Arts & Entertainment

Shifting ‘Shape’

World premier depdicts married Vaudevillians on tour

Published

12 years ago

October 4, 2012

Patrick Folliard

‘Shape’
force/collision
Atlas Performing Arts Center
1333 H Street, NE
$10-$25
202-399-7993, ext. 2

Dane Figueroa Edidi in ‘Shape,’ a force/collision production. If you want to see it, act fast — it closes Saturday. (Photo by C. Stanley Photography)

Young local company force/collision isn’t afraid to take on tough material.

Their last production was a site-specific project inspired by the Washington Navy Yard performed over a nippy spring weekend in outdoor fountains at a park on the Southwest Waterfront. Now, the ensemble is tackling very different-but-equally challenging work by experimental dramatist Erik Ehn titled “Shape” (currently nearing the end of a world premiere run at Atlas Performing Arts Center). In both cases, the productions have proved intriguing and visually compelling.

Roughly based on the lives African-American vaudevillians Billy and Cordelia McClain, “Shape” follows the married couple’s experiences over time as they move from place to place.

As the lights come up, the scene is set by Survivor (the excellent Dexter Hamlett), a narrator who’s big on lyricism but short on concrete detail (thank goodness for program notes). It’s turn-of-the-century Ambrose Park, Brooklyn where Billy (Frank Britton) and Cordelia (Dane Figuero Edidi) are headlining in “Black America,” a true life spectacle in which about 500 black entertainers glorified plantation life in the Old South.

After the Brooklyn show closes, the couple sojourns to Europe where they eschew their usual daily dose of minstrelsy for racier entertainments — Cordelia introduces a new sexy Jazz Age act while Billy finds adventure in the arms of myriad other women. The marriage crumbles and they return to the states where Billy is on hand for the Tulsa Race Riots of 1921, a hideous episode in American history that left thousands of black families homeless and scores dead.

Director John Moletress, who is gay, leads a talented design team in admirably presenting Ehn’s sometimes puzzling play.

Collin Ranney (also gay) transforms Atlas’ black box theater into an enchanted place. Above a lawn of excelsior hang tiny glowing fairy houses that rise and fall like the vaudevillians fortunes. In the center sits a stump; nearby there’s an old steamer trunk. At either end of the space are billowy sails, bookending a small world both redolent of the past, of suggestive voyage and escape.

Ariel J. Benjamin’s dramatic lighting and Derek V. Knoderer’s equally evocative soundscape add to the overall effect.

And while the production is visually appealing, and boasts inventive staging (random chairs and a few actors magically morph into a railroad passenger car) and a strong cast, its lack of linear narrative can be frustrating at times, especially since Ehn is tying historical facts to larger themes. (“Shape” is part of Ehn’s “Soulographie,” a series of 17 plays about genocide and reconciliation.)

Mostly, it’s best to sit back and let Ehn’s dreamlike prose wash over you; enjoy the production’s haunting songs, stirring, avian-inspired movement and the dedicated cast. Figueroa Edidi’s Cordelia is sublime: a diva with a sense of humor. She’s resilient but not wholly inured to life’s hardships. In one of his stronger performances, Britton captures Billy as the charming philanderer. Other standouts include Karin Rosnizek’s clueless French reporter and Luci Murphy as a soulful, singing vaudevillian.

The parts of Cordelia and her maid (S. Lewis Feemster) have been cast with male actors, heightening theatricality and a focus on identity. The choice also pays homage to black vaudevillians of the early 20th century who often played cross-gendered roles.

With “Shape,” force/collision strikingly fulfills its mission to create new performance works. And while “Shape” is sometimes hard to follow, it’s always beautiful to watch.

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Shi-Queeta Lee performs at Drag Underground. (Washington Blade photo by Michael Key)

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White House Correspondents’ Dinner set for Saturday

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(Washington Blade file photo by Michael Key)

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Calendar

Calendar: April 26-May 2

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Published

2 hours ago

April 26, 2024

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Friday, April 26

Center Aging Monthly Luncheon with Yoga & Intergenerational Hangout will be at 12 p.m. at the DC Center for the LGBT Community. Chair yoga will be at noon. Lunch will be provided by the Gay Professional Men of Color at 1 p.m. Guests can bring a beverage of choice. For more information, email [email protected].

Go Gay DC will host “LGBTQ+ Social in the City” at 7 p.m. at Courtyard by Marriott Dupont Circle. This fun weekly event brings the DMV area LGBTQ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.

Trans Support Group will be at 7 p.m. on Zoom. This group is intended to provide emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].

Saturday, April 27

Go Gay DC will host “LGBTQ+ Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. Attendance is free and more details are available on Eventbrite.

Sunday, April 28

AfroCode DC will be at 4 p.m. at Decades DC. This event will be an experience of non-stop music, dancing, and good vibes and a crossover of genres and a fusion of cultures. Tickets cost $40 and can be purchased on Eventbrite.

Go Gay DC will host “LGBTQ+ Dinner” at 6:30 p.m. at Federico Ristorante Italiano. This event is ideal for making meaningful new connections and community building or just to unwind and enjoy extended happy hour. Attendance is free and more details are available on Eventbrite.

Monday, April 29

Center Aging: Monday Coffee & Conversation will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of their choice. For more details, email [email protected].

Tuesday, April 30

Pride on the Patio Events will host “LGBTQ Social Mixer” at 5:30 p.m. at Showroom. Dress is casual, fancy, or comfortable. Guests are encouraged to bring their most authentic self to chat, laugh, and get a little crazy. Admission is free and more details are on Eventbrite.

“5th Tuesdays Open Mic” will be at 8 p.m. at Busboys and Poets at 14th Street, N.W. For two hours, audiences can expect a diverse chorus of voices and a vast array of professional spoken word performers, open mic rookies, and musicians. The event will be hosted by Charity Blackwell. Tickets cost $8 and can be purchased on Eventbrite.

Wednesday, May 1

Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Thursday, May 2

Virtual Yoga with Charles M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breath work, and meditation. For more details, visit the DC Center for the LGBT Community’s website.