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YEAR IN REVIEW: Top 10 pop culture stories of 2017

Epic Oscar mistake, Bette and Joan return in wild, wacky year

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pop culture, gay news, Washington Blade

(Photos courtesy of the productions)

10. Aaron Carter comes out, gets busted for pot

Aaron Carter
(Screenshot via YouTube)

Pop singer Aaron Carter, at the time 29 though he’s since turned 30, came out as bisexual in an open letter posted on Twitter in August.

“There’s something I’d like to say that I feel is important for myself and my identity that has been weighing on my chest for nearly half of my life,” Carter writes. “This doesn’t bring me shame, just a weight and burden I have held onto for a long time that I would like lifted off me.”

The star revealed he has been attracted to both genders since he was 13. He also shared that he had a sexual experience with another man when he was 17. Carter claimed that Madison Parker, his girlfriend at the time, broke up with him when he told her he was bisexual. Parker denied his sexuality was the reason for their spilt. He also said that his older brother Nick Carter had not reached out to him since he came out.

Carter brought his struggles with drug addiction, plastic surgery and his family on a tumultuous September episode of “The Doctors.” On the show, Carter learned he weighed only 115 pounds at 6 feet tall. He said he feared his weight loss was due to being HIV-positive. However, he tested negative for all STDs. His drug test revealed he tested positive for marijuana, Benzodiazepines (Xanax) and opiates (hydrocodone). After initially refusing to go to rehab on the show, Carter entered rehab in October and was released in December.

9. Milo Yiannopoulos goes down

Milo Yiannopoulos, gay news, Washington Blade

Milo Yiannopoulos (Washington Blade photo by Michael Key)

Milo Yiannopoulos’ swift descent from rising alt-right media personality to a defamed journalist shunned even from his own conservative community was peppered with controversy.

The year started out promisingly for the British political commentator who secured an autobiography book deal with Simon & Schuster and was invited as a guest on “Real Time with Bill Maher.” He kicked off a university speaking engagement tour which drew numerous protesters to University of California, Berkley. The protest became violent as protesters refused to let Yiannopoulos, who has made racist, misogynistic, transphobic and xenophobic remarks, to speak at the university. President Donald Trump even weighed in on Twitter threatening to cut the school’s federal funding for not allowing free speech.

Yiannopoulos’ success came to a halt when an old interview clip surfaced of him saying that sexual relationships between 13-year-old boys and adult men could be positive. His comments caused him to lose his job as senior editor for Breitbart News, to have his book deal with Simon & Schuster revoked and to be disinvited from the Conservative Political Action Conference.

Despite the negative press, Yiannopoulos tried to keep his career afloat. His publishing company Dangerous Books published his book “Dangerous.” Yiannopoulos closed out the year on a personal note marrying his boyfriend, identified only as “John,” in Hawaii.

8. ‘Call Me By Your Name,’ ‘Tom of Finland’ among year’s best films

A scene from ‘Call Me By Your Name.’ (Photo courtesy Sony Pictures Classic)

It was a strong year for LGBT-themed movies but two especially stand out — “Tom of Finland” and “Call Me By Your Name.”

“Tom,” a Finnish biographical drama directed by Dome Karukoski, stars Pekka Strang as Touko Laakosenen, better known as the titular artist who specialized in mid-century homoerotic art. The film inspired a Tom of Finland renaissance of sorts with books and an extensive line of home products like shower curtains and throw pillows featuring Tom art.

“Call Me By Your Name,” a leisurely paced gay romance story between a 24-year-old intern (Armie Hammer) and the 17-year-old son of his employer (Timothee Chalamet) in Italy circa 1983, has drawn strong reviews for its taste and restraint.

“(Director Luca) Guadagnino and his actors emphasize tenderness and feeling capturing the magic of first-time dalliance in a way that makes it seem, if not wholly innocent, at least wholesome,” a Blade critic wrote.

It’s up for three Golden Globe Awards including nods for both its leads.

7.  Season 9 of ‘RuPaul’s Drag Race’ makes ‘herstory’

(Image courtesy VH1)

It was a banner year for “RuPaul’s Drag Race” in several ways. Debuting in March on new home VH1, the queens went apeshit when Lady Gaga walked into the work room and was featured as the guest judge.

Seeming to genuinely enjoy herself throughout the episode, Gaga helped series regulars Michelle Visage, Ross Matthews and Carson Kressley assess the queens’ interpretations of classic Gaga looks.

It turned out to be an unusually dramatic season, though. Latina diva Valentina emerged early on as a strong contender but was sent packing on episode nine after pissing off Ru for initially declining to remove a veil during the lip-sync against Debbie Downer Nina Bo’nina Brown. She said later she was in shock and hadn’t bothered to learn the words to the song, which all the queens are given in advance should they land in the bottom two.

The drama continued, though, on perhaps the bitchiest reunion episode of the series’ entire run with several queens calling out Valentina on her fake charm.

The finale, despite featuring no clear standout winner, went to Sasha Velour who bested Peppermint, Shea Coulee and Trinity Taylor for the title of America’s Next Drag Superstar.

RuPaul won his second consecutive Emmy Award for hosting.

6. ‘Wonder Woman’ lassos boffo box office

Gal Gadot (Photo courtesy Warner Bros. Pictures)

Although she’d been seen in 2016’s “Batman v. Superman: Dawn of Justice,” Wonder Woman finally got her own film this year with a June release starring Gal Gadot as the titular character and winningly helmed by Patty Jenkins (“Monster”) who won universal praise for her effort.

Filmed over a six-month period starting in November 2015 (development started in 1996), it set numerous box office records. It was the fifth highest-grossing superhero film in the U.S. and the 20th highest-grossing film ever stateside. It made more than $800 million internationally and is the best-ranked superhero film on Rotten Tomatoes. The American Film Institute called it one of the best 10 films of 2017.

Gadot plays the Amazon princess Diana, a highly trained fighter who’s been raised on the hidden island of Themyscira by her mother Queen Hippolyta (Connie Nielsen). The island’s security is breached when American pilot Steve Trevor (Chris Pine) crashes his plane on the island.

The Blade said it was “packed with gripping action sequences but also leavened with generous doses of comedy and deepened with serious considerations about the horrors of war and mankind’s capacity for both love and hatred.”

5. ‘Feud’ revives complicated partnership of Davis, Crawford

A scene from ‘Feud.’ (Photo courtesy Warner Bros. Pictures)

“Feud,” an FX series from Ryan Murphy, devoted its maiden season of eight episodes to the rivalry of Bette Davis and Joan Crawford, co-stars in the 1962 cult classic “Whatever Happened to Baby Jane.”

Jessica Lange starred as Crawford and Susan Sarandon played Davis. Both were nominated for Emmys, though the show won none of the 10 Primetime Emmys for which it was nominated (it won two Creative Arts Emmys). The series was praised for its period detail and grand, sweeping recreations of pivotal moments such as a long tracking shot showing Lange walking backstage at the 1963 Academy Awards.

Though declining somewhat in ratings after a strong start, the series fared decently overall. Its debut was the most-watched program on FX that week.

The series had an unexpected coda with Olivia de Havilland, a real-life friend of Davis who replaced Crawford in their planned follow-up “Baby Jane” movie “Hush … Hush Sweet Charlotte,” sued the creators claiming in a lawsuit filed a day before her 101st birthday that she was inaccurately portrayed and her likeness was used without her permission. Catherine Zeta-Jones played her in the series.

A second season of 10 episodes devoted to Charles and Diana will premiere in 2018.

4.  ‘When We Rise’ draws mixed reviews 

A scene from ‘When We Rise.’ (Photo courtesy ABC)

“When We Rise,” an ABC miniseries about LGBT rights that aired Feb. 27-March 3, drew so-so reviews from the mainstream press but was sharply criticized in the gay press.

Writing for the Blade, columnist Brock Thompson, said it had serious problems.

“Though I very much appreciate what ‘When We Rise’ was attempting, I couldn’t see past its problems,” Thompson said. “Its tone was preachy. Its messages about unity and strength in diversity landed like anvils. I stopped counting the clunky cliched lines like ‘we are stronger together,’ or ‘you don’t know how strong we are,’ or perhaps ‘strength. let’s get some and be strong with it together.’ All this gave way to some melodramatic moments. Beyond that, actors were switched out to play their role’s older counterparts, making the timeline rather confusing.”

Ratings, too, were weak for the series starring Guy Pearce, Mary Louise-Parker, Whoopi Goldberg and Rosie O’Donnell as Cleve Jones, Roma Pauline Guy, Pat Norman and Del Martin, respectively. Its first episode drew 3.26 million viewers to come in last of the four major networks for its time slot. Viewership dropped sharply thereafter. Scheduling was shifted after President Trump addressed Congress live on Feb. 28.

Helmed by multiple directors including writer Dustin Lance Black and Gus Van Sant, the eight-episode arc was framed as an epic, 45-year survey of the entire gay rights movement.

3. Chelsea Manning makes glam debut 

Chelsea Manning, gay news, Washington Blade

Chelsea Manning (Photo courtesy Instagram)

After being released from prison at Fort Leavenworth on May 17 after nearly seven years in prison for leaking 750,000 documents (some classified) to WikiLeaks, many were curious to see how Chelsea Manning would segue into civilian life.

Manning, 29, made her glam debut in the September issue of Vogue in a red Norma Kamall swimsuit and other high-fashion outfits with low-key styling by Phyllis Posnick and was praised for not being as sexualized and in-your-face as Caitlyn Jenner was when she made her debut in Vanity Fair in 2015.

“This is a far cry from the haughty, hyper-feminine Hollywood unveiling of Caitlyn Jenner,” wrote Robin Givhan in the Washington Post. She called Manning’s photos a “message of … accessibility, normalcy, calm.”

2. ‘Will & Grace’ and ‘Dynasty’ return

(Photo courtesy NBC)

After 11 years off the air, “Will & Grace” returned to NBC Thursday nights in September to launch a new, 16-episode run and ninth season.

The original cast — Eric McCormack, Debra Messing, Sean Hayes and Megan Mullally — were back after a planned one-off mini-episode that ran last fall timed to the presidential election.

The first new episodes of the show since 2006 found the familiar gang at the White House, navigating middle-aged gay dating, Jack discovering he’s a grandfather (with a gay grandson), Will making senior partner, an appearance by Beverley Leslie (Leslie Jordan) and many more hijinks.

Ratings have been solid — averaging more than 10 million viewers per episode — and reviews have been mostly positive.

A 10th season has already been approved.

Much less successful, however, has been the “Dynasty” reboot, which debuted in October on the CW with an all-new cast featuring James Mackay as Steven Carrington, Fallon’s (Elizabeth Gillies) gay environmentalist brother. Now his being gay is no big issue to dad Blake and gold digger Sammy Jo is now a gay man. Oh, and the Colbys are black this time.

Reviews have been highly mixed with Variety saying it “barely gets out of the gate before it begins to lose steam.” Ratings have been anemic, averaging less than a million viewers per episode.

1. ‘Moonlight’ wins Best Picture in shocking envelope mistake

(Photo courtesy AMPAS)

It was supposed to be one of those nice little Oscar moments longtime fans of the Academy Awards cherish — beloved stars of yesteryear stride onstage reunited to give an award. Many stars have done it over the years — Jimmy Stewart and Kim Novak, Paul Newman and Elizabeth Taylor. This year it was Warren Beatty and Faye Dunaway, stars of 1967’s “Bonnie and Clyde.”

On the 50th anniversary of their cinematic classic, they came on stage at the Dolby Theatre on Feb. 26 to hand out the top prize of the evening. “La La Land” was announced as the winner but it quickly became apparent as its producers were giving their acceptance speeches that a mistake had been made and gay-themed “Moonlight” was the true winner.

Beatty and Dunaway had been handed the wrong envelope, a duplicate of the Best Actress envelope (“La La Land’s” Emma Stone had won that award). Upon seeing its contents, Beatty was flummoxed; Dunaway, thinking he was joshing for suspense, saw “La La Land” and announced it as the winner.

Dubbed the biggest gaffe in Oscar history, it turned out to be the mistake of PricewaterhouseCoopers’ managing partner Brian Cullinan who’d been Tweeting backstage. He and Martha Ruiz, who each had copies of the evening’s envelopes, were later relieved of any future Oscar duties though they kept their jobs.

“Moonlight” became the first LGBT-themed film and first film with an all-black cast to win Best Picture.

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The queer Asian comics building collective joy in D.C.

Spotlighting chaotic ways family, romance, identity take shape in their lives

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Alex Kim performs at the Pride Comedy Special in Washington, D.C., on June 18, 2026. (Photo by Christina Lee/VOICES)

Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward. 

“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.

Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives. 

From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together. 

“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”

Each performance evoked queer Asian joy through a medium that could use more of its presence.

According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said. 

When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”

“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”

But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center. 

Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.

“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said. 

Family is a major throughline of their comedic repertoires. 

Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down. 

“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”

Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form. 

“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’” 

Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church. 

“I’ve been finding it hard to escape her,” Kim said. 

Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.

Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet. 

“As a person of color, I just don’t think I should be with a Swiftie,” they said. 

Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training. 

“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked. 

Laughter is not the only reward for the comics.

To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said. 

Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition. 

“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”

Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.

Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.

“As long as I can keep doing this, I’m super happy,” he said.

This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).

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Mr. Henry’s celebrates 60 years of proud inclusivity

Capitol Hill staple remains ‘a caring community’

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Mr. Henry’s has long been popular with D.C.’s LGBTQ community. (Photo by Liz Stewart)

America’s 250th isn’t the only milestone birthday D.C. is celebrating this year. 

Beloved D.C. restaurant Mr. Henry’s, that Capitol Hill staple, celebrates its Diamond Jubilee all year long. Named for its original owner Henry Yaffe, the restaurant opened on a warm day 60 years ago in the summer of 1966 and has never looked back.

Yaffe took over what was then a country western restaurant, renovated the interior to his liking, and created an institution. Yet Yaffe had another goal. As a gay man, “he created Mr. Henry’s to be a place where everyone felt welcome — not easy in 1966 — and he succeeded,” says current owner Mary Quillian.

Mary Quillian is the current owner of Mr. Henry’s. (Photo by Liz Stewart)

“Mr. Henry’s has long been a place the LGBTQ community has supported because they felt and still feel welcomed,” says Quillian. Even in the current administration, “the gay community and the diversity-minded community continue to come.”

Since then, Mr. Henry’s has changed hands, opened and closed its second floor, welcomed famed musical acts, and played host to politicians, date nights, breakups, and birthdays. But it still feels like home (and has a note in the National Trust for Historic Preservation) at 601 Pennsylvania Ave., S.E.

Its wood-paneled, Victorian-inspired art-filled décor in the downstairs dining room and bar serves American pub fare for lunch and dinner daily, with brunch on weekends (and a dog-friendly patio). Upstairs, Mr. Henry’s hosts live jazz performances and special events most nights, continuing a musical tradition that has defined the venue for decades. That upstairs bar has played host to names like Roberta Flack and Woody Allen.

Musician Kevin Cordt said that, “Mr. Henry’s has been a part of my life for more than 30 years. I started as a customer, then became a bartender and server, and now I have the good fortune to play trumpet at one of the best live music venues in Washington, D.C.”

Aaron Myers, executive director of the D.C. Commission on the Arts and Humanities, is also a supporter. “Not many cities can sport venues that have consistently served the community in the space of culture for more than 50 years, let alone can brag as the birthplace of culture defining talent.”

From the start, Yaffe promoted a rare yet celebrated combination of locals’ bar and soulful nightlife venue. Mr. Henry’s has attracted a diverse crowd at a time when such spaces were – and perhaps still are – uncommon, a diversity that is credited with helping protect the pub during the 1968 D.C. riots.

Longtime customer Evelyn Branic said, “Mr. Henry’s has been my ‘Cheers’ hangout since my wife and I moved to the Hill in 1987. I’ve experienced many iconic moments meeting politicians, reporters, civic activists, and neighbors engaging in spirited conversations. Whether political, LGBTQ, historians, neighbors, or out-of-towners, everyone could find a special place to be greeted as a friend.”

Its welcoming tables come dabbed with a bit of tea: In 1971, in a moment that has since become part of Capitol Hill lore, Yaffe lost the pub in a poker game to Larry Quillian. The Quillian family, recognizing the special role Mr. Henry’s played in the neighborhood, took over ownership, and committed to preserving its spirit. Today, Larry’s daughter Mary owns the bar, having given it a bit of a facelift for the bar’s 50th birthday, bringing in new tables and some fresh menu items.

For example, the menu has some of those dishes that regulars would riot if they disappeared. The Reuben and the hamburgers, the chili and in-house roasted turkey have never departed the menu. Dishes do evolve, says Quillen: they added wings about two decades ago.

In 2026, the restaurant is hosting monthly ticketed “decades” parties, celebrating each of the 10-year periods the restaurant’s been open, plus there were specials in June for Pride. The official 60th anniversary gala takes place Aug. 29, featuring performers, beverages, timeless favorite foods, swag – and the unveiling of a new cocktail.

Inclusive, eccentric, eclectic, Mr. Henry’s is looking forward to maintaining its centrality to diverse crowds in Capitol Hill. Battling inflation, rising menu prices, changing tastes, and thin margins, Quillian says that Mr. Henry’s has — and will always be — “a caring community for so many different folks. And THAT is why I am committed to keeping us going. Society needs places like Mr. Henry’s, now more than ever.”

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Television loses a legend, longtime ‘Will & Grace’ director James Burrows

Iconic hitmaker leaves behind a legacy of telling LGBTQ stories

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James Burrows (Photo by kathclick/Bigstock)

You don’t have to be a pretentious film major to name 10 movie directors. But naming television directors is not that simple. They’re the unsung heroes of your favorite shows, and the late James Burrows was the television director. He passed on June 19, but his DNA runs through television history. 

He directed over 1200 episodes of television and over 50 pilots. He co-created “Cheers” and directed many episodes of long-running series like “Friends,” “Taxi,” “Frasier,” “The Big Bang Theory,” and “Two and a Half Men.” You also may remember him from playing a heightened version of himself on the Lisa Kudrow comedy “The Comeback.”  

He has left an indelible mark on the LGBTQ community. As recently as last year, he directed the series run of “Mid-Century Modern” starring Nathan Lane, Matt Bomer, and Linda Lavin. He was also a longtime director of “Will & Grace” and directed every episode of the series revival. He even directed the unaired “Absolutely Fabulous” pilot with Kathryn Hahn, Kristen Johnston, and Zosia Mamet. 

Not to mention he’s worked with queer icons throughout history, including Betty White and Stockard Channing on their single-season series, and Jennifer Coolidge in “2 Broke Girls.” 

He started his career on shows like “The Mary Tyler Moore Show,” “Rhoda,” “Laverne & Shirley,” and the first four seasons of “Taxi.” 

He continued to work steadily and directed successful pilots that went to series for “Roc,” “3rd Rock From the Sun,” “Dharma & Greg,” and “Wings.” He directed multiple episodes of “Friends,” “Caroline in the City,” and “Frasier.”  

This magic continued into the 2000s with him directing the pilots for “Two and a Half Men,” “The Big Bang Theory,” and multiple episodes of “Mike & Molly,” and the entire return series of “Will & Grace.” 

What was the secret to his success? He’d enact the “fun clause” in his contract. In his words, “Life is too short to deal with obnoxious leads,” he shared. “So as long as the writing is good and the cast is fun, I’m going to enjoy the experience.” 

He had the magic touch, having multiple pilots turned into long-running series. He was nominated for an Emmy 24 times in 26 years and worked consistently until a year before his death.  

The secret was the way he brought the cast together. He describes, “it was my job to mold them into an ensemble, and they did round into a group of people who loved each other.”

This earned him 11 Emmy Awards and five Directors Guild of America Awards, including being awarded the inaugural DGA’s Lifetime Achievement Award for Television Direction. 

In a 2003 interview by the Television Academy, he was asked how he wants to be remembered, and he said, “That every night forever you can tune in somewhere, and there’ll be a show I did.”

He’s survived by his wife, Debbie, four daughters, seven grandchildren, and the countless people whose careers he launched and the countless viewers he inspired with his television legacy. 

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