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New queer bar Revolt to join D.C.’s thriving LGBTQ nightlife scene

Revolt promises to bring inclusive, high-energy nightlife space to the U Street corridor.

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Carpenters building the catwalk and dance floor of Revolt on July 17th. (Photo courtesy of Revolt)

Just in time for Labor Day weekend, a new LGBTQ bar will open on the corner of U and 14th streets, adding to the growing number of LGBTQ bars in Washington.

For the past 10 years, it was the location of Cloak & Dagger, a popular straight bar and dance club. Now it will be Revolt.

Revolt (1359 U St. NW) announced on Instagram on Monday that there would be a special “preview weekend” of D.C.’s newest queer bar before its official opening, complete with local DJs and drink specials.

The Blade was given a special early-access tour of the space led by Jonathon Rube, the head of operations for the bar. While the owner of the space is straight, Rube — who is in charge of all aspects of the space — is gay.

Despite the space not being large, with a capacity of 99, Rube’s plans for the bar are. He shared that in addition to the queer bar he described as “Vegas style” and “over-the-top,” he also has plans to create a dessert shop on the first floor called Crazy Banana, and a quick-service “late night bites” window to grab snacks after a night of dancing on the floor above.

The first thing Rube touched on when showing the space was its prime location on the corner of 14th and U Street — which, in the past three years, has become extremely queer with the opening of Bunker, Crush, District Eagle, Spark Social, and now Revolt.

“It just feels right,” Rube said. “You have a wide variety of people from all walks of life coming through here. And with the history of 14th and U… you want a balance between creating a gay mecca but at the same time, inspired by what the history of the street is.”

This corner has a lot of history — particularly for Black Washingtonians, as it was a major shopping and cultural hub known as “Black Broadway” in the early 1900s. He explained that acknowledging the location’s history was one of his goals — and he plans to continue to do so by hosting hip-hop nights at the bar.

“We’ll be doing a hip-hop night… hip-hop meets strip club,” he explained. He made it clear that the space will not solely cater to one group but rather be formed from a diverse lineup of gender identities and sexualities performing — with talent being at its center. “Male, female, drag, non-binary… people that know what they’re doing. In a perfect world the catwalk stage will open in the front where they can come down the stripper pole.”

Revolt is not stopping with the hip-hop–themed night; the weekly lineup includes Latin Thursday nights and Sapphic Saturdays. These themes, Rube said, are an attempt to make U Street’s newest queer bar for everyone.

At the time of the interview, construction of the bar — with a catwalk above the dance floor — was actively underway. Rube’s goal is to set it apart from other queer bars in the city through high-tech lighting and sound systems that he described as “Vegas meets D.C.”

“It’s like over the top with the lighting,” the former Las Vegas resident said. “That’s kind of where we go with this design… We just want to create that space where you have this amazing experience.”

While he did say he wants to stand out from other queer bars in the city, he also mentioned it’s not his intention to “step on anyone’s toes” by coming into the new gay stretch of U Street’s nightlife — but rather “complement” the spaces already there.

“What it really comes down to with corners like this, it reminds me of a West Hollywood little district area… You go over here because they have a good happy hour, and then get the next bar before their cover… just bouncing around. That’s what we want to be — that spot where people can bounce around.”

One way he is trying to do this is by making the drinks affordable with multiple happy hours and promotions, and having bartenders pre-batch their mixed shots.

“We’re not focused on mixology, even on our slower nights,” he said. “We’re very ‘vodka soda’ simple drinks… like Crush really focuses on the mixology and has a really nice setup. Again, we’re trying to complement, not compete.”

Another consideration Revolt is taking is including specialty mocktails for sober members of the community. He also shared plans for a wristband for designated drivers to get discounted alcohol-free drinks.

Another concern Rube touched on was safety.

“The hard part is, how do we create that space where people do feel comfortable and it becomes that haven,” he said. “Everybody within the LGBTQ+ community should have a safe space in any of these bars.”

One way he is attempting to make Revolt a safe space for all is through his unique approach to security that may look different from some of the other bars on the street.

“I’m not using outside security. I’m looking for security hosts versus security guards… security within our community, or [people] trained to understand our community.”

Rube explained that he wants everyone’s experience with Revolt to be a positive one.

“From the moment they come in to the moment they leave, they are having a good time, feel welcome, they feel acknowledged… And when they leave they get value from every aspect.”

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District of Columbia

Nearly 6,000 turn out for Pride Night Out at the Nationals

Gay Men’s Chorus sings National Anthem

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About 6,000 people purchased tickets for the Wednesday, June 24 Pride Night Out at the Washington Nationals game. (Washington Blade photo by Lou Chibbaro, Jr.))

“Just shy of” 6,000 people purchased tickets for the Wednesday, June 24, 21st annual Pride Night Out at the Washington Nationals baseball stadium, which the Nationals said is the longest running LGBTQ Pride event in Major League Baseball, according to a Nationals spokesperson.

The event was organized with the Nationals by Team D.C., the local LGBTQ sports group that organizes similar Pride Nights for other professional D.C. area sports teams.

“It was a good time had by all as the Nationals celebrated the LGBTQ+ community during the Nationals 21st Pride Night Out, presented by Team D.C.” the Nationals said in a statement.

Nationals spokesperson Erica George said the overall game attendance was 27,200.

Similar to recent past years, the Gay Men’s Chorus of Washington sung the National Anthem at the start of the game, drawing loud cheers from people throughout the stadium.

The Nationals lost the game to the Philadelphia Phillies by a score of 5-4. Although most of the LGBTQ attendees of the event, held in the right-field mezzanine section of the stadium, were cheering for the Nationals, a sizeable number also cheered for the Phillies.

Miguel Ayala, one of Team D.C.’s lead organizers, said he noticed fans displaying Pride flags and recognized LGBTQ people in all parts of the stadium, indicating significantly more LGBTQ people and their supporters attended the game beyond the close to 6,000 or more who purchased the specific Pride Night Out tickets.

“It was a great excitement last night,” he told the Washington Blade on the day following the event. “I saw a lot of big crowds of our people, I saw everybody I can think of in the community. And it was really great to see the turnout.”  

Also, like in previous years, Team D.C. along with the Nationals helped to organize a pre-game show on the large concourse platform area next to the stadium seating area involving a drag show led by local drag performer Shi-Queeta Lee.

“During pregame ceremonies, the Nationals Pride employee resource group was recognized on the field,” the statement released by the Nationals says. “Dr. Demetre Daskalakis, a physician and public health leader who has had a profound impact on the LGBTQ+ community and those living with or vulnerable to HIV, threw out the ceremonial first pitch as the guest of Team D.C.,” the statement says.

It adds that Team D.C.’s scholarship recipient Spencer Doll made the ceremonial call to “Play Ball.” 

‘Screech’ attends a previous Pride Night Out at the Nationals event. (Washington Blade file photo by Michael Key)

As if all that were not enough, a Nationals employee who entertains during the Nationals pre-game shows on the field dressed as a giant eagle named “Screech” wearing an eagle’s head mask appeared in the seating area where the Pride Night Out crowd was seated and mingled with the LGBTQ fans, many of whom posed for photos with Screech.

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District of Columbia

Washington Blade names new publisher

Longtime ad exec Brian Pitts to assume role from Lynne Brown

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Lynne Brown is stepping down as publisher of the Blade; Brian Pitts takes over the role this week. (Washington Blade file photos)

The Washington Blade announced this week that its longtime publisher, Lynne Brown, who has worked at the publication for nearly 40 years, is retiring from her day-to-day duties.

Blade co-owner and longtime advertising executive Brian Pitts will assume the role of publisher effective June 26.

Pitts, 46, is a native of Fredericksburg, Va. In 2004, he moved to Washington, D.C., from Rehoboth Beach, Del., to work at the Blade as a 24-year-old sales executive. Pitts, along with Brown and Blade Editor Kevin Naff have owned the Blade since 2009. Pitts has served as the Blade’s lead sales executive since then.

“We’ve been through a lot over the last 17 years, including a recession and a pandemic,” said Pitts. “Lynne has been a steady hand throughout and I’m excited to take the reins and help steer the Blade into its next chapter.”

Brown will assume the title of publisher emerita and remain a part owner of the Washington Blade and Los Angeles Blade and contribute to the business via special projects. 

As for what’s next, she said, “I will take the summer to regroup. I have one more LGBTQ community project in mind, and a few personal goals to check off the list. I am a Washingtonian. I will continue to live, work, and love here in D.C. Of course every Friday morning, I will grab a cup of coffee and read the Blade.”

Asked what advice she has for Pitts as he takes over the publisher’s job, Brown replied, “Brian is going to be great. He has all the skills needed to run this business. He also has a deep, silent passion for the Blade. My only advice: Slow and steady wins the race.”

Pitts said his primary goal as publisher is to ensure the Blade continues its mission as America’s LGBTQ news source.

“Another goal is to reach a younger audience and to include an educational component,” he added. “Some younger community members may be newer to the Blade and less familiar with LGBTQ history. Recently, we published a special commemorative magazine to coincide with America 250, chronicling LGBTQ history and contributions to U.S. culture. It’s so important not to let our history get erased and to remember where we came from and to work toward where we want to go.”

He described the biggest challenge to queer media as the Trump administration’s attacks on DEI.

“We have companies that have advertised with us for years who are now afraid of the potential consequences,” he said. 

Brown joined the Blade in 1987. She was named publisher in 2007 by previous owner Window Media. In 2009, Window Media filed for bankruptcy; shortly after, Brown, Naff, and Pitts acquired the Blade’s assets from the bankruptcy court and relaunched the brand with Brown as publisher. 

She said the period after the bankruptcy became her biggest challenge as publisher.

“The crisis that birthed Brown Naff Pitts Omnimedia kept me overly focused on millions of details,” she recalls. “My greatest personal challenge was delegating and letting go of details.   Trusting staff with their strengths and skills to do their jobs was slow to come. It has proved to be most rewarding. Building the right team — knowing the people you work with are committed, professional, and honest — is a great thing.”

Pitts described the bankruptcy and rebirth of the Blade in 2009 as his proudest moment with the company.

“Working at the paper has been great, but becoming a co-owner was a dream come true,” he said.

Naff praised both of his colleagues.

“Lynne has been a rock, helping us navigate financial crises and a pandemic. The Blade wouldn’t have survived without her dedication,” he said. “She is the publisher every editor would want. Brian has terrific instincts, a passion for the Blade’s important mission, and an eye on growth. I am proud to call both of them friends and mentors and look forward to the next chapter.” 

Asked why LGBTQ media are still relevant, Brown cited the recent erosion of queer rights as evidence that the Blade’s work remains important.

“The Blade helps fight invisibility and isolation,” she said. “We may have rights today, but we have seen rights eroded or erased. The Blade reports on those rights authentically and accurately and serves as a communication tool and a historian for the community.”

Pitts added, “While mainstream media may cover LGBTQ+ issues, no one covers them quite like us. These are our community’s stories and voices and this is your news source.”

The Blade will host a happy hour event later this summer where the community can meet Pitts and thank Brown for her decades of service. 

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New report says LGBTQ young adults in D.C. facing affordability crisis

79 percent of respondents reported difficulty paying rent or mortgage

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The Capital Pride Festival on Pennsylvania Avenue on June 21, 2026. A new survey finds most LGBTQ young adults who live in D.C. are struggling to pay their rent or mortgage. (Washington Blade photo by Michael Key)

A newly released report on the findings of a survey of 304 LGBTQ young people aged 18-30 who live in D.C. shows as many as 79 percent of those surveyed report they are struggling to pay rent or a mortgage.

The report, entitled Out and Counted: 2026 LGBTQ+ Young People Community Survey Findings, also shows at least 80 percent of those surveyed “feel isolated often or some of the time” and their reported use of tobacco-nicotine products, alcohol, and marijuana was “significantly higher” than that of the general adult population.

“Nearly one third of respondents have considered leaving the District, driven by housing insecurity,” the report says.

The survey and report were prepared jointly by the D.C.-based Wanda Alston Foundation, which provides housing and other support services for at-risk and homeless LGBTQ youth, and the Los Angeles-based Loyola Marymount University’s LGBTQ+ Politics Research Initiative.

The report says the LGBTQ young people completed the detailed survey in March and April of 2026 “thanks to multiple outreach strategies, including paid digital ads, in-person outreach, and other communication channels.”

Cesar Toledo, executive director of the Wanda Alston Foundation, said the survey included as many as 80 questions and a number of local LGBTQ organizations helped in arranging for the young people to take the survey.

“These findings suggest the District’s LGBTQ+ young people are being pushed to the brink,” Toledo said in a statement released by the Alston Foundation. “They are working hard, yet hitting an affordability cliff, deepened by a loneliness paradox and alarming health-risk behaviors,” he said.

He added, “To ignore these findings is to accept a ‘Queer Flight’ that will displace our LGBTQ+ community and drain the very lavender economic engine that Wells Fargo once famously noted as a secret sauce to economic growth.”

Gabriel Magni, associate professor of political science and Director of the LGBTQ+ Politics Research Initiative at Loyola Marymount University, said in the statement that the survey finding indicate that LGBTQ young people can be priced out of “traditional LGBTQ+ hubs” that have historically been important in advancing LGBTQ equality.

“These findings raise serious concerns regarding affordability and the mental health of LGBTQ+ youth in a city that has long welcomed the LGBTQ+ community,” he said in the statement.  

The report says about 41 percent of the survey respondents identified as gay, 17 percent as lesbian, 16 percent as bisexual, 14 percent as queer, 8 percent as pansexual, 1 percent as asexual, and 1 percent as demisexual.

The full report can be accessed here.

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