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‘I was born to create and entertain’

DJ Nina Flowers was ‘RuPaul’s Drag Race’ premiere season runner-up

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Nina Flowers (Photo courtesy of Nina Flowers)

Bombastic flowers of extravagant colors and shapes hang from the nightclub’s roof. The half-lit dance floor at times simulates a jungle with exotic plants and butterflies. Some flowers that are placed on the stage symbolize the birth of music, which Nina Flowers generates from her turntables.

Flowers knows exactly what sounds to combine so that the audience goes into ecstasy, a sensation that bounces back instantly and makes you raise your arms to the metallic beat that is more intense with every second. When the music reaches its climax, the lights explode like lightning and Flowers emerges with one hand on her headphones and the other directing the electrifying atmosphere at will at The Manor, one of the most popular nightclubs in Wilton Manors, a gay Mecca in South Florida.

Flowers — a DJ, music producer, former drag queen and makeup artist — is the guest star on this Saturday. Many in the audience pull out their cell phones to film her while they continue to dance, and more than a few of them come to ask for a picture or autograph.

Flowers is widely recognized among the LGBTQ community, especially for her appearances on “RuPaul’s Drag Race.” Flowers finished second in the show’s season premiere in 2009.

A lot has happened in Flowers’ professional and personal life since then. She agreed to an exclusive interview with the Washington Blade via email.

WASHINGTON BLADE: Many have followed your career since you became a celebrity, but how did it all start? What prompted you to pursue a career as a DJ in the first place?

NINA FLOWERS: When I was very young, still a child, I used to accompany my father who helped a friend who was DJing at private parties. From the first time I went to one of these events, it was like love at first sight.

BLADE: What was your training as a DJ?

FLOWERS: I started playing neighborhood parties; family parties; at school, until I built a reputation and then continued to hold private parties and corporate events. At the age of 16 (in 1989) I auditioned for the first time for a position of resident DJ of a new club in San Juan, Puerto Rico, where I am from, and it was there where I obtained my first residency in a club. From there I continued working in many clubs on the island, until I had to move to the United States. And my career exploded.

BLADE: Is it true that back then you performed with a masculine appearance in the beginning?

FLOWERS: Correct and under the name of Jorge Flores, which is my birth name, then under the nickname of DJ Flowers that one of my previous bosses baptized.

BLADE: Precisely from where where does your stage name come?

FLOWERS: Nina is in tribute to my favorite artist, Nina Hagen, better known as the mother of punk rock. Flowers comes from my last name, Flores, in English. As I was already known as DJ Flowers, I decided to keep the relationship between both characters and the brand.

BLADE: How is the process to produce your music?

FLOWERS: It is an extremely fun and creative process. The first thing is that you have to be in those days where the “creative juices” are flowing. There are times that nothing works out, no matter how hard you try. Other days, pure wonders come out. The main thing is to have the knowledge of production and in turn of the program that is used to produce it. Basically (you need to) have a good set of tools, as well as a good team. The magic will be infinite once you have that and the desire to create.

BLADE: How would you define your sound?

FLOWERS: Progressive, sticky, tasty, tribal, different. Quite the opposite of what is commercial or what we hear everywhere.

BLADE: What do you feel behind the booth and surrounded by the public at that moment?

FLOWERS: Excitement, energy! I feel blessed to have the joy of being able to develop what I do with love and at the same time receive the support of those who follow me.

Flowers released her first single “Loca” in December 2009 in collaboration with DJ Ranny. The song reached its highest position (#15) on the Billboard Hot Dance Club Play chart the week of Jan. 30, 2010. She released her first mini-album entitled “Start Your Engines,” a compilation of six original tracks that he made with producer and remixer William Umana, in July of that same year.

Flowers in January 2011 released her dance single “I’m Feelin Flowers” and in July 2012 she released her single “Rock the Beat.”

BLADE: How was your transition from DJ to drag queen?

FLOWERS: Very soft and divine. When I started in the drag scene I was already working as a DJ in clubs, so I already had many friends and followers who supported me at all times. I started in the drag scene in 1993.

BLADE: If you had to define your style of drag, what would it be?

FLOWERS: Authentic, imposing, different, intense, colorful, energetic, androgynous and fun.

BLADE: How do you do it?

FLOWERS: A creation that combines my roots of who I am as a person, of what I like and attracts me, of my feelings and my artistic side.

BLADE: You competed on the first season of “RuPaul’s Drag Race.” How would you describe that experience?

FLOWERS: Incredible. Definitely an opportunity that I will never forget, and that surely opened the doors for me to be discovered throughout the world. It was a blessing for me.

BLADE: How did you feel when you finished in second place?

FLOWERS: No particular feeling. I was sad, of course, because obviously we all want to win. But if it didn’t affect me, it was because it wasn’t meant for me. I was very proud of my role in the show, and I know that I performed in the best possible way. At the same time BeBe Zahara Benet (the winner) and I became super good friends during the filming, and in the end I was very happy for her. She did an incredible job and worked as hard as I did, so to me she deserved it as much as I did.

BLADE: You did, however, win the Miss Congeniality award during the first season’s reunion special, making you the first runner-up to win the title and the best Miss. Could we call it your revenge?

FLOWERS: I think so (laughs).

BLADE: You were on RuPaul’s show in 2009, 2010 and 2012. What did you learn and how many opportunities has this television show brought to your career?

FLOWERS: Based on what I learned, the important thing is to be sure of yourself and to lose your fear of those things that we sometimes tell ourselves that we cannot do or achieve; to be positive at all times; and face any challenge that comes our way.

In terms of opportunities, it gave me global exposure, opening doors that I never dreamed would be there for me.

BLADE: I understand there is a Nina Flowers Day. Can you explain how it happened? What happens on your day?

FLOWERS: (Then-Denver Mayor) John Hickenlooper in 2009 gave me the honor of naming May 29 as Nina Flowers Day. This was in gratitude from the community and the city for the impact that I had brought to Denver after participating in the program and being one of its residents. They were all very proud of me. The reality is that I have never stopped touring the nation and internationally since the show happened, so I never had the opportunity to organize any event to commemorate the day.

BLADE: Why did you decide to abandon your career as a drag queen, even though you were so renowned in that world?

FLOWERS: Very simple. When I decided to stop it was simply because I needed new challenges in my life. I needed a change. I already knew it was time to conquer other territories. In my case the territory of music, which has always been my priority and my number one passion.

BLADE: You remain in drag, however, when you perform as a DJ. Why?

FLOWERS: It’s part of the Nina Flowers brand. A brand that took many years of preparation, sacrifice and is recognized worldwide. Why am I leaving her behind?

BLADE: DJ, drag queen, makeup artist … Which of your facets fulfill you the most as an artist?

FLOWERS: The entertainment. I was born to create and entertain. In the three facets I have the opportunity to develop myself in what I love so much, but my passion is music.

BLADE: How has the current pandemic affected you, taking into account that the entertainment industry has been one of the most affected areas?

FLOWERS: It has unfortunately affected me a lot financially, because almost all events in 2020 were cancelled. There were some cities that managed to have events. I worked on some of them, which caused a lot of personal attacks by COVID Karens, who only dedicate themselves to personal attacks on social media. This affected me emotionally, but it didn’t stop me either. All of us who have agreed to work during the pandemic have our reasons, our obligations, our needs. No one has the right to point out or judge anyone for their decisions, much less without knowing the reasons for being. For my part I continue and will continue forward. Nobody stops me. Nightlife will be the last to recover. Hopefully we will all recover from this global hit very soon.

In an effort to continue creating and not lose connection with her fans, Flowers has presented her most recent musical chapter “Resurgimiento” through the Twitch and Zoom platforms.

BLADE: What are you working on right now?

FLOWERS: On music. This is my life, my reason for being. It’s all I do

BLADE: Tell us a bit about Nina Flowers offstage. What are you like at home?

FLOWERS: Completely different. A little introverted, quiet, reserved, homey. I love cooking. I really like sewing and photography. Happily married for almost 14 years. I love animals and I am very family oriented.

BLADE: Is your personal life as successful as your professional one?

FLOWERS: Yes, thank goodness!

BLADE: What are those goals or dreams that you still haven’t achieved?

FLOWERS: I’ve already conquered the music circuit of the gay community. I would love and dream of a transition to the “straight community.” Someday it will be! I am already recognized as a DJ, so my goal for the moment is to achieve the same level of recognition or more as a music producer. Today that is my focus.

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Theater

Round House explores serious issues related to privilege

‘A Jumping-Off Point’ is absorbing, timely, and funny

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Cristina Pitter (Miriam) and Nikkole Salter (Leslie) in ‘A Jumping-Off Point’ at Round House Theatre. (Photo by Margot Schulman Photography)

‘A Jumping-Off Point’
Through May 5
Round House Theatre
4545 East-West Highway, Bethesda, Md.
$46-$83
Roundhousetheatre.org

In Inda Craig-Galván’s new play “A Jumping-Off Point,” protagonist Leslie Wallace, a rising Black dramatist, believes strongly in writing about what you know. Clearly, Craig-Galván, a real-life successful Black playwright and television writer, adheres to the same maxim. Whether further details from the play are drawn from her life, is up for speculation.

Absorbing, timely, and often funny, the current Round House Theatre offering explores some serious issues surrounding privilege and who gets to write about what. Nimbly staged and acted by a pitch perfect cast, the play moves swiftly across what feels like familiar territory without being the least bit predictable. 

After a tense wait, Leslie (Nikkole Salter) learns she’s been hired to be showrunner and head writer for a new HBO MAX prestige series. What ought to be a heady time for the ambitious young woman quickly goes sour when a white man bearing accusations shows up at her door. 

The uninvited visitor is Andrew (Danny Gavigan), a fellow student from Leslie’s graduate playwriting program. The pair were never friends. In fact, he pressed all of her buttons without even trying. She views him as a lazy, advantaged guy destined to fail up, and finds his choosing to dramatize the African American Mississippi Delta experience especially annoying. 

Since grad school, Leslie has had a play successfully produced in New York and now she’s on the cusp of making it big in Los Angeles while Andrew is bagging groceries at Ralph’s. (In fact, we’ll discover that he’s a held a series of wide-ranging temporary jobs, picking up a lot of information from each, a habit that will serve him later on, but I digress.) 

Their conversation is awkward as Andrew’s demeanor shifts back and forth from stiltedly polite to borderline threatening. Eventually, he makes his point: Andrew claims that Leslie’s current success is entirely built on her having plagiarized his script. 

This increasingly uncomfortable set-to is interrupted by Leslie’s wisecracking best friend and roommate Miriam who has a knack for making things worse before making them better. Deliciously played by Cristina Pitter (whose program bio describes them as “a queer multi-spirit Afro-indigenous artist, abolitionist, and alchemist”), Miriam is the perfect third character in Craig-Galván’s deftly balanced three-hander. 

Cast members’ performances are layered. Salter’s Leslie is all charm, practicality, and controlled ambition, and Gavigan’s Andrew is an organic amalgam of vulnerable, goofy, and menacing. He’s terrific. 

The 90-minute dramedy isn’t without some improbable narrative turns, but fortunately they lead to some interesting places where provoking questions are representation, entitlement, what constitutes plagiarism, etc. It’s all discussion-worthy topics, here pleasingly tempered with humor. 

New York-based director Jade King Carroll skillfully helms the production. Scenes transition smoothly in large part due to a top-notch design team. Scenic designer Meghan Raham’s revolving set seamlessly goes from Leslie’s attractive apartment to smart cafes to an HBO writers’ room with the requisite long table and essential white board. Adding to the graceful storytelling are sound and lighting design by Michael Keck and Amith Chandrashaker, respectively. 

The passage of time and circumstances are perceptively reflected in costume designer Moyenda Kulemeka’s sartorial choices: heels rise higher, baseball caps are doffed and jackets donned.

“A Jumping-Off Point” is the centerpiece of the third National Capital New Play Festival, an annual event celebrating new work by some of the country’s leading playwrights and newer voices. 

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Nightlife

Ed Bailey brings Secret Garden to Project GLOW festival

An LGBTQ-inclusive dance space at RFK this weekend

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Ed Bailey's set at last year's Project Glow. (Photo courtesy Bailey)

When does a garden GLOW? When it’s run by famed local gay DJ Ed Bailey.

This weekend, music festival Project GLOW at RFK Festival Grounds will feature Bailey’s brainchild the Secret Garden, a unique space just for the LGBTQ community that he launched in 2023.

While Project GLOW, running April 27-28, is a stage for massive electronic DJ sets in a large outdoor space, Secret Garden is more intimate, though no less adrenaline-forward. He’s bringing the nightclub to the festival. The garden is a dance area that complements the larger stages, but also stands on its own as a draw for festival-goers. Its focus is on DJs that have a presence and following in the LGBTQ audience world.

“The Secret Garden is a showcase for what LGBTQ nightlife, and nightclubs in general, are all about,” he says. “True club DJs playing club music for people that want to dance in a fun environment that is high energy and low stress. It’s the cool party inside the bigger party.”

Project GLOW launched in 2022. Bailey connected with the operators after the first event, and they discussed Bailey curating his own space for 2023. “They were very clear that they wanted me to lean into the vibrant LGBTQ nightlife of D.C. and allow that community to be very visibly a part of this area.”

Last year, club icon Kevin Aviance headlined the Secret Garden. The GLOW festival organizers loved the its energy from last year, and so asked Bailey to bring it back again, with an entire year to plan.

This year, Bailey says, he is “bringing in more D.C. nightlife legends.” Among those are DJ Sedrick, “a DJ and entertainer legend. He was a pivotal part of Tracks nightclub and is such a dynamic force of entertainment,” says Bailey. “I am excited for a whole new audience to be able to experience his very special brand of DJing!”

Also, this year brings in Illustrious Blacks, a worldwide DJ duo with roots in D.C.; and “house music legends” DJs Derrick Carter and DJ Spen.

Bailey is focusing on D.C.’s local talent, with a lineup including Diyanna Monet, Strikestone!, Dvonne, Baronhawk Poitier, THABLACKGOD, Get Face, Franxx, Baby Weight, and Flower Factory DJs KS, Joann Fabrixx, and PWRPUFF. 

 Secret Garden also brings in performers who meld music with dance, theater, and audience interactions for a multi-sensory experience.

Bailey is an owner of Trade and Number Nine, and was previously an owner of Town Danceboutique. Over the last 35 years, Bailey owned and operated more than 10 bars and clubs in D.C. He has an impressive resume, too. Since starting in 1987, he’s DJ’d across the world for parties and nightclubs large and intimate. He says that he opened “in concert for Kylie Minogue, DJed with Junior Vasquez, played giant 10,000-person events, and small underground parties.” He’s also held residencies at clubs in Atlanta, Miami, and here in D.C. at Tracks, Nation, and Town. 

With Secret Garden, Bailey and GLOW aim to bring queer performers into the space not just for LGBTQ audiences, but for the entire music community to meet, learn about, and enjoy. While they might enjoy fandom among queer nightlife, this Garden is a platform for them to meet the entirety of GLOW festival goers.

Weekend-long Project GLOW brings in headliners and artists from EDM and electronic music, with big names like ILLENIUM, Zedd, and  Rezz. In all, more than 50 artists will take the three stages at the third edition of Project GLOW, presented by Insomniac (Electric Daisy Carnival) and Club Glow (Echostage, Soundcheck).

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Out & About

Washington Improv Theatre hosts ‘The Queeries’

Event to celebrate queer DMV talent and pop culture camp

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The Washington Improv Theatre, along with the Mayor’s Office of LGBTQ Affairs and the Gay Men’s Chorus of Washington DC, will team up to host “The Queeries!” on Friday, April 26 at 9:30 p.m. at Studio Theatre.

The event will celebrate Queer DMV talent and pop culture camp. With a mixture of audience-submitted nominations and blatantly undemocratically declared winners, “The Queeries!” mimics LGBTQ life itself: unfair, but far more fun than the alternative.

The event will be co-hosted by Birdie and Butchie, who have invited some of their favorite bent winos, D.C. “D-listers,” former Senate staffers, and other stars to sashay down the lavender carpet for the selfie-strewn party of the year. 

Tickets are just $15 and can be purchased on WITV’s website

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