Arts & Entertainment
JAY-Z, Kendrick Lamar lead diverse 2018 Grammy nominations
Bruno Mars, Lady Gaga also land nominations


(Screenshot via YouTube.)
The 60th Annual Grammys Awards announced its 2018 nominees with rap and R&B artists making their mark on the top four major categories.
Singer Audra Day announced the nominations for the four major categories of record of the year, song of the year, best new artist and album of the year.
JAY-Z leads this year’s nominations with a total of eight nominations including album, song, and record of the year. His album “4:44,” which includes his mother’s coming out, will battle against Bruno Mars’ “24K Magic, “Damn” by Kendrick Lamar,” “Melodrama” by Lorde and “Awaken My Love!” by Childish Gambino.
Kendrick Lamar is close behind with a total of seven nominations for his album “Damn.” Lady Gaga also scored nominations for Best Pop Solo Performance for “Million Reasons” and Best Pop Vocal Album for “Joanne.”
The 60th Annual Grammy Awards will air from Madison Square Garden in New York City on Sunday Jan. 28 on CBS.
Album of the Year
“Awaken My Love!,” Childish Gambino
“4:44,” JAY-Z
“Damn,” Kendrick Lamar
“Melodrama,” Lorde
“24K Magic,” Bruno Mars
Song of the Year
“Despacito” Ramón Ayala, Justin Bieber, Jason “Poo Bear” Boyd, Erika Ender, Luis Fonsi and Marty James Garton, songwriters (Luis Fonsi & Daddy Yankee Featuring Justin Bieber)
“4:44” Shawn Carter and Dion Wilson, songwriters (JAY-Z)
“Issues” Benny Blanco, Mikkel Storleer Eriksen and Tor Erik Hermansen, songwriters (Julia Michaels)
“1-800-273-8255” Sir Robert Hall II, Arjun Ivatury, Alessia Caracciolo, Khalid Robinson, Drew Taggart, songwriters (Logic featuring Alessia Cara and Khalid)
“That’s What I Like” Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Bruno Mars, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus and Jonathan Yip, songwriters (Bruno Mars
Record of the Year
“Redbone,” Childish Gambino
“Despacito,” Luis Fonsi & Daddy Yankee Featuring Justin Bieber
“The Story of O.J.,” JAY-Z
“Humble,” Kendrick Lamar
“24K Magic,” Bruno Mars
Best New Artist
Alessia Cara
Khalid
Lil Uzi Vert
Julia Michaels
SZA
Best Pop Solo Performance
“Love So Soft,” Kelly Clarkson
“Praying,” Kesha
“Million Reasons,” Lady Gaga
“What About Us,” P!nk
“Shape Of You,” Ed Sheeran
Best Pop Vocal Album
“Kaleidoscope EP,” Coldplay
“Lust For Life,” Lana Del Rey
“Evolve,” Imagine Dragons
“Rainbow,” Kesha
“Joanne,” Lady Gaga
“÷ (Divide),” Ed Sheeran
Best Pop Duo/Group Performance
“Something Just Like This,” The Chainsmokers & Coldplay
“Despacito,” Luis Fonsi & Daddy Yankee Featuring Justin Bieber
“Thunder,” Imagine Dragons
“Feel It Still,” Portugal. The Man
“Stay,” Zedd & Alessia Cara
Traditional Vocal Album
“Nobody But Me (Deluxe Version),” Michael Bublé
“Triplicate,” Bob Dylan
“In Full Swing,” Seth MacFarlane
“Wonderland,” Sarah McLachlan
“Tony Bennett Celebrates 90,” Various Artists
Best Rap Album
“4:44,” JAY-Z
“Damn,” Kendrick Lamar
“Culture,” Migos
“Laila’s Wisdom,” Rapsody
“Flower Boy,” Tyler, the Creator
Best Rap/Sung Performance
“Prblms,” 6lack
“Crew,” Goldlink featuring Brent Faiyaz & Shy Glizzy
“Family Feud,” JAY-Z featuring Beyoncé
“Loyalty,” Kendrick Lamar featuring Rihanna
“Love Galore,” SZA featuring Travis Scott
Best Country Album
“Cosmic Hallelujah,” Kenny Chesney
“Heart Break,” Lady Antebellum
“The Breaker,” Little Big Town
“Life Changes,” Thomas Rhett
“From a Room: Volume 1,” Chris Stapleton
Best Country Duo/Group Performance
“It Ain’t My Fault,” Brothers Osborne
“My Old Man,” Zac Brown Band
“You Look Good,” Lady Antebellum
“Better Man,” Little Big Town
“Drinkin’ Problem,” Midland
Best Country Solo Performance
“Body Like a Back Road,” Sam Hunt
“Losing You,” Alison Krauss
“Tin Man,” Miranda Lambert
“I Could Use a Love Song,” Maren Morris
“Either Way,” Chris Stapleton
Best Rock Album
“Emperor of Sand,” Mastodon
“Hardwired…to Self-Destruct,” Metallica
“The Stories We Tell Ourselves,” Nothing More
“Villains,” Queens of the Stone Age
“A Deeper Understanding,” The War on Drugs
Best Rock Performance
“You Want It Darker,” Leonard Cohen
“The Promise,” Chris Cornell
“Run,” Foo Fighters
“No Good,” Kaleo
“Go to War,” Nothing More
Best R&B Performance
“Get You,” Daniel Caesar featuring Kali Uchis
“Distraction,” Kehlani
“High,” Ledisi
“That’s What I Like,” Bruno Mars
“The Weekend,” SZA
Best R&B Urban Contemporary Album
“Free 6lack,” 6lack
“Awaken, My Love!,” Childish Gambino
“American Teen,” Khalid
“Ctrl,” SZA
“Starboy,” the Weeknd
Best Dance Electronic Album
“Migration,” Bonobo
“3-D the Catalogue,” Kraftwerk
“Mura Masa,” Mura Masa
“A Moment Apart,” Odesza
“What Now,” Sylvan Esso
Best Dance Recording
“Bambro Koyo Ganda,” Bonobo featuring Innov Gnawa
“Cola,” Camelphat & Elderbrook
“Andromeda,” Gorillaz featuring Dram
“Tonite,” LCD Soundsystem
“Line of Sight,” Odesza featuring Wynne & Mansionair
Best Compilation Soundtrack For Visual Media
“Baby Driver,” (Various Artists)
“Guardians of the Galaxy Vol. 2: Awesome Mix Vol. 2,” (Various Artists)
“Hidden Figures: The Album,” (Various Artists)
“La La Land,” (Various Artists)
“Moana: The Songs,” (Various Artists)
Best Song Written For Visual Media
“City of Stars,” Justin Hurwitz, Benj Pasek & Justin Paul, songwriters (Ryan Gosling & Emma Stone)
“How Far I’ll Go,” Lin-Manuel Miranda, songwriter (Auli’i Cravalho)
“I Don’t Wanna Live Forever (Fifty Shades Darker),” Jack Antonoff, Sam Dew & Taylor Swift, songwriters (Zayn & Taylor Swift)
“Never Give Up,” Sia Furler & Greg Kurstin, songwriters (Sia)
“Stand Up for Something,” Common & Diane Warren, songwriters (Andra Day featuring Common)
Best Score Soundtrack For Visual Media
“Arrival,” Jóhann Jóhannsson, composer
“Dunkirk,” Hans Zimmer, composer
“Game of Thrones: Season 7,” Ramin Djawadi, composer
“Hidden Figures,” Benjamin Wallfisch, Pharrell Williams & Hans Zimmer, composers
“La La Land,” Justin Hurwitz, composer
Best Music Video
“Up All Night,” (Beck) Canada, video director; Laura Serra Estorch & Oscar Romagosa, video producers
“Makeba” — (Jain) Lionel Hirle & Gregory Ohrel, video directors; Yodelice, video producer
“The Story of O.J.” — (Jay-Z) Shawn Carter & Mark Romanek, video directors; Daniel Midgley, video producer
“Humble.” — (Kendrick Lamar) The Little Homies & Dave Meyers, video directors; Jason Baum, Dave Free, Jamie Rabineau, Nathan K. Scherrer & Anthony Tiffith, video producers
“1-800-273-8255″ — (Logic featuring Alessia Cara & Khalid) Andy Hines, video director; Andrew Lerios, video producer
Best Music Film
“One More Time With Feeling” (Nick Cave & the Bad Seeds) Andrew Dominik, video director; Dulcie Kellett & James Wilson, video producers
“Long Strange Trip” (The Grateful Dead) Amir Bar-Lev, video director; Alex Blavatnik, Ken Dornstein, Eric Eisner, Nick Koskoff & Justin Kreutzmann, video producers
“The Defiant Ones” (Various Artists) Allen Hughes, video director; Sarah Anthony, Fritzi Horstman, Broderick Johnson, Gene Kirkwood, Andrew Kosove, Laura Lancaster, Michael Lombardo, Jerry Longarzo, Doug Pray & Steven Williams, video producers
“Soundbreaking” (Various Artists) Maro Chermayeff & Jeff Dupre, video directors; Joshua Bennett, Julia Marchesi, Sam Pollard, Sally Rosenthal, Amy Schewel & Warren Zanes, video producers
Best Spoken Word Album
“Astrophysics for People in a Hurry,” Neil deGrasse Tyson
“Born to Run,” Bruce Springsteen
“Confessions of a Serial Songwriter,” Shelly Peiken
“Our Revolution: A Future to Believe In (Bernie Sanders),” Bernie Sanders and Mark Ruffalo
“The Princess Diarist,” Carrie Fisher
Best Comedy Album
“The Age of Spin & Deep in the Heart of Texas,” Dave Chappelle
“Cinco,” Jim Gaffigan
“Jerry Before Seinfeld,” Jerry Seinfeld
“A Speck of Dust,” Sarah Silverman
“What Now?,” Kevin Hart
Best Musical Theater Album
“Come From Away” — Ian Eisendrath, August Eriksmoen, David Hein, David Lai & Irene Sankoff, producers; David Hein & Irene Sankoff, composers/lyricists (Original Broadway Cast Recording)
“Dear Evan Hansen” — Ben Platt, principal soloist; Alex Lacamoire, Stacey Mindich, Benj Pasek & Justin Paul, producers; Benj Pasek & Justin Paul, composers/lyricists (Original Broadway Cast Recording)
“Hello, Dolly!” — Bette Midler, principal soloist; Steven Epstein, producer (Jerry Herman, composer & lyricist) (New Broadway Cast Recording)
Photos
PHOTOS: Montgomery County Pride in the Plaza
LGBTQ celebration held in downtown Silver Spring

Montgomery County Pride in the Plaza was held on Sunday, June 29 at Veterans Plaza in Silver Spring, Md.
(Washington Blade photos by Michael Key)























The fifth annual Fredericksburg Pride march and festival was held on Saturday, June 28. A march through the streets of downtown Fredericksburg, Va. was followed by a festival at Riverfront Park.
(Washington Blade photos by Michael Key)



















India
Anaya Bangar challenges ban on trans women in female cricket teams
Former Indian cricketer Sanjay Bangar’s daughter has received support

Anaya Bangar, the daughter of former Indian cricketer Sanjay Bangar, has partnered with the Manchester Metropolitan University Institute of Sport in the U.K. to assess her physiological profile following her gender-affirming surgery and undergoing hormone replacement therapy.
From January to March 2025, the 23-year-old underwent an eight-week research project that measured her glucose levels, oxygen uptake, muscle mass, strength, and endurance after extensive training.
The results, shared via Instagram, revealed her metrics align with those of cisgender female athletes, positioning her as eligible for women’s cricket under current scientific standards. Bangar’s findings challenge the International Cricket Council’s 2023 ban on transgender athletes in women’s cricket, prompting her to call for a science-based dialogue with the Board of Control for Cricket in India and the ICC to reform policies for trans inclusion.
“I am talking with scientific evidence in my hand,” Bangar said in an interview posted to her Instagram page. “So, I hope, this makes an impact and I will be hoping to BCCI and ICC talking with me and discussing this further.”
On Nov. 21, 2023, the ICC enacted a controversial policy barring trans women from international women’s cricket. Finalized after a board meeting in Ahmedabad, India, the regulation prohibits any trans player who has experienced male puberty from competing, irrespective of gender-affirming surgery or hormone therapy. Developed through a 9-month consultation led by the ICC’s Medical Advisory Committee, the rule aims to safeguard the “integrity, safety, and fairness” of women’s cricket but has drawn criticism for excluding athletes like Canada’s Danielle McGahey, the first trans woman to play internationally. The policy, which allows domestic boards to set their own rules, is slated for review by November 2025.
Bangar shared a document on social media verifying her participation in a physiological study at the Manchester Metropolitan University Institute of Sport, conducted from Jan. 20 to March 3, 2025, focused on cricket performance. The report confirmed that her vital metrics — including hemoglobin, blood glucose, peak power, and mean power — aligned with those of cisgender female athletes. Initially, her fasting blood glucose measured 6.1 mmol/L, slightly above the typical non-diabetic range of 4.0–5.9 mmol/L, but subsequent tests showed it normalized, reinforcing the study’s findings that her physical profile meets female athletic standards.
“I am submitting this to the BCCI and ICC, with full transparency and hope,” said Bangar. “My only intention is to start a conversation based on facts not fear. To build space, not divide it.”
In a letter to the BCCI and the ICC, Bangar emphasized her test results from the Manchester Metropolitan University study. She explained that the research aimed to assess how hormone therapy had influenced her strength, stamina, hemoglobin, glucose levels, and overall performance, benchmarked directly against cisgender female athletic standards.
Bangar’s letter to the BCCI and the ICC clarified the Manchester study was not intended as a political statement but as a catalyst for a science-driven dialogue on fairness and inclusion in cricket. She emphasized the importance of prioritizing empirical data over assumptions to shape equitable policies for trans athletes in the sport.
Bangar urged the BCCI, the world’s most influential cricket authority, to initiate a formal dialogue on trans women’s inclusion in women’s cricket, rooted in medical science, performance metrics, and ethical fairness. She called for the exploration of eligibility pathways based on sport-specific criteria, such as hemoglobin thresholds, testosterone suppression timelines, and standardized performance testing. Additionally, she advocated for collaboration with experts, athletes, and legal advisors to develop policies that balance inclusivity with competitive integrity.
“I am releasing my report and story publicly not for sympathy, but for truth. Because inclusion does not mean ignoring fairness, it means measuring it, transparently and responsibly,” said Bangar in a letter to the BCCI. “I would deeply appreciate the opportunity to meet with you or a representative of the BCCI or ICC to present my findings, discuss possible policy pathways, and work towards a future where every athlete is evaluated based on real data, not outdated perceptions.”
Before her transition, Bangar competed for Islam Gymkhana in Mumbai and Hinckley Cricket Club in the U.K., showcasing her talent in domestic cricket circuits. Her father, Sanjay Bangar, was a dependable all-rounder for the Indian national cricket team from 2001 to 2004, playing 12 test matches and 15 One Day Internationals. He later served as a batting coach for the Indian team from 2014 to 2019, contributing to its strategic development.
Cricket in India is a cultural phenomenon, commanding a fanbase of more than 1 billion, with more than 80 percent of global cricket viewership originating from the country.
The International Cricket Council, the sport’s governing body, oversees 12 full member nations and more than 90 associate members, with the U.S. recently gaining associate member status in 2019 and co-hosting the 2024 ICC Men’s T20 World Cup. The BCCI generated approximately $2.25 billion in revenue in the 2023–24 financial year, primarily from the Indian Premier League, bilateral series, and ICC revenue sharing. The ICC earns over $3 billion from media rights in India alone for the 2024–27 cycle, contributing nearly 90 percent of its global media rights revenue, with the BCCI receiving 38.5 percent of the ICC’s annual earnings, approximately $231 million per year.
Women’s cricket in India enjoys a growing fanbase, with over 300 million viewers for the Women’s Premier League in 2024, making it a significant driver of the sport’s global popularity. The International Cricket Council oversees women’s cricket in 12 full member nations and over 90 associate members, with the U.S. fielding a women’s team since gaining associate status in 2019 and competing in ICC events like the 2024 Women’s T20 World Cup qualifiers. The BCCI invests heavily in women’s cricket, allocating approximately $60 million annually to the WPL and domestic programs in 2024–25, while contributing to the ICC’s $20 million budget for women’s cricket development globally. India’s media market for women’s cricket, including WPL broadcasting rights, generated $120 million in 2024, accounting for over 50 percent of the ICC’s women’s cricket media revenue.
“As a woman, I feel when someone says that they are women, then they are, be trans or cis. A trans woman is definitely the same as a cis woman emotionally and in vitals, and specially, when someone is on hormone replacement therapy. Stopping Anaya Bangar from playing is discrimination and violation of her rights. It is really sad and painful that every trans woman need to fight and prove their identity everywhere,” said Indrani Chakraborty, an LGBTQ rights activist and a mother of a trans woman. “If ICC and BCCI is stopping her from playing for being transgender, then I will say this to be their lack of awareness and of course the social mindsets which deny acceptance.”
Chakraborty told the Blade that Bangar is an asset, no matter what. She said that the women’s cricket team will only benefit by participation, but the discriminating policies are the hindrance.
“Actually the transgender community face such discrimination in every sphere. In spite of being potent, they face rejection. This is highly inhuman. These attitudes is regressive and will never let to prosper. Are we really in 2025?,” said Chakraborty. “We, our mindset and the society are the issues. We, as a whole, need to get aware and have to come together for getting justice for Anaya. If today, we remain silent, the entire community will be oppressed. Proper knowledge of gender issues need to be understood.”
The BCCI and the International Cricket Council have not responded to the Blade’s repeated requests for comment.