Arts & Entertainment
Message in the music
Gay Men’s Chorus reaching out to region’s queer youth with concert, program
Gay Men’s Chorus of Washington
‘The Kids are All Right’
With guests Candace Gingrich-Jones and Dreams of Hope
Saturday at 8 p.m.
Tickets: $20-$50
G.W. Lisner Auditorium
730 21st Street, N.W.

The Gay Men’s Chorus of Washington has a one-off youth-themed performance scheduled for this weekend. (Blade file photo by Michael Key)
As a veteran high school music teacher and counselor, Jeff Buhrman saw first-hand the need for affirmation and support for LGBT youth. When he became artistic director of the Gay Men’s Chorus of Washington, he made it a priority to start a youth outreach program.
Though the Chorus’s GenOUT program has been in existence since 2001 offering free concert tickets to local LGBT youth, the Chorus has ramped up its efforts in the “It Gets Better” era. Saturday’s “The Kids are All Right” concert, the Chorus’s second of the current season, is especially created to dovetail with the program. It’s a busy time for the Chorus — last weekend its Rock Creek Singers ensemble performed with the Camp Rehoboth Chorus. Its all-male production of “The Rocky Horror Show” debuts in mid-March.
“(Saturday’s concert) is designed especially to serve the mission of our GenOUT program,” Buhrman says. “We are specifically reaching out to youth for ‘The Kids Are All Right.’ We’re sharing our stories we think they will relate to … the support of a mother who helps us get through, having a safe place in school like the high school music room or the theater room so we don’t have to go into the scary cafeteria during lunch … we’re using video, songs and narration to share our stories about the times we felt different growing up and exploring how it gets better.”
The Chorus will be joined by Candace Gingrich-Jones (Newt’s lesbian half-sister), who’ll provide narration for a musical dramatization of the story “Oliver Button is a Sissy,” and Dreams of Hope, a Pittsburgh-based teen performance ensemble whose 12 guests will use self-penned material such as poetry, song and dance to, as Buhrman puts it, “share their feelings about being teenagers in today’s world.”
The Chorus will pull with its usual eclectic reaches — everything from Broadway to country — to perform songs that flesh out the queer-affirming theme (the title is merely borrowed from the 2010 film — it’s not a musical telling of that story).
Buhrman knew of the Dreams of Hope chorus through an association of gay choruses of which the Washington Chorus is also a member. Dreams will perform a 25-minute segment then join the GMCW for the finale.
“It’s a joy when we are able to actually share the stage with another group,” Buhrman says. “It’ll be fun working with them.”
Jay Garvey, a 27-year-old GMCW baritone who works as a co-facilitator of the GenOUT program, agrees.
“We’re gonna see some beautiful stories shining through and that’s what the Chorus does best,” he says. “There are these little moments in life that every LGBT person can understand and relate to, so we hope audiences will find themselves in these narratives, especially youth who are going through it now.”
But while the intentions are obviously great, does quality suffer when so much of the material is new, autobiographical and unproven? Buhrman, who has solid classical training, says it’s not an issue.
“If you had been at our rehearsal the other night, you wouldn’t ask that question,” he says. “Music, and good music, is at the heart of everything we do. You’ll hear a range of styles, expansively beautiful melodies, great lyrics — we can always find music that will correspond to our experiences as LGBT people and if we can’t find something ourselves, we either commission it … or find something and have one of our people arrange it. … It’s why it sometimes takes us one-to-two years to plan a show. We want to find exactly the right music to speak at that exact moment.”
The GenOUT program is run by GMCW staff such as Taunee Grant, its director of marketing and communications, and co-facilitators Garvey, Nic Baker and Richard Bennett, Chorus members who volunteer their time to the program. About 94 schools and organizations in the region attend Chorus shows through the program which gives free tickets to about 300 LGBT students each season. “Pink Nutcracker,” the Chorus’s well-received 2011 holiday show, brought 175 free tickets through the GenOUT program. “Red & Greene,” the 2012 holiday show, found 225 guests. Members hope to continue adding tickets each year.
The program also features “hubs” in the Lisner lobby at each GMCW concert where queer youth can meet up before and after the shows. And it’s not just for high school students — the Chorus is in the process of getting a college internship program started as well.
Arts & Entertainment
The very few queer highlights of the Oscars
Streisand’s live performance, a shocking tie, and more
LOS ANGELES — While Sunday’s Academy Awards saw the expected winners “One Battle After Another” and “Sinners” nab a collective 10 Oscars throughout the evening, dominating most of the major categories, there were a few moments for queer film fans to celebrate.
During the ceremony’s prolonged and emotional In Memoriam segment, which paid tribute to Robert Redford, Rob Reiner, and Catherine O’Hara, queer icon Barbra Streisand went on stage and gave a rare live performance of “The Way We Were” as a tribute to Redford, who died last September at the age of 83. Before singing, Streisand said, “Now, Bob had real backbone on and off the screen. He spoke up to defend freedom of the press, protect the environment, and encouraged new voices at his Sundance Institute — some of whom are up for Oscars tonight, which is so great. He was thoughtful and bold.”
Both “I Lied to You” from “Sinners” and “Golden” from “KPop Demon Hunters” were performed live; Alabama Shakes front woman Brittany Howard performed during the evening’s powerful rendition of “Sinners’” “pierce the veil” scene. “Golden” ended up winning the Best Original Song award.
One of the most shocking moments of the night arrived early on when Kumail Nanjiani presented the Best Live Action short category, which was a tie between “The Singers” and “Two People Exchanging Saliva” — only the seventh tie in Oscars history (one of which involved Streisand’s 1969 win for “Funny Girl”). The latter short, which is currently streaming on The New Yorker, is described as “a dystopian version of Paris where kissing is forbidden and purchases are made through small acts of violence” and follows the unexpected connection between two women.
When accepting the award, “Two People Exchanging Saliva” director and producer Natalie Musteata said: “Thank you to the Academy for supporting a film that is weird, and that is queer, and that is made by a majority of women!”
“One Battle After Another’s” editor, Andy Jurgensen (who collaborated with Paul Thomas Anderson on “Licorice Pizza” and “Phantom Thread”), kissed his husband before going on stage to accept his award for film editing. He said, “To my partner, Bill, who brings so much joy to my life every day.”
Overall, the 2026 award season did not feature many queer films or actors in the lineup, and that was reflected in both the Oscar nominees and eventual winners. Smaller award shows like the Gotham Awards and the Film Independent Spirit Awards provided opportunities for indies like “Sorry, Baby,” “Twinless,” and “Lurker” to get proper recognition. “One Battle After Another” won Best Picture and Best Director for Paul Thomas Anderson; “Sinners” star Michael B. Jordan won Best Actor; and “Hamnet’s” Jessie Buckley won Best Actress.
The annual fantasy, comics and science fiction convention Awesome Con was held at the Walter E. Washington Convention Center on March 13-15. Featured guests included openly gay actor, author and activist, George Takei. The convention included LGBTQ panels and a “Pride Alley” with LGBTQ-specific booths in the exhibit hall.
(Washington Blade photos by Michael Key)






















Ideally, spring is our season of renewal – personal, emotional, and social. Lucky for those in the DMV, there’s a lot of exhilarating new theater to help make it happen.
At Arena Stage, there’s still time to catch the world premiere production of “Chez Joey” (extended through March 22). Set around the 1940s Chicago jazz scene, this smart reboot of the Broadway classic “Pal Joey” effervesces with music by Rodgers and Hart and a terrific cast brimming with big talent (including Myles Frost, Awa Sal Secka, and out comedic actor Kevin Cahoon).
Also at Arena, is “Inherit the Wind” (through April 5), the extraordinarily timely work based on the real-life Scopes “Monkey” Trial. It’s a courtroom drama that pits two towering legal minds against each other in a small-town battle over science, religion, and the right to think. The large, talented cast includes Billy Eugene Jones, Dakin Matthews, and out actors Holly Twyford and Alyssa Keegan. Arenastage.org
La Pluma Theatre, a queer Latin company housed in Dupont Underground, presents “The Ladybird of Saint John” (April 6-12), a powerful story about two sisters navigating immigration, separation, and the fragile bonds of family. @laplumatheatre – Instagram
Great gay playwright Tennessee Williams’ “A Streetcar Named Desire” (April 20–May 4) is also coming to the Dupont Underground space. Directed by out actor/director Nick Westrate, the touring production of Williams’s classic work set in New Orlean’s steamy Vieux Carré is performed with neither set nor props. It focuses on the words. Lucy Owen and Brad Koed star as fragile Blanche Dubois and her brutal brother-in-law Stanley. Dupontunderground.org
Folger Theatre is serving up one of the Bard’s best comedies, “As You Like It” (through April 12). Staged by out director Timothy Douglas, Folger’s production “offers a love note to D.C., imbuing the forest of Arden with the familiar vibes, culture, and characters that mark the District as a singular, resilient, and redemptive place of belonging.” Folger.edu
As part of the country’s semi-quincentennial celebrations, Ford’s Theatre presents “1776” (through May 16), a Tony Award-winning musical about the Second Continental Congress’s struggle to adopt the Declaration of Independence in Philadelphia. Directed by Luis Salgado, the show features a large cast including queer talent like Tom Story, Jake Loewenthal, Jimmy Mavrikes, and Wood Van Meter. Fords.org
In Falls Church, Creative Cauldron presents “Twelve Dancing Princesses” (through March 29), a Learning Theater Production targeting both kids and adults. Adapted from a Brothers Grimm tale, the eerie story features Spanish language elements and original music by husbands Matt Conner and Stephen Gregory Smith. Creativecauldron.org
The National Theatre presents “Disney’s Beauty and the Beast” (March 18–April 5). This musical “tale as old as time” is a love story involving Belle, a cursed beast, and the arrogant and famously spurned Gaston played out actor Stephen Mark Lukas, a beauty in his own right. Broadwayatthenational.com
At Mosaic Theater Company, Michael Bahsil-Cook plays the titular activist/congressman in Psalmayene 24’s “Young John Lewis: Prodigy of Protest.” (March 26–May 3). Staged by Mosaic’s out artistic director Reginald L. Douglas, focuses on Lewis’s formative years of ages 18-28, revealing the budding humanity and heart of this mighty historic figure. Talented out actor Vaughn Ryan Midder plays legendary civil rights activist Medgar Evers and other parts. Mosaictheater.org
At Olney Theatre Center, it’s the anticipated area premiere of “Appropriate” (March 18–April 19). Penned by Tony Award-winning out playwright Branden Jacobs-Jenkins, the darkly comic work follows a dysfunctional white family that gathers on a plantation home to liquidate their late father’s estate where they uncover a dark history of racism.
Excellent area actors Kimberly Gilbert and Cody Nickell play siblings battling over possessions as well as their father’s shady legacy. Performed in Olney’s black box Mulitz-Gudelsky Theatre Lab, the company promises a unique staging of this important American play. Jason Loewith directs.
Also at Olney Theatre, celebrity chef and longtime queer ally Carla Hall debuts her one-woman show, “Carla Hall — Please Underestimate Me” (June 3–July 12). Olneytheatre.org
British imports are striding the boards at Shakespeare Theatre Company this spring. The first is “Hamnet” (March 17–April 12), the U.S. premiere of the Royal Shakespeare Company’s 2023 stage adaptation of Maggie O’Farrell’s best-selling novel about the life of Shakespeare’s wife, Agnes, and the death of their son.
And then it’s “Eddie Izzard in the Tragedy of Hamlet” (March 27–April 11), a one-woman show in which the British comedian takes on 23 characters in a unique re-telling of the renowned work. Shakespearetheatre.org
Woolly Mammoth Theatre presents “Travesty” (March 24–April 12). Created and performed by gender fluid drag performer Sasha Velour, the one-person show is part performance art, part history, and part call to action.
Also at Woolly, out actor Justin Weaks stars in his solo piece “A Fine Madness” (June 2–21), in which the Helen Hayes Award-winning actor shares his personal experience as a Black gay man receiving a positive HIV diagnosis. Woollymammoth.net
Spring at Studio Theatre is Rachel Bonds’ “Jonah” (through April 19), an exploration of a woman’s life through relationships with three men. Directed by Taylor Reynolds, the young five-person cast includes Rohan Maletira in the title role and Ismena Mendes as Ana. Mendes is an accomplished stage and screen actor whose described as bisexual/queer in her IMBD bio. Studiotheatre.org
In Arlington, Signature Theatre’s out artistic director Matthew Gardiner stages “Pippin” (May 12–July 26), Stephen Schwartz’s musical about a young prince searching for a terrific life guided by a theatrical troupe. The original 1972 production featured stars like Ben Vereen and Irene Ryan (best known as TV’s Granny Clampett). Signature’s production’s big names have yet to be shared. Sigtheatre.org
Exciting stuff ahead.
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