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Calendar: Dec. 9

Parties, events, concerts and more through Dec. 15

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If you’re on Foursquare, make sure you’re following our “This Week” list to keep up with the week’s biggest events. You can follow the Blade too!

Dan Tepfer

Dan Tepfer plays the Mansion at Strathmore on Thursday. (Photo courtesy Strathmore.)

Friday, Dec. 9

The D.C. Center (1318 U St., N.W.) is having an opening for the exhibit “Juxtapositions” featuring photographs by queer artist P.B. Groszmann conveying the diversity of the LGBT experience tonight from 6 to 8 p.m. The exhibit will be on display through Jan. 2. For more information, visit thedccenter.org.

Siren returns after five months with a special holiday edition tonight at Green Lantern (1335 Green Court, N.W.) featuring DJs Majr, Madscience, Jeffrex and Donna. with an open rail vodka bar from 10 to 11 p.m. and $16 Smirnoff all-you-can-drink-all-night bracelets available until midnight. There’s a $6 cover for this 21-and-older event.

The American Ballet Theatre performs “The Nutcracker” today at the Kennedy Center (2700 F St., N.W.) at 1:30 p.m. Tickets range from $45 to $150 and can be purchased online at kennedy-center.org.

The Creative Alliance presents Victoria Vox and ellen cherrys tonight at the Patterson (3134 Eastern Ave.) in Baltimore at 8 p.m. Vox and cherrys play traditional holiday songs as well as originals. Tickets are $11 for members and $16 for general admission. To purchase tickets, visit creativealliance.org.

The Fridge (516 8th St., S.E.) is having an opening reception for a new exhibit, “Part and Parcel” tonight from 8 to 11 p.m. featuring works by Frank Adams, Chris Chen, Stephanie Kwak and more. Large works are on display with smaller pieces next to them wrapped in brown paper. Patrons will have the chance to purchase the larger work or take a chance on the smaller one. All wrapped works will remain covered until after they are purchased. For more information, visit thefridgedc.com.

Saturday, Dec. 10

The Kennedy Center (2700 F St., N.W.) presents Yvonne Caruthers giving a comprehensive history of “Messiah” performances throughout the years in “Searching for the Real Messiah” today at 2 p.m. Tickets are $15 and can be purchased online at kennedy-center.org.

Town (2009 8th St., N.W.) presents “Ice” tonight featuring DJ Hector Fonseca spinning and performances by The Dance Camp. There’s a $8 cover from 10 to 11 p.m. and $12 after 11. All attendees must be 21 or older.

The D.C. Rollergirls has a double header today at the D.C. Armory (2001 E. Capitol St., S.E.) with the Cherry Blossom Bombshells taking on the D.C. DemonCats in the first bout at 4 p.m. followed by the Majority Whips taking on the Scare Force One. Tickets are $12 for adults, $6 for kids ages 6 to 11 and free for those under 6. For more information and to purchase tickets, visit dcrollergirls.com.

S.h.e. productions presents ReHab, a monthly alternative dance party, featuring DJ Katrina tonight at Grand Central Disco and Sapphos (1001 N. Charles St.) in Baltimore. Doors open at 9 p.m. and there is a $5 cover for this 21-and-older event.

Mixtape D.C. is tonight at the Black Cat (1811 14th St., N.W.), a dance party for queer music lovers and their pals that features DJs Shea Van Horn and Matt Bailer playing an eclectic mix of electro, alt-pop, indie rock, house, disco, new wave and anything else danceable. There is a $10 cover for this event. Doors open at 9:30 p.m.

Sunday, Dec. 11

Black Cat (1811 14th St., N.W.) hosts “Rock-n-Shop,” a rock-and-roll garage sale with music by DJ Baby Alcatraz featuring everying from T-shirts to records and more. Doors open at 8 p.m. This is a free event.

Nellie’s (900 U St., N.W.) presents Drag Brunch hosted by Shi-Queeta Lee today at 11 a.m. with a $20 brunch buffet, then stick around and watch the Washington Redskins take on the New England Patriots or the Baltimore Ravens take on the Indiannapolis Colts today at 1 p.m.

National Symphony Orchestra Pops presents “The Perfect Gift” with the Canadian Tenors tonight at 7 p.m. at the Kennedy Center (2700 F St., N.W.) Tickets range from $20 to $85 and can be purchased online at kennedy-center.org.

Monday, Dec. 12

Busboys & Poets presents Monday night open mic poetry hosted by poet-in-residence Beny Blaq tonight at 8 p.m. in the Robeson room of its Shirlington location (4251 South Campbell Ave., Arlington). The list to perform is announced at 8 p.m. Wristbands are $4 and will be on sale starting at 10 a.m. in the Global Exchange store until sold out.

D.C.’s Gay Flag Football League presents Men’s Speed Dating tonight from 7 to 10 p.m. at Nellie’s (900 U St., N.W.). There’s a $15 cover with $3 drink specials. Check in begins at 6 p.m.

Tuesday, Dec. 13

The Kennedy Center (2700 F St., N.W.) presents the opening of its production of “Billy Elliot: The Musical” directed by Stephen Daldry and featuring music by Elton John, tonight at 7:30 p.m. Tickets range from $25 to $150 and can be purchased online at kennedy-center.org.

Busboys & Poets hosts a community meeting with Southern Poverty Law Center and Truth Wins Out to end “ex-gay” conversion therapy today at 6 p.m. in the Langston room of its 14th and V streets location (2021 14th Street, N.W.). Experts will be present to speak about the practice of conversion therapy and how to protect LGBT rights. RSVP is appreciated, but not required. Call 855-841-8356 or e-mail [email protected] for more information.

D.C. Bi Women will have its monthly dinner at Dupont Italian Kitchen (1637 17th St., N.W.) tonight from 7 to 9 p.m.

Wednesday, Dec. 14

Rainbow Response is holding its monthly meeting tonight at the D.C. Center (1318 U St., N.W.) from 7 to 8 p.m.

Cobalt (1639 R St., N.W.) is having its annual employee show tonight at 8 p.m. when the staff will act and sing on stage to show appreciation during the holiday season and there will be an open bar after the show.

Anti-Defamation League’s Young Professionals Division presents “Taking on Bullying”in the Paul Porter Room at Arnold & Porter, LLP (555 12th St., N.W.). This event will feature a keynote address from Russlynn Ali, Assistant Secretary for Civil Rights in the U.S. Department Education as well as testimonials from David Aponte, a student activist and former victim of bullying and more. RSVP is required as space is limited. For more information or to RSVP, e-mail [email protected].

Thursday, Dec. 15

Jazz pianist and Yamaha artist Dan Tepfer plays the Mansion at Strathmore (10701 Rockville Pike) in North Bethesda tonight at 7:30 p.m., premiering new works with his performance of “Goldberg Variations/Variations,” his solo album using Johann Sebastian Bach’s masterpiece, the “Goldberg Variations.” Tickets are $20 and can be purchased online at strathmore.org.

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Theater

Reggie White relishing first season as artistic director of Woolly Mammoth

First five shows a reminder that ‘pressure is a privilege’

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Reggie D. White (Photo by Ambe J. Williams)

Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.

White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.

A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.

White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?” 

Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor. 

“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.” 

WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?

REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real. 

BLADE: Are you curating the upcoming 2026–2027 season? 

WHITE: Yes, I am.  It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard. 

I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work. 

These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV. 

Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.

BLADE: As a queer artistic director, what makes you unique? 

WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.

I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].

BLADE: Will we see familiar faces?

WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work. 

BLADE: How do you think queer audiences will receive the season? 

WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.

Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.

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PHOTOS: Amsterdam Pride Canal Parade

Annual LGBTQ celebration held in Dutch city during World Pride

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A scene from the 2026 Amsterdam Pride Canal Parade. (Washington Blade photo by Michael Key)

Editor’s note: International News Editor Michael K. Lavers and Photo Editor Michael Key are on assignment in the Netherlands through Aug. 10.

AMSTERDAM — The 2026 Amsterdam Pride Canal Parade was held on Saturday, Aug. 1.

(Washington Blade photos by Michael Key and Michael K. Lavers)

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PHOTOS: Lambda Legal in the Pines

Fundraiser held at ‘Normal Heart’ house

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A scene from the 'Lambda Legal in the Pines' fundraiser on July 25. (Photo by Santiago Felipe)

The LGBTQ organization Lambda Legal held its annual “Lambda Legal in the Pines” fundraiser on Saturday, July 25. The event was held at a house on Fire Island featured in Ryan Murphy’s 2014 HBO film, “The Normal Heart.”

Organizers say over $500,000 was raised to support Lambda Legal’s national litigation and advocacy work.

(Photos by Santiago Felipe)

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