Arts & Entertainment
Page turners of 2013
From contemporary fiction to the JFK assassination, the year’s best books

From contemporary fiction to the JFK assassination, the year’s best books of 2013. (Images courtesy of the publishers)
Nobody has time to read everything, even I. But I do read a lot and can help steer you in the right direction. These were some of my favorite 2013 books.
NON-FICTION
At the top of my list, “Pilgrim’s Progress” by Tom Kizzia starts out with a semi-confusing (but heart-poundingly brilliant) escape by two young women. You’re not sure who they’re running from, or why, but you find out soon enough that their father has sent them scurrying. You’ll also find out how one man set an Alaska community on edge and what happened to him and his very large family. The ending comes all too soon and it’s truly every bit as stellar as its beginning.
Like many people, I kind of went on a JFK-assassination streak of reading this year. There were certainly a lot of books out on the subject, but “Dallas 1963” by Bill Minutaglio and Steven L. Davis was my favorite. But that’s not why this book is on this list. It’s here because it answers the question, “Why Dallas?” and in answering, gives readers a good sense of the time and the country’s attitudes. We’re transported back 50 years in the telling of this story — politically, socially, morally and beyond. It’s one of those books you could read, then turn around and immediately read again.
It’s easy to think that “Twelve Years a Slave” by Solomon Northup is a novel. It’s easy to forget that you’re reading words from a man who lived some 150 years ago, that he really was sold into slavery, didn’t see his family for more than a decade, endured life as a wrongly held man. It’s easy to think it’s all fiction — until Northup’s words not-so-gently remind you that this book is all true. That shook me up many times and whether or not you’ve seen the movie, this is a don’t-miss book.
Adding “The Rebellion of Miss Lucy Ann Lobdell” by William Klaber to this list is kind of cheating. That’s because this book is fictional, but is based closely on the true story of a woman who lived as a man in the 1850s. That was scandalous, to be sure, but what was even more scandalous to the pioneers that knew her was that she was able to survive a splashy court case and later, successfully married another woman. Written as a series of diary entries, this book includes action, adventure, jaw-dropping events and history that’ll blow your mind.
For some reason, I found “One Summer: America 1927” by Bill Bryson to be last year’s most relaxing read. Maybe it’s because Bryson meanders through a mere five months of one year in history. Maybe it’s because there’s no rush in this book; it just moves gently from one topic to another to another, telling this story and that one, page after page and before you know it, this brick of a book (528 pages) is over.
FICTION
I loved the premise of “Astray” by Emma Donoghue: take an object from the past, a picture, or an article of clothing and imagine what life was like for the owner of that object. This book is a series of short stories with that in mind, all of them evoking a quiet corner of existence on the periphery of the world. Some of the stories are shocking. Some are warm. Others will make you think, but you’ll like them all.
You will probably never see “Bait” by J. Kent Messum on any other list, and that’s too bad. This story of a group of drug addicted castaways on a sandy island will keep you turning the pages to the end, absolutely needing to find out what happens to them and why they wake up, craving heroin, on a saltwater beach. I don’t dare tell you any more. Just go read the book.
If the first chapter of “Goat Mountain” by David Vann doesn’t pull you in and make you want to keep reading, then you may need your pulse taken. Told from the point of view of an adult who’s obviously painfully grown-up, it’s the story of an 11-year-old boy and his first real hunting trip with the elders in his life. Suffice it to say that things don’t go so well. It was likely last year’s most unsettling psychological thriller.
“The Ocean at the End of the Lane” by Neil Gaiman is one of those dark, dark fairy tales of which Gaiman is so famous. It’s a novel of a man who somehow gets lost on his way home from a funeral and ends up on a side road near where he grew up. He starts to remember the little neighbor girl who promised to keep him safe forever.
But, of course, she couldn’t.
This is a misty kind of novel with just the right amount of creeposity. I can’t imagine not reading it.
“Orphan Train” by Christina Baker Kline is based on real events in American history, in which New York City orphans were shipped across the U.S. and Canada in search for new families. In this case, the tale is about an elderly woman who has a secret, and the juvenile delinquent girl who learns what it is.
In “The Storyteller” by Jodi Picoult, a loner befriends an elderly man who tells her about his past. It’s horrifying, but not nearly as horrifying as what he asks her to do.
These are two novels that will pull you in quick and keep you on your seat.
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages
They’re among the world’s greatest love stories.
You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.
Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.
That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”
She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.
Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.
She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.
And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.
And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”
“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.
If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.
These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.
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