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JAY-Z, Kendrick Lamar lead diverse 2018 Grammy nominations

Bruno Mars, Lady Gaga also land nominations

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(Screenshot via YouTube.)

The 60th Annual Grammys Awards announced its 2018 nominees with rap and R&B artists making their mark on the top four major categories.

Singer Audra Day announced the nominations for the four major categories of record of the year, song of the year, best new artist and album of the year.

JAY-Z leads this year’s nominations with a total of eight nominations including album, song, and record of the year. His album “4:44,” which includes his mother’s coming out, will battle against Bruno Mars’  “24K Magic, “Damn” by Kendrick Lamar,” “Melodrama” by Lorde and “Awaken My Love!” by Childish Gambino.

Kendrick Lamar is close behind with a total of seven nominations for his album “Damn.” Lady Gaga also scored nominations for Best Pop Solo Performance for “Million Reasons” and Best Pop Vocal Album for “Joanne.”

The 60th Annual Grammy Awards will air from Madison Square Garden in New York City on Sunday Jan. 28 on CBS.

Album of the Year

“Awaken My Love!,” Childish Gambino

“4:44,” JAY-Z

“Damn,” Kendrick Lamar

“Melodrama,” Lorde

“24K Magic,” Bruno Mars

Song of the Year

“Despacito” Ramón Ayala, Justin Bieber, Jason “Poo Bear” Boyd, Erika Ender, Luis Fonsi and Marty James Garton, songwriters (Luis Fonsi & Daddy Yankee Featuring Justin Bieber)

“4:44” Shawn Carter and Dion Wilson, songwriters (JAY-Z)

“Issues” Benny Blanco, Mikkel Storleer Eriksen and Tor Erik Hermansen, songwriters (Julia Michaels)

“1-800-273-8255” Sir Robert Hall II, Arjun Ivatury, Alessia Caracciolo, Khalid Robinson, Drew Taggart, songwriters (Logic featuring Alessia Cara and Khalid)

“That’s What I Like” Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Bruno Mars, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus and Jonathan Yip, songwriters (Bruno Mars

Record of the Year

“Redbone,” Childish Gambino

“Despacito,” Luis Fonsi & Daddy Yankee Featuring Justin Bieber

“The Story of O.J.,” JAY-Z

“Humble,” Kendrick Lamar

“24K Magic,” Bruno Mars

Best New Artist

Alessia Cara

Khalid

Lil Uzi Vert

Julia Michaels

SZA

Best Pop Solo Performance

“Love So Soft,” Kelly Clarkson

“Praying,” Kesha

“Million Reasons,” Lady Gaga

“What About Us,” P!nk

“Shape Of You,” Ed Sheeran

Best Pop Vocal Album

“Kaleidoscope EP,” Coldplay

“Lust For Life,” Lana Del Rey

“Evolve,” Imagine Dragons

“Rainbow,” Kesha

“Joanne,” Lady Gaga

“÷ (Divide),” Ed Sheeran

Best Pop Duo/Group Performance 

“Something Just Like This,” The Chainsmokers & Coldplay

“Despacito,” Luis Fonsi & Daddy Yankee Featuring Justin Bieber

“Thunder,” Imagine Dragons

“Feel It Still,” Portugal. The Man

“Stay,” Zedd & Alessia Cara

Traditional Vocal Album

“Nobody But Me (Deluxe Version),” Michael Bublé

“Triplicate,” Bob Dylan

“In Full Swing,” Seth MacFarlane

“Wonderland,” Sarah McLachlan

“Tony Bennett Celebrates 90,” Various Artists

Best Rap Album

“4:44,” JAY-Z

“Damn,” Kendrick Lamar

“Culture,” Migos

“Laila’s Wisdom,” Rapsody

“Flower Boy,” Tyler, the Creator

Best Rap/Sung Performance

“Prblms,” 6lack

“Crew,” Goldlink featuring Brent Faiyaz & Shy Glizzy

“Family Feud,” JAY-Z featuring Beyoncé

“Loyalty,” Kendrick Lamar featuring Rihanna

“Love Galore,” SZA featuring Travis Scott

Best Country Album

“Cosmic Hallelujah,” Kenny Chesney

“Heart Break,” Lady Antebellum

“The Breaker,” Little Big Town

“Life Changes,” Thomas Rhett

“From a Room: Volume 1,” Chris Stapleton

Best Country Duo/Group Performance

“It Ain’t My Fault,” Brothers Osborne

“My Old Man,” Zac Brown Band

“You Look Good,” Lady Antebellum

“Better Man,” Little Big Town

“Drinkin’ Problem,” Midland

Best Country Solo Performance

“Body Like a Back Road,” Sam Hunt

“Losing You,” Alison Krauss

“Tin Man,” Miranda Lambert

“I Could Use a Love Song,” Maren Morris

“Either Way,” Chris Stapleton

Best Rock Album

“Emperor of Sand,” Mastodon

“Hardwired…to Self-Destruct,” Metallica

“The Stories We Tell Ourselves,” Nothing More

“Villains,” Queens of the Stone Age

“A Deeper Understanding,” The War on Drugs

Best Rock Performance

“You Want It Darker,” Leonard Cohen

“The Promise,” Chris Cornell

“Run,” Foo Fighters

“No Good,” Kaleo

“Go to War,” Nothing More

Best R&B Performance

“Get You,” Daniel Caesar featuring Kali Uchis

“Distraction,” Kehlani

“High,” Ledisi

“That’s What I Like,” Bruno Mars

“The Weekend,” SZA

Best R&B Urban Contemporary Album

“Free 6lack,” 6lack

“Awaken, My Love!,” Childish Gambino

“American Teen,” Khalid

“Ctrl,” SZA

“Starboy,” the Weeknd

Best Dance Electronic Album

“Migration,” Bonobo

“3-D the Catalogue,” Kraftwerk

“Mura Masa,” Mura Masa

“A Moment Apart,” Odesza

“What Now,” Sylvan Esso

Best Dance Recording

“Bambro Koyo Ganda,” Bonobo featuring Innov Gnawa

“Cola,” Camelphat & Elderbrook

“Andromeda,” Gorillaz featuring Dram

“Tonite,” LCD Soundsystem

“Line of Sight,” Odesza featuring Wynne & Mansionair

Best Compilation Soundtrack For Visual Media

“Baby Driver,” (Various Artists)

“Guardians of the Galaxy Vol. 2: Awesome Mix Vol. 2,” (Various Artists)

“Hidden Figures: The Album,” (Various Artists)

“La La Land,” (Various Artists)

“Moana: The Songs,” (Various Artists)

Best Song Written For Visual Media

“City of Stars,” Justin Hurwitz, Benj Pasek & Justin Paul, songwriters (Ryan Gosling & Emma Stone)

“How Far I’ll Go,” Lin-Manuel Miranda, songwriter (Auli’i Cravalho)

“I Don’t Wanna Live Forever (Fifty Shades Darker),” Jack Antonoff, Sam Dew & Taylor Swift, songwriters (Zayn & Taylor Swift)

“Never Give Up,” Sia Furler & Greg Kurstin, songwriters (Sia)

“Stand Up for Something,” Common & Diane Warren, songwriters (Andra Day featuring Common)

Best Score Soundtrack For Visual Media

“Arrival,” Jóhann Jóhannsson, composer

“Dunkirk,” Hans Zimmer, composer

“Game of Thrones: Season 7,” Ramin Djawadi, composer

“Hidden Figures,” Benjamin Wallfisch, Pharrell Williams & Hans Zimmer, composers

“La La Land,” Justin Hurwitz, composer

Best Music Video

“Up All Night,” (Beck) Canada, video director; Laura Serra Estorch & Oscar Romagosa, video producers

“Makeba” — (Jain) Lionel Hirle & Gregory Ohrel, video directors; Yodelice, video producer

“The Story of O.J.” — (Jay-Z) Shawn Carter & Mark Romanek, video directors; Daniel Midgley, video producer

“Humble.” — (Kendrick Lamar) The Little Homies & Dave Meyers, video directors; Jason Baum, Dave Free, Jamie Rabineau, Nathan K. Scherrer & Anthony Tiffith, video producers

“1-800-273-8255″ — (Logic featuring Alessia Cara & Khalid) Andy Hines, video director; Andrew Lerios, video producer

Best Music Film

“One More Time With Feeling” (Nick Cave & the Bad Seeds) Andrew Dominik, video director; Dulcie Kellett & James Wilson, video producers

“Long Strange Trip” (The Grateful Dead) Amir Bar-Lev, video director; Alex Blavatnik, Ken Dornstein, Eric Eisner, Nick Koskoff & Justin Kreutzmann, video producers

“The Defiant Ones” (Various Artists) Allen Hughes, video director; Sarah Anthony, Fritzi Horstman, Broderick Johnson, Gene Kirkwood, Andrew Kosove, Laura Lancaster, Michael Lombardo, Jerry Longarzo, Doug Pray & Steven Williams, video producers

“Soundbreaking” (Various Artists) Maro Chermayeff & Jeff Dupre, video directors; Joshua Bennett, Julia Marchesi, Sam Pollard, Sally Rosenthal, Amy Schewel & Warren Zanes, video producers

Best Spoken Word Album

“Astrophysics for People in a Hurry,” Neil deGrasse Tyson

“Born to Run,” Bruce Springsteen

“Confessions of a Serial Songwriter,” Shelly Peiken

“Our Revolution: A Future to Believe In (Bernie Sanders),” Bernie Sanders and Mark Ruffalo

“The Princess Diarist,” Carrie Fisher

Best Comedy Album

“The Age of Spin & Deep in the Heart of Texas,” Dave Chappelle

“Cinco,” Jim Gaffigan

“Jerry Before Seinfeld,” Jerry Seinfeld

“A Speck of Dust,” Sarah Silverman

“What Now?,” Kevin Hart

Best Musical Theater Album

“Come From Away” — Ian Eisendrath, August Eriksmoen, David Hein, David Lai & Irene Sankoff, producers; David Hein & Irene Sankoff, composers/lyricists (Original Broadway Cast Recording)

“Dear Evan Hansen” — Ben Platt, principal soloist; Alex Lacamoire, Stacey Mindich, Benj Pasek & Justin Paul, producers; Benj Pasek & Justin Paul, composers/lyricists (Original Broadway Cast Recording)

“Hello, Dolly!” — Bette Midler, principal soloist; Steven Epstein, producer (Jerry Herman, composer & lyricist) (New Broadway Cast Recording)

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Memorial for groundbreaking bisexual activist set for May 2

Loraine Hutchins remembered as a ‘force of nature’

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Loraine Hutchins died last year. (File photo courtesy of Hutchins)

The Montgomery County Pride Center will host a celebration honoring the life and legacy of Loraine Hutchins, Ph.D., on May 2. People are invited to attend the onsite memorial or a livestream event. The on-site event will begin at 10 a.m. with a meet-and-greet mixer before moving into a memorial service around the theme “Loraine a Force of Nature!” at 11 a.m., a panel talk at 12 p.m., break out sessions for artists, academics, and activists to build on her legacy at 1 p.m. and a closing reception at 2 p.m. 

Attendees are encouraged to register for the on-site memorial gathering or the livestreamed memorial. The goal of this event is also to collect stories and memories of Loraine. Attendees and others can share their stories at padlet.com. 

An obituary for Hutchins was published in the Bladelast Nov. 24, where people can learn more about her activism in the bisexual community. A private service for friends and family was held in December but this memorial service is open to all. 

Alongside her groundbreaking work organizing for U.S. bisexual rights and liberation including co-editing “Bi Any Other Name: BIsexual People Speak Out” (1991), she also integrated faith into her sexual education and advocacy work. Her 2001 doctoral dissertation, “Erotic Rites: A Cultural Analysis of Contemporary U.S. Sacred Sexuality Traditions and Trends,” offered a pointed queer and feminist analysis to sex-neutral and sex-positive spiritual traditions in the United States. Her thesis was also groundbreaking in exploring the intersections between sex workers and those in caregiving professionals, including spiritual ones.

In an oral history interview conducted by Michelle Mueller back in August 2023, Hutchins described herself as a “priestess without a congregation.” While she has occasionally had a sense of community and feels part of a group of loving people, she admitted that “I don’t feel like we have the shape or the purpose that we need.”

“I’ve often experienced being the Cassandra in the room, the Cassandra in the community. Somebody who’s kind of way out there ahead, thinking through the strategic action points that my community hasn’t gotten to yet, and getting a lot of resistance and hostile responses from people who are frightened by dissent and conflict and not ready for the changes we have to make to survive,” she said.

“For somebody who’s bisexual in an out political way and who’s been a spokesperson for the polyamory movement in an out political way, it’s very exposing. And it’s very important to me to be able to try to explain and help other people understand the connection between spirituality and sexuality,” she explained citing how even as a graduate student she was “exploring how to feel erotic and spiritual, and not feel them in conflict with each other in my own spiritual contemplative life and my own sensual body awareness of being alive in the world.”

“Every religion has a sense of sacred sexuality. It’s just they put a lot of boundaries and regulations on it, and if we have a spiritual practice that is totally affirming of women’s priesthood and of gay people, queer people’s ability to minister to everyone and to be ministered to be everyone, what does that do to the gender of God, or our understanding of how we practice our spirituality and our sexuality in community and privately?”

“There’s no easy answer,” she concludes, and she continued to grapple with these questions throughout her life, co-editing another seminal text, “Sexuality, Religion and the Sacred: Bisexual, Pansexual, and Polysexual Perspectives,” published in 2012. Her work blending spiritual and queer liberation remains groundbreaking to this day. 

Rev. Eric Eldritch, a local community organizer and ordained Pagan minister with Circle Sanctuary who has worked for decades with the DC Center’s Center Faith to organize the Pride Interfaith Service, is eager to highlight this element of her legacy at the memorial service next month.  

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History

Julius’ Bar ‘sip-in’ laid groundwork for Stonewall

Tuesday marked 60 years since four gay activists held protest

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(Washington Blade photo by Ernesto Valle)

While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.

Tuesday marked 60 years since the Julius’ Bar “sip in.”

On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.

Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.

At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.

Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.

Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.

The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.

Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.

Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.

“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”

For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.

“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”

The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.

“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.

The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.

Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:

Alice Austen House at Steiny’s Pub, Staten Island, N.Y.

Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.

Brick Road Coffee, Mesa, Ariz.

Brick Road Coffee, Tempe, Ariz.

Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.

The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans

Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York

JOYR!DE KiKi at Loafers Cocktail Bar, New York

Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.

Mazer Lesbian Archives at Alana’s Coffee, Los Angeles

New Hope Celebrates at The Club Room, New Hope, Pa.

Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.

Sandy Jack’s Bar, Brooklyn, N.Y.

St. Louis LGBT History Project at Just John Club, St. Louis

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Photos

PHOTOS: National Champagne Brunch

Gov. Beshear honored at annual LGBTQ+ Victory Fund event

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Gov. Andy Beshear (D-Ky.) speaks at the LGBTQ+ Victory Fund National Champagne Brunch on Sunday, April 19. (Washington Blade photo by Michael Key)

The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.

(Washington Blade photos by Michael Key)

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