Arts & Entertainment
Thousands brave heat for pride parade, festival
Mayor, ten Council members march in parade
With the U.S. Capitol as a dramatic backdrop, tens of thousands of LGBT people and their friends and families jammed Pennsylvania Avenue on Sunday for the District of Columbia’s 36th annual Capital Pride festival.
One day earlier, D.C. Mayor Vincent Gray and ten members of the 13-member D.C. City Council joined dozens of LGBT groups, colorful floats, marching bands, and thousands of individual marchers in the annual Capital Pride Parade, which snaked its way along city streets lined with thousands of spectators.
Gray also spoke at Sunday’s festival before introducing the day’s lead entertainer, Broadway actress and singer Jennifer Holliday, who debuted her new single “Magic,” marking the song’s word premiere.
Although city officials and police no longer provide official crowd estimates for large-scale events, Capital Pride organizers said they believe between 200,000 and 250,000 people turned out for the parade and festival.
“Everything was absolutely fantastic,” said Capital Pride spokesperson Scott Lusk. “All of our community partners and volunteers and attendees showed up in great numbers and with great enthusiasm. It was an absolute fantastic weekend.”
Eighteen-year-old Tiffany Johnson from Southeast D.C., who stood with a group of friends near the festival’s main stage just before Holliday began her performance, said this year’s festival represented the first time she had ever attended Capital Pride.
“It’s just awesome,” she said. “It’s just so great to be able to come out to something like this.”
Angelo Jimenez, 54, a resident of Richmond, Va., said this year’s festival marked the 31st consecutive year he has traveled to D.C. to attend the city’s Pride festival.
“I came for the first time in 1980 and haven’t missed a single year,” he said. “That tells you how much this means to me.”
Other festival attendees who approached the Blade’s booth identified themselves as residents of states up and down the mid Atlantic region as well as from the D.C. metropolitan area.
Gray and a contingent of city officials, including gay activist Jeffrey Richardson, director of the city’s Office of GLBT Affairs, walked along Saturday the entire parade route, which began at 22nd and P Streets, N.W., near Dupont Circle, and ended nearly two miles later at 14th and N Streets, N.W., near Thomas Circle.
Most of the Council members, including gay Council members David Catania (I-At-Large) and Jim Graham (D-Ward 1), also walked or rode in cars along the full parade route.
The other Council members participating in the parade included Council Chair Kwame Brown (D-At-Large) and Council members Phil Mendelson (D-At-Large), Michael Brown (I-At-Large), Vincent Orange (D-At-Large), Jack Evans (D-Ward 2), Mary Cheh (D-Ward 3), Muriel Bowser (D-Ward 4), and Tommy Wells (D-Ward 6).
Gray had invited the Council members to join his contingent, which he named the “D.C. 41,” in recognition of the 41 city officials and activists, including Gray and six Council members, who were arrested in April outside a Senate office building near the Capitol in a protest against congressional intrusion in D.C. affairs.
But most of the Council members chose to march or ride in their own contingents just behind the mayor’s contingent.
Following closely behind the D.C. elected officials’ contingents was Adam Ebbin, the openly gay member of the Virginia House of Delegates from Alexandria, who is running for a seat in the Virginia Senate.
The parade was led by an escort of D.C. police cars staffed by members of the department’s Gay and Lesbian Liaison Unit.
Following closely behind the police escort was a contingent of leaders and supporters of the Trevor Project, a nationally recognized organization that works to prevent LGBT teen suicide. Capital Pride selected the Trevor Project contingent as the parade’s grand marshal.
A D.C. Public Schools contingent was among the parade contingents that attracted considerable attention and drew loud applause throughout the parade route. It included teachers, parents, and elementary school kids, with some waving rainbow flags.
Similar to past years, D.C.’s Different Drummers, the city’s LGBT marching band, and the Lesbian and Gay Big Apple Corps Marching Band of New York City marched and performed in the parade.
Capital Pride organizers said they were especially pleased with the wide diversity of groups and vendors that participated in both the parade in festival. In addition to a large number of national and local LGBT organizations, such as the Human Rights Campaign, the National Gay & Lesbian Task Force, the Gertrude Stein Democratic Club, and the Gay & Lesbian Activists Alliance, LGBT oriented religious, sports, and social groups participated in both event, organizers said.
A number of the city’s gay bars and nightclubs also had colorful floats in the parade. Bathing suit clad men danced to music blaring from a float from Nellie’s Sport Bar. Drag performers and male go-go dancers in bathing suites also danced to music broadcast from loud speakers atop two large flatbed trucks that made up the float for Ziegfeld’s-Secrets, the gay club in Southwest D.C. that features drag shows and male strippers.
A number of new commercial and corporate venders participated in this year at the festival, according to Capital Pride officials. Among them were the Saab automobile company and Macy’s department stores. Both were among this year’s Capital Pride corporate sponsors.
Among some of the others displaying their information at festival booths were the Goddard Space Flight Center Gay, Lesbian, Bisexual and Transgender Advisory Committee; the Corcoran Gallery of Art and College of Art; the Gay-Straight Alliance of Montgomery Blair High School in Montgomery County, Md.; the Embassy of Sweden; Amtrak; the Capital Cat Clinic; the D.C. Office of Human Rights and D.C. Child and Family Services Agency.
Capital Pride board president Michael Lutz said this year’s festival included expanded family related activities, with a special family section that provided children’s games and children’s entertainment.
The Washington Nationals Baseball Team also had a presence at the festival, with at least one of its “racing presidents,” actors dressed as past U.S. president with oversized puppet-like heads, walking through the festival grounds.
The Nationals are hosting the annual LGBT “Night Out at the Nationals” game on June 21, which is sponsored by the local LGBT sports group Team D.C.
Capital Pride officials have said it costs about $500,000 to put on the annual D.C. pride events, including the parade and festival. Lutz said contributions from corporate sponsors, at least 25 local and national LGBT and LGBT-supportive organizations who sign on as Pride Community Partners, and fundraising events generate the funds needed to pay for Capital Pride.
“We’re in great shape financially,” said Lutz, who noted that a full accounting of the group’s finances is released each year after an independent accountant completes the bookkeeping process.
Arts & Entertainment
A reign defined by commitment and human impact
Nicole Murray Ramirez defined era in International Imperial Court System
Writing about the reign of Nicole Murray Ramirez and the close leadership of King Father Terry Sidie requires far more than listing achievements, because what has been built over these years cannot be reduced to titles, ceremonies, or public recognition. It must be understood as the result of a sustained vision rooted in service, memory, solidarity, and the real ability to build bridges within and beyond the LGBTQ community.
At this point, looking back and assessing this period means acknowledging that this was not just another chapter in the history of the International Imperial Court System. It was a time shaped by far-reaching initiatives, a clear commitment to concrete causes, and a style of leadership that moved confidently between symbolic representation and public action. In that context, Nicole Murray Ramirez’s announcement that her reign will conclude in February 2027, along with the coronation of the person who will assume the throne as the new Queen Mother of the Americas, should not be read simply as the end of an era, but as a moment to fully recognize what has been built while also understanding that a new chapter is about to begin.
One of the most defining aspects of this reign has been its understanding that visibility alone is not enough. Visibility matters, but it only becomes meaningful when it leads to action, support, and measurable change. That has been a consistent strength of the work led by Nicole Murray Ramirez alongside key figures such as Terry Sidie.
The Jose Nicole Terry Scholarship and Educational Fund reflects that commitment. Reaching $400,000 is significant, but what matters most is what that represents in terms of opportunity and access.
This leadership also prioritized historical memory through initiatives like the National LGBTQ Wall of Honor at the Stonewall Inn and the recognition of Jose Julio Sarria.
Efforts such as the Harvey Milk postage stamp, the USNS Harvey Milk, and multiple recognitions for Sarria reflect a sustained commitment to public recognition and justice.
International outreach, financial support to global causes, advocacy for transgender communities, and engagement with organizations beyond national borders further define this period.
The expansion into Canada and the opening of a new chapter that includes Puerto Rico highlight the evolving nature of this leadership. The upcoming June coronation marks an important step in that direction.
Acknowledging that the reign was not perfect does not weaken its legacy. It reinforces its authenticity.
This was not an individual effort. It was collective work supported by a broad network.
As the transition toward Feb. 5, 2027, continues, what remains is a legacy built on action, commitment, and responsibility.
Theater
Diverse cast tackles ‘Aguardiente’ at GALA Hispanic Theatre
Best friends rediscover their Caribbean heritage in new musical
‘Aguardiente: Where Magic Transcends Borders’
Through May 24
GALA Hispanic Theatre
3333 14th St., N.W.
$25–$65
Galatheatre.org
(surtitles in English and Spanish)
With its latest musical offering “Aguardiente: Where Magic Transcends Borders,” GALA Hispanic Theatre has cast its net wide in gathering a blend of talent including the production’s diverse 18-person cast.
Commissioned by GALA, the spanking new musical is about best friends Alberto and Alejandro (two New York writers from Puerto Rico and Colombia respectively). Together, within a short timeline under unrelenting pressure, they struggle to write the project musical of their dreams.
Along the way, the friends rediscover their Caribbean heritage through cumbia, bomba, currulao, and the magical realism of García Márquez.
Offstage, the work has been created by Luis Salgado (book), and Daniel Alejandro Gutiérrez (music), also respectively from Puerto Rico and Colombia. Multiple Helen Hayes Award-winning Salgado is directing and choreographing the GALA production.
In the role of Alejandro, out actor Sebastián Treviño is making his GALA debut opposite Samuel Garnica who plays librettist Alberto. Alejandro is the music composer who doesn’t come from a musical background. He’s simply a lover of Latin music.
Is Alejandro recognizably similar to Gutiérrez?
“Oh yeah,” says Treviño, 36. “Like Gutiérrez, Alejandro doesn’t necessarily follow musical theater rules and etiquette, and it’s his uniqueness that brings a spark to their partnership.
“I got to know him and Luis [Salgado] while touring with ‘On Your Feet!’ in 2022. You really get to know people by spending endless hours together on a bus.”
Language and voice are intertwined for Treviño, and fortunately for the amiable New York-based actor, he enjoys the challenge of a new way of speaking. To play Alejandro, it helps to sound Colombian.
As a native of Monterrey, Mexico, Spanish and Mexican dialects are Treviño’s first languages. He attended American school starting in kindergarten, consequently acquiring flawless English; and because his mother is Colombian, he is familiar with that accent too.
GALA Spanish speaking patrons can be a tough crowd. For instance, when a Mexican actor is playing a Cuban character, they know at once. And while they may embrace the performance and the production, there sometimes remains a niggling dislike for what feels a vocal inaccuracy.
“Since I’ve arrived in D.C., I’ve been practicing my Colombian accent at restaurants and other places. When a Spanish speaking server asks if I’m from Colombia, I know I’m doing something right.”
“Aguardiente” (translates as “Firewater”) is composed of several layers of reality. He explains: “First it’s us creating the show, the work, and all of those pressures and limitations that the industry places on Latino centered projects; and then there’s the fantasy layer.”
A talented tenor, his lengthy bio includes Mexico City (“Wicked,” “Rent”), Off Broadway (“Kowalski”) and North American national tours (“On Your Feet!”).
He says his “Aguardiente” solo specifically feels like ‘80s Latin rock. Also, he enjoys a fun medley number where they’re playing around with “Tropipop” (Colombian pop), classic Broadway sounds, and there’s even a Beatles moment.
In this show, we meet two determined friends, one is holding an American passport because he’s Puerto Rican, while the other, a Colombian, struggles to secure a visa.
“It’s not a stretch for me to relate to that. I’m here on a working visa, so I know all about the stress and costs that comes with that,” says Treviño.
“So much reflects their own story. That includes the setbacks and obstacles faced when trying to build something from very little, and writing about themes that aren’t considered mainstream to white American audiences.”
At just eight years old, Treviño saw “A Chorus Line” at Mont Tecnológico de Monterrey, the same college that he’d later attend. He remembers, “Seated in the second row, the young actors were rock stars to me. When I asked my father who loved the arts if one day I could perform onstage, he said yes, instantly his son’s new dream.”
Looking forward, is there a role he yearns to play? Treviño ponders the trite query with some seriousness before answering “I think it’s yet to be written.”
Books
New books reveal style trends for a more enlightened century
Guidelines that hint about gendering clothing are out
Books about Fashion and Style
By various authors
c.2026, various publishers
$19.95 – $29.95
Don’t look now, but your legs are showing.
It’s OK, it’s almost summertime and you want to show both skin and style. So how about a few hints for looking your best? Check out these great books and get stylin’.
Who says there are rules about fashion? Wearing white before Memorial Day is OK; socks with sandals not so much? Fine, but in “Bending the Rules: Fashion Beyond the Binary” by Camille Benda with Gwyn Conaway (Princeton Architectural Press, $29.95), you’ll see that any guidelines that hint about gendering clothing are oh-so-last century.
Along with lively, fun narrative, there are lots of photos in this book, ads for how clothing used to be worn along male-female lines, and short biographies of some of today’s best designers. Here, you can check out prom dresses from the 1950s and new haute couture gowns practically right off the runway – and see how one parallels with the other. The timeline reaches back centuries, so you get a nice idea of where certain kinds of clothing originated and how it’s relevant today – making what’s inside here perfect for browsing.
Pick up this book, in fact, and you might also pick up some ideas for filling your closet and creating your very own style.
The fashion you wear on your body isn’t all you’ll find in “Pretend to Be Fancy: A Field Guide to Style and Sophistication” by Whitney Marston Pierce (Chronicle Books, $19.95). You’ll also read about other nice things you can have.
So you’re not a pinky-in-the-air kind of person, whatever. You can easily hang with those who are, once you read and absorb this book.
Tongue-tied at fancy soirees? Not anymore, there are tips for talking here. What do you know about canapes, hors d’oeuvres, and the kind of foods you don’t get at the corner c-store? How do you make a charcuterie that everyone will Ooooooh over? And how do you give a gift for the person whose taste seems scads better than yours? That’s all in here, along with what to drink, how to dress, and how to make every corner of your home look like something right out of a high-end magazine.
Will this book make you chic? Possibly, yes. Will it help you get invited to all the best parties? Maybe, but for sure, it’ll make you laugh, it’ll make you feel fabulous, look fabulous, and live your best life with the surroundings you deserve. Out May 5, so put it on your list.
But let’s say you need more ideas. You have questions or thorny issues with fashion that you really need answering. That’s when you ask for a talented fashionista at your local bookstore or library, that knowledgeable someone knows books and knows how to get what you need to be your most dazzling, best-dressed, finest-appointed self in a home you can be proud of, with comfortable furniture that will be the envy of everyone who sees it.
In the meantime, grab the above titles, because these books got legs.
