Arts & Entertainment
FALL ARTS 2019 MISC. EVENTS: Things to do, places to go, people to see
Some events — galas, benefits, stand-up acts, etc. — don’t fit in our other fall arts categories. We gathered up all the miscellany here!

Get out your calendar!
The eighth annual Charlottesville Pride Festival is Saturday, Sept. 14 from 11 a.m.-7 p.m. Details at virginia.org.
Rainbow History Project presents walking tours called “Queering Capitol Hill” by Philip Clark Sept. 14 and 22. Sign up at culturaltourismdc.org. More info at rainbowhistory.org.
Rayceen has several events throughout fall including “Art All Night” (Saturday, Sept. 14), “Rayceen’s Reading Room” (Monday, Sept. 23), “Rayceen, Fix Me Up!” Autumn Mixer” (Thursday, Oct. 17), and regular “Ask Rayceen Show” dates Oct. 2 and Nov. 6 at the HRC Equality Center (1640 Rhode Island Ave., N.W.). Team Rayceen is also presenting “AfroQueer: Black LGBTQ Immigrants in America” on Thursday, Oct. 24 at the HRC Equality Center (1640 Rhode Island Ave., N.W.) at 7 p.m. It’s free. Details at askrayceen.com.
“LGBT! #ShowUp4DC!” is Thursday, Sept. 19 at 10 a.m. at the Rayburn House Office Building (45 Independence Ave., S.W.) for a hearing on H.R. 51, a D.C. Statehood Bill. Organizers say “statehood has always been an LGBTQ issue.” Look for the event on Facebook for details.
“A Tupperware Party with Dixie Longate,” a benefit drag performance for D.C. Different Drummers, is Thursday, Sept. 19 at Arena Stage (1101 6th St., S.W.). Tickets are $45 at dcdd.org/dixie.
The Washington Blade has its 18th annual Best of Gay D.C. readers’ poll awards on Thursday, Sept. 19 (earlier this year) at Dacha Navy Yard (79 Potomac Ave., S.E.). Tickets are $25 via Eventbrite or Facebook.
The Maryland Trans Resilience Conference is Saturday, Sept. 21 at 9 a.m. at the Lord Baltimore Hotel (20 W. Baltimore St.) in Baltimore.
AIDS Walk Delaware is Saturday, Sept. 21 at 9 a.m. in Rehoboth Beach, Del. Details at aidswalkdelaware.org.
Night Out for The Trevor Project is Wednesday, Sept. 25 at 6 p.m. at Pitchers (2317 18th St., N.W.). Details at thetrevorproject.org.
The 14th annual Hispanic LGBTQ Heritage Awards are Wednesday, Sept. 25 at 6 p.m. at HRC (1640 Rhode Island Ave., N.W.). Admission is free but donations will be accepted at the door. Details at latinoglbthistory.org.
Washington-Israel LGBTQ & Allies Reception is Wednesday, Sept. 25 at 7 p.m. at Sonoma (223 Pennsylvania Ave., S.E.). It’s a chance for locals to meet queer CEOs from Israel, here for AWB’s Reverse Mission project. Tickets are $18 at awiderbridge.org.
“Queer Eye’s” Jonathan Van Ness is at Sixth & I (600 I St., N.W.) on Thursday, Sept. 26 at 7:30 p.m. to talk about his new book “Over the Top.” It’s sold out but last-minute tickets may become available at sixthandi.org.
The National Trans Visibility March is Saturday, Sept. 28 at Freedom Plaza. Registration is suggested but not required. The Torch Awards are the night before.
The 23rd annual HRC National Dinner is Saturday, Sept. 28 at the Washington Convention Center (801 Mt. Vernon Pl., N.W.) at 5 p.m. Tickets are $400 at hrcnationaldinner.org.
Desiree Dik’s “Slay Them” drag competition is held the first Friday of each month at 9 p.m. at Red Bear Brewing (209 M St., N.E.). The next is Friday, Oct. 4.
The Bachelors Mill Reunion 2019 is Saturday, Oct. 5 at 6 p.m. at District Soul Food Restaurant & Lounge (500 8th St., S.E.), the original Bachelors Mill location.
The fifth annual VIDA Thrive 5k is Saturday, Oct. 12 at 8 a.m. in Rock Creek Park. Register and find info at vidathrive5k.com.
Rainbow Families Family Camp is Oct. 14–16 at Camp Tockwogh in Worton, Md. Details at rainbowfamilies.org.
Out figure skater Adam Rippon, who won a team bronze at the 2018 Olympics and later won “Dancing With the Stars,” will be at Sixth & I Synagogue (600 I St., N.W.) on Wednesday, Oct. 16 at 7 p.m. to speak about his new memoir “Beautiful on the Outside.” Tickets are $20-45 at eventbrite.com.
The Washington Blade has its 50th Birthday Gala on Friday, Oct. 18 starting at 6 p.m. with cocktails at the InterContinental (801 Wharf St., S.W.). Tickets are $300. Details at blade50th.com.
La Fantasy presents the Superhero Underwear Party with Eliad Cohen on Friday, Oct. 18 at 10 p.m. at Saint Yves (1220 Connecticut Ave., N.W.). Tickets are $25 at seetickets.us.
“Drag Race” champ Bianca Del Rio brings her “It’s Jester Joke” tour to The Lincoln Theatre (1215 U St., N.W.) on Friday, Oct. 18 at 6:30 p.m. Tickets are $39.50-199 at ticketfly.com.
The SMYAL Fall Brunch is Sunday, Oct. 20 at the Marriott Marquis (901 Massachusetts Ave., N.W.) at 10:30 a.m. Tickets are $250 at bidpal.net/smyal.
The fourth annual CAMP Rehoboth Block Party is Sunday, Oct. 20 from 11 a.m.-4 p.m. at the CAMP Rehoboth Community Center (37 Baltimore Ave., Rehoboth Beach, Del.). Details at camprehoboth.com.
The eighth annual Chefs for Equality event (an HRC benefit) is Tuesday, Oct. 22 at Washington National Cathedral at 5:30 p.m. Tickets went up this year — they’re $225. Details at chefsforequality.org.
Baltimore Black Pride 2018 is Oct. 25-27. This year’s theme is “Revival.” It opens with a networking event Oct. 25, a brunch with the theme “Healing Black LGBTQ Trauma” and Halloween masquerade party are Oct. 26. Oct. 27 is Sunday Family Fun Day. Details at cbebaltimore.org.
Swazz presents “Queer Halloween Party” on Friday, Oct. 25 at 9 p.m. at Smith Public Trust (3514 12th St., N.E.). Tickets are $10 at swazzevents.com.
Miss Adams Morgan is Saturday, Oct. 26 at 6 p.m. at the Washington Hilton (1919 Connecticut Ave., N.W.).
The Walk & 5K to End HIV 2019 is Saturday, Oct. 26 at 7 a.m. (check-in) kicking off and ending at Fredom Plaza (Pennsylvania Ave. and 13th streets, N.W.). The 5k begins at 9:15. The walk begins at 9:20. Post-race activities start at 10. Details at walktoendhiv.org.
“RuPaul’s Drag Race: Werq the World Tour” is Sunday, Oct. 27 at 8 p.m. at The Anthem (901 Wharf St., S.W.). Tickets start at $52 at ticketmaster.com.
The 32nd annual High Heel Race is Tuesday, Oct. 29 on 17th Street, N.W.
“Randy Rainbow Live!” is Saturday, Nov. 2 at 7 p.m. at the Hippodrome (12 N. Eutaw St.) in Baltimore. Tickets are $57-77 at ticketmaster.com.
Todrick Hall brings his “Haus Party Tour” to the Warner Theatre (513 13th St., N.W.) on Saturday, Nov. 9. He plays Baltimore Nov. 10. Tickets are $23-42 at livenation.com.
The Veterans Day wreath-laying ceremony for LGBT veterans is Monday, Nov. 11 at noon at Congressional Cemetery (1801 E St., S.E.).
Transgender Day of Remembrance is Wednesday, Nov. 20 at 6 p.m. at The D.C. Center (2000 14th St., N.W., suite 105). Details at thedccenter.org.
Photos
PHOTOS: Remove the Regime rally and march
Dropkick Murphys, Earth to Eve perform on steps of Lincoln Memorial
The Remove the Regime rally and march was held on Saturday, Nov. 22.
(Washington Blade photos by Michael Key)








Transgender Day of Remembrance was observed at the Metropolitan Community Church of Washington, D.C. on Thursday, Nov. 20. The event was emceed by Rayceen Pendarvis and Dwight Venson. Musical selections were provided by Agape Praise and Dynamic Praise. Proclamations from the D.C. Council and the D.C. Office of the Mayor were presented. The Pouring of the Libation was conducted by Rev. Elder Akousa McCray and Rev. Paul Fulton-Woods of Unity Fellowship Church.
Remarks were given by trans survivors of violence. Family members of slain trans woman Dream Johnson were featured speakers. Prayers were given by Rev. Cathy Alexander and Rev. Dwayne Johnson of Metropolitan Community Church of Washington, D.C. Yael Shafritz gave a Jewish prayer through a video presentation. Closing remarks were given by community leader, Earline Budd.
(Washington Blade photos by Michael Key)







Books
Pioneering gay journalist takes on Trump 2.0 in new book
Nick Benton’s essays appeared in Fall Church News-Press
Nicholas Benton is a well-known local LGBTQ advocate and journalist and the longtime owner and editor of the Falls Church News-Press, a weekly newspaper.
In his eighth book out now, Benton offers a new set of remarkable essays all crafted in the first eight months of Trump 2.0 and its wholesale effort at dismantling democracy and the rule of law. Most were published in the Falls Church News-Press, but he adds a new piece to this volume, as an addendum to his “Cult Century” series, revealing for the first time his experiences from decades ago in the political cult of Lyndon LaRouche, aimed at providing a clearer grasp of today’s Cult of Trump.
His “Please Don’t Eat Your Children” set takes off from the satire of Jonathan Swift to explore society’s critical role of drumming creativity out of the young.

Below is an excerpt from “Please Don’t Eat Your Children, Cult Century, and other 2025 Essays.”
Please Don’t Eat Your Children
In his famous short essay, “A Modest Proposal: For Preventing the Children of Poor People in Ireland From Being a Burden to Their Parents or Country and for Making Them Beneficial to the Public,” author and Anglican priest Jonathan Swift (1667-1745) uses cutting satire to suggest that cannibalism of the young might help solve a battery of social ills.
As we examine our broken society today, it seems to me that reflecting on Swift’s social critique can be quite useful. Now we face a nation filled with anger and division and there is little to suggest any real solutions other than insisting people “don’t do that!” We can start out with the observation that young children, left to their own, are neither hateful nor cruel. How do they get that way later on in their lives? What drives them toward such emotional states and behaviors? It is not a problem only for the margins of society, for the extreme misfits or troubled. It is defining the very center of our culture today. Our divisions are not the cause, but the result of something, and nobody is saying what that is.
Swift doesn’t say what it is in his biting little essay. But it is implied by a context of a lack of bounty, or poverty, on the one hand, and an approach to it characterized by obscenely cruel indifference, on the other. He coined the phrase “useless eaters” in defining his radical solution. In Hitler’s Germany, that term resonated through the death camps and some in our present situation are daring to evoke it again as the current administration pushes radical cuts in Medicaid funding.
But while that refers to the old and infirm, mostly, it is the young we are talking about here. The problem is that our society is structured to devour our young and as they begin to find that out, they rebel. Not in all cases is this the practice, of course. Where there is little or no lack, things are different. We nurture our young, as we should, and we love them. Lucky is the child who is born to parents who are of means, and in a community where nurture is possible and valued. But even such children are ultimately not immune from facing a destiny of pale conformity battered by tightly delimited social expectations and debt slavery. If they have enough ambition, education and doors opened for them, some can run the gauntlet with relative effectiveness. Otherwise, our young are raised to die on battlefields, or to struggle in myriad other painful social conflicts aimed at advancing the world of their elders. In the Bible, there is a great admonition against this process that comes at the very precondition for the tradition it represents that begins with Abraham.
It is in the book of Genesis at the beginning of the Biblical story when, as that story goes, God commanded Abraham to kill his son, Isaac, as a sacrifice. As Abraham is about to obey, God steps in and says no. The entire subsequent eons-long struggle to realize Abraham’s commission by God to make a great nation that would be a light to the world would have been cut short right then if Abraham had slain his own son. The message is that all of the Abrahamic traditions, Judaism, Islam and Christianity, owe their source, and in fact are rooted, in God’s command to reject the sacrifice of children to the whims of their elders. The last thousands of years can be best defined in these terms, where nurture is pitted against exploitation of our young with, at best, vastly mixed results. Scenes like that at the opening of “All Quiet on the Western Front,” the World War I novel and film where a teacher rallies a classroom full of boys to enlist in the war, is bone chilling. Or, the lyric in Pink Floyd’s iconic song, Comfortably Numb, “When I was a child, I caught a fleeting glimpse out of the corner of my eye. I turned to look but it was gone. I cannot put my finger on it now. The child is grown, the dream is gone.”
Nick Benton’s new book is available now at Amazon.
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