Arts & Entertainment
Calendar: Dec. 9
Parties, events, concerts and more through Dec. 15
If you’re on Foursquare, make sure you’re following our “This Week” list to keep up with the week’s biggest events. You can follow the Blade too!
Dan Tepfer plays the Mansion at Strathmore on Thursday. (Photo courtesy Strathmore.)
Friday, Dec. 9
The D.C. Center (1318 U St., N.W.) is having an opening for the exhibit “Juxtapositions” featuring photographs by queer artist P.B. Groszmann conveying the diversity of the LGBT experience tonight from 6 to 8 p.m. The exhibit will be on display through Jan. 2. For more information, visit thedccenter.org.
Siren returns after five months with a special holiday edition tonight at Green Lantern (1335 Green Court, N.W.) featuring DJs Majr, Madscience, Jeffrex and Donna. with an open rail vodka bar from 10 to 11 p.m. and $16 Smirnoff all-you-can-drink-all-night bracelets available until midnight. There’s a $6 cover for this 21-and-older event.
The American Ballet Theatre performs “The Nutcracker” today at the Kennedy Center (2700 F St., N.W.) at 1:30 p.m. Tickets range from $45 to $150 and can be purchased online at kennedy-center.org.
The Creative Alliance presents Victoria Vox and ellen cherrys tonight at the Patterson (3134 Eastern Ave.) in Baltimore at 8 p.m. Vox and cherrys play traditional holiday songs as well as originals. Tickets are $11 for members and $16 for general admission. To purchase tickets, visit creativealliance.org.
The Fridge (516 8th St., S.E.) is having an opening reception for a new exhibit, “Part and Parcel” tonight from 8 to 11 p.m. featuring works by Frank Adams, Chris Chen, Stephanie Kwak and more. Large works are on display with smaller pieces next to them wrapped in brown paper. Patrons will have the chance to purchase the larger work or take a chance on the smaller one. All wrapped works will remain covered until after they are purchased. For more information, visit thefridgedc.com.
Saturday, Dec. 10
The Kennedy Center (2700 F St., N.W.) presents Yvonne Caruthers giving a comprehensive history of “Messiah” performances throughout the years in “Searching for the Real Messiah” today at 2 p.m. Tickets are $15 and can be purchased online at kennedy-center.org.
Town (2009 8th St., N.W.) presents “Ice” tonight featuring DJ Hector Fonseca spinning and performances by The Dance Camp. There’s a $8 cover from 10 to 11 p.m. and $12 after 11. All attendees must be 21 or older.
The D.C. Rollergirls has a double header today at the D.C. Armory (2001 E. Capitol St., S.E.) with the Cherry Blossom Bombshells taking on the D.C. DemonCats in the first bout at 4 p.m. followed by the Majority Whips taking on the Scare Force One. Tickets are $12 for adults, $6 for kids ages 6 to 11 and free for those under 6. For more information and to purchase tickets, visit dcrollergirls.com.
S.h.e. productions presents ReHab, a monthly alternative dance party, featuring DJ Katrina tonight at Grand Central Disco and Sapphos (1001 N. Charles St.) in Baltimore. Doors open at 9 p.m. and there is a $5 cover for this 21-and-older event.
Mixtape D.C. is tonight at the Black Cat (1811 14th St., N.W.), a dance party for queer music lovers and their pals that features DJs Shea Van Horn and Matt Bailer playing an eclectic mix of electro, alt-pop, indie rock, house, disco, new wave and anything else danceable. There is a $10 cover for this event. Doors open at 9:30 p.m.
Sunday, Dec. 11
Black Cat (1811 14th St., N.W.) hosts “Rock-n-Shop,” a rock-and-roll garage sale with music by DJ Baby Alcatraz featuring everying from T-shirts to records and more. Doors open at 8 p.m. This is a free event.
Nellie’s (900 U St., N.W.) presents Drag Brunch hosted by Shi-Queeta Lee today at 11 a.m. with a $20 brunch buffet, then stick around and watch the Washington Redskins take on the New England Patriots or the Baltimore Ravens take on the Indiannapolis Colts today at 1 p.m.
National Symphony Orchestra Pops presents “The Perfect Gift” with the Canadian Tenors tonight at 7 p.m. at the Kennedy Center (2700 F St., N.W.) Tickets range from $20 to $85 and can be purchased online at kennedy-center.org.
Monday, Dec. 12
Busboys & Poets presents Monday night open mic poetry hosted by poet-in-residence Beny Blaq tonight at 8 p.m. in the Robeson room of its Shirlington location (4251 South Campbell Ave., Arlington). The list to perform is announced at 8 p.m. Wristbands are $4 and will be on sale starting at 10 a.m. in the Global Exchange store until sold out.
D.C.’s Gay Flag Football League presents Men’s Speed Dating tonight from 7 to 10 p.m. at Nellie’s (900 U St., N.W.). There’s a $15 cover with $3 drink specials. Check in begins at 6 p.m.
Tuesday, Dec. 13
The Kennedy Center (2700 F St., N.W.) presents the opening of its production of “Billy Elliot: The Musical” directed by Stephen Daldry and featuring music by Elton John, tonight at 7:30 p.m. Tickets range from $25 to $150 and can be purchased online at kennedy-center.org.
Busboys & Poets hosts a community meeting with Southern Poverty Law Center and Truth Wins Out to end “ex-gay” conversion therapy today at 6 p.m. in the Langston room of its 14th and V streets location (2021 14th Street, N.W.). Experts will be present to speak about the practice of conversion therapy and how to protect LGBT rights. RSVP is appreciated, but not required. Call 855-841-8356 or e-mail [email protected] for more information.
D.C. Bi Women will have its monthly dinner at Dupont Italian Kitchen (1637 17th St., N.W.) tonight from 7 to 9 p.m.
Wednesday, Dec. 14
Rainbow Response is holding its monthly meeting tonight at the D.C. Center (1318 U St., N.W.) from 7 to 8 p.m.
Cobalt (1639 R St., N.W.) is having its annual employee show tonight at 8 p.m. when the staff will act and sing on stage to show appreciation during the holiday season and there will be an open bar after the show.
Anti-Defamation League’s Young Professionals Division presents “Taking on Bullying”in the Paul Porter Room at Arnold & Porter, LLP (555 12th St., N.W.). This event will feature a keynote address from Russlynn Ali, Assistant Secretary for Civil Rights in the U.S. Department Education as well as testimonials from David Aponte, a student activist and former victim of bullying and more. RSVP is required as space is limited. For more information or to RSVP, e-mail [email protected].
Thursday, Dec. 15
Jazz pianist and Yamaha artist Dan Tepfer plays the Mansion at Strathmore (10701 Rockville Pike) in North Bethesda tonight at 7:30 p.m., premiering new works with his performance of “Goldberg Variations/Variations,” his solo album using Johann Sebastian Bach’s masterpiece, the “Goldberg Variations.” Tickets are $20 and can be purchased online at strathmore.org.
WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.
(Washington Blade photos by Michael Key)
The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals.
(Washington Blade photos by Michael Key and Robert Rapanut)
Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino
‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.
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A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
