Arts & Entertainment
Best of Gay D.C. 2017: MEDIA
Winners from the Washington Blade’s annual poll

(Photo of Jim Vance by Robin Fader; Washington Blade photo of DCist reporters by Tom Hausman; photo of a D.C. Metro stop by Peter French courtesy Flickr)
Best Local Website
DCist
News, food, arts and events.
Editor’s choice: Popville

(Washington Blade photo by Tom Hausman)
Best Local Social Media Channel
Editor’s Choice: @alexmorash
@unsuckdcmetro has been chronicling D.C. Metro’s mishaps and disasters since January, 2009.
The anonymous founder, who says he is a journalist and LGBT ally, started using Metro as part of his commute. After experiencing problems he decided to start a blog to complain. He says he didn’t think the blog would get as popular as it did but noticed he wasn’t the only disgruntled one.
“One thing that got me thinking that it might have a chance to become useful was noticing the faces of fellow passengers when a train offloads or whatever problem it might be. Everyone just looks like, “Geez, this Metro is so bad,’” he says.
What started as a blog to vent frustrations about the daily commute evolved into Facebook and Twitter pages with thousands of followers united by their common annoyance of public transportation.
The founder recalls that one of his biggest posts on his now-defunct blog was on the June 22, 2009 metro crash. It was the first time he noticed the power of social media in the news as tweets poured in tracking the tragedy.
Now besides his own posts, other passengers tag @unsuckmetrodc their issues with Metro from offloading to uncleanliness.
While @unsuckmetro is the founder’s passion project, he says he would much rather the Metro be reliable.
“At the very foundation of the problem is the way it’s governed. Nobody is accountable. It’s set up to protect everyone involved from being accountable. People let things slide when they’re not accountable,” he says. (MC)

(Photo by Peter French; courtesy Flickr)
Best Local TV Personality
Jim Vance
Runner up: Chuck Bell, NBC 4
Many Washingtonians can recall growing up seeing Jim Vance report the news from the screens in their living rooms. The NBC4 news anchor became entrenched in D.C. culture just as much as “the Godfather of Go-Go” Chuck Brown, former D.C. Mayor Marion Barry and radio DJ Russ Parr, who all join Vance on Ben’s Chili Bowl mural wall.
Vance, who died from cancer in July at age 75, worked at NBC4 for more than 40 years making him the District’s longest serving TV anchor. Born in Ardmore, Pa., Vance was a reporter for the Philadelphia Independent newspaper and WHAT-AM radio station while also teaching English. He joined WRC-TV (NBC4) in 1969 as a reporter before moving to the anchor desk in 1972.
His coverage spanned some of the most talked about moments in D.C.’s history.
In 1977, he reported on the Hanafi Siege on three D.C. buildings by 12 gunmen which resulted in 149 hostages and the death of radio host Maurice Williams. He also covered the Air Florida Flight 90 crash in the Potomac River, which killed 78 people, in 1982.
More recently, he called out the Washington Redskins over the controversial use of their name despite being a longtime fan.
“Back in the day, if you really wanted to insult a black man, an Italian, a Jew, an Irishman, and probably start a fight, you threw out certain words. They were, and are pejoratives of the first order, the worst order, specifically intended to injure. In my view, ‘Redskin’ was and is in that same category,” Vance said during a 2013 broadcast of “Vance’s View.”
Over the course of his career, Vance received 19 local Emmy awards. In 2007, he earned the honor of being inducted into the National Association of Black Journalists Hall of Fame.
He gained recognition as a news anchor outside of D.C. thanks to a viral video that reached millions of views. In a 2006 segment on Paris Fashion Week, Vance and sports anchor George Michael couldn’t control their laughter over a model who fell twice on the runway. The Foo Fighters even paid tribute to Vance by using the video in a promo for their concert at RFK stadium.
While his professional life was widely praised, his personal life was also colorful. He went to the Betty Ford Clinic in 1984 to recover from a cocaine addiction that he battled throughout the ‘70s and ‘80s. Barry asked Vance for advice when he was dealing with his own addiction to crack cocaine which led to his 1990 arrest.
“Why did he ask me? Because what he, like everyone else who’s been around Washington for a while knows, is that for more than four years I have been in recovery. The mayor thought that I might be able to advise him. I did so,” the Washington Post quotes Vance telling viewers.
He was also candid about his struggles with depression and a suicide attempt at Potomac River at Great Falls in 1987 for which he sought therapy.
Vance died at his Silver Spring, Md. home. He is survived by his wife Kathy McCampbell Vance and three children Dawn, Amani and Brendon. (MC)

Jim Vance (Photo by Robin Fader)
Best Radio Station
WAMU 88.5
Public radio station serving the D.C. metro area.
Editor’s choice: Hot 99.5

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages
They’re among the world’s greatest love stories.
You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.
Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.
That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”
She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.
Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.
She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.
And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.
And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”
“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.
If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.
These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.
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