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FALL ARTS PREVIEW 2017: Books

Maupin’s memoirs, drag photos, ‘Davie Bowie Made Me Gay’ among fall book highlights

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books, gay news, Washington Blade

‘Black on Both Sides: a Racial History of Trans Identity’ is slated for a December release. It explores the lives of black trans women throughout U.S. history. (Photo courtesy University of Minnesota Press)

EVENTS

The 22nd annual Baltimore Book Festival returns to the Inner Harbor Promenade Sept. 22-24. The festival, which is free and open to the public from 11 a.m.-7 p.m. each day, will feature about 500 presenting authors and 3,000 books for purchase at the Ivy Book Shop. Some of the literary stars who will be presenting include Nigerian author Chimamanda Ngozi Adichie, children’s book writer Adam Gidwitz, and queer poet, writer, and performer Eileen Myles. For more details, including the full schedule of events, visit baltimorebookfestival.org.

Hot off the release of his highly anticipated memoir, “Logical Family” (Harper, Oct. 3), Armistead Maupin will speak at the National Museum of the American Indian (4th St and Independence Ave., N.W.) at 6:45 p.m. on Wednesday, Oct. 4. “Armistead Maupin: Tales of a Lifetime,” will include a reading, discussion and book signing. “Logical Family” traces Maupin’s journey from his childhood in conservative North Carolina to Vietnam and eventually 1970s gay San Francisco, recounting the relationships he cherished along the way and how they have shaped him into one of America’s most celebrated writers. For more information and to purchase tickets, visit smithsonianassociates.org.

RELEASES

Hillary Clinton’s seventh book (her third memoir) “What Happened” (Simon & Schuster, Sept. 12) recounts her failed quest for the White House last year. Clinton has been more candid of late, a change of tone some — political ideology aside — are finding refreshing. Be prepared to shell out big bucks if you want to catch her on her book tour. Her Sept. 18 appearance at Warner Theatre in Washington is nearly sold out (and may be by the time this is published). As of Monday, tickets were still available ranging from $195-345. Visit livenation.com for details.

If you’re a poetry fan, “Madness” by Sam Sax (Penguin Books, Sept. 12) is a stunning debut collection that interrogates our understanding of heterosexuality, sanity, masculinity and addiction. Sax, a queer Jewish writer and educator, draws on his personal and family mental health history to confront these difficult themes with fearlessness and candor.

In his latest conceptual series, “Beautiful Berlin Boys” (Kehrer Verlag, Sept. 12), Iranian American photographer, Ashkan Sahihi, pays homage to the gay creative community ravaged by the AIDS epidemic in 1980s New York City through nude photographs of gay artists in modern-day Berlin. In compiling the spare, intimate portraits, Sahihi discovered a haunting familiarity in his subjects, who recall the gay avant garde of his past while representing the newest generation of gay men in what he considers today’s creative capital.

“True Sex: the Lives of Trans Men at the Turn of the Twentieth Century” by Emily Skidmore (NYU Press, Sept. 19) tells the overlooked stories of 18 trans men who assimilated into small town communities during the late 1800s. Skidmore pieces together reports from local newspapers, medical journals and other sources to offer queer narratives that were not cosmopolitan or subversive, but rather quite ordinary, challenging our preconceived notions of community, rural identity and who we think of as trans or queer.

Amidst political uncertainty surrounding LGBT rights, “Nasty Women: Feminism, Resistance, and Revolution in Trump’s America” by Samhita Mukhopadhyay and Kate Harding (Picador, Oct. 3) is an inspiring collection of essays from leading feminist writers who describe how we got here and how we can resist. Featured essays include Samantha Irby on living as a queer black woman in rural America, Randa Jarrar on cross country travel as a queer Muslim woman and Meredith Taulson on feminism and the transgender community, among many others.

The Book of Love and Hate,” a new novel from Lambda Literary Award winner Lauren Sanders (Akashic Books, Oct. 3) tells of of protagonist Jennifer Baron encounters with queer Palestinians in Israel while searching for her missing father.

Also out that day is “TELL: Love, Defiance and the Military Trial at the Tipping Point for Gay Rights” by Maj. Margaret Witt with Tim Connor (ForeEdge, Oct. 3), a personal account of Witt’s decorated military career and the path to the repeal of the “Don’t Ask, Don’t Tell” policy for LGBT servicemembers.

Any true Sasha Velour fan already has “Drags” (Kmw Studio, Oct. 16) set to preorder. Shot by photographer Gregory Kramer, the collection features hyper-glam black and white, full-length studio portraits of New York City’s drag kings and queens. “Drags” also includes essays by some of the photo subjects themselves: Charles Busch, Linda Simpson, Goldie Simpson, and of course, the ever-scholarly Sasha.

With recipes written as deliciously as they taste, “The Juhu Beach Club Cookbook: Indian Spice, Oakland Soul” by Preeti Mistry and Sarah Henry (Running Press, Oct. 31) has already sent the foodie world into a frenzy well beyond the Bay Area. Mistry, a gay Indian American chef beloved for her big personality, provides a contemporary spin on the traditional Indian cooking she grew up with in this eclectic collection of street food, comfort classics and haute cuisine.

Andrea Lawlor’s debut novel, “Paul Takes the Form of a Mortal Girl” (Rescue Press, Nov. 1), offers a witty and raucous portrait of LGBT radicalism during the early ‘90s. The story follows Paul Polydoris, who studies queer theory and writes provocative zines when not tending bar at the local gay club. Lawlor portrays an exhilarating picaresque hero whose identity seesaws from Riot Grrl to leather cub as he parties through era staples, such as the Michigan Womyn’s Festival.

As a blend of memoir, true crime and ghost story, “Mean” by Myriam Gurba (Coffee House Press, Nov. 14) is difficult to categorize, but hilarious and poignant at every twist and turn. Gurba, a spoken-word performer and visual artist, tells her own coming of age story as a queer, mixed-race Chicana in California. “Mean” tackles themes of sexual violence, racism and homophobia with brassiness and heart as multilayered as Gurba’s approach to genre.

“Every Night is Saturday Night: A Country Girl’s Journey to the Rock & Roll Hall of Fame” (BMG, Nov. 14), written alongside Scott B. Bomar, is the long-awaited autobiography of Wanda Jackson, the legendary “Queen of Rockabilly,” “First Lady of Rock & Roll” and treasured gay icon. Jackson shares personal stories on her relationship with Elvis Presley, her faith and the challenges she faced in bringing sex appeal to country music and femininity to Rock & Roll. The book also features a foreword by Elvis Costello.

In need of some playlist inspiration? “David Bowie Made Me Gay” by Darryl W. Bullock (The Overlook Press, Nov. 21) is a highly comprehensive history of LGBT music, spanning a century from early jazz and blues to today’s most recognizable pop stars out of the closet. Bullock meticulously chronicles the LGBT community’s vast influence on music through a historical lens, revealing how society’s oscillation between acceptance and persecution has shaped what we listen to today.

In “Black on Both Sides: A Racial History of Trans Identity” (University of Minnesota Press, Dec. 5), C. Riley Snorton uncovers the obscured or erased narratives of black trans women in the United States, beginning with the mid-19th century and continuing through present-day oppression and resistance. Snorton, a professor of Africana studies and feminist, gender and sexuality studies at Cornell University, builds on early sexological writings, fugitive slave stories, Afro-modernist literature and other materials to craft this essential account of black trans history.

Other releases of note include:

• “Murder Under the Fig Tree: A Palestine Mystery,” by Kate Jessica Raphael (She Writes Press), is a murder mystery novel that draws Rania Bakara, a Palestinian policewoman, deep into the underground Palestinian gay scene as she investigates the death of young man in a village adjacent to her own. The book is $16.95 and releases Sept. 19.

• “The Ultimate Guide to Gay Dads: Everything You Need to Know About LGBT Parenting But Are (Mostly) Afraid to Ask,” by Eric Rosswood (Mango), is a generous resource for gay and bisexual men who are thinking about starting a family together. The guide is $13.85 and releases Oct. 24.

• “Mostly Straight: Sexual Fluidity among Men” by Ritch C. Savin-Williams (Harvard University Press) is a biological, empirical and psychological research-based exploration of the personal stories of 40 young men who identify as sexually fluid or “mostly straight.” The book is $27.95 and releases Nov. 3.

• “Patient Zero and the Making of the AIDS Epidemic,” by Richard A. McKay (University of Chicago Press), investigates the introduction of the term “patient zero” into the popular lexicon during the 1980s AIDS epidemic. The book thoughtfully traces the life of Gaëtan Dugas, who was incorrectly identified (and vilified) as the first AIDS case in North America. It is $24.91 and releases Nov. 15.

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Books

Reflect on Pride season with these engaging books

Travel, memoirs, and more on tap for June

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Books for Pride by various authors
c.2026, various publishers
$18.95 – $29.00

How many times have you marched so far this month? Seems like there’s always a reason to gather and walk during Pride, but save some time for yourself, too. You’ll want to reflect, rest, and read these great books about living your best Pride month. 

No doubt, you’ve thought once or twice about stepping away from society as it is, and moving somewhere more accepting. So read “Qtopia: A Memoir of Love, Land, and Liberation” by Juda Bennett (University of Wisconsin Press, $18.95), the story of doing exactly that, and how it turned out.

Back in the ‘70s, Bennett fled the suburbs and all it represented, and went “back to the land,” to a commune named Lavender Hill. Some of the places he’d lived before then had promised way more than they delivered, but Lavender Hill was different – more rural, more open, more queer, much better. But you know all good things must end, and that includes “queer utopia.” The only thing left was to re-enter the mainstream, a journey unto itself, and one worth reading.

Speaking of memoirs, in “Gay Mormon Dad” by Chad Anderson, art by Remy Burke (Graphic Mundi, $21.99), you’ll read about Anderson’s life as a husband (to a woman), a father, and a man who seemingly had it all but it wasn’t right, and he wasn’t happy. He was gay, but acknowledging it, telling his family and his church family, could mean the loss of everything he loved. It’s a story that may be familiar to you, in some way, and it’s a quick read.

For most of his life, Joseph Osmundson dreamed about getting pregnant and having a family. The former didn’t happen and, as for the latter, as he writes in his memoir, “Spawning Season: An Experiment in Queer Parenthood” (Bloomsbury, $27.99) the journey for a gay man to become a father can have plenty of roadblocks.

When two women approach Osmundson to be a sperm donor, it appears that his ultimate dreams are about to come true. Things go swimmingly – until race enters the conversation. Are the words “donor” and “dad” the same? Read this powerful book, and think about it.

And finally, if parenthood as a gay person is something that’s a case of maybe-later, then “Good Morning Moon: A Snapshot of an American Family” by Brad Gooch (Harper, $29) is a book to find. It’s the story of late-life love, surrogacy, and identity as Gooch learns about himself as he learns to be a good Dad. This is a great book for older fathers, and anyone who’s on the parental fence, later in life.

If these great books aren’t enough for you, or if you’re looking for something different for Pride, then head to your favorite bookstore or library and ask the staff there to help you find your next best read. They’ve got a lot of books to put in your hands, a lot of sunny afternoons full of relaxing and promise, so march on out, get a new book, and happy Pride!

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Books

David Archuleta on Mormon faith, ‘Idol,’ more in new book

Unique memoir details religious upbringing, coming out

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(Book cover image courtesy of Gallery Books)

‘Devout: Losing My Faith to Find Myself’
By David Archuleta
c.2026, Gallery Books
$29/290 pages

So just make up your mind already.

The decision is very much in your control – or, at least that’s how it’s supposed to be. It’ll be your future, your path, and seizing it may not just be necessary, but mandatory. It’s your life, and no one can live it for you. As in the new memoir “Devout” by David Archuleta, that goes for career and for love, too.

Born to parents who both had musical careers before they wed, David Archuleta remembers an early childhood growing up in a Hispanic Mormon community in Florida, where kin was always nearby. He was six when his parents moved the immediate family to Utah; the first thing he remembers about that is the snow, and how it was so cold, it burned.

Because music was in his blood, Archuleta grew up singing and dancing, often with his mother whom he calls “my rock.” It was his father, however, who encouraged him to perform; first, with a gentle push, then a shove toward a career Archuleta didn’t really want.

But he did want to make his father happy, so he went along with the contests, embarrassing meet-and-greets with stars, and uncomfortable introductions. Slowly, though, performing became more fun, and Archuleta made friends.

Meanwhile, back home, everything was breaking apart. A “family friend” whom Archuleta refuses to name accused his father of abuse. He was exonerated, but it affected the family’s closeness and they stopped being affectionate.

That was a painful backdrop to Archuleta’s soaring career, his appearances on Star Search, friendships with other rising stars, his runner-up spot on “American Idol,” tours, and recording contracts. His father kept pushing him.

But there was one thing missing.

Since he was a boy, Archuleta had known that he was attracted to men, but his Mormon faith taught him that that was unacceptable. Kissing, his abuelita said, was wrong. He tried hard to date girls, in the most chaste way. Anything past that was against God – and anything at all with a man was unthinkable.

Though it absolutely favors his personal life and dwells on it a bit too much, “Devout” strikes an otherwise nice balance between that, author David Archuleta’s career, his sexuality, and his faith. The latter two are loaded with controversy.

You don’t need to be Mormon to fully understand the faith part; Archuleta offers non-Mormons a brief education, so readers can see the importance of the Church’s teachings in his life and why he felt the need to abandon it as his understanding of his bisexuality grew. It’s emotionally raw and honest, but also so respectful that it almost bears re-reading. Such candor and the heart-on-his-sleeve tone you’ll sense are features in the entire book, alongside Archuleta’s family’s struggles and his learning to strike out alone.

It’s harmonious in more ways than one, and fans will be happy.

So, too, will anyone who wants a unique memoir with a dose of faith, or someone who’s an “American Idol”watcher. Find “Devout” and be sure to share. You won’t mind.

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‘Mighty Real’ explores history of LGBTQ music

From Judas Priest to Whitney, something for every taste

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(Book cover image courtesy of Viking)

‘Mighty Real: A History of LGBTQ Music, 1969-2000’
By Barry Walters
c.2026, Viking
$35/496 pages

Step, step, tap, back step.

Shimmy in a circle, left hand waving over your head, shake your tail feathers, repeat to the beat. Once there was a time when you could do any dance in your sleep, but it’s been a while. So read “Mighty Real” by Barry Walters, and see if your toes don’t tap.

Fifty-seven years after Stonewall, and here we are: LGBTQ musicians still face scrutiny for their sexuality because, says Walters, music isn’t created for gay listeners. No problem: LGBTQ artists and writers have often penned lyrics carefully in order to say what can’t be said, “coding” songs for gay audiences that straight (and ignorant) listeners can dance to and enjoy with apparent obliviousness.

Walters offers “just a few” examples.

Lou Reed sang about trans people in the late ‘60s and offered a rallying song for the Gay Liberation Front in 1972, the latter of which felt like a message to a then-11-year-old Walters. Janis Joplin claimed she was straight, but she had several girlfriends. Motown singers often offered sometimes-ambiguous lyrics.

John Lennon’s hand placement on the back cover of Sgt. Pepper’s Lonely Hearts Club Band made Walters begin to understand that he was different from other boys.

David Bowie is on his list, of course, as is Bette Midler, Elton John, Donna Summer, and Queen. You’ll find Judas Priest here, Green Day, and punk music. The Village People are included in this book, also Grace Jones, Duran Duran, and Cher, Whitney, Melissa, Latifah, and the lyrics from several blockbuster movies.

Two of Prince’s band members were lesbians, and they heavily influenced his albums. Diana Ross’s “I’m Coming Out” cemented her position in LGBTQ culture, and Michael Jackson’s inclusion here takes much careful consideration.

Read about Olivia Newton-John and the B52s. And then there’s Sylvester, for whom Walters has a soft spot in his heart. Sylvester’s death still makes Walters cry.

In his preface, author and music writer Barry Walters points out that music is what you make it and that it’s interpreted differently by each individual. To that end, this book naturally consists of preferential history and personal opinions about singers, bands, albums, and songs.

Agree or disagree. That’s where much of the appeal lies in “Mighty Real.”

Here, Walters wraps his memories around his choices, giving readers room for their own views, memories, and list making. Music-loving readers might also be surprised to note who’s not on Walters’ list – there aren’t many country performers here, for example, and the overall list focuses entirely on music from roughly 1968 to the year 2000, mostly on the kinds of songs you’ll want at the club or party. Again, discuss, and curate your own playlist.

This is a hefty book, but the chapters are browse-able and generally short enough to read in under five minutes. It’s nostalgic, yet also serious in the history it presents. This is the kind of book you want to leave near your album collection, or wherever you get your tunes. But finding “Mighty Real” is your first step.

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