, following the critical and popular success of “Roma,” Netflix is again pursuing a hybrid release strategy for three of its prestige projects: they’ll receive a theatrical release before they start streaming. Loosely based on Shakespeare’s history plays, “The King” stars Timothée Chalamet as the future Henry V. Martin Scorsese’s epic crime drama (with a running time of three-and-a-half hours) “The Irishman” stars Robert De Niro, Al Pacino, Joe Pesci and Anna Paquin. “Marriage Story” stars Adam Driver and Scarlett Johansson as a couple facing the break-up of their marriage.

More traditional holiday offerings at Netflix include the animated tale “Klaus” with the voice talents of Joan Cusack, Rashida Jones and J.K. Simmons and “Let It Snow,” a story about a small-town Christmas that includes an LGBT storyline. On a less seasonal note, Netflix is also streaming “I’m With the Band: Nasty Cherry” about a fledging all-female rock band that includes an openly lesbian musician.
Amazon Studios is also trying a hybrid release strategy with “The Report.” Screening in theaters now and streaming on Amazon Prime on Nov. 29, the inside-the-Beltway tale stars Adam Driver as a Senate staffer investigating the CIA’s post 9-11 Detention and Interrogation Program and features Annette Bening as Sen. Dianne Feinstein.
Fans of the Christmas favorite “Love Actually” can enjoy the film and a special holiday party on Thursday, Dec. 5 at the Warner Bros. Theater at the Smithsonian National Museum of American History (si.edu/imax/movie/love-actually).
New releases continue pouring into theaters in December. On Dec. 6, there’s the Cannes favorite “Little Joe,” a horticultural thriller with Emily Beecham and out actor Ben Whishaw; “The Aeronauts,” which reunites Eddie Redmayne and Felicity Jones from “The Theory of Everything;” and the stunning “Two Popes” starring Jonathan Pryce as Pope Francis and Anthony Hopkins as Pope Emeritus Benedict.
On Thursday, Dec. 12, Reel Affirmations will commemorate World AIDS Day with a special screening of “Crystal City,” a hard-hitting look at crystal meth addiction, another public health crisis facing LGBT people. The second half of the evening’s double feature will be “José,” a coming-of-age story about a young gay man living in Guatemala City. Tickets are available at thedccenter.org/events.
On Dec. 13, acclaimed director Clint Eastwood returns with “Richard Jewell,” a drama about the man falsely accused of planting a bomb at the 1996 Summer Olympics in Atlanta.
Three of the year’s most highly anticipated movies will be released Dec. 20: Tom Hooper’s all-star adaptation of Andrew Lloyd Webber’s “Cats”; “Star Wars: The Rise of Skywalker,” the ninth and final installment in the Skywalker saga; and “Bombshell,” the sordid star-studded saga of sexual harassment at Fox News with Charlize Theron, Nicole Kidman, Margot Robbie and John Lithgow.

Last but hardly least, two stories about life during wartime will be released on Christmas Day, Dec. 25. Directed by Sam Mendes (“Skyfall” and “American Beauty”), “1917” stars Andrew Scott and Benedict Cumberbatch in a gripping World War I drama.
Directed by Greta Gerwig (“Lady Bird”), the latest adaptation of Louisa May Alcott’s Civil War saga “Little Women” stars Saoirse Ronan and an all-star cast and is already generating significant Oscar buzz.
Finally, the AFI Silver Theatre and Cultural Center in downtown Silver Spring is always a splendid place to celebrate the cinema of the season. AFI’s delightfully eclectic offerings typically range from the classic (“It’s A Wonderful Life” and the Alastair Sims’ “A Christmas Carol”) to the contemporary (“Die Hard” and “Krampus”). For this year’s schedule, go to afisilver.afi.com.

Friday, July 11
“Center Aging Friday tea Time” will be at 2 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Women in Their Twenties and Thirties will be at 8 p.m. on Zoom. This is a social discussion group for queer women in the Washington, D.C. area and a great way to make new friends and meet other queer women in a fun and friendly setting. For more details, visit the DC Center’s website.
Go Gay DC will host “LGBTQ+ Happy Hour” at 7 p.m. at Firefly. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, July 12
Go Gay DC will host “Family Fun Story Time” at 12 p.m. at Freddie’s Beach Bar & Restaurant. Join award-winning drag queen Tara Hoot for songs, stories, bubbles, puppets and dancing. It’s the feel-good event you didn’t know you needed. This event is perfect for kids and kids at heart. Attendance is free and more details are available on Eventbrite.
Miss Capital Pride will host “DC Drag brunch on Rooftop – Penthouse” at 12 p.m. at MXDC Cocina Mexicana. Guests will experience a Mexican brunch infused with Baby Shank’s signature dishes, complemented by delicious margaritas and mimosas, all within the beautiful and spacious atmosphere of MXDC. There will also be outstanding performances by glamorous drag queens and celebrated celebrity impersonators, featuring Taylor Swift, Lady Gaga, Beyoncé, Britney Spears, Nicki Minaj, Ariana Grande, Whitney Houston, Cher, and many more. Tickets cost $30.65 and are available on Eventbrite.
Sunday, July 13
The National Portrait Gallery will host “Stormé at Stonewall” at 1:30 p.m. This is a gallery talk with LJ Roberts and Charlotte Ickes. This exhibition is a light-box portrait of activist Stormé DeLarverie, who is said to have thrown the first brick at Stonewall—the uprising credited with launching the modern LGBTQ+ rights movement in 1969. Roberts created this unconventional portrait in response to DeLarverie’s absence in mainstream narratives about the history of the Stonewall rebellion. Attendance is free and more details are available on Eventbrite.
Monday, July 14
“Center Aging Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Genderqueer DC will be at 7 p.m. in person at the DC Center for the LGBT Community. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.
Tuesday, July 15
Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as bi individuals in a private setting.Visit Facebook or Meetup for more information.
Wednesday, July 16
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Thursday, July 17
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga with Charles M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breath work, and meditation. For more details, visit the DC Center for the LGBT Community’s website.
Lit Lovers: Book Club for Seniors will be at 2 p.m. on Zoom. The book selection for July is “Rubyfruit Jungle” by Rita Mae Brown. For more details, visit the DC Center’s website.
Poly Discussion Group will be at 7 p.m. on Zoom. This is an inclusive, welcoming, virtual safer space to talk about all things polyamorous — the rapturous, the confused, the pure YIKES, we want to hear them all. For more details, email [email protected].
Television
ICYMI: ‘Overcompensating’ a surprisingly sweet queer treat
A sweet, savvy show about breaking free to embrace your true self

Pride month 2025 is now behind us, and while it’s safe to say that this year’s celebrations had a darker edge than usual, it’s also true that they came with a particularly rich bounty of new queer movies and shows to entertain us – so many, in fact, that even if we are facing a lull until the fall another harvest of fresh content, there are still plenty of titles – which, for whatever reason, were off your radar – for you to catch up on in the meantime.
One of the most notable of these – the bingeworthy series “Overcompensating” (now streaming on Amazon Prime) – will most definitely have been ON the radar for the plentiful fans of creator and star Benito Skinner, the actor/comedian who rose to viral fame through his content on platforms like Instagram, YouTube, and TikTok. For anyone else, it might have easily slipped through the cracks.
Created and written by Skinner as a loosely autobiographical “college comedy,” it aims for the kind of raucous, explicitly sexed-up tone one expects from the genre as it centers on Benny (Skinner), newly arrived as a freshman at prestigious Yates University. A former football jock and “golden boy” at his midwestern high school, he’s the picture of idealized youthful masculinity; he’s also deep in the closet, struggling to keep his sexuality hidden and maintain his macho front under the intense scrutiny of the college’s social scene – and under the resentful eye of his older sister Grace (Mary Beth Barone), who has already secured her own place at the top of the pecking order.
In the first episode, Benny’s difficulties are eased when he meets Carmen (Wally Baram), another freshman trying to navigate the politics of college life; a gamer from a home marred by tragedy, she’s an outsider who feels like she’s putting on an act, too, and they click – giving him the convenient “cover” of female companionship while providing them both with much-needed support and encouragement. He’s also befriended by a handsome film major from England (Rish Shah), who has already caught his eye, stirring other kinds of feelings and possibly even reciprocating them. Meanwhile, he’s being courted by the school’s “exclusive secret society” – headed by his sister’s aggressively “alpha” boyfriend Pete (Adam DiMarco) – and trying to stay interested in his studies, despite a growing realization that a career in business doesn’t actually appeal to him all that much.
That’s a lot to juggle for anybody, even an overachiever like Benny – whose “lucky” life so far has largely been the result of playing a role he is finding harder and harder to maintain. As the series goes on through its eight-episode arc, it becomes clear that he’s not the only one who is “keeping up appearances,” and he, along with the other confused and damaged young people in his orbit, begins the painful (but often hilarious) process of evolution that is required in order to become truly oneself.
Directed toward appealing to a younger demographic, “Overcompensating” is the kind of show that requires a few episodes worth of invested time to make an impression that feels like substance. Full of the bawdy farcical antics that go hand in hand with stories about hormonally charged college kids, it’s not above leaning into the formulas and tropes that have always driven these kinds of comedies. At first, while its broadly comedic strokes and frequently explicit sexual hijinks might elicit plenty of chuckles, the show might easily feel tiresome for more mature audiences; there’s a nostalgic fun to it, made even more appealing, somehow, by the “political incorrectness” of its frequently sexist and homophobic humor, but for a while things may feel like an unnecessary attempt to reinvent “Animal House” for the Gen Z crowd.
By the time the season reaches its halfway point, however, things have started to get real. The antics of these horny almost-adults take on a more pointed absurdity, informed by the increasingly tangled web of defensive deceit they weave among themselves – and, as things draw toward a cliffhanger climax, the consequences of maintaining it – until it achieves a sense of empathy toward them all. There’s a wisdom that smacks of lived authenticity underlying the whole affair, transforming it from the “sexploitative” teen comedy of its surface into something deeper. To be sure, things stay expectedly wacky, and the soap-operatic melodrama of its twists and reversals continue to maintain the show’s “mature YA” appeal; but beneath those trappings, by the end of the season a truer identity has begun to emerge, just as its characters have begun to find their own levels of self-actualization for themselves.
As creator, primary writer, and star, it’s obviously Skinner who deserves much of the credit. While it might be tempting, early on, to dismiss the show as an “ego project,” the internet-spawned sensation proves his talents quickly enough to get past such judgy suspicions, delivering a pitch-perfect blend of sauciness and sensitivity that extends its appeal toward both ends of the taste spectrum; just as crucially, he brings the same aforementioned “lived authenticity” to his winning performance – after all, he’s essentially playing himself in a fictionalized version of his own life – while also making sure that equal time (and compassion) is afforded all the other characters around him, each of whom are pushing at the boundaries of their own respective “closets,” too. It’s unavoidable to notice that – like most of his co-stars – he’s plainly a decade too old to be playing a college student; but by the time we reach that crucial halfway turning point, we’ve become too engaged by him to care.
The show is full of excellent performances, in fact. Relative newcomers Baram and Barone offer layers of complex nuance, while the more familiar DiMarco (“White Lotus”) is close to heartbreaking as the toxic BMOC clinging to the illusion of power as his life begins unraveling around him. Other standouts include the mononymic actress Holmes as Carmen’s “wild child” roommate, solidly likable turns as Benny’s parents from mature veterans Connie Britten and Kyle MacLachlan (whose presence, along with stylish elements in several key scenes, hints at an homage-ish nod to the late David Lynch), and podcaster Owen Thiele as an openly gay fellow student who has Benny “clocked” from the moment they meet. Finally, Lukas Gage makes a deep impression as a former high school teammate at the heart of Benny’s most haunting memory.
There’s no official word yet on whether “Overcompensating” will be renewed for a second season, despite the multiple loose ends left dangling at the end of its first; it has proven to be popular, and Skinner’s large fanbase makes it likely that the story will continue. Even if it doesn’t, the place of uncertainty in which it has left its characters rings true enough to serve as a satisfying endpoint.
As for us, we hope that won’t happen. For all its sophomoric humor, generic plot twists, and purposefully gratuitous sexual titillation, it’s one of the sweetest, kindest, and most savvy shows we’ve seen about breaking free from conformity to embrace your true self – and that’s a message that applies whether you’re queer, straight, or anywhere in between.
Photos
PHOTOS: Independence Day Weekend in Rehoboth
Wicked Green Pool Party, fireworks among festivities

Vacationers and residents alike enjoyed Independence Day Weekend activities in Rehoboth Beach, Del. The Wicked Green Pool Party drew hundreds to the CAMP Rehoboth fundraiser on Saturday. That evening, revelers went to the rooftops to watch the fireworks display.
(Washington Blade photos by Daniel Truitt)













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