Arts & Entertainment
Best of Gay D.C. 2016: NIGHTLIFE
Blade readers voted for their nightlife favorites

Best Dance Party
Mixtape
Runner-up: BARE by LURe
DJs Shea Van Horn and Matt Bailer host Mixtape, an alternative dance party, on the second Saturday of each month. Locations vary. The fifth annual Mixtape Halloween party is on Monday, Oct. 31 at the Howard Theatre. It’s at the 9:30 Club on Saturday, Nov. 12.

Mixtape (Photo by Dave Claypool)
Best Bartender
Dito Sevilla, Dito’s Bar at Floriana
1602 17th St., N.W.
Runner-up: Dusty Martinez, Trade

Dito Sevilla (Washington Blade photo by Michael Key)
Best Burlesque Dancer
Bella La Blanc
Runner-up: GiGi Holliday
Bella La Blanc is a housewife and mother of three, but unlike most wives and mothers, she’s a showgirl who has found a way to play multiple roles in her life and not just on stage.
La Blanc, originally from Miami, says she was a theater kid who first fell in love with burlesque after watching “Gypsy.” She then watched “Funny Girl” and once she came of legal age decided she wanted to emulate Barbra Streisand’s Fanny Brice. Her journey led her to frequent fetish clubs, at the time the only place to find burlesque shows.
Now La Blanc regularly performs at the Bier Baron Tavern and has her own burlesque production company Glit-O-Rama Productions. She’s also become known for her cos-play of Regina Mills from “Once Upon a Time.”
La Blanc says her showgirl life is an open book for her kids who often see an evening gown and a vat of crystals strung out on the dining room table after dinner in her Northern Virginia home. Events like this make it all the more fitting that her tagline is “The Stepford Wife gone wild!”
For La Blanc, burlesque is all about pride in being who you are.
“As an exhibitionist I love being on stage and I love sparkly things,” La Blanc says. “But I find that self-empowerment, self-confidence is what burlesque is all about. I go on stage and I’m like, ‘Yeah, I’m a 30-something-year old woman. This body has popped out babies and I’m still going to wear next to nothing and shake my bacon.” (Mariah Cooper)

Bella La Blanc (Photo courtesy of La Blanc)
Best Cocktail
Lemon Squeeze
Duplex Diner
2004 18th St., N.W.
202-265-7828
(Second consecutive win in this category)
Runner-up: Watermelon Basil Slush, Logan Tavern

A bartender makes a Lemon Squeeze at Duplex Diner. (Washington Blade photo by Michael Key)
Best DJ
Matt Bailer
Peach Pit, Mixtape
(Second consecutive win in this category)
Runner-up: DJ Tezrah

DJ Matt Bailer (Washington Blade photo by Michael Key)
Best Drag King
Chris Jay
Runner-up: Sebastian Katz
Chris Jay — who identifies as gender non-conforming and goes by Chris Jennings in non-drag endeavors — started drag three-and-a-half years ago, led to the craft by photography.
Interested in finding some different subjects, he happened upon the D.C. Kings four years ago and started shooting as many of their performances as he could. About six months later, he started with the Kings and continues to this day.
“I’m a lover of R&B, so you’ll find me performing that mostly,” Jay says. “My drag persona is me at a thousand, so I’m kind of full of myself and way more outgoing.”
Now with Pretty Boi Drag (the Kings folded two years ago), Jay performs twice a month — the first Sunday of each at Acre 121 and the third Sunday of each month at the Bier Baron. Jay is 36, happily partnered and lives in Baltimore. (Joey DiGuglielmo)

Chris Jay (Photo courtesy of Chris Jay)
Best Drag Queen
Tatianna
Runner-up: Ba’Naka
While Tatianna has been a drag nightlife staple in D.C., for the rest of the nation she had dropped off the radar in between her appearance on the second season of “RuPaul’s Drag Race” and her reemergence in “RuPaul’s Drag Race All Stars 2.”
In her original season, Tatianna, who hails from Falls Church, Va., became a stand-out competitor when she won Snatch Game with her eerily on point imitation of Britney Spears circa 2005. Her taglines, “Thank you” and “Choices” also made her a fan favorite.
In “All Stars 2” Tatianna was booted from the show by fellow queen Alaska not once, but twice. However before leaving she yet again left an impression on the judges with her spoken word performance of “Same Parts,” an ode to men at parties who hit on her and don’t realize she also has the “same parts.”
The local queen also dressed up as T-Boz for her last runway challenge impressing both the judges and fans.
Tatianna can frequently be found performing at Town and has said her favorite celebrities to impersonate are Britney Spears, Ariana Grande and Miley Cyrus. Tatianna has mentioned on “RuPaul’s Drag Race” that she first began doing drag in middle school at age 14.
Since leaving the show, Tatianna is ready to continue working hard on her career.
“You can expect to see me everywhere because I’m traveling the world, dropping new music and saying ‘Yes!’ to any and all projects,” Tatianna told the Huffington Post following her exit from the show. (Mariah Cooper)

Tatianna (Washington Blade photo by Hugh Clarke)
Best Drag Show
Ladies of Town
Fridays and Saturdays at 10:30 p.m.
Town Danceboutique
2009 8th St., N.W.
Runner-up: Pretty Boi Drag

Ladies of Town (Washington Blade photo by Michael Key)
Best Gay-Friendly Straight Bar
Dacha Beer Garden
1600 7th St., N.W.
202-524-8790
(Second consecutive win in this category)
Runner-up: Black Cat

Dacha Beer Garden (Washington Blade photo by Michael Key)
Best Go-Go Dancer/Stripper
Dylan Knight
Runner-up: Christian Lezzil

Dylan Knight (Photo by David Claypool; courtesy Knight)
Tatianna isn’t the only star to launch from Town Danceboutique. Dylan Knight started gyrating lasciviously about 2010 after seeing other go-go dancers there.
He’s a weekly regular at Town and performs there and elsewhere, never taking himself too seriously.
“I just try to be entertaining and cute,” the 25-year-old D.C. resident says.
He’s also honored to win — “It feels good, I didn’t think I would.”
Knight dances nude sometimes and has shot more than 100 gay porn scenes since 2012 (favorite co-star? Colby Jansen).
He got his famous shamrock tattoo at Ocean City at age 18 when he was there for his senior trip. “My boyfriend and I got matching tattoos,” he says. “I’m Irish and pretty lucky, so it fits.” (Joey DiGuglielmo)
Best Happy Hour
D.C. Bear Crüe Bear Happy Hour
Every Friday at 6 p.m.
Town Danceboutique
2009 8th St., N.W.
Runner-up: Number Nine

D.C. Bear Crüe Bear Happy Hour (Washington Blade photo by Hugh Clarke)
Hottest Bar Staff
Nellie’s
900 U St., N.W.
Runner-up: Town Patio

Nellie’s Sports Bar (Washington Blade photo by Hugh Clarke)
Best Live Music
9:30 Club
815 V St., N.W.
(A perennial favorite in this category)
Runner-up: Black Cat

Troye Sivan performs at the 9:30 Club (Photo by Katherine Gaines)
Best Neighborhood Bar
JR.’s Bar & Grill
1519 17th St., N.W.
(A perennial favorite in this category)
Runner-up: Uproar

JR.’s (Washington Blade photo by Pete Exis)
Best Outside-the-District Bar
Freddie’s Beach Bar
555 S. 23rd St.
Arlington, Va.
(A winner of this award many times previously)
Runner-up: Grand Central (Baltimore)

Freddie’s Beach Bar and Grill (Washington Blade photo by Hugh Clarke)
Best Outdoor Drinking
Town Patio
Town Danceboutique
2009 8th St., N.W.
(Second consecutive win in this category)
Runner-up: Dacha Beer Garden

Town Patio (Washington Blade photo by Michael Key)
Best Place for Guys Night Out
Ziegfeld’s/Secrets
1824 Half St., S.W.
(Second consecutive win in this category)
Runner-up: D.C. Bear Crüe Bear Happy Hour

Ziegfeld’s-Secrets (Washington Blade file photo by Michael Key)
Best Place for Girls Night Out
BARE by LURe
Every third Saturday of the month at Cobalt
1639 R St., N.W.
(Second consecutive win in this category)
Runner-up: WhiskHER

BARE by LURe (Washington Blade photo by Damien Salas)
Best Rehoboth Bar
Blue Moon
35 Baltimore Ave.
Rehoboth Beach, Del.
(Second consecutive win in this category)
Runner-up: Aqua

Blue Moon (Washington Blade photo by Michael Key)
Best Rehoboth Bartender
Matt Urban, Blue Moon
35 Baltimore Ave.
Rehoboth Beach, Del.
Runner-up: Jamie Romano, Purple Parrot
Matt Urban has been behind the bar at the venerable Blue Moon for 14 years. His friendly, reserved demeanor keeps the customers coming back year after year. He says the best part of the job is “meeting so many different people and catching up with friends.” Originally from Wilmington, he lives in Rehoboth with his wife.

Matt Urban (Photo courtesy Urban)
Best Rooftop
Uproar Lounge & Restaurant
639 Florida Ave., N.W.
Runner-up: Nellie’s

UpRoar rooftop (Washington Blade photo by Hugh Clarke)
Best Singer or Band
Frankie & Betty
(Second consecutive win in this category)
Runner-up: Wicked Jezabel

Frankie & Betty (Washington Blade photo by Michael Key)
Best Transgender Performer
Gigi Paris Couture
Runner-up: Lady Dane
Gigi Paris Couture started performing 20 years ago. She was just hanging out in drag one night at a bar and one of the performers was a no-show.
“They asked me to perform and I liked it,” Couture, a veteran of Ziegfeld’s, Town, Freddie’s, Cobalt, Perry’s and many others, says.
She performs weekly and works by day as a stylist at the Cosset Aveda in Crystal City, Va., near where she resides in Alexandria.
Couture, who’s single, says many trans performers work right alongside drag queens. She acknowledges there is “occasional tension, but nothing major.”
“There’s always something funny at every show,” Couture says. “That’s the nature of the business. A pastie can come off, duct tape might fall off or a piece of jewelry might fall on someone’s eggs during brunch. Little funny things that make people laugh.”
She’s happy to win this new category, a Washington Blade Best of Gay D.C. first.
“It’s an honor to be acknowledged for something I have enjoyed doing for so long.” (Joey DiGuglielmo)

Gigi Paris Couture (Photo courtesy of Couture)
To see winners in other categories in the Washington Blade’s Best of Gay D.C. 2016 Awards, click here.
Photos
PHOTOS: Independence Day Weekend in Rehoboth
Wicked Green Pool Party, fireworks among festivities

Vacationers and residents alike enjoyed Independence Day Weekend activities in Rehoboth Beach, Del. The Wicked Green Pool Party drew hundreds to the CAMP Rehoboth fundraiser on Saturday. That evening, revelers went to the rooftops to watch the fireworks display.
(Washington Blade photos by Daniel Truitt)













Music & Concerts
Red, White, and Beyoncé: Queen Bey takes Cowboy Carter to D.C. for the Fourth of July
The legendary music icon performed on July 4 and 7 to a nearly sold-out Northwest Stadium.

Just in time for Independence Day, Beyoncé lit up Landover’s Commanders Field (formerly FedEx Field) with fireworks and fiery patriotism, bringing her deeply moving and genre-defying “Cowboy Carter” tour to the Washington, D.C. area.
The tour, which takes the global icon across nine cities in support of her chart-topping and Grammy-winning country album “Cowboy Carter,” landed in Prince George’s County, Maryland, over the Fourth of July weekend. From the moment Beyoncé stepped on stage, it was clear this was more than just a concert — it was a reclamation.
Drawing from classic Americana, sharp political commentary, and a reimagined vision of country music, the show served as a powerful reminder of how Black Americans — especially Black women — have long been overlooked in spaces they helped create. “Cowboy Carter” released in March 2024, is the second act in Beyoncé’s genre-traversing trilogy. With it, she became the first Black woman to win a Grammy for Best Country Album and also took home the coveted Album of the Year.
The record examines the Black American experience through the lens of country music, grappling with the tension between the mythology of the American Dream and the lived realities of those historically excluded from it. That theme comes alive in the show’s opening number, “American Requiem,” where Beyoncé sings:
“Said I wouldn’t saddle up, but
If that ain’t country, tell me, what is?
Plant my bare feet on solid ground for years
They don’t, don’t know how hard I had to fight for this
When I sing my song…”
Throughout the performance, Beyoncé incorporated arresting visuals: Black cowboys on horseback, vintage American iconography, and Fox News clips criticizing her genre shift — all woven together with voiceovers from country legends like Dolly Parton and Willie Nelson. The result was a multimedia masterclass in storytelling and subversion.
The “Cowboy Carter” tour has been a social media sensation for weeks, with fans scrambling for tickets, curating elaborate “cowboy couture” outfits, and tailgating under the summer sun. At Commanders Field, thousands waited in long lines for exclusive merch and even longer ones to enter the stadium — a pilgrimage that, for many, felt more like attending church than a concert.
One group out in full force for the concert was Black queer men — some rocking “denim on denim on denim on denim,” while others opted for more polished Cowboy Couture looks. The celebration of Black identity within Americana was ever-present, making the concert feel like the world’s biggest gay country-western club.
A standout moment of the night was the appearance of Beyoncé’s 13-year-old daughter, Blue Ivy Carter. Commanding the stage with poise and power, she matched the intensity and choreography of her mother and the professional dancers — a remarkable feat for someone her age and a clear sign that the Carter legacy continues to shine.
It’s been nearly two decades since Beyoncé and Destiny’s Child parted ways, and since then, she’s more than lived up to her title as the voice of a generation. With “Cowboy Carter,” she’s not just making music — she’s rewriting history and reclaiming the space Black artists have always deserved in the country canon.
a&e features
From Prohibition to Pride: Queering the District podcast reveals local LGBTQ history
The new podcast explores the hidden history and enduring impact of queer spaces in Washington, D.C.

On June 25, as Pride month inched toward its end, three queer creators launched an ambitious project to honor the spaces that built D.C.’s LGBTQ community—and connect them to today’s queer life. The first episode of their podcast, Queering the District, hit streaming platforms that day, aiming to spotlight what host and co-creator Abby Stuckrath calls “third places”: bars, clubs, and gathering spots that have served as hubs for queer life across the city.
Each episode of the 10-part series delves into a different piece of D.C.’s queer past—from landmark clubs to untold personal stories—told through the voices of drag legends, activists, DJs, historians, and patrons who lived it. The show also threads together personal experiences from today’s community, bringing the listener on an auditory journey from Prohibition-era speakeasies to contemporary nights out at places like As You Are or Saints & Sinners.
Abby Stuckrath, alongside her sibling Ellie Stuckrath, and producer Mads Reagan, make up the podcast’s creative team. A recent journalism graduate of American University, Abby told the Blade that her passion for queer storytelling began during college—and that D.C. itself played a defining role in shaping her queer identity.
“I went to American University. I graduated last year and studied journalism. When I was in school, I always wanted to focus on queer stories – especially in D.C., because I’m from Denver, Colorado, I’ve never lived in a place like this before. D.C. has always just kind of been a place I call home when it comes to my queer identity.”
But breaking into the media to tell those stories wasn’t easy. Stuckrath quickly learned that editorial support—and funding—for queer-focused projects is limited. So she decided to do it her own way.
“I kind of found out that if you want to tell stories, you kind of have to do it on your own– especially when it comes to queer stories. There’s not a lot of people begging for us to talk about queer people and to pay you for it. So I was like, ‘Okay, let’s just do it on my own.’”
The idea for the podcast first took root in conversations with Ellie, Abby’s sibling and biggest supporter. Ellie had also moved to D.C. to find more space to explore and express their queer and gender identities. Together, the two began shaping a vision that would combine storytelling, sound design, and grassroots community input.
“I was like, ‘I don’t know what exactly I want to do yet, but I want it to be queer, and I want it to be about D.C., and it’s going to be called Queering the District, and we’re going to find out what that means.’ And Ellie is my biggest supporter, and my best friend. And they were like, ‘Hell yeah. Like, let’s do this.’ And so we decided to just do it together.”
The name stuck—and so did the mission. The team began researching queer D.C. history and found a city overflowing with stories that had rarely been documented, especially in mainstream archives.
“We started looking up the history of queer culture in D.C., and it kind of just clicked from there,” Stuckrath said. “I did not know anything about how rich our history is in the city until one Google search, and then I just kept learning more and more. I was kind of pissed because I studied gender studies in school in D.C. and didn’t learn shit about this.”
Season one focuses on the role of third places—non-work, non-home spaces where queer people could gather, exist fully, and build community.
“Third places have always been the epicenter of queer life… places outside of just your own personal home, because sometimes that isn’t a safe place. And of course, the work most commonly in the past and still today, isn’t a safe place for queer people to be full of themselves. So like, bars were the first place for queer people to really thrive and meet each other.”
To make the show participatory, Queering the District includes a twist: a voicemail line where anyone can call in and share a memory or question. The team calls the phone “Fifi”—a nod to the kind of retro guestbooks often used at weddings, but reimagined for queer nightlife and history.
“We wanted to find a way for people to share their stories with us anonymously… so even though we start in Prohibition, we wanted to connect it to now—like, those people who were singing jazz to each other in a white queer bar are connected to you singing karaoke on a Sunday night at your favorite gay bar. We’re all interconnected by this third place of queer bars in D.C.”
Those connections are emotional as well as historical. While building the series, one realization hit Stuckrath particularly hard: the immense loss of queer spaces in D.C., especially in neighborhoods that have since been heavily redeveloped.
“Every time I go to a Nats game, I think about, well, this just replaced five gay bars that used to be here. It used to be the home of Ziegfeld’s… Tracks, which was almost 2,000 square feet, with a volleyball court in the back, a fire pit, and iconic light show. I just didn’t know that we had that, and it made me sad for the queer elders that are in our city now who walk the streets and don’t see all those places they used to call home.”
That sense of loss—alongside the joy and resilience of queer community—is what the show aims to capture. As the podcast continues, Abby hopes it serves as both a celebration and an educational tool, especially for young LGBTQ people arriving in D.C. without realizing the queer foundations they’re walking on.
“D.C. is a unique city, and specifically young queer people who are hoping to move to the city—to know that you’ve got to know your history to be here. I hope this serves as an easier way for you to consume and learn about queer history, because queer history defines how we move in life.”
And for all the voices still left out, Abby is clear: this podcast is an open door, not a final word.
“This is a perfectly imperfect podcast. We should just be a starting point. We shouldn’t be the ending point.”
New episodes of Queering the District drop every Wednesday on all major platforms.
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