Arts & Entertainment
Best of Gay D.C. 2017: MEDIA
Winners from the Washington Blade’s annual poll
(Photo of Jim Vance by Robin Fader; Washington Blade photo of DCist reporters by Tom Hausman; photo of a D.C. Metro stop by Peter French courtesy Flickr)
Best Local Website
DCist
News, food, arts and events.
Editor’s choice: Popville
(Washington Blade photo by Tom Hausman)
Best Local Social Media Channel
Editor’s Choice: @alexmorash
@unsuckdcmetro has been chronicling D.C. Metro’s mishaps and disasters since January, 2009.
The anonymous founder, who says he is a journalist and LGBT ally, started using Metro as part of his commute. After experiencing problems he decided to start a blog to complain. He says he didn’t think the blog would get as popular as it did but noticed he wasn’t the only disgruntled one.
“One thing that got me thinking that it might have a chance to become useful was noticing the faces of fellow passengers when a train offloads or whatever problem it might be. Everyone just looks like, “Geez, this Metro is so bad,’” he says.
What started as a blog to vent frustrations about the daily commute evolved into Facebook and Twitter pages with thousands of followers united by their common annoyance of public transportation.
The founder recalls that one of his biggest posts on his now-defunct blog was on the June 22, 2009 metro crash. It was the first time he noticed the power of social media in the news as tweets poured in tracking the tragedy.
Now besides his own posts, other passengers tag @unsuckmetrodc their issues with Metro from offloading to uncleanliness.
While @unsuckmetro is the founder’s passion project, he says he would much rather the Metro be reliable.
“At the very foundation of the problem is the way it’s governed. Nobody is accountable. It’s set up to protect everyone involved from being accountable. People let things slide when they’re not accountable,” he says. (MC)
(Photo by Peter French; courtesy Flickr)
Best Local TV Personality
Jim Vance
Runner up: Chuck Bell, NBC 4
Many Washingtonians can recall growing up seeing Jim Vance report the news from the screens in their living rooms. The NBC4 news anchor became entrenched in D.C. culture just as much as “the Godfather of Go-Go” Chuck Brown, former D.C. Mayor Marion Barry and radio DJ Russ Parr, who all join Vance on Ben’s Chili Bowl mural wall.
Vance, who died from cancer in July at age 75, worked at NBC4 for more than 40 years making him the District’s longest serving TV anchor. Born in Ardmore, Pa., Vance was a reporter for the Philadelphia Independent newspaper and WHAT-AM radio station while also teaching English. He joined WRC-TV (NBC4) in 1969 as a reporter before moving to the anchor desk in 1972.
His coverage spanned some of the most talked about moments in D.C.’s history.
In 1977, he reported on the Hanafi Siege on three D.C. buildings by 12 gunmen which resulted in 149 hostages and the death of radio host Maurice Williams. He also covered the Air Florida Flight 90 crash in the Potomac River, which killed 78 people, in 1982.
More recently, he called out the Washington Redskins over the controversial use of their name despite being a longtime fan.
“Back in the day, if you really wanted to insult a black man, an Italian, a Jew, an Irishman, and probably start a fight, you threw out certain words. They were, and are pejoratives of the first order, the worst order, specifically intended to injure. In my view, ‘Redskin’ was and is in that same category,” Vance said during a 2013 broadcast of “Vance’s View.”
Over the course of his career, Vance received 19 local Emmy awards. In 2007, he earned the honor of being inducted into the National Association of Black Journalists Hall of Fame.
He gained recognition as a news anchor outside of D.C. thanks to a viral video that reached millions of views. In a 2006 segment on Paris Fashion Week, Vance and sports anchor George Michael couldn’t control their laughter over a model who fell twice on the runway. The Foo Fighters even paid tribute to Vance by using the video in a promo for their concert at RFK stadium.
While his professional life was widely praised, his personal life was also colorful. He went to the Betty Ford Clinic in 1984 to recover from a cocaine addiction that he battled throughout the ‘70s and ‘80s. Barry asked Vance for advice when he was dealing with his own addiction to crack cocaine which led to his 1990 arrest.
“Why did he ask me? Because what he, like everyone else who’s been around Washington for a while knows, is that for more than four years I have been in recovery. The mayor thought that I might be able to advise him. I did so,” the Washington Post quotes Vance telling viewers.
He was also candid about his struggles with depression and a suicide attempt at Potomac River at Great Falls in 1987 for which he sought therapy.
Vance died at his Silver Spring, Md. home. He is survived by his wife Kathy McCampbell Vance and three children Dawn, Amani and Brendon. (MC)
Jim Vance (Photo by Robin Fader)
Best Radio Station
WAMU 88.5
Public radio station serving the D.C. metro area.
Editor’s choice: Hot 99.5
Theater
Out dancer on Alvin Ailey’s stint at Warner Theatre
10-day production marks kickoff of national tour
Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org
The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May.
“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.
Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour.
Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”
Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.
He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”
Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.
WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989.
RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.
BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.
MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body.
That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.
BLADE: Is “Revelation” a meaningful piece for you?
MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old.
BLADE: How can a dancer in a prestigious company also be a ballroom house father?
MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.
I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance.
BLADE: Any message for queer audiences?
MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do.
BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?
MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.
Arts & Entertainment
Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71
Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’
Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.
O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.
In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.
In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”
Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.
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