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Thousands brave heat for pride parade, festival

Mayor, ten Council members march in parade

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With the U.S. Capitol as a dramatic backdrop, tens of thousands of LGBT people and their friends and families jammed Pennsylvania Avenue on Sunday for the District of Columbia’s 36th annual Capital Pride festival.

One day earlier, D.C. Mayor Vincent Gray and ten members of the 13-member D.C. City Council joined dozens of LGBT groups, colorful floats, marching bands, and thousands of individual marchers in the annual Capital Pride Parade, which snaked its way along city streets lined with thousands of spectators.

Gray also spoke at Sunday’s festival before introducing the day’s lead entertainer, Broadway actress and singer Jennifer Holliday, who debuted her new single “Magic,” marking the song’s word premiere.

Although city officials and police no longer provide official crowd estimates for large-scale events, Capital Pride organizers said they believe between 200,000 and 250,000 people turned out for the parade and festival.

“Everything was absolutely fantastic,” said Capital Pride spokesperson Scott Lusk. “All of our community partners and volunteers and attendees showed up in great numbers and with great enthusiasm. It was an absolute fantastic weekend.”

Eighteen-year-old Tiffany Johnson from Southeast D.C., who stood with a group of friends near the festival’s main stage just before Holliday began her performance, said this year’s festival represented the first time she had ever attended Capital Pride.

“It’s just awesome,” she said. “It’s just so great to be able to come out to something like this.”

Angelo Jimenez, 54, a resident of Richmond, Va., said this year’s festival marked the 31st consecutive year he has traveled to D.C. to attend the city’s Pride festival.

“I came for the first time in 1980 and haven’t missed a single year,” he said. “That tells you how much this means to me.”

Other festival attendees who approached the Blade’s booth identified themselves as residents of states up and down the mid Atlantic region as well as from the D.C. metropolitan area.

Gray and a contingent of city officials, including gay activist Jeffrey Richardson, director of the city’s Office of GLBT Affairs, walked along Saturday the entire parade route, which began at 22nd and P Streets, N.W., near Dupont Circle, and ended nearly two miles later at 14th and N Streets, N.W., near Thomas Circle.

Most of the Council members, including gay Council members David Catania (I-At-Large) and Jim Graham (D-Ward 1), also walked or rode in cars along the full parade route.

The other Council members participating in the parade included Council Chair Kwame Brown (D-At-Large) and Council members Phil Mendelson (D-At-Large), Michael Brown (I-At-Large), Vincent Orange (D-At-Large), Jack Evans (D-Ward 2), Mary Cheh (D-Ward 3), Muriel Bowser (D-Ward 4), and Tommy Wells (D-Ward 6).

Gray had invited the Council members to join his contingent, which he named the “D.C. 41,” in recognition of the 41 city officials and activists, including Gray and six Council members, who were arrested in April outside a Senate office building near the Capitol in a protest against congressional intrusion in D.C. affairs.

But most of the Council members chose to march or ride in their own contingents just behind the mayor’s contingent.

Following closely behind the D.C. elected officials’ contingents was Adam Ebbin, the openly gay member of the Virginia House of Delegates from Alexandria, who is running for a seat in the Virginia Senate.

The parade was led by an escort of D.C. police cars staffed by members of the department’s Gay and Lesbian Liaison Unit.

Following closely behind the police escort was a contingent of leaders and supporters of the Trevor Project, a nationally recognized organization that works to prevent LGBT teen suicide. Capital Pride selected the Trevor Project contingent as the parade’s grand marshal.

A D.C. Public Schools contingent was among the parade contingents that attracted considerable attention and drew loud applause throughout the parade route. It included teachers, parents, and elementary school kids, with some waving rainbow flags.

Similar to past years, D.C.’s Different Drummers, the city’s LGBT marching band, and the Lesbian and Gay Big Apple Corps Marching Band of New York City marched and performed in the parade.

Capital Pride organizers said they were especially pleased with the wide diversity of groups and vendors that participated in both the parade in festival. In addition to a large number of national and local LGBT organizations, such as the Human Rights Campaign, the National Gay & Lesbian Task Force, the Gertrude Stein Democratic Club, and the Gay & Lesbian Activists Alliance, LGBT oriented religious, sports, and social groups participated in both event, organizers said.

A number of the city’s gay bars and nightclubs also had colorful floats in the parade. Bathing suit clad men danced to music blaring from a float from Nellie’s Sport Bar. Drag performers and male go-go dancers in bathing suites also danced to music broadcast from loud speakers atop two large flatbed trucks that made up the float for Ziegfeld’s-Secrets, the gay club in Southwest D.C. that features drag shows and male strippers.

A number of new commercial and corporate venders participated in this year at the festival, according to Capital Pride officials. Among them were the Saab automobile company and Macy’s department stores. Both were among this year’s Capital Pride corporate sponsors.

Among some of the others displaying their information at festival booths were the Goddard Space Flight Center Gay, Lesbian, Bisexual and Transgender Advisory Committee; the Corcoran Gallery of Art and College of Art; the Gay-Straight Alliance of Montgomery Blair High School in Montgomery County, Md.; the Embassy of Sweden; Amtrak; the Capital Cat Clinic; the D.C. Office of Human Rights and D.C. Child and Family Services Agency.

Capital Pride board president Michael Lutz said this year’s festival included expanded family related activities, with a special family section that provided children’s games and children’s entertainment.

The Washington Nationals Baseball Team also had a presence at the festival, with at least one of its “racing presidents,” actors dressed as past U.S. president with oversized puppet-like heads, walking through the festival grounds.

The Nationals are hosting the annual LGBT “Night Out at the Nationals” game on June 21, which is sponsored by the local LGBT sports group Team D.C.

Capital Pride officials have said it costs about $500,000 to put on the annual D.C. pride events, including the parade and festival. Lutz said contributions from corporate sponsors, at least 25 local and national LGBT and LGBT-supportive organizations who sign on as Pride Community Partners, and fundraising events generate the funds needed to pay for Capital Pride.

“We’re in great shape financially,” said Lutz, who noted that a full accounting of the group’s finances is released each year after an independent accountant completes the bookkeeping process.

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Theater

Ford’s ‘First Look’ festival showcases three new productions

A chance to enjoy historical dramas for free before they’re completed

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José Carrasquillo, director of Artistic Programming at Ford's Theatre (Photo by Paolo Andres Montenegro)

The Ford’s Theatre Legacy Commissions: A First Look – 2026
Jan. 16 & 17
Ford’s Theatre
511 Tenth St., N.W.
FREE
Fords.org

When Ford’s Theatre debuted its new plays festival, “A First Look,” in 2023, it was unclear whether people would come for the staged readings. 

“Before the pandemic if you announced the reading of a play, 12 people might show up,” says José Carrasquillo, director of artistic programming at Ford’s Theatre. “Since then, we’ve experienced comparatively massive turnout. Maybe because it’s cheap, or because of the very newness of the works.”

This year’s fourth edition showcases readings of three pieces currently in varied stages of development. The free, two-day festival offers audiences a chance to encounter historical dramas long before they’re completed and fully produced. None are finished, nor have they been read publicly. And befitting the venue’s provenance, the works are steeped in history.

The festival kicks off with “Springs” by playwright Jeanne Sakata and directed by Jessica Kubzansky. Commissioned by The Ford’s Theatre Legacy Commissions, it’s the both epic and personal story of Sakata’s Japanese American family including her grandfather’s experience in an internment camp. 

“Sakata’s immigrant grandfather was an exceptionally skilled farmer who helped to stave off starvation in the camp. Still, he never gave up on the idea that he belonged in America. It’s very much a story of today,” says Carrasquillo. 

Unlike “Springs,” the festival’s two other works weren’t commissioned by Ford’s. But they both fit the history brief and likely will benefit from the exposure and workshopping. 

“Providence Spring,” by California based playwright Richard Helesen and directed by Holly Twyford, portrays Clara Barton (played by local favorite Erin Weaver) as a hero beyond the Red Cross whose then-radical initiatives included cataloguing the Civil War dead, many pulled from mass graves. 

Directed by Reginald L. Douglas, “Young John Lewis: Prodigy of Protest” explores a slice from the life of the legendary civil rights activist and longtime congressman. With book and lyrics by Psalmayene 24 and music by Kokayi this collaboratively staged reading between Ford’s and Mosaic Theater is slated to premiere fully produced at Mosaic as a 90-minute musical in the spring of 2026. 

“When I was hired at Ford’s in 2018, we began discussing hiring writers who do historical drama,” says Carrasquillo. “Our intention was resolute, but we didn’t do it right away. It took getting through the pandemic to revisit the idea.” 

At the same time, the racial reckoning spurred Ford’s to hire playwrights of color to tell stories that had previously been forgotten or ignored. 

For Carrasquillo, who is gay, the impulse to commission was crystalized when he saw the film “Hidden Figures,” a true story about “three brilliant African-American women — at NASA during the Space Race, overcoming racial and gender discrimination to make crucial contributions to America’s spaceflight success.” He says, “the film floored me. How many stories like this are there that we don’t know about?”

One of the festival’s happiest experiences, he adds, was the commission of playwright Chess Jakobs’s “The American Five” and its subsequent success. It’s the story of Martin Luther King Jr. and his inner circle, including Bayard Rustin (MLK’s brilliant, unsung gay adviser) leading up to the 1963 March on Washington. The play later premiered fully produced in Ford’s 2025 season. 

Increasingly, the readings at Ford’s have become popular with both artists and audiences. 

At Ford’s, Carrasquillo wears many hats. In addition to selecting plays and organizing workshops, he serves as an in-house dramaturg for some of the nascent works. But he’s not alone. Also helming the festival are senior artistic advisor Sheldon Epps, and The Ford’s Theatre Legacy Commissions advisor Sydné Mahone. 

Because the plays are in development, comments from directors, dramaturgs, and the audience are considered and may become part of the playwrights’ rewrites and changes. If and when the play resurfaces fully produced, audience members might find their suggestion in the completed work. 

Is this year’s festival queer influenced? Yes, both by those involved and the topics explored. 

Carrasquillo explains, “While Sakata’s “Springs” is primarily about immigration, its message is relevant to the queer community. Civil rights are being taken away from us. We need this playwright’s story to know what has happened and what can happen to any of us. 

“Many of Ford’s legacy commissions underscore the importance of civil rights in our country and that’s important to all of us. Queer and not queer.”

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Bars & Parties

Mid-Atlantic Leather kicks off this week

Parties, contests, vendor expo and more planned for annual gathering

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A scene from the 2025 Mr. Mid-Atlantic Leather competition. (Washington Blade file photo by Michael Key)

The Mid-Atlantic Leather Weekend will begin on Thursday, Jan 15.

This is an annual three-day event in Washington, D.C., for the leather, kink, and LGBTQ+ communities, featuring parties, vendors, and contests.

There will be an opening night event hosted the evening of Thursday, Jan. 15. Full package and three-day pass pickup will take place at 5:30 p.m. at Hyatt Capitol B. There will also be “Kinetic Dance Party” at 10 p.m. at District Eagle. 

For more details, visit MAL’s website

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Photos

PHOTOS: ‘ICE Out For Good’

Demonstrators protest ICE across country following shooting

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D.C. shadow representative Oye Owolewa speaks at a rally outside of the White House on Saturday, Jan. 10. (Washington Blade photo by Michael Key)

A protest was held outside of the White House on Saturday following the killing of Renee Nicole Good by a U.S. Immigration and Customs Enforcement agent in Minneapolis. Across the Potomac, picketers held signs calling for “Justice for Renee” in Tysons, Va.

“ICE Out For Good” demonstrations were held in cities and towns across the country, according to multiple reports. A march was held yesterday in Washington, D.C., as the Blade reported. Further demonstrations are planned for tomorrow.

(Washington Blade photos by Michael Key)

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