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Able Cain

Forum managing director enjoys ‘behind-the-scenes’ efforts

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Julia Harman Cain, theater, Forum, gay news, Washington Blade
Julia Harman Cain, theater, Forum, gay news, Washington Blade

Julia Harman Cain says contemporary theater doesn’t have to be didactic. (Washington Blade photo by Michael Key)

Julia Harman Cain vividly remembers her first encounter with Forum Theatre. Not long after moving to D.C. in 2007, she attended a performance of the Round House Silver Spring resident company’s production of Stephen Adly Guirgis’ “The Last Days of Judas Iscariot.”

“It was a really, really strong production,” she says. “I spent the last 10 minutes of the play crying. And I was seated in the front row — it was a little awkward.” Cain left the theater determined to get to the know Forum much better.

By the following season, Cain was working as associate producer on the company’s production of “Angels in America,” gay playwright Tony Kushner’s Pulitzer Prize-winning opus about AIDS. And in 2010, Cain (who is gay) was named Forum’s managing director.

As managing director, Cain says, she’s a “behind-the-scenes person.”

She explains: “My job is to help make sure that everything is in place to make the season go. That includes marketing, fundraising and finance. I’m responsible for front of house, which includes everything you experience when you walk in the door. And operations. I call the repairman when the copier breaks.”

Forum founder and Artistic Director Michael Dove says “There’s very little that Julia and I do that isn’t collaboration. It’s much more a Venn diagram with a lot of overlap than two sides of an organization. But beyond her title as managing director, what may surprise people most is that I trust her artistic eye as much as any collaborator. She would make an amazing critic or dramaturg and keenly understands story. In fact, she has even brought several plays to me that we have produced in the past few years.”

While Cain concedes being gay doesn’t have a lot of impact on the daily mechanics of her position, she does view the arts through an LGBT filter. In fact, she has a little method she uses to rate the complexity of LGBT characters in films and plays. Based on the Bechdel litmus test (named for cartoonist Alison Bechdel creator of “Dykes to Watch Out For”) which rates the complexity of female characters on screen, Cain’s gay version asks: Is there an identifiable LGBT character? And does he or she talk with other characters about something other than their sexuality?

“Theater in D.C. scores very well when it comes to plays with layered LGBT characters,” she says. “And Forum in particular has an excellent track record for producing plays with LGBT central characters.”

Growing up in Needham, Mass., (a suburb of Boston), Cain, 27, made her theatrical debut in first grade as a super hero in a 10-minute skit about recycling. She went on to do school shows and community theater. As a Princeton undergrad, she majored in comparative literature and participated in extracurricular theater, mostly behind the scenes. (Cain loves stage managing, but reportedly makes “a really bad costume designer.”)

After graduating, rather than follow her theater-focused friends to New York, Cain moved to D.C. and began a season-long internship at Woolly Mammoth Theatre Company where she also worked as an assistant to the company’s artistic director Howard Shalwitz. “Woolly was my introduction to professional theater,” she says. “Being around Howard taught me so much. Over 30 years, he has created a successful company and made a recognizable brand. Although their shows might sometimes be way out and not well known, Woolly’s audiences are willing to take that dive with them.”

“Forum is a big small company and I like that,” says Cain, who lives with her girlfriend in Takoma Park. “Because we’re not too big, it allows us to take risks and not deal with a lot of red tape. At Forum, we like to do shows that are conversation starters, to do plays that deal with social, political and spiritual themes, that are engaged with contemporary life.  Most political theater has a reputation for being overly didactic. It doesn’t have to be that way.”

A couple of examples supporting Crain’s claim include Forum’s season opener Kara Lee Corthron’s “Holly Down in Heaven,” the story of a pregnant, born-again Christian teen who seeks solace from her eclectic talking doll collection; and Forum’s upcoming production “9 Circles” by playwright Bill Cain (no relation to Julia) to be staged by Jennifer Nelson. It’s a play based on real events about an American soldier who kills a family while serving in Iraq.

“I’ve always wanted Forum to be a service organization that spoke to a diverse community and to be a gathering place for ideas, discussion, and discourse. Julia brought the ideas and tools to start that process,” Dove says. “Julia transformed Forum from a rag tag group who put on plays into a functioning organization that better serves a community and grows responsibly.”

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Bars & Parties

Impulse Group DC to host fundraiser

Giving Tuesday and Happy Hour held at Thurst Lounge

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Thurst Lounge (Washington Blade photo by Michael Key)

Impulse Group DC, a local advocacy organization, will host “Giving Tuesday and Happy Hour” on Tuesday, Dec. 2 at 6 p.m. at Thurst Lounge. 

This event is a special happy hour fundraiser filled with good vibes, great food, and community connection. DJ Obie will be on deck keeping the energy high while you enjoy tacos, cocktails, and the kind of atmosphere only Thurst can deliver.

A portion of every signature cocktail sold goes directly toward supporting Impulse Group D.C.’s work in sexual health, mental health, harm reduction, and social justice for the D.C. community.

Admission is free and more details are available on Eventbrite

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Calendar

Calendar: November 28-December 4

LGBTQ events in the days to come

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Friday, November 28

“Center Aging Friday Tea Time” will be at 12 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. To RSVP, visit the DC Center’s website or email [email protected]

Go Gay DC will host “LGBTQ+ Community Happy Hour” at 7 p.m. at Dupont Italian Kitchen Bar. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.

Saturday, November 29

Go Gay DC will host “LGBTQ+ Community Brunch” at 12 p.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

Sunday, November 30

Go Gay DC will host “LGBTQ+ Coffee and Conversation” at 12 p.m. at As You Are. Guests are encouraged to come and enjoy stimulating conversation. For more details, visit Eventbrite.

Monday, December 1

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

“Soulfully Queer: LGBTQ+ Emotional Health and Spirituality Drop-In” will be at 3 p.m. at the DC Center for the LGBT Community. This group will meet weekly for eight weeks, providing a series of drop-in sessions designed to offer a safe, welcoming space for open and respectful conversation. Each session invites participants to explore themes of spirituality, identity, and belonging at their own pace, whether they attend regularly or drop in occasionally. For more details visit the DC Center’s website.

Tuesday, December 2 

Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. Email [email protected] with any questions. 

Friends of Dorothy Cafe will host “Choose Our Blend” at 6 p.m. at Stardust Vintage & Gift. Guests are encouraged to come sip, sample, and vote on a lineup of custom coffee blends from Rustic Route Coffee Co., a DMV-based queer-owned roaster. Guests’ votes will help Rustic Route choose the café’s official signature roast. Event organizers will take donations, and more details are available on Eventbrite

Wednesday, December 3

Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.

Center Aging Women’s Social Discussion Group will be at 7 p.m. on Zoom. This group is a place where older LGBTQ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more details, email [email protected]

Thursday, December 4

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.

API Queer Support Group will be at 7 p.m. on Zoom. This is a support group for the Asian and Pacific Islander Queer Community. For more details, email [email protected].

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Theater

D.C. theater scene has something for everyone this holiday season

‘Nutcracker,’ ‘A Christmas Carol,’ and much more

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Michael Russotto in ‘A Christmas Carol: A Ghost Story of Christmas’ at Olney Theatre Center. (Photo by Teresa Castracane Photography)

With its familiar music, yuletide imagery, and storytelling, theater can be a big part of the holidays. Add to that making memories and theater tickets wrapped as presents under the tree, and it’s a seasonal no brainer.

Folger Theatre presents “Resplendent Joy: Christmas Traditions from Spain and Portugal” (Dec. 5-14); the marvelous Folger Consort will perform early Spanish Christmas carols and traditional holiday music from early modern Spain and Portugal: folger.edu/resplendent

At Round House Theatre, playwright Sam Holcroft’s “Rules for Living” (Dec. 3-Jan. 4) makes its U.S. premiere. The darkly funny holiday comedy was a hit in London and is now hoping to repeat that success with a version tailored for the states. The seven-person cast includes versatile actors Naomi Jacobson and real-life spouse John Lescault. Ryan Rillette directs. roundhousetheatre.org

Theatre J presents “Chanukah in the Dark” (Dec. 6-21), an hour-long play ideal for ages five and up. “When the lights go out during Chanukah, Max and family begin sharing songs, stories, and traditions — only to discover the lights they needed and the miracles they searched for were in their midst all along.”  edcjcc.org

The Cathedral Choral Society’s “Joy of Christmas” (Dec. 13-14) presents a wonderful program of carols and beloved holiday favorites at the festively decorated National Cathedral. The program features Seraph Brass, organist Edward Hewes, Carillonneur Edward M. Nassor, percussionist Mary La Blanc of “The President’s Own” U.S. Marine Band, and the Eastern Concert Choir from Eastern Senior High School. Cathedralchoralsociety.org 

With “The Holiday Show,” (Dec. 13, 14, and 20), the Gay Men’s Chorus returns to entertain audiences with its annual and most popular show. 

This year the holiday extravaganza is bigger than ever at historic Lincoln Theatre with new, soulful arrangements of favorite holiday carols: “The reindeer will be high-kicking and the snowflakes will sparkle. Songs include “O Holy Night,” “Rudolph the Red Nosed Reindeer,” “Let It Snow,” “We Wish You the Merriest,” and “Go Tell It on the Mountain.’” gmcw.org

At Olney’s intimate Mulitz-Gudelsky Theatre Lab, out actor Michael Russotto is back for the holiday season in his solo show “Christmas Carol: A Ghost Story of Christmas” (through Dec. 28). The talented Russotto portrays nearly 50 different characters from the Charles Dickens classic, that proves “funnier and far more relevant than you might imagine.” Olneytheatre.org

Also on holiday offer in the DMV are a jolly bunch of musical chestnuts as well as reliable Christmas crowd-pleasers.

Included on the roster is Olney Theatre’s production of Jerry Herman’s “Hello, Dolly!” (through Jan. 4) starring the mega-talented Nova Y. Payton. Based on the play “The Matchmaker” by famed gay playwright Thornton Wilder, the musical has proved a vehicle for many a diva including Carol Channing, Pearl Bailey, Bette Midler, and Barbra Streisand. Now Payton dons the mantle and the buzz is good.

Another beloved musical is “Fiddler on the Roof” (through Jan. 25), the story of Tevye, a poor Jewish milkman, his family and their tight-knit community who honor tradition while contending with pogroms in Czarist Russia. Currently being performed intimately in the round at Signature Theatre in Arlington and directed by Joe Calarco, the large cast features actors Douglas Sills, Chrisopher Bloch, and terrific out actor Jake Loewenthal as the poor tailor Motel Kamzoil, all singing Broadway favorites like “Sunrise, Sunset” “If I Were a Rich Man” and “Matchmaker.” sigtheatre.org  

At Shakespeare Theatre Company’s Harman Hall is Frank Loesser’s “Guys and Dolls” (through Jan. 4). Based on tales from famed American journalist Damon Runyon, the show focuses on two overlapping love stories set in Depression-era Times Square. The terrific score includes songs like “Luck Be a Lady,” “Sit Down, You’re Rockin’ the Boat,” “A Bushel and a Peck,” and more songs you’ll know. Directed by Francesca Zambello and choreographed by Joshua Bergasse. 

The cast includes Julie Benko, Lamont Brown, and Holly Twyford as General Matilda B. Cartwright, which is reason enough to buy a ticket. shakespearetheatre.org 

And for hardcore traditionalists there’s the Washington Ballet’s “The Nutcracker” (through Dec. 29) with its balletic magic at the charming gilded Warner Theatre. The beloved production of Tchaikovsky’s ballet, here set in 1882 Georgetown, features a retinue of agile partiers, children, soldiers, rats, and notable figures from American history.  washingtonballet.org

And last but hardly least, historic Ford’s Theatre presents “A Christmas Carol” (through Dec. 31), an enduring Washington tradition since I was youngish. Conceived by Michael Baron, this charming Dickens’ moneymaker again spotlights Craig Wallace as miserly Ebenezer Scrooge who after a night of ghostly visits, rediscovers Christmas joy. Fords.org

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