Arts & Entertainment
Calendar: Nov. 2-8, 2018
Reel Affirmations fest, HIPS anniversary, Wanda Sykes and more for the week ahead


Wanda Sykes plays the Strathmore this weekend. (Photo by Derek Wood)
Friday, Nov. 2
The D.C. Eagle (3701 Benning Rd., N.E.) presents Exile Fridays featuring the D.C. Eagle’s Birds of Prey tonight at 10 p.m. This is the only 18-and-over weekly drag show in the District. Ba’Naka hosts the night with performances by Brooklyn Heights, Iyana Deschanel, Sasha Adams Sanchez and Gigi Paris Couture. Linda Lector will appear as a special guest. DJ Ryan Doubleyou will spin tracks. Showtime is at 10:30 p.m. For more information, visit dceagle.com.
Reel Affirmations Film Festival screens “Eva+Candela” at GALA Hispanic Theatre (3333 14th St., N.W.) tonight at 7 p.m. The film tells the story of two professional women who start a love affair. The Six-Pack Film Pass is $65 and includes entry to six films and priority and reserved seating. The Festival Pass is $150 and includes entry to 14 film screenings; the All Access Festival Pass is $175 and gives access to 14 film screenings and entry to the filmmaker reception; the MovieStar Pass is $225 and includes an All Access Pass and complimentary cocktails, non-alcoholic beverages, popcorn and movie candy. The Moviemogul Pass is $350 and includes all MovieStar perks and a six-month pass to Reel Affirmations films. For more details, visit reelaffirmations.org.
HIPS celebrates its 25th anniversary at the Whittemore House (1526 New Hampshire Ave., N.W.) tonight from 6:30-9:30 p.m. “Pose” star and transgender rights advocate Angelica Ross will receive the Hero Award. There will be a reception, auction and a main program. Tickets are $75. For more information, visit hips25th.com.
Saturday, Nov. 3
Stonewall Kickballs’ District Jocks hosts Cornhole for a Cause, a tournament benefitting SMYAL, at Stead Park (1519 17th St., N.W.) today from 11 a.m.-3 p.m. Registration fee is $50 per team of two people. The fee includes tournament entry, 15 raffle tickets for each players, two drink tickets to JR.’s, a day pass to VIDA and a drink bracelet for specials at JR.’s and Nellie’s Sports Bar for the after party. Tournament prizes include three free months at Vida, three free training sessions at Vida, a $100 gift card to Aura Spa, Washington Capital tickets and more. Deadline for registration is midnight on Nov. 2.
Reel Affirmations Film Festival screens “Trans Youth” at GALA Hispanic Theatre (3333 14th St., N.W.) tonight at 7 p.m. The documentary follows seven transgender young adults as they deal with family, love, transition, hormone therapy and more. Tickets are $12. Film passes are also available. For more information, visit reelaffiramtions.org.
Reel Affirmations Film Festival Screening presents “Fun in Girls Shorts” at the Gala Hispanic Theatre (3333 14th St., N.W.) tonight from 6-8 p.m. The women’s short film showcase will include the films “Momo,” “Marguerite,” “Freedom,” “Foxy Trot,” Getting Started” and “Lesbehonest.” There will be a director talkback after the screenings. Tickets are $12. Film passes are also available. For more details, visit reelaffiramtions.org.
Wanda Sykes performs at the Music Center at Strathmore (5301 Tuckerman Ln., North Bethesda, Md.) tonight at 7:30 p.m. General admission tickets range from $35-115.VIP tickets are $215 and include a premium seat and a meet and greet with Sykes. For more information, visit strathmore.org.
Sunday, Nov. 4
Reel Affirmations Film Festival Screening presents “Genderqueer Shorts” at Gala Hispanic Theatre (3333 14th St., N.W.) today from 4-5:30 p.m. The films focus on gender non-conforming/genderqueer subjects and include titles such as “Mrs. McCutcheon,” “Femme,” Mimicry” and more. Tickets are $12. Film passes are also available. For more details, visit reelaffiramtions.org.
New Orchestra of Washington celebrates Día de los Muertos (Day of the Dead) with a performance of “Mozart’s Requiem” at the Mexican Cultural Institute of D.C. (2829 16th St., N.W.) today at 4 p.m. New Orchestra of Washington will be joined by the Choral Arts Society of Washington and the Aeolus Quarter. Tickets are $95. For more information, visit neworchestraofwashington.org.
Monday, Nov. 5
The D.C. Center (2000 14th St., N.W..) hosts coffee drop-in hours this morning from 10 a.m.-noon for the senior LGBT community. Older LGBT adults can come and enjoy complimentary coffee and conversation with other community members. For more information, visit thedccenter.org.
Tuesday, Nov. 6
Lesbian singer/songwriter Jennifer Knapp performs at the Wine Garden in City Winery (1350 Okie St., N.E.) tonight at 9 p.m. General admission tickets are $14.VIP tickets are $85 and include access to Knapp’s pre-show soundcheck, a pre-show meet and greet, one item of merchandise and reserved show seating. For more details and to purchase tickets, visit citywinery.com.
Rogue Cornhole hosts a drag bingo fundraiser at Nellie’s Sports Bar (900 U St., N.W.) tonight from 7-9 p.m. Sasha Adams and Brooklyn Heights hosts the show. Nellie’s will donate $1 for every Tito’s Vodka and soda or Nellie’s beer sold. All proceeds raised will benefit charities such as the Trevor Project, Casa Ruby, the D.C. Center, SMYAL and more. Nellie’s will also be airing the midterm election results.
18th & U Duplex Diner (2004 18th St., N.W.) hosts Election Night Drag Bingo tonight from 7-10 p.m. Goldie Grigio hosts the show. Guests can win prizes and shots playing bingo. The major news channels will be on the TVs all night. For more details, visit facebook.com/duplexdiner.
Wednesday, Nov. 7
The D.C. Eagle (3701 Benning Rd., N.E.) hosts karaoke tonight at 9 p.m. D&K Sounds will host the event. Drink specials include $3 rail cocktails and domestic drafts and $4 wine.
The Tom Davoren Social Bridge Club meets tonight at 7:30 p.m. at the Dignity Center (721 8th St., S.E.) for social bridge. No partner needed. For more information, call 301-345-1571.
Thursday, Nov. 8
Bookmen D.C., an informal gay men’s literature group, discusses “Insult and the Making of the Gay Self” by Didier Eribon at Cleveland Park Library (3310 Connecticut Ave., N.W.) tonight at 7:30 p.m. All are welcome. For more information, visit bookmendc.blogspot.com.

WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.
(Washington Blade photos by Michael Key)










































The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals.
(Washington Blade photos by Michael Key and Robert Rapanut)



















































Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.
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