Arts & Entertainment
Best of Gay D.C. 2016: NIGHTLIFE
Blade readers voted for their nightlife favorites
Best Dance Party
Mixtape
Runner-up: BARE by LURe
DJs Shea Van Horn and Matt Bailer host Mixtape, an alternative dance party, on the second Saturday of each month. Locations vary. The fifth annual Mixtape Halloween party is on Monday, Oct. 31 at the Howard Theatre. It’s at the 9:30 Club on Saturday, Nov. 12.
Mixtape (Photo by Dave Claypool)
Best Bartender
Dito Sevilla, Dito’s Bar at Floriana
1602 17th St., N.W.
Runner-up: Dusty Martinez, Trade
Dito Sevilla (Washington Blade photo by Michael Key)
Best Burlesque Dancer
Bella La Blanc
Runner-up: GiGi Holliday
Bella La Blanc is a housewife and mother of three, but unlike most wives and mothers, she’s a showgirl who has found a way to play multiple roles in her life and not just on stage.
La Blanc, originally from Miami, says she was a theater kid who first fell in love with burlesque after watching “Gypsy.” She then watched “Funny Girl” and once she came of legal age decided she wanted to emulate Barbra Streisand’s Fanny Brice. Her journey led her to frequent fetish clubs, at the time the only place to find burlesque shows.
Now La Blanc regularly performs at the Bier Baron Tavern and has her own burlesque production company Glit-O-Rama Productions. She’s also become known for her cos-play of Regina Mills from “Once Upon a Time.”
La Blanc says her showgirl life is an open book for her kids who often see an evening gown and a vat of crystals strung out on the dining room table after dinner in her Northern Virginia home. Events like this make it all the more fitting that her tagline is “The Stepford Wife gone wild!”
For La Blanc, burlesque is all about pride in being who you are.
“As an exhibitionist I love being on stage and I love sparkly things,” La Blanc says. “But I find that self-empowerment, self-confidence is what burlesque is all about. I go on stage and I’m like, ‘Yeah, I’m a 30-something-year old woman. This body has popped out babies and I’m still going to wear next to nothing and shake my bacon.” (Mariah Cooper)
Bella La Blanc (Photo courtesy of La Blanc)
Best Cocktail
Lemon Squeeze
Duplex Diner
2004 18th St., N.W.
202-265-7828
(Second consecutive win in this category)
Runner-up: Watermelon Basil Slush, Logan Tavern
A bartender makes a Lemon Squeeze at Duplex Diner. (Washington Blade photo by Michael Key)
Best DJ
Matt Bailer
Peach Pit, Mixtape
(Second consecutive win in this category)
Runner-up: DJ Tezrah
DJ Matt Bailer (Washington Blade photo by Michael Key)
Best Drag King
Chris Jay
Runner-up: Sebastian Katz
Chris Jay — who identifies as gender non-conforming and goes by Chris Jennings in non-drag endeavors — started drag three-and-a-half years ago, led to the craft by photography.
Interested in finding some different subjects, he happened upon the D.C. Kings four years ago and started shooting as many of their performances as he could. About six months later, he started with the Kings and continues to this day.
“I’m a lover of R&B, so you’ll find me performing that mostly,” Jay says. “My drag persona is me at a thousand, so I’m kind of full of myself and way more outgoing.”
Now with Pretty Boi Drag (the Kings folded two years ago), Jay performs twice a month — the first Sunday of each at Acre 121 and the third Sunday of each month at the Bier Baron. Jay is 36, happily partnered and lives in Baltimore. (Joey DiGuglielmo)
Chris Jay (Photo courtesy of Chris Jay)
Best Drag Queen
Tatianna
Runner-up: Ba’Naka
While Tatianna has been a drag nightlife staple in D.C., for the rest of the nation she had dropped off the radar in between her appearance on the second season of “RuPaul’s Drag Race” and her reemergence in “RuPaul’s Drag Race All Stars 2.”
In her original season, Tatianna, who hails from Falls Church, Va., became a stand-out competitor when she won Snatch Game with her eerily on point imitation of Britney Spears circa 2005. Her taglines, “Thank you” and “Choices” also made her a fan favorite.
In “All Stars 2” Tatianna was booted from the show by fellow queen Alaska not once, but twice. However before leaving she yet again left an impression on the judges with her spoken word performance of “Same Parts,” an ode to men at parties who hit on her and don’t realize she also has the “same parts.”
The local queen also dressed up as T-Boz for her last runway challenge impressing both the judges and fans.
Tatianna can frequently be found performing at Town and has said her favorite celebrities to impersonate are Britney Spears, Ariana Grande and Miley Cyrus. Tatianna has mentioned on “RuPaul’s Drag Race” that she first began doing drag in middle school at age 14.
Since leaving the show, Tatianna is ready to continue working hard on her career.
“You can expect to see me everywhere because I’m traveling the world, dropping new music and saying ‘Yes!’ to any and all projects,” Tatianna told the Huffington Post following her exit from the show. (Mariah Cooper)
Tatianna (Washington Blade photo by Hugh Clarke)
Best Drag Show
Ladies of Town
Fridays and Saturdays at 10:30 p.m.
Town Danceboutique
2009 8th St., N.W.
Runner-up: Pretty Boi Drag
Ladies of Town (Washington Blade photo by Michael Key)
Best Gay-Friendly Straight Bar
Dacha Beer Garden
1600 7th St., N.W.
202-524-8790
(Second consecutive win in this category)
Runner-up: Black Cat
Dacha Beer Garden (Washington Blade photo by Michael Key)
Best Go-Go Dancer/Stripper
Dylan Knight
Runner-up: Christian Lezzil
Dylan Knight (Photo by David Claypool; courtesy Knight)
Tatianna isn’t the only star to launch from Town Danceboutique. Dylan Knight started gyrating lasciviously about 2010 after seeing other go-go dancers there.
He’s a weekly regular at Town and performs there and elsewhere, never taking himself too seriously.
“I just try to be entertaining and cute,” the 25-year-old D.C. resident says.
He’s also honored to win — “It feels good, I didn’t think I would.”
Knight dances nude sometimes and has shot more than 100 gay porn scenes since 2012 (favorite co-star? Colby Jansen).
He got his famous shamrock tattoo at Ocean City at age 18 when he was there for his senior trip. “My boyfriend and I got matching tattoos,” he says. “I’m Irish and pretty lucky, so it fits.” (Joey DiGuglielmo)
Best Happy Hour
D.C. Bear Crüe Bear Happy Hour
Every Friday at 6 p.m.
Town Danceboutique
2009 8th St., N.W.
Runner-up: Number Nine
D.C. Bear Crüe Bear Happy Hour (Washington Blade photo by Hugh Clarke)
Hottest Bar Staff
Nellie’s
900 U St., N.W.
Runner-up: Town Patio
Nellie’s Sports Bar (Washington Blade photo by Hugh Clarke)
Best Live Music
9:30 Club
815 V St., N.W.
(A perennial favorite in this category)
Runner-up: Black Cat
Troye Sivan performs at the 9:30 Club (Photo by Katherine Gaines)
Best Neighborhood Bar
JR.’s Bar & Grill
1519 17th St., N.W.
(A perennial favorite in this category)
Runner-up: Uproar
JR.’s (Washington Blade photo by Pete Exis)
Best Outside-the-District Bar
Freddie’s Beach Bar
555 S. 23rd St.
Arlington, Va.
(A winner of this award many times previously)
Runner-up: Grand Central (Baltimore)
Freddie’s Beach Bar and Grill (Washington Blade photo by Hugh Clarke)
Best Outdoor Drinking
Town Patio
Town Danceboutique
2009 8th St., N.W.
(Second consecutive win in this category)
Runner-up: Dacha Beer Garden
Town Patio (Washington Blade photo by Michael Key)
Best Place for Guys Night Out
Ziegfeld’s/Secrets
1824 Half St., S.W.
(Second consecutive win in this category)
Runner-up: D.C. Bear Crüe Bear Happy Hour
Ziegfeld’s-Secrets (Washington Blade file photo by Michael Key)
Best Place for Girls Night Out
BARE by LURe
Every third Saturday of the month at Cobalt
1639 R St., N.W.
(Second consecutive win in this category)
Runner-up: WhiskHER
BARE by LURe (Washington Blade photo by Damien Salas)
Best Rehoboth Bar
Blue Moon
35 Baltimore Ave.
Rehoboth Beach, Del.
(Second consecutive win in this category)
Runner-up: Aqua
Blue Moon (Washington Blade photo by Michael Key)
Best Rehoboth Bartender
Matt Urban, Blue Moon
35 Baltimore Ave.
Rehoboth Beach, Del.
Runner-up: Jamie Romano, Purple Parrot
Matt Urban has been behind the bar at the venerable Blue Moon for 14 years. His friendly, reserved demeanor keeps the customers coming back year after year. He says the best part of the job is “meeting so many different people and catching up with friends.” Originally from Wilmington, he lives in Rehoboth with his wife.
Matt Urban (Photo courtesy Urban)
Best Rooftop
Uproar Lounge & Restaurant
639 Florida Ave., N.W.
Runner-up: Nellie’s
UpRoar rooftop (Washington Blade photo by Hugh Clarke)
Best Singer or Band
Frankie & Betty
(Second consecutive win in this category)
Runner-up: Wicked Jezabel
Frankie & Betty (Washington Blade photo by Michael Key)
Best Transgender Performer
Gigi Paris Couture
Runner-up: Lady Dane
Gigi Paris Couture started performing 20 years ago. She was just hanging out in drag one night at a bar and one of the performers was a no-show.
“They asked me to perform and I liked it,” Couture, a veteran of Ziegfeld’s, Town, Freddie’s, Cobalt, Perry’s and many others, says.
She performs weekly and works by day as a stylist at the Cosset Aveda in Crystal City, Va., near where she resides in Alexandria.
Couture, who’s single, says many trans performers work right alongside drag queens. She acknowledges there is “occasional tension, but nothing major.”
“There’s always something funny at every show,” Couture says. “That’s the nature of the business. A pastie can come off, duct tape might fall off or a piece of jewelry might fall on someone’s eggs during brunch. Little funny things that make people laugh.”
She’s happy to win this new category, a Washington Blade Best of Gay D.C. first.
“It’s an honor to be acknowledged for something I have enjoyed doing for so long.” (Joey DiGuglielmo)
Gigi Paris Couture (Photo courtesy of Couture)
To see winners in other categories in the Washington Blade’s Best of Gay D.C. 2016 Awards, click here.
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)
The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai, Dan Martin and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.
(Washington Blade photos by Michael Key)
Television
‘Big Mistakes’ an uneven – but worthy – comedic showcase
In the years since “Schitt’s Creek” wrapped up its six season Emmy-winning run, nostalgia for it has grown deep – especially since the still painfully recent loss of its iconic leading lady, Catherine O’Hara, whose sudden passing prompted a social media wave of clips and tributes featuring her fan-favorite performance as the deliciously daft Moira Rose. Revisiting so many favorite scenes and funny moments from the show naturally reminded us of just how much we loved it, even needed it during the time it was on the air; it also reminded us of how much we miss it, and how much it feels now like something we need more than ever.
That, perhaps more than anything else, is why the arrival of “Big Mistakes” – the new Netflix series starring, co-created and co-written by Dan Levy – felt so welcome. We knew it wouldn’t be the Roses, but it seemed cut from the same cloth, and it had David Rose (or at least someone who seemed a lot like him) in the middle of a comically dysfunctional family dynamic, complete with a mother who gets involved in town politics and a catty sibling rivalry with his sister, and still nebbish-ly uncomfortable in his own gay shoes. Only this time, instead of running a charmingly pretentious boutique, he’s the pastor of the local church, and instead of a collection of kooky small town neighbors to contend with, there are gangsters.
As it turns out, it really does feel cut from the same cloth, but the design is distinctly different. Set in a fictional New Jersey suburb, it centers on Nicky (Levy) and his sister Morgan (Taylor Ortega) – he openly gay with an adoring boyfriend (Jacob Gutierrez), yet still obsessive about keeping it all invisible to his congregation, and she drudging aimlessly through life as an underpaid schoolteacher after failing to achieve her New York dreams of show biz success – who inadvertently become enmeshed in a shady underworld when a gesture for their dead grandmother’s funeral goes horribly awry.
They’re surrounded by a crew of equally compromised characters. There’s their mother Linda (Laurie Metcalf), whose campaign to become the town’s mayor only intensifies her tendency to micromanage her children’s lives; Yusuf (Boran Kuzum), the Turkish-American mini-mart operator who pulls them into the criminal conspiracy yet is himself a victim of it; Max (Jack Innanen), Morgan’s live-in boyfriend, who pushes her for a deeper commitment and is willing to go to couples’ therapy to prove it; Annette, his mother (Elizabeth Perkins), who lends her society standing toward helping Linda’s campaign against a misogynistic opponent (Darren Goldstein); and Ivan (Mark Ivanir), the seemingly ruthless crime boss who enslaves the siblings into his network but may really be just another slave himself. It’s a well-fleshed out assortment of characters that helps our own loyalties shift and adapt, generating at least a degree of empathy – if not always sympathy – that keeps everyone from coming off as a merely “black-and-white” caricature of expectations and typecasting.
To be sure, it’s an entertaining binge-watch, full of distinctive characters – all inhabiting familiar, even stereotypical roles in the narrative – who are each given a degree of validation, both in writing and performance, as the show unspools its narrative. At the same time, it makes for a fairly bleak overall view of humanity, in which it’s difficult to place our loyalties with anyone without also embracing a kind of “dog eat dog” morality in which nobody is truly innocent – but nobody is completely to blame for their sins, anyway.
In this way, it’s a show that lets us off the hook in the sense that it places the idea of ethical guilt within a framework of relative evils, as it permits us to forgive our own trespasses by accepting its “lovably” amoral characters, each of whom has their own reasons and justifications for what they do. We relate, but we can’t quite shake the notion that, if all these people hadn’t been so caught up in their own personal dramas, none of them would have ended up in the compromised morality that they’re in.
However, it’s not some bleak morality play that Levy and crew undertake; rather, it’s more an egalitarian fantasy in which even “bad” choices feel justified by inevitability. Everybody’s motivations make enough sense to us that it’s hard to judge any of the characters for making the choices – however unwise – that they do. In a system where everyone is forced to compromise themselves in order to achieve whatever dream of self-fulfillment they may have, how can anybody really blame themselves for doing what they have to do to survive?
Of course, all things considered, this is more a relatable comedy than it is a morality play. As a comedy of errors, it all works well enough on its own without imposing an ideology on it, no matter how much we may be tempted to do so. Indeed, what is ultimately more to the point is how well this pseudo-cynical exercise in the normalization of corruption – for that is what it really about, in the end – succeeds in letting us all off the hook for our compromises.
In the end, of course, maybe all that analysis is too deep a dive for a show that feels, in the end, like it’s meant to be mostly for fun. Indeed, despite its focus on being dragged into the shady side of life, the arc of its messaging seems to be less about a moralistic urge toward making the “right” choice than it is a candid recognition that all of us are compromised from the outset, often by choices we only force upon ourselves, and that’s a refreshing enough bit of honesty that we can easily get on board.
It helps that the performances are on point, especially the loony and wide-eyed fanaticism of Metcalf – surely the MVP of any project in which she is involved – and the directly focused moral malleability of Ortega; Levy, of course, is Levy – a now-familiar persona that can exist within any milieu without further justification than its own queer relatability – and, in this case, at least, that’s both the icing on the cake and substance that defines it. That’s enough to make it an essential view for fans, queer or otherwise, of his distinctive “brand,” even if he – or the show itself – doesn’t quite satisfy in the way that “Schitt’s Creek” was able to do.
Seriously, though, how could it?
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