Arts & Entertainment
Able Cain
Forum managing director enjoys ‘behind-the-scenes’ efforts


Julia Harman Cain says contemporary theater doesn’t have to be didactic. (Washington Blade photo by Michael Key)
Julia Harman Cain vividly remembers her first encounter with Forum Theatre. Not long after moving to D.C. in 2007, she attended a performance of the Round House Silver Spring resident company’s production of Stephen Adly Guirgis’ “The Last Days of Judas Iscariot.”
“It was a really, really strong production,” she says. “I spent the last 10 minutes of the play crying. And I was seated in the front row — it was a little awkward.” Cain left the theater determined to get to the know Forum much better.
By the following season, Cain was working as associate producer on the company’s production of “Angels in America,” gay playwright Tony Kushner’s Pulitzer Prize-winning opus about AIDS. And in 2010, Cain (who is gay) was named Forum’s managing director.
As managing director, Cain says, she’s a “behind-the-scenes person.”
She explains: “My job is to help make sure that everything is in place to make the season go. That includes marketing, fundraising and finance. I’m responsible for front of house, which includes everything you experience when you walk in the door. And operations. I call the repairman when the copier breaks.”
Forum founder and Artistic Director Michael Dove says “There’s very little that Julia and I do that isn’t collaboration. It’s much more a Venn diagram with a lot of overlap than two sides of an organization. But beyond her title as managing director, what may surprise people most is that I trust her artistic eye as much as any collaborator. She would make an amazing critic or dramaturg and keenly understands story. In fact, she has even brought several plays to me that we have produced in the past few years.”
While Cain concedes being gay doesn’t have a lot of impact on the daily mechanics of her position, she does view the arts through an LGBT filter. In fact, she has a little method she uses to rate the complexity of LGBT characters in films and plays. Based on the Bechdel litmus test (named for cartoonist Alison Bechdel creator of “Dykes to Watch Out For”) which rates the complexity of female characters on screen, Cain’s gay version asks: Is there an identifiable LGBT character? And does he or she talk with other characters about something other than their sexuality?
“Theater in D.C. scores very well when it comes to plays with layered LGBT characters,” she says. “And Forum in particular has an excellent track record for producing plays with LGBT central characters.”
Growing up in Needham, Mass., (a suburb of Boston), Cain, 27, made her theatrical debut in first grade as a super hero in a 10-minute skit about recycling. She went on to do school shows and community theater. As a Princeton undergrad, she majored in comparative literature and participated in extracurricular theater, mostly behind the scenes. (Cain loves stage managing, but reportedly makes “a really bad costume designer.”)
After graduating, rather than follow her theater-focused friends to New York, Cain moved to D.C. and began a season-long internship at Woolly Mammoth Theatre Company where she also worked as an assistant to the company’s artistic director Howard Shalwitz. “Woolly was my introduction to professional theater,” she says. “Being around Howard taught me so much. Over 30 years, he has created a successful company and made a recognizable brand. Although their shows might sometimes be way out and not well known, Woolly’s audiences are willing to take that dive with them.”
“Forum is a big small company and I like that,” says Cain, who lives with her girlfriend in Takoma Park. “Because we’re not too big, it allows us to take risks and not deal with a lot of red tape. At Forum, we like to do shows that are conversation starters, to do plays that deal with social, political and spiritual themes, that are engaged with contemporary life. Most political theater has a reputation for being overly didactic. It doesn’t have to be that way.”
A couple of examples supporting Crain’s claim include Forum’s season opener Kara Lee Corthron’s “Holly Down in Heaven,” the story of a pregnant, born-again Christian teen who seeks solace from her eclectic talking doll collection; and Forum’s upcoming production “9 Circles” by playwright Bill Cain (no relation to Julia) to be staged by Jennifer Nelson. It’s a play based on real events about an American soldier who kills a family while serving in Iraq.
“I’ve always wanted Forum to be a service organization that spoke to a diverse community and to be a gathering place for ideas, discussion, and discourse. Julia brought the ideas and tools to start that process,” Dove says. “Julia transformed Forum from a rag tag group who put on plays into a functioning organization that better serves a community and grows responsibly.”
Sports
Trans cyclist’s victory sparks outrage in conservative media
Katheryn Phillips is originally from DC

On the heels of UPenn erasing the record of the first openly transgender NCAA Division I All-American swimmer and the U.S. Supreme Court’s decision to tackle bans on trans student-athletes, right wing media is now all hot and bothered about the latest trans woman who won a cycling championship — even though she competed according to the rules.
On Tuesday, 58-year-old Katheryn Phillips finished first in USA Cycling’s Lyons Masters National Championship race for women aged 55-59, with a time of 1:42:10, according to the official results posted by the organization. The record shows her gender as “F” for female.
One second behind Phillips was Julie Peterson, with a time of 1:42:11 — as were three other cyclists: Mary Beth Grier, Andrea Cherniak-Tyson, and Carolyn Maddox.
Peterson, 57, was so outraged, she told Fox News she refused to stand on the podium in second place next to Phillips. Her story was swiftly shared by the New York Post (also owned by Fox’s parent company News Corp.), the Daily Mail, Breitbart, and other conservative media.
Both Peterson and another competitor are accusing USA Cycling of “hiding” that a transgender woman had registered to race.
“It was hidden from us. Katheryn Phillips, KJ’s name, was not on that list. And I checked it up all the way to the point of closure when we couldn’t register online anymore,” Debbie Milne told Fox.
“If I had known, I wouldn’t have spent thousands of dollars in travel and time off work to come and do a race,” Peterson said. Fox welcomed Milne, 56, who finished seventh on Tuesday, to Fox & Friends Thursday morning.
(Video courtesy of Fox News)
Peterson told Fox she did complain to USA Cycling officials prior to the race. Both Milne and Peterson referred to Phillips as a male, and with “he/him” pronouns.
“To be fair to all humans, if we want to say ‘him’ or ‘her,’ he was born a biological male, that is a fact,” Milne said. “And that is the thing that makes it an unfair advantage. Whatever has happened after that is a whole different topic.”
“I said, ‘I don’t want to race against a man,’ and they quickly scolded me and said ‘Oh, you can’t call him a man,’ and I’m like ‘Well, he is a man,’ so I was quickly scolded and corrected that it is a woman and I don’t even know what to say.”
USA Cycling did not respond to the Washington Blade’s emails requesting comment.
Phillips, who goes by Kate and by “KJ,” is a former rugby player with the D.C. Furries, who stated in the comments of a 2024 article published by Zwift Insider that she was the first out trans athlete in the U.S. to compete under the 2004 International Olympic Committee’s guidelines on trans participation.
“When USA Rugby told me about the IOC decision in 2004, I raised my hand to be included. I experience nothing but joy when I play, ride, and race,” Phillips said.
As the Blade has reported, the International Olympic Committee drastically revised those rules in 2021, and in March, Republican lawmakers in D.C. demanded the IOC ban trans female athletes from women’s sporting events altogether.
The Blade also reached out to Phillips for comment but as of press time we have not received a response. She told Zwift Insider in March 2024 she does not let those who disapprove or spread hate impact her performance or her attitude.
“I am unaffected by dissent. I love, I share joy, I am me, and I have been my authentic self for decades,” she said. It’s been reported Phillips came out in 1999, and told Zwift Insider she considers herself a lifelong cyclist.
“I’ve been on a bike for as long as I can remember,” said Phillips. “As kids, my friends and I rode all over town, we were feral kids; no cell phones, no trackers … we just roamed, and nobody got in trouble or hurt bad enough not to ride home … Scrapes/bruises/cuts were not an issue for us. In my teens, I worked for myself as a court/legal messenger, doing all of the work via my bike until I got a car. Raced BMX as a kiddo (when I mowed lawns to cover the race entry fees), I did MTB stuff (non-racing) and Sprint/Olympic Triathlons in my 30’s, and now I’m racing on Zwift, Road/Gravel, and CX in my 50s.”
In the comments section, Phillips made clear she’s not competing to win.
“I don’t do sports for victory, I do it because like many other women, I am an athlete to my core,” she said. “Unlike some, I am not there to WIN, I am there to do my best with the competitors and teammates I have around me trying to do the same…we are in it for the experience. I rejoice in their wins, and a lot of joy is reflected back to me when I have a good day.”
Celebrity News
Nina West’s ‘Sugar in the Tank’ tour comes to Rehoboth Beach
Drag Race’ contestant will be at Clear Space Theater Company on July 6

Nina West, a drag queen known for competing on “RuPaul’s Drag Race,” is currently on her ‘Sugar in the Tank’ tour around U.S. cities.
With previous shows in Key West, Fla., New York, and hometown of Columbus, Ohio, the tour is staying put in Provincetown, Mass., from late July to early September. It will make a stop at Clear Space Theater Company in Rehoboth Beach, Del., as part of a summer cabaret series on July 6.
Andrew Levitt has been performing as Nina West for 25 years, who got her rise from starring in “Drag Race” Season 11, where she placed sixth and won Miss Congeniality, a title awarded to the contestant who is regarded as the kindest and most helpful one of that season.
West has toured “Hairspray” on Broadway as Edna Turnblad, starred in a couple of feature films and published a children’s book titled ‘The You Kind of Kind.’
Levitt said he wrote this show in response to attacks from the government towards the LGBTQ community.
“‘Sugar in the Tank’ is a big old gay fabulous summer musical,” Levitt told the Washington Blade. “The show is a response to the darkness that I think has fallen over a lot of people in the country and it’s hopefully trying to bring a little bit of light and a little bit of joy.”
“Sugar in the Tank” is a Southern euphemism for gay, often holding a negative connotation. Levitt said he wanted to “reclaim and embrace” queerness in times when some people want to take that away.
Levitt said he knew he would be traveling to predominantly queer destinations like Key West and Provincetown for these shows and that was always at the forefront of his mind when writing “Sugar in the Tank.”
This will be Levitt’s first time in Rehoboth Beach. Clear Space Theater is considered Delaware’s second-largest professional non-profit theater and the state’s most prolific producer of professional theater. The space seats just 170 patrons and Levitt said he loves the intimacy of a small venue and that it’s his favorite way to do a show.
“Stages like this size are the perfect size for me because it allows for me to really showcase my talents,” Levitt said.
Levitt founded the Nina West Foundation in 2015 to uplift and sustain the central Ohio LGBTQ community, which has raised more than $3 million for various organizations. He said he makes activism part of the entertainment in his career.
“That’s the nuance of what drag is. We can be ridiculous for fun and we can be serious but it’s all wrapped up into one thing,” Levitt said. “I think that can be the power of it.”
Levitt said West is so much more confident now than when he first started performing as her. He didn’t know where his voice belonged in the community in the past, but because of those who came before him in this art form, he has learned to harness the power of the stage and the power of the wig to be able to tell stories.
“I really love my community. I love queer people. I love who we are and what we represent,” Levitt said. “Knowing our history and knowing that we’ve been through a lot, I’m really thrilled that as a queen, I can use my voice and my platform to help try to better our community, not try to speak for everyone but try to lend voice to people who desperately need it.”
Levitt’s advice to young queer artists is to not give up on yourself, surround yourself with supportive people and allow yourself the opportunity and space to fail, to ask questions, and to not give up.
“Our young people have got to be told they matter,” Levitt said. “Oftentimes, people are told that they don’t matter, that their voice doesn’t matter, that they cannot make a difference and I want to remind every single person who’s doing this that they do matter, they can make a difference, their voice is intrinsic to who we are as a community.”
If Sugar in the Tank was a drink, it would be a Bahama Mama or Sex on the Beach, said Levitt, because they are delicious, juicy, and sugary, just like the show.
“I just want everyone to know that they should come to ‘Sugar in the Tank’ and experience a show that’s built on joy and levity and silliness and fun and come have some fun with me and show me the fabulous love of Rehoboth Beach,” Levitt said. “I can’t wait.”

The Rainbow History Project will host “Pickets, Protests and Parade Exhibit Tour” at 7 p.m. at Freedom Plaza. This event honors the courage, resilience and resistance of D.C.’s gay community. For more details, visit Eventbrite.
Go Gay DC will host “LGBTQ Community Social” at 7 p.m. at Hyatt Centric Arlington (1325 Wilson Blvd.). This fun event is ideal for meeting new people and community building. Attendance is free and more details are available on Eventbrite.
Xavier Entertainment DC will host “Cowboy Carter Afterparty” at 10 p.m. at Nellie’s Sports Bar. There will be fireworks, parades, and patriotic fun. For more details, visit Eventbrite.
Mezcal Amaras will host “Sha Boing Boing Showdown” at 6 p.m. at Snappy’s Small Bar (3917 Georgia Ave., N.W.). Get ready to test your hotdog eating abilities. Tickets start at $12.51 and can be purchased on Eventbrite.
Illusions Drag Queen Show will host “Drag Queen Dinner Show” at 7 p.m. at 2323 18th St. N.W. Guests will be treated to the very best celebrity drag impersonations in entertainment. Tickets start at $12.97 and are available on Eventbrite.
Thurst Lounge will host “A Thirsty Cowboy Afterparty” at 5 p.m. DJ Apollo will be performing. For more details, visit Thurst’s website.
9:30 Club will host “Gimme Gimme Disco: A Dance Party Inspired by ABBA” at 9 p.m. The DJ will play plenty of disco hits from the 70s and 80s. Tickets cost $45.30 and can be purchased on Ticketmaster.