a&e features
SPORTS ISSUE 2019: Trans women face many hurdles in quest to compete fairly
Testosterone levels, hormones, evolving policies, anti-trans bias among complicating factors

LGBT issues have never been easy — marriage, military service, AIDS, you name it, no gain came without a fight. But if, as is commonly posited, trans rights lag a good 10 or more years behind gay and lesbian advances, perhaps the thorniest issue of all is fair competition for trans women and their cis women opponents, in both recreational and elite sport.
Imagine that women’s sports had never become “a thing” and all adults competed against each other. In figure skating, for example, only three women have landed quad jumps in competition, yet no male singles skater today can be remotely competitive without multiple quads in his arsenal (Nathan Chen landed six at the 2018 Olympics yet failed to medal).
Yes, Billie Jean King (a lesbian) famously beat Bobby Riggs in the 1973 “Battle of the Sexes” in tennis, but she was 29 and he was 55. What would happen if Michael Phelps and Katie Ledecky (swimming) or Novak Djokovic and Serena Williams (tennis) were to face off in the pool or on the court?
Perhaps more realistically, what would happen if Chen, Phelps or Djokovic came out as trans, opted out of hormone replacement therapy and competed as women? Some LGBT advocates say even suggesting such a scenario is transphobic or, at best, displays a gross misunderstanding of the issue. But it’s a question being asked by many.
The International Olympic Committee changed its policy in early 2016 to allow trans women to compete provided they demonstrate their testosterone level has been below a certain level for at least one year prior to their first competition. It supplants the previous 2003 policy that required both gender reassignment surgery and two years of hormone therapy (trans men are allowed to compete without restriction).
Chris Mosier, a trans male athlete and creator of transathlete.com, a resource site for trans sports advocacy at all levels, says the debate has been unfair and overheated.
“We’ve had several Olympic games since the policy has been in place for trans athletes,” says the 38-year-old Mosier, who in 2015 became the first openly trans man to make a Men’s U.S. National Team when he qualified for the Spring Duathlon team. “We’re talking something like 50,000 Olympians have passed through and not a single trans athlete or single trans woman has participated. The fears people have and the stereotypes and misconceptions they’re putting out there about trans women dominating sports just simply haven’t happened.”
That’s also the argument of trans activist/author Brynn Tannehill whose book “Everything You Ever Wanted to Know About Trans” came out in 2018. She points out that there has not been a single trans athlete dominator since the Olympic policy change or since the NCAA changed its policy to allow trans people to compete sans surgery in 2011. She claims a year of testosterone removal is “sufficient to remove competitive advantage.”
But some cis athletes have balked at getting beaten by trans women competitors. And they’re not just complaining — some are taking legal action. Elsewhere, governing bodies in various sports at all levels are either facing or have faced challenges in how to keep their eligibility policies current and trans-inclusive. That collides with the widely held trans argument that what a trans person has done or not done by way of hormone replacement therapy or gender reassignment surgery is a personal matter that doesn’t make them more or less a woman or man than those at other stages of transition.
Others say trans bias is something impossible to ignore or downplay because it’s so rampant.
“There will always be people who will say a trans female athlete is cheating when she wins or when she doesn’t win, say, ‘She just didn’t try hard enough,’” says gay sports filmmaker David McFarland (“Alone in the Game”). “People are looking for a reason to discriminate against trans people in sport, that’s a given.”
Connecticut controversy
Selina Soule, a 16-year-old runner at Glastonbury High School in Glastonbury, Conn., is frustrated. She says she’s suffered because trans competitors in her conference — Terry Miller of Bloomfield High and Andraya Yearwood of Cromwell High — have been allowed to compete no questions asked against she and her fellow cis women runners.

Miller won the State Open 200-meter title for the second straight year in 2019 and won the Class S titles in the 100 and 200, as well as the New England 200-meter championship. Yearwood, who is also transgender, finished third in the 100 meters in Class S and fourth in the 100 in the State Open.
Subsequently Soule wasn’t able to compete in the New England regional Championships where she would have been seen by college scouts. Miller and Yearwood have won 15 women’s state championships since the Connecticut Interscholastic Athletic Conference (CFAC) changed its policy to allow them to compete as women. Conference leaders say they’re simply following state law.
“The CIAC is committed to providing transgender student athletes with equal opportunities to participate in CIAC athletic programs consistent with their gender identity,” its guidebook reads. Connecticut is one of 19 states that has similar laws.
“I am very happy for these athletes and I fully support them for being true to themselves and having the courage to do what they believe in,” Soule said in a Fox News interview. “But in athletics, it’s an entirely different situation. It’s scientifically proven that males are built to be physically stronger than females. It’s unfair to put someone who is biologically a male who has not undergone anything in terms of hormone therapy against cisgender girls.”
Miller and Yearwood have declined to state publicly what, if any, hormone therapy or testosterone suppression — more on that later — they have undergone.
Soule told the Wall Street Journal the experience has been demoralizing.
“It’s just really frustrating and heartbreaking because we all train extremely hard to shave off just fractions of a second off of our time and these athletes can do half the amount of work that we do and it doesn’t matter,” she said. “We have no chance of winning.”
“It’s definitely a complicated issue,” Soule’s mother Bianca, told the Blade in a brief phone interview. “You have to compete based on the physical abilities you were born with, if you want to call it that. That’s why we separate the two genders. If there were no differences, there would never have been a women’s sports. Unfortunately our trans girls are caught in the middle. The rule is the problem. I tried to contact our Connecticut association to try to look into it, even meet with one of the trans girls’ fathers to try to understand and come up with a solution but we were met with only shut doors. The frustrating part has been the refusal of the athletic bodies to even consider and listen to our side of it.”
Yearwood and Miller issued statements through the ACLU. “I will continue to fight for all trans people to compete and participate consistent with (whom) we are,” Miller wrote. “There is a long history of excluding black girls from sport and policing our bodies. I am a runner and I will keep running and keep fighting for my existence, my community and my rights.”
“I will never stop running,” Yearwood wrote. “I hope that the next generation of trans youth doesn’t have to fight the fights that I have. I hope they can be celebrated when they succeed, not demonized.”
“It is heartbreaking to see yet another attack on trans youth for simply participating in activities alongside their peers,” Chase Strangio, ACLU staff attorney added. “Discrimination on the basis of sex extends to trans people. Girls who are transgender are girls.”
A legal group called Alliance Defending Freedom (it calls itself a “conservative Christian nonprofit”) filed a complaint in June with the U.S. Department of Education Office of Civil Rights on behalf of Soule and two of her teammates claiming they have “been negatively impacted by the policy.”
“One of these male athletes now holds 10 records inside the state of Connecticut that were once held by 10 individual girls established over the course of about a 20-year period so it’s fundamentally unfair to allow biological males to step into women’s sports and frankly dominate them and take away opportunities not just to medal, but to be on the podium and advance to the next level of competition and even compete for scholarships for young women like Selena,” Christiana Holcomb, an Alliance Defending Freedom attorney, told Tucker Carlson on Fox News.

“It’s grotesque and insane and it hurts women and girls,” Carlson said on the broadcast.
The issue is especially acute among high school athletes because students are often just figuring out whom they are, how they identify and are less likely to have time logged living fully transitioned lives.
Dawn Stacey Ennis, managing editor of OutSports and a trans woman, says the trans-girls-bumping-cis-girls-off-the-medal-stand argument is misleading because college coaches recruiting look at time, not placement.
“They don’t care who placed first, second or third — all colleges look at and what every coach has told me is that the time is what matters because time is immutable, you can’t change that. It doesn’t matter if you ran against a trans person or not,” Ennis says.
She also says Soule and her representatives aren’t being totally forthcoming.
“I talked to her mother and watched the video and when she said (Selina) didn’t get to qualify for the event in Boston, she sort of fibbed a little bit. She didn’t qualify in that event, but she did qualify in another event. But, of course, that’s not a good headline. It’s much better to say, ‘I didn’t get to go because of these girls.’ … They have to make the trans girls out to be the boogyemen because somebody else has to be responsible for her losing. It has to be someone else’s fault, but that’s not what sports is about.”
Tennis legend Martina Navratilova, a lesbian, was heavily criticized for a Sunday Times op-ed she wrote in February arguing trans women should not be allowed to compete against cis women.
“It’s insane and it’s cheating,” she wrote. “I am happy to address a transgender woman in whatever form she prefers, but I would not be happy to compete against her. It would not be fair. … To put the argument at its most basic: a man can decide to be female, take hormones if required by whatever sporting organization is concerned, win everything in sight and perhaps earn a small fortune, and then reverse his decision and go back to making babies if he so desires,” she wrote.
She was heavily criticized for her comments, removed from the advisory board of Athlete Ally (an LGBT athlete advocacy group) and called out by trans activists such as cyclist Rachel McKinnon (the first trans woman to win a world track cycling title in Oct., 2018), who called Navratilova’s concern a “wild fantasy worry that is an irrational fear of something that doesn’t happen … transphobia.”
Navratilova wrote of being frustrated with “what seems to be a growing tendency among transgender activists to denounce anyone who argues against them and to label them all as transphobes.”
She backpedaled somewhat, apologizing for using the word “cheating,” but called for a debate on the issue based “not on feeling or emotion but science,” BBC News reported.
How are other sports organizing bodies handling the issue?
Western states solution
One group that’s done about as well as anyone it appears is the Western States 100-Mile Endurance Run whose board members this year adopted a trans-inclusive policy that accepts “a runner’s self-declared gender at registration … at face value,” the New York Times reports.
“If, however, a finisher in the top 10 or among the top three in their age group is challenged, race management may ask the runner for documentation that they have undergone medically supervised hormone treatment for gender transition for at least a year before the race,” the Times reports.
The issue arose last December when Grace Fisher, a trans runner who favors ultradistance competition, was selected through the race’s traditional lottery system for the 100-mile ultramarathon that takes place in the Sierra Nevada Mountains in California every June.
If a trans runner is challenged and it’s upheld by race management, their placement may be bumped but they would be allowed to keep their finisher’s buckle. It ended up not being an issue for Fisher (she came in 20th) but she says she appreciates the care organizers put into their policy.
“They were so concerned about me and wanted to ensure my safety,” says the 38-year-old Hancock, Md., resident, a federal employee with United States Citizenship and Immigration Services. “They went out of their way to welcome me and wish me good luck. … It was quite amazing, but I don’t think the other runners really picked up on it. They just saw me as another female.”
Fisher acknowledges the issue is dicier on the high school level.
“I think we do need more research, but there are so few of us, it’s hard to get more,” she says. “I think personally, and this may not be popular in the trans community, but yeah, the high school situation needs to be looked at more. That’s such a tricky situation because one, they’re teenagers so their hormones are raging whether they’re cis or if they’ve started to transition, they may still have an advantage. I just haven’t seen any science on it so I’m hesitant to state any opinion at this point.”
There’s a bounty of information on the topic available from all kinds of sources, from thorough, balanced studies in popular magazines such as Men’s Health’s March piece “The Truth About Trans Athletes;” to folksy, readable blogs such as “On Transgender Athletes and Performance Advantages” earlier this year at sportsscientists.com; to scholarly research in medical journals such as “Sport and Transgender People: a Systematic Review of the Literature Relating to Sport Participation and Competitive Sport Policies,” published online two years ago on the National Institute of Health website, which studied eight other articles and reviewed 31 sport policies.
The findings were — perhaps surprisingly for some — more trans validating than one might expect.
“In relation to sport-related physical activity, this review found the lack of inclusive and comfortable environments to be the primary barrier to participation for transgender people.” Also, the “lack of inclusive and comfortable environments (is) the primary barrier to participation for transgender people. … transgender people had a mostly negative experience in competitive sports because of the restrictions of the sport’s policy placed on them.”
Researchers also found “no direct or consistent research suggesting transgender female individuals (or male individuals) have an athletic advantage at any stage of their transition (e.g. cross-sex hormones, gender-confirming surgery) and therefore competitive sport policies that place restrictions on transgender people need to be considered and potentially revised.”
The ‘T’ word
A central — but not total — factor in this discussion is testosterone levels.
The hormone, an androgen is produced in both men and women, but not nearly as much in cis women. It affects the body in many ways.
In men, high levels of testosterone are made in the testes. The adrenal glands make much lower levels above the kidneys. Women produce testosterone in both their adrenal glands and ovaries, but testes in men produced much higher rates: in men, it’s 295 to 1,150 nanograms of testosterone per deciliter of blood while the levels in women are usually in the range of 12-61 nanograms per deciliter of blood, according to the New York Times and other medical sites consulted.
Testosterone also builds both skeletal and cardiac muscle and increases the number of red blood cells. The effects are present whether they’re there naturally or introduced. The effects are amplified further among elite athletes and make a huge difference in performance. Male champions in sports across the board are always faster and stronger than records set by women, although it’s not as simple as it may appear at first: researchers have found it has more of an effect in middle-distance races; it could have been less of a factor for Fischer in the Western States 100.
But the connection between testosterone and athletic performance isn’t always an exact science. When researchers measured the T levels of elite athletes from 15 Olympic sports, more than 25 percent of the men were below the level (10 nanomoles per liter) required of trans Olympic women, according to a study from “Clinical Diabetes and Endocrinology” cited in the aforementioned Men’s Health article. Nearly 7 percent had less than 5 nmol/L and there was significant overlap between male and female athletes. Cis male powerlifters had surprisingly low T levels while cis male track and field athletes were higher.
Further complicating matters is the fact that some cis women rarely but occasionally possess unusually high T levels. Caster Semenya, 28, an elite runner and Olympic champion from South Africa, for instance, has been banned from some races. In May, the Court of Arbitration for Sport in Switzerland ruled that women with unusually high T levels (far above the ranges normally seen) cannot compete against other women in some races unless they take drugs to suppress their levels, the New York Times reported.
Men also tend to be on average about 6 inches taller than women. The average U.S. adult male weighs 195 pounds vs. 168 pounds for women. A study from the Applied Physiology journal found that men had an average of 26 pounds more skeletal muscle mass than women and about 40 percent more upper-body and 33 percent more lower-body strength on average.
Fairness factor
So what does fair look like?
Mosier chuckles when asked to ponder the issue with sexism, patriarchy and anti-trans bias taken out of the equation.
“I don’t know what that would look like and I wish I could predict the future,” he says. “But sport is inherently about advantage and that makes people uncomfortable. There are certain advantages a very tall basketball player has. We don’t ask him to chop off a few inches of their height to make a more level playing field. Some people burn lactic acid faster than their competitors. At the 2016 Olympics in Rio, Katie Ledecky, beat her competition by a full pool length but she’s thought of as a once-in-a-lifetime, exceptional athlete but her advantage may be that she is never questioned, but there really needs to be more studies done on what the impact is over time before anyone could start to talk about unfair advantage.”
Not disqualifying certain individuals with extraordinary physical gifts is also commonly used as a rationale for why trans women shouldn’t be punished for physical attributes beyond their control.
“What are they supposed to do, tell these people they can’t compete because their arms are too big or their torsos are too long,” Ennis says. “That’s not fair either. Trans girls may have physical gifts but I would hope those would be advantages that would make cis girls try harder. I don’t think it’s unfair because there are always going to be people who are better than you.”
McFarland agrees.
“It’s an affront to every athlete to be penalized for one’s intrinsic biology,” he says. “Do we tell a really strong female shot putter or discus thrower she’s too strong to compete? Do we have a height cut-off in the NBA? Where would it end?”
But by that argument, why are women’s divisions needed in any sport?
Ennis says no women — cis or trans — want to compete against men. Asking the question, she says, implies skeptics don’t see trans women as true women.
“This idea that some guy’s gonna go put on a wig and a skirt, go dominate the sports world, then go back and start fathering babies, that’s just not what the trans experience is about,” Ennis says.
Mosier says any advantage trans women in theory may have, is negated by the social stigma they endure.
“It has a huge impact on their training and performance,” Mosier says. “People aren’t transitioning to gain a competitive advantage. What they encounter would never offset a gold medal or world championship. They just want to compete. … The footage of some of these track meets and what’s said to the competitors and their parents, its’ really toxic and vile and horrific in so many ways that a young person would have to deal with that lack of understanding.”

(Photo by Zhen Heinemann; courtesy Mosier)
And while some argue that anyone who’s been through a male puberty will on average retain a physical advantage — testosterone doesn’t vastly impact one’s height or reach — Fisher says even that argument is suspect.
“It’s like having a Mustang with a small engine,” Fisher says. “You still have this big car but it just doesn’t have the engine. We lost a lot of muscle mass, probably more than a fit female, but also a lot more bone mass. The muscle-to-mass ratio is lower,” she says. “I don’t really know if trans women have any advantage. I think it’s questionable.”
As one would expect, there’s huge support for trans athletes — both men and women — among LGBT advocacy groups. But the story changes significantly when you loop other stakeholders into the discussion.
Fallon Fox was the first openly trans athlete in MMA history in a 2012-2014 career that included just a single loss. She encountered substantial transphobia in her groundbreaking career but also questions about the fairness of her bouts. During a 2014 fight against Tamikka Brents, Brents suffered a concussion, orbital bone fracture and required seven staples to her head after the first round, which ended the fight. Brents, a lesbian, said after the fight it wasn’t a fair match.
Brents declined a Blade interview request saying she’d put the issue behind her but said at the time that Fox was far stronger than any other women she’d ever fought in a long MMA career.
Fox dismissed the advantage claim in a guest editorial on an MMA news website saying, “I’m a transgender woman. I deserve equal treatment and respect to other types of women. I feel this is so ridiculously unnecessary and horribly mean spirited.”
Elusive consensus
While it’s understandable that consensus eludes the sports world among the Alliance Defending Freedom, Fox News and the like, it’s still thorny because there’s no consensus either among trans people.
Some believe trans athletes should be able to compete without any medical intervention at all, others believe in a physical barometer to gauge trans eligibility while others say there should be a separate league for trans athletes, not a widely held view because of their small numbers. They mostly agree, however, that participation is essential.
Ennis of OutSports says the fact that trans women haven’t emerged as a dominant force in elite sports and even in high school sports don’t win constantly helps support the general push toward trans inclusion.
“If a study were to come out and say conclusively that trans women are physically unbeatable by cisgender women and every cis woman lost every time, I would throw in my hat and say, ‘That’s it, we can’t do it.’ But the facts aren’t in. Cis women do beat trans women. Not every single time, but there’s not one sport in which trans women totally dominate. These two (Connecticut) high school girls are winning competitions, but they don’t win every single one they’re in.”
“No trans person is trying to participate for personal gain,” McFarland says. “They just want to do it in a healthy manner. This idea that people are transitioning just to dominate is something that critics continually get wrong and this ungrounded fear of trans people, that they’ll come in and take over, that’s really the dictionary definition of transphobia. … The current science and data reveals it’s a nonsense argument.”
a&e features
Queery: Meet artist, performer John Levengood
Modern creative talks nightlife, coming out, and his personal queer heroes
John Levengood (he/him) describes himself as a modern creative with a wide‑ranging toolkit. He blends music, technology, civic duty, and a sharp sense of wit into a cohesive artistic identity. Known primarily as a recording artist and performer, he’s also a self‑taught music producer and software engineer who embodies a generation of creators who build their own lanes rather than wait for one to appear.
Levengood, 32, who is single and identifies as gay and queer, is best known as a recording artist who has performed at Pride festivals across the country, including the main stages of World Pride DC, Central Arkansas Pride, and Charlotte Pride.
“Locally in the DMV, I’m known for turning heads at nightlife venues with my eye-catching sense of style. When I go out, I don’t try to blend in. I hope I inspire people to be themselves and have the courage to stand out,” he says.
He’s also known for hosting karaoke at Freddie’s Beach Bar in Arlington, Va., on Thursday nights. “I like to create a space where people feel comfortable expressing themselves, building community, and showcasing their talents.”
He also creates social media content from my performances and do interviews at LGBTQ+ bars and theatres in the DMV. Follow the Arlington resident @johnlevengood.
How long have you been out and who was the hardest person to tell?
I have been fully out of the closet since 2019. My parents were the hardest people to tell because my family has always been my rock and at the time I couldn’t imagine a world without them. Their reactions were extremely positive and supportive so I had nothing to fear all along.
I remember sitting on the couch with my mom, dad, and sister in our hotel room in New Orleans during our winter vacation and being so nervous to tell them. After I finally mustered up the nerve and made the proclamation, I realized my dad had already fallen asleep on the couch. My mom promised to tell him when he woke up.
Who’s your LGBTQ hero?
My LGBTQ heroes are Harvey Milk for paving the way for gays in politics and Elton John for being a pioneer for the fabulous and authentic. My local heroes in the DMV are Howard Hicks, manager of Green Lantern, and Tony Rivenbark, manager of Freddie’s Beach Bar. Both of them are essential to creating spaces where I’ve felt welcome and safe since moving to the DMV.
What’s Washington’s best nightspot, past or present?
Trade tops the list for me because of the dance floor and outdoor space. It’s so nice to get a break from the music every once and a while to be able to have a conversation.
We live in challenging times. How do you cope?
I’m still figuring this out. What is working right now is writing music and spending time with family and friends. I’ve also been spending less time on social media going to the gym at least three times a week.
What streaming show are you binging?
After “Traitors” Season 4 ended, I was in a bit of a show hole, but “Stumble” has me in a laughing loop right now. The writing is so witty.
What do you wish you’d known at 18?
At 18, I wish I would have known how liberating it is to come out of the closet. It would have been nice to know some winning lottery numbers as well.
What are your friends messaging about in your most recent group chat?
We are planning our next trip to New York City. If you can believe it, I visited NYC for the first time in 2025 for Pride and I’ve been back every quarter since. Growing up in the country, I was subconsciously primed to be scared of the city. But my mind has been blown. I can’t wait to go back.
Why Washington?
It’s the closest metropolitan area to my family, but not too close. I love the museums, the diversity, the history, and the proximity to the beach and mountains. It’s also nice to live in a city with public transportation.
Aging RFK Stadium has come down, but the RFK grounds are still getting lit up. Welcome back to the stage Project GLOW, D.C.’s homegrown electronic festival, on May 30-31. Back for its fifth year on these musically inclined acres, Project GLOW returns with an even more diverse lineup, and one that continues to celebrate LGBTQ antecedents, attendees, and acts.
Project GLOW 2026 headliners include house and techno star Mau P, progressive house legend Eric Prydz, hard-techno favorite Sara Landry, and bass acts Excision b2b Sullivan King, among the lineup of trance, bass, house, techno, dubstep, and others for the fifth anniversary year.
President & CEO Pete Kalamoutsos — born and raised in D.C. — founded Club GLOW in 1999. In 2020, GLOW entered into a partnership with global entertainment company Insomniac Events to produce live events like Project GLOW, which kicked off in 2022.
As in past years, Project GLOW not only makes space, but is intentionally inclusive of the LGBTQ community, one of its most dedicated fan bases. The festival’s LGBTQ-focused Secret Garden stage blooms again — a more intimate dance area that stands on the strength of DJs and musicians who draw from the LGBTQ community. D.C.’s LGBTQ nightlife mastermind Ed Bailey is the creative mind behind Secret Garden again. He joined Project GLOW in 2023.
“Kalamoustos says that “he’s proud of his partnership with Ed Bailey, along with Capital Pride and [nightlife producer] Jake Resnikow. It’s amazing to collaborate with Bailey at the Secret Garden stage, especially after the curated lineup we worked on at Pride last year.”
The Secret Garden will be a bit different from other stages: Eternal (“At the Eternal stage, time stands still. Lose yourself in the dance of past, present, and future, surrendering to the eternal rhythm of the universe”) and Pulse (“Feel the rhythm of the beat pulse through your veins as the heartbeat of the crowd synchronizes into one. Here, every moment vibrates with life as it guides you through a new dimension of euphoria”). The Secret Garden stage is in the round, surrounded by 16 shipping containers. The containers play canvas to muralists from around the world, who are coming in to paint them in a vibrant garden-style vibe. “We gave this stage some extra love with this layout,” K says, “ we finally cracked the code.”
K says that this will be the biggest lineup yet for the Secret Garden, featuring Nicole Moudaber b2b Chasewest, Riordan b2b Bullet Tooth, Ranger Trucco, Cassian, Eli & Fur, Cosmic Gate and Hayla. The stage is also the largest yet, featuring an expanded dance floor and 360-degree viewing.
Across all stages, K says that his goal for the fifth anniversary is “More art and fan interactive experience, more like a festival, strive to be like a Tomorrowland, as budget grows to add more experience.” Last year’s Project GLOW alone drew 40,000 attendees over two days.
K, however, was not satisfied with one festival this spring. GLOW recently announced a “pop-up” one-day event. Teaming up with Black Book Records, GLOW is set to throw a first-of-its-kind dance-music takeover of Pennsylvania Avenue, N.W., headlined by electronic music star Chris Lake. Set for April 18, this euphoric block party will feature bass and vibes blocks from the White House. Organizers expect as many as 10,000 fans to attend. Beyond music, there will be food, activations, and plenty of other activities taking place around 6th St and Pennsylvania Ave NW – a location familiar to many in the LGBTQ community, as this sits squarely inside the blocks of the Capital Pride party that takes place in DC every June.
Over the past two decades, Club GLOW has produced thousands of events, from club nights to large-scale festivals including Project GLOW, Moonrise Festival, and more. Club GLOW also operates Echostage.
a&e features
New book celebrates 1970s dance music icons
‘A Night at the Disco’ features interviews with Donna Summer, Debbie Harry, more
If you’re a fan of 1970s-era dance music, don’t miss the irresistible new book by Christian John Wikane and Alice Harris, “A Night at the Disco,” which revisits more than 90 interviews conducted with some of the biggest names in pop culture.
“A Night at the Disco” (ACC Art Books) was published on March 24, and distributed by Simon & Schuster. It celebrates more than 100 artists who sparked a phenomenon in dance music from 1970-1979 and features excerpts from interviews with everyone from Donna Summer to Debbie Harry.

Lost City Books (2467 18th St., N.W.) will welcome author Christian John Wikane for a book signing and conversation about “A Night at the Disco” on Thursday, April 16 at 6 p.m. Details at lostcitybookstore.com. Bird in Hand Coffee & Books in Baltimore (11 E. 33rd St.) )will also host a Q&A with the author on Wednesday, April 15 at 6 p.m. Details at theivybookshop.com.
Below is an excerpt from “A Night at the Disco.”
“I’ll let in anyone who looks like they’ll make things fun.” Steve Rubell is guiding a New York Times reporter through Studio 54 as resident DJ Richie Kaczor dazzles the crowd with records by CHIC, Odyssey, and T-Connection. “Disco, that’s where the happy people go,” The Trammps sing as dancers spin and twirl underneath tubes of flashing lights. Seven months since Rubell and co-owner Ian Schrager opened Studio 54 in April 1977, it’s welcomed untold numbers of “happy people” … at least those lucky enough to pass through the doors.
“We were part of the chosen few,” says André De Shields, who immortalized the title role in The Wiz on Broadway at the time. “We could show up at Studio 54 and the doorman at the velvet stanchion would look over everyone and point to us from The Wiz to come in, that kind of thing.” As the lead vocalist in the GRAMMY-nominated Dr. Buzzard’s Original Savannah Band, whose debut modernized big band sophistication for the discothèques, Cory Daye had carte blanche in the club. “The energy was like a New Year’s Eve party every night,” she says. “I would go up to the mezzanine and watch the mechanical light pillars go up and down, metallic confetti falling from the ceiling, the spoon and the moon. I was so fascinated and enamored by it.
“When a certain song came on, the people would just rush to the dance floor. There was no contact dancing — the hustle was pretty much on its way out — but it was just an amazing experience to see all the cultures together. It was a fusion of cultures, which described my life and my band, so I was right at home there.”
“Studio 54 was the place,” adds Linda Clifford. “Crazy parties. If you could think it, you would see it. It was like a circus. Just an amazing place to be. I worked 54 so many times. It was like a second home to me. The people there treated me so well. The crowd always seemed to enjoy my show. I always had a good time with them. That was the most important thing: making sure that they had fun.”
Well before Studio 54 opened, disco had become a business juggernaut. “A four billion dollar market and still growing,” Billboard announced in February 1977, with dance music offering more variety than ever. “There is no longer a single, readily identifiable disco beat, but a kaleidoscope of sounds that are melodic and danceable,” Tom Moulton told the magazine. In the clubs, records by veteran artists like Stevie Wonder and the Bee Gees were mixed in with a range of new acts like Grace Jones, Boney M., and The Ritchie Family, while everyone from ABBA to Marvin Gaye scored number one pop hits with songs that had club-centric storylines.
Beyond the charts, disco itself remained as idiosyncratic as ever, especially on several productions by Laurin Rinder and W. Michael Lewis, whose studio creations, El Coco (“Let’s Get It Together,” “Cocomotion”) and Le Pamplemousse (“Le Spank”), joined their own “Lust” from Seven Deadly Sins (1977) among the most tantalizing releases on AVI Records. Rinder & Lewis also produced acts for the newly hatched Butterfly Records in Los Angeles, where Saint Tropez (“On a Rien à Perdre”) and Tuxedo Junction (“Moonlight Serenade”) reflected the duo’s high gloss sound, spanning everything from European sophistication to a more literal translation of the ’40s sensibilities popularized by Dr. Buzzard’s Original Savannah Band.
12-inch singles had also grown as the preferred format to approximate the club music experience at home. Nearly a year after Atlantic Records introduced its series of promotional 12-inch singles for DJs, New York-based Salsoul Records released the industry’s first commercially available 12-inch single, “Ten Percent” by Double Exposure, in May 1976. A year later, T.K. Records was the first label to certify a gold record for a 12-inch single when Peter Brown’s “Do You Wanna Get Funky With Me” tallied one million sales.— Christian John Wikane
(From “A Night at the Disco” by Alice Harris & Christian John Wikane. Published by ACC Art Books.)
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