Arts & Entertainment
The Weeknd’s ‘Lost in the Fire’ lyrics branded homophobic
The lyrics deemed harmful and offensive to queer women
The Weeknd is being called out for lyrics perceived as homophobic on his new song “Lost in the Fire,” a collaboration with French techno DJ Gesaffelstein.
On the
Nylon writer Jill Gutowitz slammed the lyrics calling them “actually fucking vile.”
“i used to joke that listening to The Weeknd was homophobic but the lyrics from his new song ‘lost in the fire’ are actually fucking vile. in 2019 we’re still doing ‘fuck you straight’ and calling female queerness a ‘phase?'” Gutowitz tweeted.
She added: “These are the kinds of lyrics that fucked me up when i was younger & subconsciously kept me in the closet. So it’s important to talk about and say ‘this is isn’t ok.’”
i used to joke that listening to The Weeknd was homophobic but the lyrics from his new song “lost in the fire” are actually fucking vile. in 2019 we’re still doing “fuck you straight” and calling female queerness a “phase?” pic.twitter.com/xDH3fnNrZv
— Jill Gutowitz (@jillboard) January 11, 2019
i don’t like cancel culture & i’m not saying “cancel the weeknd,” but these are the kinds of lyrics that fucked me up when i was younger & subconsciously kept me in the closet. so it’s important to talk about and say “this is isn’t ok”
— Jill Gutowitz (@jillboard) January 11, 2019
Musician Marika Hackman tweeted
Well done to @theweeknd for managing to deride, fetishise and dismiss lesbianism all in one verse. pic.twitter.com/iefdhs8ACw
— Marika Hackman (@MarikaHackman) January 11, 2019
Amber Bain (musically known as The Japanese House) also blasted the song tweeting “you can seriously fuck off with these lyrics @theweeknd.”
you can seriously fuck off with these lyrics @theweeknd pic.twitter.com/KpbySgAV1A
— Amber Bain (@ambbain) January 11, 2019
The Weeknd has not yet responded to the criticism.
Celebrity News
Madonna announces release date for new album
‘Confessions II’ marks return to the dance floor
Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.
Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit.
The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”
“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)
Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
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