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Best of Gay D.C. 2013: People

Our favorite singers, drag performers, actors, bartenders and more

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Eleanor Holmes Norton, gay marriage, same sex marriage, marriage equality, gay news, Washington D.C., Washington Blade
Best of Gay D.C., Best Artist, Wicked Jezabel, gay news, Washington Blade

Wicked Jezabel (Washington Blade photo by Michael Key)

Best singer or band:

Wicked Jezabel

Wickedjezabel.com

Runner-up: Tom Goss

 

Best of Gay D.C., Eric Fanning, Pentagon, Air Force, Best Bureaucrat, gay news, Washington Blade

Eric Fanning (Washington Blade photo by Michael Key)

Best bureaucrat:

Eric Fanning

Runner-up: Nancy Sutley

 

As acting secretary of the Air Force, Eric Fanning personifies the service motto of “Aim High … Fly-Fight-Win.”

He’s the highest-ranking openly gay civilian official in the U.S. military, overseeing procurement and operations for a $140 billion department at the Air Force. Fanning wins the 2013 award for Best LGBT Bureaucrat or Federal Worker and is the first-ever winner from the Washington Blade in this new category.

Fanning, 45, has had a long political career in D.C. After his initial work on Capitol Hill, Fanning worked during the Clinton administration at the Pentagon and the White House. Once President Obama assumed office, Fanning went to work within the Department of the Navy and continued in that role until he was nominated as Air Force under secretary.

Although the Senate confirmed Fanning for the lesser role as under secretary for the Air Force, Fanning became acting secretary when Michael Donley retired. Since that time, he was among the speakers at an LGBT Pride celebration at the Pentagon in June.

In an interview with the Washington Blade, Fanning said he left the Pentagon after “Don’t Ask, Don’t Tell” was implemented in the 1990s and didn’t want to come back until a president was elected who would end it.

“It was very difficult when we were getting to the end of the first two years and it wasn’t clear if we were going to be able to repeal ‘Don’t Ask, Don’t Tell,'” Fanning said. “I didn’t know what I was going to do if we didn’t get the repeal through because some people couldn’t work because they were openly gay or lesbian.” (CJ)

 

Del. Eleanor Holmes Norton (D-D.C.) (Washington Blade photo by Michael Key)

Del. Eleanor Holmes Norton (D-D.C.) (Washington Blade photo by Michael Key)

Local heroine:

Eleanor Holmes Norton, D.C.’s long-serving congressional delegate and a longtime proponent of LGBT equality.

Runner-up: Katy Ray

 

 

David Perruzza (Washington Blade photo by Michael Key)

David Perruzza (Washington Blade photo by Michael Key)

Local hero:

Dave Perruzza

Runner-up: Freddie Lutz (Freddie’s Beach Bar)

 

Dave Perruzza, perhaps best known as manager of JR.’s, also devotes much time to organizing the annual 17th Street High Heel Race. The 27th annual race is scheduled for Oct. 29. After serving in the U.S. Navy, Perruzza began working at the well-known Dupont Circle gay bar in 1996, handling coat check. He soon worked his way up to the top spot at the 17th Street, N.W., bar known for its friendly environment and popular theme nights. Readers from near and far appreciate that Perruzza strives to make everyone feel welcome and at home, whether you’re a local headed to happy hour after a long day on the Hill or a tourist looking for a friendly face.

 

 

Xavier Bottoms (Washington Blade photo by Michael Key)

Xavier Bottoms (Washington Blade photo by Michael Key)

Best drag king:

Xavier Bottoms

Runner-up: Sebastian Katz

 

Best of Gay D.C., Best Realtor, Mark Rutstein, gay news, Washington Blade

Mark Rutstein (Washington Blade photo by Michael Key)

Best Realtor:

Mark Rutstein

Runner-up: Ray Gernhart

 

Mark Rutstein is a repeat winner in this category. He works both as manager of Cobalt and as a Realtor for Coldwell Banker on 17th Street.

 

DJ Wess (Washington Blade photo by Michael Key)

DJ Wess (Washington Blade photo by Michael Key)

Best DJ:

DJ Wess

Runner-up: Chord Bezerra

 

Heidi Glüm (Washington Blade photo by Michael Key)

Heidi Glüm (Washington Blade photo by Michael Key)

Best drag queen:

Heidi Glum

Runner-up: Ba’Naka

 

For Heidi Glum (aka Miles DeNiro), drag was a ticket out of a miserable job.

“I was a shampoo person at a salon,” she says. “It was a terrible job. I was essentially a maid. So I quit and all I do now is drag. I’ve been busting my ass to make it a career.”

Glum (pronounced “gloom”) started drag about five years ago in New York where she says she was a long-time “club kid.” Back in D.C. the past two years, Glum has several monthly gigs — a drag bingo at Mellow Mushroom, Gay Bash, WTF and Crack and “a lot of stuff in New York too.”

At times it’s been rough going. Glum was attacked by two patrons at Manny & Olga’s, a pizzeria on 14th Street in June after a Black Cat performance. Glum was beaten and called “tranny” and “faggot” in an incident captured on video.

She says her philosophy of great drag means infusing feeling in the work.

“You can tell when someone is really feeling it,” she says. “It comes up from somewhere inside you. You either have it or you don’t, this sort of spark. You can tell some of them are just dressed up for the hell of it.” (JD)

 

Best of Gay D.C., Ed Bailey, Best Business Person, Town Danceboutique, Number Nine, gay news, Washington Blade

Ed Bailey (Washington Blade photo by Michael Key)

Best businessperson:

Ed Bailey (Town Danceboutique)

Runner-up: Karen Diehl

 

Eddie Weingart (Washington Blade photo by Michael Key)

Eddie Weingart (Washington Blade photo by Michael Key)

Best massage:

Eddie Weingart

Deep Knead Massage Therapy and Body Work

Runner-up: The Legendary Dave

 

For Eddie Weingart, “making people feel whole is the number one thing,” in his massage work.

Having survived a serious car accident in 2001, he knows first-hand about pain management. He says his work, which incorporates both ancient and modern techniques, is tailored to “bring a wellness of body, mind and spirit.”

Weingart is gay and is based in Silver Spring, though he has many clients in D.C. He guesses about 95 percent of his clients are LGBT. He’s been in the area three years and averages 50-60 massages per week. (JD)

 

Denis Largeron (Photo by Denis Largeron)

Denis Largeron (Photo by Denis Largeron)

Best visual artist:

Denis Largeron

Runner-up Lisa Marie Thalhammer

 

Digital photographer Denis Largeron has been shooting part-time professionally for about three years. By day, he works at World Bank.

He focuses on commercial work and does weddings, portraits, what he calls “boudoir” photo and various gay events.

“I think last year I shot about every gay circuit party there was on the East Coast,” he says. “Most of the time, it’s promoters who hire me to shoot their events but I also shoot for some magazines as well.”

Largeron is gay and came to the U.S. about six years ago to be with a then-boyfriend.

“For me, it’s all about having a client and meeting their specific need,” he says. “Every client has a different expectation and that’s what I like about it. You have to adjust.” (JD)

 

Bethany Carter Howlett (Washington Blade photo by Michael Key)

Bethany Carter Howlett (Washington Blade photo by Michael Key)

Best personal trainer:

Bethany Carter Howlett

Runner-up: Drew McNeil

 

Finding the motivation to maintain a healthy lifestyle can be difficult. Bethany Carter Howlett makes it easier with her fitness expertise.

Howlett is a professional fitness athlete, formerly a body builder and registered dietician. She holds multiple certifications and trains anyone from children to professional athletes. She also owns four gyms in Virginia.

“I feel being a trainer who practices what she preaches by competing, training and living the healthy lifestyle of a professional athlete allows for a strong advantage in my favor among other personal trainers in the area,” Howlett says.

Her training programs are diverse from one-on-one sessions to group classes. Howlett can train people in person or even online. Her diet plans are specially made to suit the needs of the individual from their genetic lineage to their health history.

A Virginia native, Howlett began gymnastics at age 3. As an undergraduate at the University of Virginia, where she received her bachelor’s degree in molecular biology, she was a cheerleader.

Howlett is married to Jason Rowley and they are expecting their first child. Howlett has continued training clients and working out throughout her pregnancy. She hopes to be back in the gym two weeks after she gives birth. (MC)

 

 

Bruce DePuyt (Washington Blade photo by Michael Key)

Bruce DePuyt (Washington Blade photo by Michael Key)

Best TV personality:
Bruce DePuyt WJLA, News Channel 8
Runner-up: Chuck Bell, NBC4

 

“News Talk with Bruce DePuyt” on News Channel 8 remains among the metropolitan area’s most influential local news programs.

D.C. Mayor Vincent Gray, D.C. Del. Eleanor Holmes Norton, Virginia Attorney General Ken Cuccinelli, D.C. Police Chief Cathy Lanier, Maryland state Del. Heather Mizeur (D-Montgomery County) and other politicians and officials frequently discuss the important issues of the day. LGBT-specific topics that include the implementation of the U.S. Supreme Court decision that found a portion of the Defense of Marriage Act unconstitutional, efforts to repeal Virginia’s gay nuptials ban and Russia’s LGBT rights record are also a regular part of the weekday talk show’s line-up.

“I’ve been a loyal reader of the Washington Blade for 30 years, so this is a very special honor,” DePuyt said upon learning he had won.

DePuyt has been with News Channel 8 since 1993.

He covered Maryland politics extensively until he became the host of “News Talk” in 2002.

“I also want to acknowledge my employer of the last 20 years, WJLA/NewsChannel 8 for always being in my corner,” DePuyt said.

DePuyt was a reporter and anchor at WVIR in Charlottesville, Va., before he arrived at News Channel 8. He also produced an award-winning weekly talk show, “21 This Week” on “Cable News 21” in Montgomery County, Md.

“News Talk” airs on News Channel 8 weekdays live at 10 a.m. (ML)

 

 

Best of Gay D.C., best actor, Logan Sutherland, gay news, Washington Blade

Logan Sutherland (Washington Blade photo by Michael Key)

Best actor:

Logan Sutherland

Runner-up: Will Gartshore

 

At just 22, Logan Sutherland is at the beginning of his acting career and he’s already winning awards. “This is an incredible surprise,” he says. “I didn’t even promote myself. I’ve been way too busy!”

After graduating from American University’s musical theater program in the spring, Sutherland began landing acting gigs straight away beginning with multiple roles in the Source Festival at Source Theatre in June. Shortly after, he drew praise for his showy turn in this summer’s Fringe Festival favorite “One Night in New York.”

“It was like Disney had made a big gay musical about a guy coming to New York looking for love,” he says. “I played Andy, one of the bitchy people that he met in Chelsea. He was like the Regina George [from “Mean Girls”] — a real bitch.”

A genuine triple threat, Sutherland has been performing since he was a kid in small town Schwenksville, Pa. Currently the out actor is understudying for “Lulu and the Brontosaurus” at Imagination Stage in Bethesda. Later this season he will appear in Woolly Mammoth’s “The Summoning of Everyman,” a morality play that now reads as satire.

When not acting, Sutherland works as a server at Founding Farmers three blocks from the White House.  He’s considering film work, which may involve a move to New York or California in the future. But for now, the Dupont Circle resident says he’s learning a lot and happy to be a part of the D.C. theater scene. (PF)

 

Best actress:

Jessica Thorne

Runner-up: Holly Twyford

 

Jessica Thorne is a fresh and definitely welcomed face on the local theater scene. The self-described straight LGBT ally initially left her native Georgia for D.C. to attend Catholic University’s musical theater program. After graduating in 2011, she immediately began performing with Synetic Theatre Company, the never boring movement-based troupe based in Crystal City.

“I’m incredibly grateful to Synetic. They changed me as an artist,” says Thorne who remains a member of the company. “As an actor it makes you incredibly comfortable with your body and who you are in space and time. It was a great experience and very singular to the company.”

Last season, Thorne was an ensemble member in director Ethan McSweeney’s gorgeous production of “A Midsummer Night’s Dream” at the Shakespeare Theater Company. And more recently she shone as wholesome Janet in Studio Theatre’s “Richard O’Brien’s The Rocky Horror Show.”

As a freshman in high school, Thorne was certain she wanted to pursue a career in theater. She is grateful to her mother and grandmother for supporting her choice to study theater in college. “They’ve been there every step of the way,” she says. “For me, that support has been really imperative in becoming an artist. You base a lot of your success on the people who are backing you.” She also thanks her colleagues in the D.C. theater community whom she describes as incredibly supportive and generous.

Currently studying voice in New York with singer/composer Marisa Michelson, Thorne considers D.C. home and is slated to perform here in two shows this spring (about which she cannot yet reveal details). We promise to keep readers posted. (PF)

 

Kat Skyles (Washington Blade photo by Michael Key)

Kat Skyles (Washington Blade photo by Michael Key)

Best Hill staffer:

Kat Skiles

Runner-up: Guy Cecil

 

President Barack Obama (Washington Blade photo by Michael Key)

President Barack Obama (Washington Blade photo by Michael Key)

Best straight ally:

President Barack Obama

Runner-up: Brooke Jordan

 

Best of Gay D.C., Best Bartender, Carlos Arroyo, JR's, gay news, Washington Blade

Carlos Arroyo (Washington Blade photo by Michael Key)

Best bartender:

Carlos Arroyo (JR.’s)

Runner-up: Liz Warner-Osborne (Cobalt)

 

Carlos Arroyo says the relaxed atmosphere at JR.’s makes it a great place to work.

“It’s a great vibe overall,” he says. “The clientele is super awesome. We have amazing regulars and people just go there to have a great time. It’s not pretentious. They leave work and everything at the door. … It’s probably one of the most relaxed bars I’ve worked in.”

Arroyo has been in D.C. about 13 years and has dabbled in theater, communications work, personal training, catering and more. He also helps his partner with a photography business and says the two “travel quite often.”

Arroyo previously worked at Number Nine on P Street for about a year and a half, but moved over to JR.’s. He’s quick to assert he has enjoyed working at both hotspots.

“When JR.’s comes calling, you can’t turn them down,” he says. “It’s one of the busiest gay bars in D.C.” (JD)

 

Jamie Romano (Washington Blade photo by Kevin Naff)

Jamie Romano (Washington Blade photo by Kevin Naff)

Best Rehoboth bartender:

Jamie Romano (Purple Parrot)

Runner-up: Chris Chandler (Blue Moon)

 

Jamie Romano is a repeat winner, having taken this prize two years ago. He reclaims it this year in a close contest with Chris Chandler. Romano has an uncanny ability to remember his customers’ favorite drink and often has one at the ready before you sit down. You can find him behind the main bar at the gay-owned Purple Parrot and at the popular outdoor bar in back, known as the Biergarten.

 

 

Best of Gay D.C., Josh Deese, Trevor Project, Judy Shepard, Committed Activist, gay news, Washington Blade

Josh Deese (Photo courtesy of Josh Deese)

Most committed activist:

Josh Deese

Runner-up: Halley Cohen

 

Florida native Josh Deese knew he wanted to make a difference in the LGBT community after being bullied for his sexuality growing up led him to attempt suicide.  His experience drew him to The Trevor Project’s Youth Advisory Council (YAC).

“Just having a feeling that people don’t appreciate you and that you’re worthless takes its toll on you,” says Deese. “It only takes one, a friend, parent or ally to stand up and save someone’s life and let them know they aren’t alone.”

Deese, who cites Harvey Milk as one of his heroes, has spoken with The Trevor Project about LGBT youth suicide, most recently at The National Cathedral with Judy Shepard, Matthew Shepard’s mother. He also serves as the Neighboring Commuter Representative on the University of Maryland Government Association.

In the future he plans to work in real estate in the D.C. area and eventually would like to run for the U.S. House. He hopes his efforts to help the LGBT community will lead to LGBT youth feeling safer and appreciated in the future. He says he wants them to understand life is an option.

He’s a sophomore at the University of Maryland majoring in government and politics with a minor in LGBT studies. (MC)

 

 

Maryland Del. Heather Mizeur (Washington Blade photo by Michael Key)

Maryland Del. Heather Mizeur (Washington Blade photo by Michael Key)

Best gay politician:

Del. Heather Mizeur (Maryland)

Runner-up: Sen. Tammy Baldwin (D-Wis.)

 

Del. Heather Mizeur has represented Takoma Park and Silver Spring in the Maryland General Assembly since 2006. But she’s best known now as the openly gay candidate for governor. She faces current Lt. Gov. Anthony Brown and Attorney General Doug Gansler in the contest. She would make history as the state’s first female governor and the country’s first openly LGBT elected governor if she prevails next year.

“Diversity is enormously important,” she told the Blade. “Not simply to have a gay governor, but to have a governor who can represent the voices of people in communities that have not always had a voice in the process.”

 

 

Allyson Robinson (Washington Blade photo by Blake Bergen)

Allyson Robinson (Washington Blade photo by Blake Bergen)

Best trans advocate:

Allyson Robinson

Runner-up: Ruby Corado

 

It was a difficult year for Allyson Robinson, who stepped down from her position as executive director of OutServe-SLDN in June. Robinson, who led OutServe-SLDN for nine months, was the only openly transgender leader of a national LGBT rights organization. A new group, Servicemembers, Partners and Allies for Respect and Tolerance for All (SPARTA) announced its formation in July, following the turmoil at OutServe-SLDN. Robinson remains a prominent voice for transgender rights and LGBT equality.

 

 

Best of Gay D.C., Best Amateur Athlete, Stonewall Kickball, Martin Espinoza, gay news, Washington Blade

Martin Espinoza (Washington Blade photo by Michael Key)

Best amateur athlete:

Martin Espinoza (Stonewall Kickball)

Runner-up: Julie Olsen

 

Diego Orbegoso (Washington Blade photo by Michael Key)

Diego Orbegoso (Washington Blade photo by Michael Key)

Best stylist:

Diego Orbegoso, Bang Salon

Runner-up: Dmitri Lords, Zoe Salon & Spa

 

Diego Obregoso says the best part of being a stylist is “the magical boosting of people’s energy by making them feel good.”

With a background in makeup and cosmetology, Obregoso has been at Bang Metropole (1519 15th St., N.W.) for six years. He’s gay and estimates about 60 percent of his customers are LGBT.

A native of Lima, Peru, Obregoso has been in the U.S. 11 years. (JD)

 

 

Best of Gay D.C., David Lett, Best Clergy, gay news, Washington Blade

The Very Rev. David B. Lett (Washington Blade photo by Michael Key)

Best clergy:

Rev. David Lett

Runner-up: Rabbi Shira Stutman

 

Sometimes Saturday is a very short night sleep-wise for David Lett. He’s often out until the wee hours hostessing (as Lena Lett) the drag show at Town Danceboutique. Sundays are often spent doing spiritual duties as supply clergy with the North American Old Catholic Church, an LGBT-affirming offshoot of the Roman Catholic Church where years ago, Lett went to seminary and studied in Rome.

Lett says the two roles aren’t as dissimilar as they might seem.

“To be a drag performer, you have to be confident and you have to be able to put yourself in front of people and …. take them from wherever they are to a new place. A priest does a lot of the same things, there’s just not as much liquor going around. … The basic tenets of the role are identical. It’s just the means by which they are done that is completely different.”  (JD)

 

Rev. Dean Snyder (Washington Blade photo by Michael Key)

Rev. Dean Snyder (Washington Blade photo by Michael Key)

Lifetime achievement award:

Rev. Dean Snyder (Foundry United Methodist Church)

 

Rev. Dean Snyder has been an LGBT ally for 40 years and he is the inaugural recipient of the Blade’s Lifetime Achievement Award.

He has fought to change his denomination’s ban on same-sex marriages being performed by the church’s ministers. In 2010, the Foundry congregation voted 367-8 to allow same-sex marriages to be performed in the church.

A large portion of Foundry’s congregation is LGBT, including couples that have been in committed relationships for decades. This brought Snyder to question the church’s laws.

“We started doing services to honor gay and lesbian committed relationships, which we argued were not a violation of the rules because we weren’t actually consecrating a marriage,” Snyder told the Blade. “But then … when it was clear marriage was going to become legal in Washington, D.C., then we couldn’t fudge anymore. It was either marriage or it wasn’t.”

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Books

‘The Director’ highlights film director who collaborated with Hitler

But new book omits gay characters, themes from Weimar era

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(Book cover image courtesy Amazon)

‘The Director’
By Daniel Kehlmann
Summit Books, 2025

Garbo to Goebbels, Daniel Kehlmann’s historical novel “The Director” is the story of Austrian film director G.W. Pabst (1885-1967) and his descent down a crooked staircase of ambition into collaboration with Adolph Hitler’s film industry and its Minister of Propaganda Joseph Goebbels. Kehlmann’s historical fiction is rooted in the world of Weimar German filmmaking and Nazi “Aryan” cinema, but it is a searing story for our challenging time as well.

Pabst was a legendary silent film director from the Weimar Republic’s Golden Era of filmmaking. He “discovered” Greta Garbo; directed silent screen star Louise Brooks; worked with Hitler’s favored director Leni Riefenstahl (“Triumph of the Will”); was a close friend of Fritz Lang (“Metropolis”); and lived in Hollywood among the refugee German film community, poolside with Billy Wilder (“Some Like it Hot”) and Fred Zinnemann (“High Noon”) — both of whose families perished in the Holocaust. 

Yet, Pabst left the safety of a life and career in Los Angeles and returned to Nazi Germany in pursuit of his former glory. He felt the studios were giving him terrible scripts and not permitting him to cast his films as he wished. Then he received a signal that he would be welcome in Nazi Germany. He was not Jewish.

Kehlmann, whose father at age 17 was sent to a concentration camp and survived, takes the reader inside each station of Pabst’s passage from Hollywood frustration to moral ruin, making the incremental compromises that collectively land him in the hellish Berlin office of Joseph Goebbels. In an unforgettably phantasmagoric scene, Goebbels triples the stakes with the aging filmmaker, “Consider what I can offer you….a concentration camp. At any time. No problem,” he says. “Or what else…anything you want. Any budget, any actor. Any film you want to make.” Startled, paralyzed and seduced by the horror of such an offer, Pabst accepts not with a signature but a salute: “Heil Hitler,” rises Pabst.  He’s in.

The novel develops the disgusting world of compromise and collaboration when Pabst is called in to co-direct a schlock feature with Hitler’s cinematic soulmate Riefenstahl. Riefenstahl, the “Directress” is making a film based on the Fuhrer’s favorite opera. She is beautiful, electric and beyond weird playing a Spanish dancer who mesmerizes the rustic Austrian locals with her exotic moves. The problem is scores of extras will be needed to surround and desire Fraulein Riefenstahl. Mysteriously, the “extras” arrive surprising Pabst who wonders where she had gotten so many young men when almost everyone was on the front fighting the war. The extras were trucked in from Salzburg, he is told, “Maxglan to be precise.” He pretends not to hear.  Maxglan was a forced labor camp for “racially inferior” Sinti and Roma gypsies, who will later be deported from Austria and exterminated. Pabst does not ask questions. All he wants is their faces, tight black and white shots of their manly, authentic, and hungry features. “You see everything you don’t have,” he exhorts the doomed prisoners to emote for his camera. Great art, he believes, is worth the temporal compromises and enticements that Kehlmann artfully dangles in the director’s face.  And it gets worse.

One collaborates in this world with cynicism born of helpless futility. In Hollywood, Pabst was desperate to develop his own pictures and lure the star who could bless his script, one of the thousands that come their way.  Such was Greta Garbo, “the most beautiful woman in the world” she was called after being filmed by Pabst in the 1920s. He shot her close-ups in slow motion to make her look even more gorgeous and ethereal. Garbo loved Pabst and owed him much, but Kehlmann writes, “Excessive beauty was hard to bear, it burned something in the people around it, it was like a curse.” 

Garbo imagined what it would be like to be “a God or archangel and constantly feel the prayers rising from the depths. There were so many, there was nothing to do but ignore them all.”  Fred Zinnemann, later to direct “High Noon”, explains to his poolside guest, “Life here (in Hollywood) is very good if you learn the game.  We escaped hell, we ought to be rejoicing all day long, but instead we feel sorry for ourselves because we have to make westerns even though we are allergic to horses.”

The texture of history in the novel is rich. So, it was disappointing and puzzling there was not an original gay character, a “degenerate” according to Nazi propaganda, portrayed in Pabst’s theater or filmmaking circles. From Hollywood to Berlin to Vienna, it would have been easy to bring a sexual minority to life on the set. Sexual minorities and gender ambiguity were widely presented in Weimar films. Indeed, in one of Pabst’s films “Pandora’s Box” starring Louise Brooks there was a lesbian subplot. In 1933, when thousands of books written by, and about homosexuals, were looted and thrown onto a Berlin bonfire, Goebbels proclaimed, “No to decadence and moral corruption!” The Pabst era has been de-gayed in “The Director.”

“He had to make films,” Kehlmann cuts to the chase with G.W. Pabst. “There was nothing else he wanted, nothing more important.” Pabst’s long road of compromise, collaboration and moral ruin was traveled in small steps. In a recent interview Kehlmann says the lesson is to “not compromise early when you still have the opportunity to say ‘no.’” Pabst, the director, believed his art would save him. This novel does that in a dark way.

(Charles Francis is President of the Mattachine Society of Washington, D.C., and author of “Archive Activism: Memoir of a ‘Uniquely Nasty’ Journey.”)

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Theater

Swing actor Thomas Netter covers five principal parts in ‘Clue’

Unique role in National Theatre production requires lots of memorization

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Thomas Netter stars in ‘Clue.’

‘Clue: On Stage’
Jan. 27-Feb. 1
The National Theatre
1321 Pennsylvania Ave., N.W.
thenationaldc.com

Out actor Thomas Netter has been touring with “Clue” since it opened in Rochester, New York, in late October, and he’s soon settling into a week-long run at D.C.’s National Theatre.

Adapted by Sandy Rustin from the same-titled 1985 campy cult film, which in turn took its inspiration from the popular board game, “Clue” brings all the murder mystery mayhem to stage. 

It’s 1954, the height of the Red Scare, and a half dozen shady characters are summoned to an isolated mansion by a blackmailer named Mr. Boddy where things go awry fairly fast. A fast-moving homage to the drawing room whodunit genre with lots of wordplay, slapstick, and farce, “Clue” gives the comedic actors a lot to do and the audience much to laugh at.  

When Netter tells friends that he’s touring in “Clue,” they inevitably ask “Who are you playing and when can we see you in it?” His reply isn’t straightforward. 

The New York-based actor explains, “In this production, I’m a swing. I never know who’ll I play or when I’ll go on. Almost at any time I can be called on to play a different part. I cover five roles, almost all of the men in the show.”

Unlike an understudy who typically learns one principal or supporting role and performs in the ensemble nightly, a swing learns any number of parts and waits quietly offstage throughout every performance just in case. 

With 80 minutes of uninterrupted quick, clipped talk “Clue” can be tough for a swing. Still, Netter, 28, adds, “I’m loving it, and I’m working with a great cast. There’s no sort of “All About Eve” dynamic going on here.” 

WASHINGTON BLADE: Learning multiple tracks has got to be terrifying. 

THOMAS NETTER: Well, there certainly was a learning curve for me. I’ve understudied roles in musicals but I’ve never covered five principal parts in a play, and the sheer amount of memorization was daunting.

As soon as I got the script, I started learning lines character by character. I transformed my living room into the mansion’s study and hallway, and got on my feet as much as I could and began to get the parts into my body.

BLADE: During the tour, have you been called on to perform much?

NETTER: Luckily, everyone has been healthy. But I was called on in Pittsburgh where I did Wadsworth, the butler, and the following day did the cop speaking to the character that I was playing the day before. 

BLADE: Do you dread getting that call?

NETTER: Can’t say I dread it, but there is that little bit of stage fright involved. Coming in, my goal was to know the tracks. After I’d done my homework and released myself from nervous energy, I could go out and perform and have fun. After all, I love to act.

“Clue” is an opportunity for me to live in the heads of five totally different archetype characters. As an actor that part is very exciting.  In this comedy, depending on the part, some nights it’s kill and other nights be killed. 

BLADE: Aside from the occasional nerves, would you swing again?

NETTER: Oh yeah, I feel I’m living out the dream of the little gay boy I once was. Traveling around getting a beat on different communities. If there’s a gay bar, I’m stopping by and  meeting interesting and cool people. 

BLADE: Speaking of that little gay boy, what drew him to theater?

NETTER: Grandma and mom were big movie musical fans, show likes “Singing in the Rain,” “Meet Me in St. Louis.” I have memories of my grandma dancing me around the house to “Shall We Dance?” from the “King and I” She put me in tap class at age four. 

BLADE: What are your career highlights to date? 

NETTER: Studying the Meisner techniqueat New York’sNeighborhood Playhouse for two years was definitely a highlight. Favorite parts would include the D’Ysquith family [all eight murder victims] in “A Gentleman’s Guide to Love & Murder,” and the monstrous Miss Trunchbull in “Matilda.” 

BLADE: And looking forward?

NETTER: I’d really like the chance to play Finch or Frump in Frank Loesser’s musical comedy “How to Succeed in Business Without Really Trying.”

BLADE: In the meantime, you can find Netter backstage at the National waiting to hear those exhilarating words “You’re on!”

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A ‘Battle’ we can’t avoid

Critical darling is part action thriller, part political allegory, part satire

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Leonardo DiCaprio stars in ‘One Battle After Another.’ (Photo courtesy of Warner Bros.)

When Paul Thomas Anderson’s “One Battle After Another” debuted on American movie screens last September, it had a lot of things going for it: an acclaimed Hollywood auteur working with a cast that included three Oscar-winning actors, on an ambitious blockbuster with his biggest budget to date, and a $70 million advertising campaign to draw in the crowds. It was even released in IMAX. 

It was still a box office disappointment, failing to achieve its “break-even” threshold before making the jump from big screen to small via VOD rentals and streaming on HBO Max. Whatever the reason – an ambivalence toward its stars, a lack of clarity around what it was about, divisive pushback from both progressive and conservative camps over perceived messaging, or a general sense of fatigue over real-world events that had pushed potential moviegoers to their saturation point for politically charged material – audiences failed to show up for it. 

The story did not end there, of course; most critics, unconcerned with box office receipts, embraced Anderson’s grand-scale opus, and it’s now a top contender in this year’s awards race, already securing top prizes at the Golden Globe and Critics’ Choice Awards, nominated for a record number of SAG’s Actor Awards, and almost certain to be a front runner in multiple categories at the Academy Awards on March 15.

For cinema buffs who care about such things, that means the time has come: get over all those misgivings and hesitations, whatever reasons might be behind them, and see for yourself why it’s at the top of so many “Best Of” lists.

Adapted by Anderson from the 1990 Thomas Pynchon novel “Vineland,” “One Battle” is part action thriller, part political allegory, part jet-black satire, and – as the first feature film shot primarily in the “VistaVision” format since the early 1960s – all gloriously cinematic. It unspools a near-mythic saga of oppression, resistance, and family bonds, set in an authoritarian America of unspecified date, in which a former revolutionary (Leonardo DiCaprio) is attempting to raise his teenage daughter (Chase Infiniti) under the radar after her mother (Teyana Taylor) betrayed the movement and fled the country. Now living under a fake identity and consumed by paranoia and a weed habit, he has grown soft and unprepared when a corrupt military officer (Sean Penn) – who may be his daughter’s real biological father – tracks them down and apprehends her. Determined to rescue her, he reconnects with his old revolutionary network and enlists the aid of her karate teacher (Benicio Del Toro), embarking on a desperate rescue mission while her captor plots to erase all traces of his former “indiscretion” with her mother.

It’s a plot straight out of a mainstream action melodrama, top-heavy with opportunities for old-school action, sensationalistic violence, and epic car chases (all of which it delivers), but in the hands of Anderson – whose sensibilities always strike a provocative balance between introspection, nostalgia, and a sense of apt-but-irreverent destiny – it becomes much more intriguing than the generic tropes with which he invokes to cover his own absurdist leanings.

Indeed, it’s that absurdity which infuses “One Battle” with a bemusedly observational tone and emerges to distinguish it from the “action movie” format it uses to relay its narrative. From DiCaprio (whose performance highlights his subtle comedic gifts as much as his “serious” acting chops) as a bathrobe-clad underdog hero with shades of The Dude from the Coen Brothers’ “The Big Liebowski,” to the uncomfortably hilarious creepy secret society of financially elite white supremacists that lurks in the margins of the action, Anderson gives us plenty of satirical fodder to chuckle about, even if we cringe as we do it; like that masterpiece of too-close-to-home political comedy, Stanley Kubrick’s 1964 nuclear holocaust farce “Dr. Strangelove,” it offers us ridiculousness and buffoonery which rings so perfectly true in a terrifying reality that we can’t really laugh at it.

That, perhaps, is why Anderson’s film has had a hard time drawing viewers; though it’s based on a book from nearly four decades ago and it was conceived, written, and created well before our current political reality, the world it creates hits a little too close to home. It imagines a roughly contemporary America ruled by a draconian regime, where immigration enforcement, police, and the military all seem wrapped into one oppressive force, and where unapologetic racism dictates an entire ideology that works in the shadows to impose its twisted values on the world. When it was conceived and written, it must have felt like an exaggeration; now, watching the final product in 2026, it feels almost like an inevitability. Let’s face it, none of us wants to accept the reality of fascism imposing itself on our daily lives; a movie that forces us to confront it is, unfortunately, bound to feel like a downer. We get enough “doomscrolling” on social media; we can’t be faulted for not wanting more of it when we sit down to watch a movie.

In truth, however, “One Battle” is anything but a downer. Full of comedic flourish, it maintains a rigorous distance that makes it impossible to make snap judgments about its characters, and that makes all the difference – especially with characters like DiCaprio’s protective dad, whose behavior sometimes feels toxic from a certain point of view. And though it’s a movie which has no qualms about showing us terrifying things we would rather not see, it somehow comes off better in the end than it might have done by making everything feel safe.

“Safe” is something we are never allowed to feel in Anderson’s outlandish action adventure, even at an intellectual level; even if we can laugh at some of its over-the-top flourishes or find emotional (or ideological) satisfaction in the way things ultimately play out, we can’t walk away from it without feeling the dread that comes from recognizing the ugly truths behind its satirical absurdities. In the end, it’s all too real, too familiar, too dire for us not to be unsettled. After all, it’s only a movie, but the things it shows us are not far removed from the world outside our doors. Indeed, they’re getting closer every day.

Visually masterful, superbly performed, and flawlessly delivered by a cinematic master, it’s a movie that, like it or not, confronts us with the discomforting reality we face, and there’s nobody to save it from us but ourselves.

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