Arts & Entertainment
MTV India dating show airs episode with gay contestants
10 suitors attempt to woo a bachelor with an elevator pitch


(Screenshot via Twitter)
India decriminalized homosexuality in September and already is including LGBT representation in its media. “Elovator Pitch,” a dating series on MTV India, aired its first episode on Friday featuring same-sex contestants.
The show’s premise involves 10 people giving an elevator pitch, the time it takes for the elevator to go to the next floor, to the contestant on why they should be picked to date. On Friday, the series featured 10 men attempting to woo bachelor Atmaj Vyas.
Speaking to NBCNews, Vyas described what the experience was like.
“You’re supposed to find someone and remember the floors and the people all in a really short time,” Vyas says. “It’s speed dating, so it goes by really quickly.”
“There were guys who were making style statements, talking about life and even one who was actually coming out to his family via the show,” he continued. “It really doesn’t get better than that.”
Host Cyrus Sahukar explained the importance of an LGBT episode to the Indian Express saying, “On ‘Elovator Pitch,’ it only makes sense to have an episode with people from the LGBTQ Community. At the end of the day, it deals with people meeting others, dating and love. Eventually, love and dating are pretty similar for everyone. Everybody is looking for someone they like and can enjoy with.”
Co-host Gaelyn Mendonca agreed.
“With this special concept, we have upped the ante as India’s first dating reality show to have people from all walks of life coming and exploring beautiful bonds. ‘Elovator Pitch’ brings with it a heavy dose of comedy and love and I’m sure this episode will be a treat to watch for the audience. I’m proud to be a part of the show that is creating history on national television,” she said.
Watch clips below.
This week’s episode of #ElovatorPitch is super special.
This time, we have 10 boys trying to impress 1 boy in an elevator. Their pitches to #AtmajVyas are so sweet, you’ll be smiling throughout. :)Get ready for some #CutenessOverload, with @ga3lyn & @cyrus_sahu, this Fri @ 7 PM pic.twitter.com/ruQPyNRIsc
— MTV India (@MTVIndia) November 12, 2018
READY FOR SOME FUN? ;)
Tomorrow’s episode of #ElovatorPitch is all you need for your #Friyay entertainment.Make sure you tune in to MTV tomorrow at 7 PM!@ga3lyn @cyrus_sahukar pic.twitter.com/xhKKnrd3vn
— MTV India (@MTVIndia) November 15, 2018

The 2025 Silver Pride Resource Fair and Tea Dance was held at the Eaton Hotel on Wednesday, May 21.
(Washington Blade photos by Michael Key)










Out & About
Queer film festival comes to D.C.
DC/DOX to showcase LGBTQ documentaries made by LGBTQ filmmakers

DC/DOX will host a film festival beginning on Thursday, June 12, at the Regal Gallery Place, Eaton Cinema, and the U.S. Navy Memorial Burke Theatre.
This festival will premier LGBTQ documentaries made by LGBTQ filmmakers. Each screening will be followed by in-person Q&As with the filmmakers.
For more details, visit dcdoxfest.com
Movies
Gay director on revealing the authentic Pee-wee Herman
New HBO doc positions Reubens as ‘groundbreaking’ performance artist

In the new HBO two-part documentary, “Pee-wee as Himself,” director Matt Wolf gives viewers a never-before-seen look into the personal life of Paul Reubens, the comedic actor behind the much loved television persona, Pee-wee Herman.
Filmed before Reubens passed away in 2023 from cancer, Wolf and his creative team created the riveting documentary, interspersing several interviews, more than 1,000 hours of archival footage, and tens of thousands of personal photos.
Determined to set the record straight about what really happened, Reubens discussed his diverse influences, growing up in the circus town of Sarasota, Fla., and his avant-garde theater training at the California Institute of the Arts.
Ruebens joined the Groundlings improv group, where he created the charismatic Pee-wee Herman. He played the quirky character during the Saturday morning show, “Pee-wee’s Playhouse,” and in numerous movies, like “Pee-wee’s Big Adventure” and “Big Top Pee-wee.” He also brought Pee-wee to Broadway, with “The Pee-wee Herman Show.”
To get an enigma such as Reubens to open up was no easy task for Wolf.
“I felt determined to get Paul to open up and to be his authentic self,” acknowledged Wolf at a recent press conference. “And I was being tested and I wanted to meet my match in a way so I didn’t feel frustrated or exhausted, I felt determined but I also, it was thrilling to go this deep. I’ve never been able, or I don’t know if I ever will, go this deep with another human being to interview them in an intimate way for over 40 hours.”
Wolf described the collaborative interview experience as a dream, “like we were in a bubble where time didn’t matter.” he also felt a deep connection to the material, having come of age watching “Pee-wee’s Playhouse.”
“I wouldn’t have been able to put words to it at the time, but I think it was my first encounter with art that I felt emotionally involved in,” noted Wolf.
“He continued: “I recognize that that show created a space for a certain kind of radical acceptance where creativity thrives. And as a gay filmmaker, I also recognize things like Pee-wee Herman marrying a bowl of fruit salad at a slumber party or dancing in high heels to the song, ‘Fever.’ That stuff spoke to me. So that was my connection to it.”
During the documentary, Reubens comes out as a gay man.
“Paul went into this process wanting to come out,” said Wolf. “That was a decision he had made. He was aware that I was a gay filmmaker and had made portraits of other gay artists. That was the work of mine he was attracted to, as I understood. And I wanted, as a younger person, to support him in that process, but he also was intensely sensitive that the film would overly emphasize that; or, focused entirely from the lens of sexuality when looking at his story.”
Their complicated dynamic had an aspect of “push and pull” between them.
“I think that generational difference was both a source of connection and affinity and tension. And I do think that the level to which Paul discusses his relationships and intimacy and vulnerability and the poignant decision he made to go back into the closet. I do have to believe to some extent he shared that because of our connection.”
Wolf hopes that the “Pee-wee as Himself” positions Reubens as one of the most “groundbreaking” performance artists of his generation who in a singular way broke through into mainstream pop culture.
“I know he transformed me. He transformed how I see the world and where I went as a creative person. And it’s so clear that I am not alone in that feeling. For me, it was fairly abstract. I couldn’t necessarily put words to it. I think people who grew up on Pee-wee or were big fans of Pee-wee, seeing the film, I hope, will help them tap into intangible and specific ways how transformative his work was for them. It really is a gift to revisit early seminal experiences you had and to see how they reverberate in you.”
He added: “So, to me, this isn’t so much about saying Paul Reubens is a genius. I mean, that’s overly idealizing and I don’t like hero worship. It’s more about understanding why many of us have connected to his work and understanding where he lives within a legacy of performance art, television, and also, broader pop culture.”
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