Connect with us

Music & Concerts

Naomi’s ‘Drag Race’ behind-the-scenes tour

Season eight finalist on RuPaul, all the stuff they don’t show you on TV

Published

on

Naomi Smalls interview, gay news, Washington Blade
Naomi Smalls interview, gay news, Washington Blade

Naomi Smalls (aka Davis Heppenstall) performs at Town and Capital Pride this weekend. (Photo courtesy Neverland Events)

Once again this year, the top three queens from this season’s “RuPaul’s Drag Race” will be at both Town and Capital Pride. Kim Chi is at Town on Friday, June 10 and Naomi Smalls and champ Bob the Drag Queen are there Saturday, June 11. Naomi and Bob will also perform on the Capitol Concert Stage at the festival on Sunday, June 12.

Naomi Smalls, a 21-year-old Redlands, Calif., native born Davis Heppenstall, spoke to us the week by phone from her home in Chicago.

WASHINGTON BLADE: What was it like having to wait from the time you wrapped taping to finding out who won?

NAOMI SMALLS: I was nervous but I think I was more nervous finding out who made the top three because we filmed that last year. … For us, it was different because we were kind of walking on eggshells. The other girls got to know how they did when they left and so they all knew when their bad episode was going to be, but for Bob, Kim Chi and I, we were all nervous.

BLADE: You don’t find out who wins until the episode actually airs, so where did you watch it?

NAOMI: They have a crowning and coronation in New York and Kim, Bob and I were all watching it live. It was our first time finding out who was going to win. I had a feeling it was going to be Bob, so I wasn’t super super surprised. But we were happy to be there and see his reaction in person.

BLADE: How did he react?

NAOMI: Well of course he started crying. It’s the biggest moment of his life. I’m glad Kim and I got to be there for him. The three of us are actually really good friends. So any of us would have had the same reaction no matter who won.

BLADE: It was such a shock the night Ru sent both Dax and Laila home. What did it feel like when it was actually happening?

NAOMI: When I was watching it live, I didn’t think either of them were doing very good. It was a surprise that it was so early in the competition and she was sending two people home, but it was probably the right decision.

BLADE: How do they keep you all from seeing each other back stage when you walk into the work room for the first time?

NAOMI: Well all come from the hotel in separate vans one by one and we all go there and wait in a holding room. Like a very small room with a mirror and snacks. Then they just tell you when it’s your time to go in and you don’t see any of the other queens. We’re all in these closed-off rooms until everyone walks in.

BLADE: So you have to get ready at the hotel?

NAOMI: Yes.

BLADE: What did it feel like walking into the work room for the first time?

NAOMI: I was nervous but also really excited. It’s like this surreal moment after seeing it on TV for so many years. I really wanted to be part of it but I was also nervous to see who else was going to be there and if the other queens would be easy to get along with.

BLADE: Derrick was so nasty to you. Like she was going out of her way to pick a fight, especially the last episode she was on. Was that really how it felt at the time or did they edit it all together to seem nastier than it really was?

NAOMI: I wouldn’t say worse than it really was. I just think some people make for really good TV. Derrick is a really good friend but he’s also very good at turning it on for television. I wouldn’t say the producers had anything to do with editing it any certain way. It’s more of how Derrick’s personality comes across on television when he turns it on.

BLADE: So she’s not so confrontational when the camera’s not rolling?

NAOMI: Oh for sure. Not so loud.

BLADE: Acid Betty was such a bitch too, and I thought initially she would go a lot further. Do you think Ru takes the nastiness into consideration when sending them home or is it really just how good you are?

NAOMI: I always think of it as kind of a “Big Brother” thing where Ru is always watching and if maybe you get some news back from an assistant or producer that someone’s not giving their all or grateful to be there, I think that may come into consideration when it comes to the judging. I think you should just treat people the way you want to be treated and don’t be an asshole.

BLADE: But then it turned out that Betty had reached out to Cynthia when she was sick, so I guess she has a soft side too.

NAOMI: I think certain people get into a certain mindset when they’re in a competition. They could be the sweetest person but once you’re in a room pitted against 12 other people, they go into competition mode and you forget about the way to treat people.

BLADE: You seemed one of the nicest queens this season, though. Is that just your personality?

NAOMI: I grew up in a big family so I’m good with treating people the way I want to be treated. Unless someone comes for me, I’m not going to come for them.

BLADE: When you all saw all the kimonos coming out for the Madonna episode and realized almost everybody was doing “Nothing Really Matters,” why didn’t some of you switch gears? Was it too late? Were you all thinking, “Oh shit?”

NAOMI: When you get called for the show, you only have two weeks to prepare so once we got there and we found out who everyone’s Madonna look was, we were all freaking out. I actually think there were three other kimonos from the girls who went home before that challenge. I think Naysha, Laila, I think Dax and I want to say maybe even Cynthia were all planning that too, but there’s not really much you can do because you don’t find out the runway category until the day before. So yeah, trust me, I definitely regret doing that runway.

BLADE: So they did tell you to bring a Madonna look before you left home?

NAOMI: We knew there was a Madonna category, we just didn’t know what everyone else was going to do. Everyone was trying to be original, picking something not super obvious, but it just didn’t pan out very well.

BLADE: So that was just a huge coincidence?

NAOMI: I didn’t really know that many Madonna references. Just “Music” and “Hung Up,” so I thought, “Oh, I’ll do dark-hair Madonna, no one else is going to do that.” And it bit me in the butt.

BLADE: How tall are you out of drag?

NAOMI: 6’, 4”

BLADE: You often go without boobs in your drag. Is that like a little genderfuck thing or what?

NAOMI: I always grew up lusting over the ‘90s supermodels who were bone thin with like no tits and no hips and that’s what I kind of based my drag off of. It’s just proportion to me. I’ve worn the pads, I’ve worn the boobs, but it just doesn’t really work for me. I like my look the way it is. I never try to be androgynous or genderfuck. I just think it suits my look and my silhouette better.

BLADE: What are you planning for Capital Pride?

NAOMI: I’m actually really excited to do it. I didn’t know ’til today that it was with Bob on Saturday, so that’s going to be a blast. I’m just excited. I love Pride. It’s the best energy you ever have when you’re performing because everyone’s just there and proud to be who they are so I’m just excited to be there with everybody who’s celebrating.

BLADE: Usually the episode before the finale is highlights with the past queens commenting. Did they not do that this year?

NAOMI: I don’t think they did. Yeah, like a recap episode. I didn’t see it.

BLADE: Had you seen (season seven winner) Violet’s gown before she came out at the finale? Oh my God, that dress!

NAOMI: I saw the dress rehearsal but I didn’t see the full-on with makeup and all that amazingness until she came out. I was just as gagged as everybody else.

BLADE: Was that amazing or what?

NAOMI: I think it’s like the most legendary look that’s ever been on “RuPaul’s Drag Race” period. All seasons. It was amazing.

BLADE: Do you know Violet at all?

NAOMI: The first time I really got to meet her was at the finale but I looked up to Violet ever since she was on the show. So getting the chance to hang out with her and pick her brain a little was just really nice. She’s one of the sweetest queens. I think very highly of her.

BLADE: Where do you even get a dress like that?

NAOMI: I think somebody who mades a lot of her clothes made it but I don’t know his name.

BLADE: Were you intimidated to be in the group photo with all the past queens at the beginning of your season?

NAOMI: It sounds cocky, but once I found out I had to do a photo shoot, I was like super happy about it. I love being in front of the camera and taking photos so I wasn’t super intimidated by the other queens.

BLADE: Did you get to say anything to them or was it just like shoot, on with the next girl?

NAOMI: Just shoot and on to the next girl. I’ve worked with Raja and Sharon (Needles) before and they’re all very nice. So I wasn’t too scared.

BLADE: How do they make the commentary seem like it’s happening as the show is unfolding? Obviously you can’t really be commenting in real time. Is that just really good editing?

NAOMI: We do our interviews at the end of the week and we’re supposed to keep a journal but it’s really hard to do that because when you get back to the hotel, you’re so tired after filming you just want to go to bed. You don’t really want to stay up all night writing in a journal. But after you do the first round, you kind of get used to it.

BLADE: They always make it seem so nerve wracking and like you’re so pressed for time but then you see something like Kim Chi gluing a lotus blossom headpiece together blossom by blossom so you obviously have time to do something painstaking like that. Is it really as big a time crunch as they make it seem?

NAOMI: It’s definitely nerve wracking. You guys pretty much see all the time we have to work on things. We might get like an extra hour and a half. But yeah, it’s definitely not an easy competition.

BLADE: Is it about what you thought it would be or easier or harder?

NAOMI: It was about what I thought it would be. I knew it was going to be very stressful and there’s no way you can really prepare for it. It just kind of happens.

BLADE: Who was your favorite celebrity guest judge?

NAOMI: Probably Marc Jacobs. He’s just so legendary. So a chance to get critiqued by him was such an honor, especially on a design challenge. That was awesome.

BLADE: Do weirdos and stalkers come out of the woodwork once you’ve been on the show?

NAOMI: Most people have been pretty respectful. The only thing that’s annoying is drunk people at the clubs but that’s at every single club. You can’t really avoid that.

BLADE: What’s your type? Who’s a celeb who would be a good reference point for the type you like?

NAOMI: I like guys like Hugh Jackman or Jake Gyllenhaal.

BLADE: Are you seeing anyone?

NAOMI: Dating, but nothing like boyfriend status.

BLADE: So you like guys who are different from you?

NAOMI: My motto is if you’re cute, you’re cute. If you’re attracted to someone, you’re attracted to them no matter if they fit your type.

BLADE: Was there anybody you felt went home too soon?

NAOMI: I would say Laila is one of the most amazing performers and makeup artists I ever met. I would have loved to have gotten to know her better while she was on the show. I don’t think her personality really got a chance to shine. She’s super funny and super bubbly and just hilarious and I think the fans would have loved to have seen that.

BLADE: Do you think the judges are ever too harsh in their assessments?

NAOMI: I think they’re very accurate. They tell you exactly what you need to do. … They give it to you 100 percent, especially Michelle (Visage). I think she’s one of the best people to be in that position. She doesn’t say anything to bring you down.

BLADE: What did it feel like with your glam Scarecrow look when Ross said, “This is how you win this competition.”

NAOMI: Up until that moment, I still didn’t know if I’d done well that week, so when he said that, it was like this huge load off my shoulders. I was still scared I might be in the bottom two again, so it was a nice stamp of approval.

BLADE: That episode was such a turning point for you. Is that what you had planned for that look all along?

NAOMI: I had planned something a little shorter, a little leggier … but when Ru came around and was like, “The judges want to see something different from you,” that put off a lightbulb in my head that I should step it up, so I really wanted to put all my energy into that one because I’d been in the bottom two the week before. There was a lot of pressure to get it together.

BLADE: The fans seem really divided on Kim Chi. Some people were saying they couldn’t believe she was still in it, she can’t even walk and so on, but others thought she was just brilliant at painting and there was so much depth and nuance. What do you think of her drag?

NAOMI: I’m a huge fan of Kim and even before the show. So to see this beautiful image and this quirk of like, I can’t even walk in heels, I’m a big nerd,” is just so lovable and I think the audience gets that too. We all have our strengths. I can’t get on a stage and entertain a crowd like Bob can, I can’t create portraits like Kim can but I can do things they can’t do, so it’s all different skill sets and I think that’s amazing.

Naomi Smalls interview, gay news, Washington Blade

Naomi Smalls (Photo courtesy of Neverland Events)

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Music & Concerts

Musical icons and newer stars to rock D.C. this spring

Brandi Carlile, Bad Bunny, Nicki Minaj, and more headed our way

Published

on

Brandi Carlile plays the Anthem this month.

Bands and solo artists of all different genres are visiting D.C. this spring. Patti LaBelle and Gladys Knight will team up to perform at the Wolf Trap in June, and girl in red will play at the Anthem in April. Some artists and bands aren’t paying a visit until the summer, like Janet Jackson and Usher, but there are still plenty of acts to see as the weather warms up. 

MARCH 

Brandi Carlile plays at the Anthem on March 21; Arlo Parks will perform at 9:30 Club on March 23; Girlschool will take the stage at Blackcat on March 28.

APRIL 

Nicki Minaj stops in D.C. at Capital One Arena as part of her North American tour on April 1; Bad Bunny plays at Capital One Arena on April 9 as part of his Most Wanted tour; girl in red performs at the Anthem on April 20 and 21; Brandy Clark plays at the Birchmere on April 25; Laufey comes to town to play at the Anthem on April 25 and 26. 

MAY 

Belle and Sebastian play at the Anthem on May 2; Chastity Belt performs at Blackcat on May 4; Madeleine Peyroux stops at the Birchmere on May 5; The Decemberists play at the Anthem on May 10; the rock band Mannequin Pussy performs at the Atlantis on May 17 and 18; Hozier plays at Merriweather Post Pavilion on May 17 as part of the Unreal Unearth tour. 

JUNE 

Patti LaBelle and Gladys Knight will sing soulful melodies at Wolf Trap on June 8; Joe Jackson performs at the Lincoln Theatre on June 10; the Pixies and Modest Mouse are teaming up to play at Merriweather Post Pavilion on June 14; Maggie Rogers plays at Merriweather Post Pavilion on June 16 as part of The Don’t Forget Me tour; Brittany Howard headlines the Out & About Festival at Wolf Trap on June 22; Sarah McLachlan plays at Merriweather Post Pavilion on June 27; Alanis Morissette performs at Merriweather Post Pavilion on June 29 and 30

Continue Reading

Music & Concerts

Grammys: Queer women and their sisters took down the house

Taylor Swift won Album of the Year

Published

on

When the late, great Ruth Bader Ginsburg was asked when there will be enough women on the Supreme Court, her answer was simple: Nine. She stated: “I say when there are nine, people are shocked. But there’d been nine men, and nobody’s ever raised a question about that.” RBG did not attend the Grammy’s last night, but her spirit sure did. Women, at long last, dominated, ruled and killed the night.

Cher, in song a decade ago, declared that “this is a woman’s world,” but there was little evidence that was true, Grammy, and entertainment awards, speaking. In 2018, the Grammys were heavily criticized for lack of female representation across all categories and organizers’ response was for women to “step up.”

Be careful what you wish for boys.

The biggest star of the 2024 Grammys was the collective power of women. They made history, they claimed legacy and they danced and lip sang to each other’s work. Standing victorious was Miley Cyrus, Billie Eilish, SZA (the most nominated person of the year), Lainey Wilson, Karol G, boygenius, Kylie Minogue and Victoria Monét. Oh, yes, and powerhouse Taylor Swift, the superstar from whom Fox News cowers in fear, made history to become the first performer of any gender to win four Best Album of the Year trophies.

In the throng of these powerful women stand a number of both LGBTQ advocates and queer identifying artists. Cyrus has identified as pansexual, SZA has said lesbian rumors “ain’t wrong,” Phoebe Bridgers (winner of four trophies during the night, most of any artist) is lesbian, Monét is bi and Eilish likes women but doesn’t want to talk about it. Plus, ask any queer person about Swift or Minogue and you are likely to get a love-gush.

Women power was not just owned by the lady award winners. There were the ladies and then there were the Legends. The first Legend to appear was a surprise. Country singer Luke Combs has a cross-generational hit this year with a cover of Tracy Chapman’s “Fast Car.” When originally released, the song was embraced as a lesbian anthem. When performing “Fast Car,” surprise, there was Chapman herself, singing the duet with Combs. The rendition was stunning, sentimental and historic.

Chapman, like many of the night’s female dignitaries, has not been public with her sexuality. Author Alice Walker has spoken of the two of them being lovers, however.

The legend among legends of the night, however, was the one and only Joni Mitchell. Not gay herself, she embodies the concept of an LGBTQ icon, and was accompanied by the very out Brandi Carlile on stage. On her website, Mitchell’s statement to the LGBTQ community reads, “The trick is if you listen to that music and you see me, you’re not getting anything out of it. If you listen to that music and you see yourself, it will probably make you cry and you’ll learn something about yourself and now you’re getting something out of it.”

Mitchell performed her longtime classic “Both Sides Now.” The emotion, insight and delivery from the now 80-year old artist, survivor of an aneurism, was nothing short of profound. (To fully appreciate the nuance time can bring, check out the YouTube video of a Swift lookalike Mitchell singing the same song to Mama Cass and Mary Travers in 1969.) In this latest rendition, Mitchell clearly had an impact on Meryl Streep who was sitting in the audience. Talk about the arc of female talent and power.

That arc extended from a today’s lady, Cyrus, to legend Celine Dion as well. Cyrus declared Dion as one of her icons and inspirations early in the evening. Dion appeared, graceful and looking healthy, to present the final, and historic, award of the night at the end of the show.

Legends did not even need to be living to have had an effect on the night. Tributes to Tina Turner and Sinead O’Conner by Oprah, Fantasia Barrino-Taylor and Annie Lennox respectively, proved that not even death could stop these women. As Lennox has musically and famously put it, “Sisters are doing it for themselves.”

Even the content of performances by today’s legends-in-the-making spoke to feminine power. Eilish was honored for, and performed “What Was I Made For?,” a haunting and searching song that speaks to the soul of womanhood and redefinition in today’s fight for gender rights and expression, while Dua Lipa laid down the gauntlet for mind blowing performance with her rendition of “Houdini” at the top of the show, Cyrus asserted the power of her anthem “Flowers” and pretty much stole the show.

Cyrus had not performed the song on television before, and only three times publicly. She declared in her intro that she was thrilled over the business numbers the song garnered, but she refused to let them define her. As she sang the hit, she scolded the audience, “you guys act like you don’t know the words to this song.” Soon the woman power of the room was singing along with her, from Swift to Oprah.

They can buy themselves flowers from now on. They don’t need anyone else. Cyrus made that point with the mic drop to cap all mic drops, “And I just won my first Grammy!” she declared as she danced off stage.

Even the squirmiest moment of the night still did not diminish the light of women power, and in fact, underscored it. During his acceptance of the Dr. Dre Global Impact Award, Jay-Z had a bone to pick with the Grammy voters. He called out the irony that his wife Beyoncé had won more Grammys than any other human, but had never won the Best Album of the Year. Yeah, what’s with that?

But then, it brought additional context ultimately to the fact that the winner of the most Grammys individually … is a woman. And to the fact that the winner of the most Best Album of the Year awards … is a woman.

Hopefully this was the night that the Grammys “got it.” Women are the epicenter of The Creative Force.

Will the other entertainment awards get it soon as well? We can hope.

Most importantly, in a political world where women’s healthcare is under siege. Will the American voters get it?

A little known band named Little Mix put it this way in their 2019 song “A Woman’s World.”

“If you can’t see that it’s gotta change
Only want the body but not the brains
If you really think that’s the way it works
You ain’t lived in a woman’s world

Just look at how far that we’ve got
And don’t think that we’ll ever stop…”

From Grammy’s mouth to the world’s ear.

Continue Reading

Music & Concerts

Janet Jackson returning to D.C, Baltimore

‘Together Again Tour’ comes to Capital One Arena, CFG Bank Arena

Published

on

Janet Jackson is coming back to D.C. this summer.

Pop icon Janet Jackson announced this week an extension of her 2023 “Together Again Tour.” A new leg of the tour will bring Jackson back to the area for two shows, one at D.C.’s Capital One Arena on Friday, July 12 and another at Baltimore’s CFG Bank Arena on Saturday, July 13.  

Tickets are on sale now via TicketMaster. LiveNation announced the 2023 leg of the tour consisted of 36 shows, each of which was sold out. The 2024 leg has 35 stops planned so far; R&B star Nelly will open for Jackson on the new leg. 

Jackson made the tour announcement Tuesday on social media: “Hey u guys! By popular demand, we’re bringing the Together Again Tour back to North America this summer with special guest Nelly! It’ll be so much fun!”

Continue Reading
Advertisement
Advertisement

Sign Up for Weekly E-Blast

Follow Us @washblade

Advertisement

Popular