a&e features
‘Boys Don’t Cry’ at 20: rethinking trans actors
Cis actress Hilary Swank won the Oscar playing a trans man but would it happen today?

It’s been 20 years ago this month since the release of “Boys Don’t Cry,” the Fox Searchlight movie that depicted the true story of Brandon Teena, a trans man played by Hilary Swank, who adopts a male identity in Nebraska but is murdered in a hate crime.
Directed by Kimberly Peirce, whose interest was piqued by a 1994 Village Voice article about Teena, the film was made for $2 million and made $20 million at the box office. It premiered Oct. 8, 1999 at the New York Film Festival and went into wider release later in the month.
Swank won a bounty of awards for the role including prizes from the New York Film Critics Circle, the Chicago Film Critics, the Boston Society of Film Critics, the Independent Spirit Award, the Golden Globe and the Oscar. It was both widely praised in reviews at the time and holds an 88 percent fresh rating on Rotten Tomatoes.
It’s unlikely, though, that Swank would get cast in the role were it made today. With trans actresses Mj Rodriguez, Indya Moore, Dominique Jackson, Hailie Sahar and Angelica Ross having been cast on the Ryan Murphy FX drama “Pose,” and Scarlett Johansson all but forced to withdraw last year from her planned movie “Rub & Tug” (she was to play a trans character based on Dante Gill, who ran massage parlors in the ‘70s and ‘80s that were brothel fronts) after a backlash ensued, many say it’s a new day for trans actors. Of Johansson, trans actress Trace Lysette (Shea on “Transparent”) wrote on Twitter, “Not only do you play us and steal our narrative and our opportunity but you pat yourselves on the back with trophies and accolades for mimicking what we have lived.”
Cisgender backlash

Elle Fanning drew ire the year before for being cast in “3 Generations” as Ray, a female-to-male trans teen. A groundswell had been building with actors like Matt Bomer in “Anything” (2017), Eddie Redmayne in “The Danish Girl” (2015) and Jared Leto in “Dallas Buyers Club” (2013) drawing muted but present backlash.
Conversely, on TV, trans actress Candis Cayne earned the distinction of being the first trans actress to play a recurring trans character on a primetime show when she played Carmelita on ABC’s short-lived “Dirty Sexy Money” (2007-2009). Trans actress Nicole Maines plays the first trans superhero as Dreamer/NiaNal on The CW’s “Supergirl.” In its latest report, GLAAD says there are 26 trans characters currently on TV, vs. 17 in its previous report.
Leto ended up winning a Best Supporting Actor Oscar for his role. Redmayne won the Best Actor Oscar for his and back in 2005, Felicity Huffman was nominated for playing trans in “Transamerica.” A trend was clearly at play — playing trans is Oscar catnip for cisgender actors.
That’s a problem, working trans actors today say.
“The Academy seems to see it as some heroic transformation, but is it any more a feat of acting than what, say, Daniel Day-Lewis did as Lincoln, or any number of great performances you could name,” says Samy Nour Younes, a trans male stage and screen actor in New York. “Beyond the fact that they’re playing another gender identity, the roles are usually not that good. If you watch ‘Boys Don’t Cry,’ ‘Transamerica’ or ‘Dallas Buyers Club,’ which is the worst among them, they’re not particularly well written characters period, not because they assumed a marginalized identity, but we think there’s something inherently taboo or exotic, but in a stigmatized kind of way, about it. Like, ‘Oh, you’re so brave, you deserve an Oscar,’ when it actually wasn’t that great.”
Younes says “Transparent,” the hit 2014-2019 (it just wrapped with a musical finale on Amazon Prime Video Sept. 27) show on which he guested twice in its fourth season, was a game changer just before “Pose” hit big. Although cis actor Jeffrey Tambor played Maura, a retired college professor who comes out as trans, creator Jill Soloway enacted a “transfirmative action program” for the show (cast and crew) where trans applicants were hired in preference to cis applicants. Tambor (“The Larry Sanders Show,” “Arrested Development”) left the show in late 2017 amid sexual misconduct allegations.
“Just letting trans people in the room — directors, writers, consultants — makes a huge difference,” Younes says. “That’s when we start getting layered and nuanced characters that tell stories beyond their transitions, with interesting people. We’re seeing less and less of a need for the Eddie Redmaynes of the world who say, ‘Oh, I did so much research,’ which I call bullshit on that because if you’d really done so much research, you’d have an understanding that we’re not just some costume you can slip on which just helps solidify the Academy’s thinking that that’s all it is and playing trans becomes a farce.”
The casting conundrum
Tammara Billik, a veteran Hollywood casting director known for her work on “Married … with Children” and the famous coming-out episode of “Ellen” in 1997, says things have come a long way since the “Boys Don’t Cry” era.
For one, she says, TV has come into a “golden age” that has “provided a lot more opportunities for all kinds of inclusive roles.”
“Not just with ‘Pose’ and ‘Transparent,’ but now there are a number of trans actors,” Billik, a lesbian, says. “I just read something about their being a trans actor in a series regular role on ‘The Politician’ with Ben Platt. I didn’t know anything about that. It’s happening without a big splash, it’s happening on weekly shows, so I think there is tremendous progress in terms of the trans actor community, particularly on TV.”
Film, she says, is different.
“When ‘Boys Don’t Cry’ came out, gosh, I don’t think I knew a trans actor at the time. … It certainly wouldn’t have been a time when a trans actor would have been cast. Now you would be hard pressed to cast that role with a cis actor,” Billik says. “You just wouldn’t do it, right?”
She says the Johansson episode was “a giant shift.”
“In both a good and bad way,” Billik says. “It’s good for the actors and a good way to show more diversity on television but we’ve also seen a backlash against particularly trans women of color. I’m not saying ‘Pose’ is responsible for it, but people get angry when you show them the truth. We’re all wondering why so many trans women of color are being targeted for violence. Is it because we’re seeing their images more on TV, is it because people have been emboldened by Trump? I don’t know the answer to that.”
It’s an issue GLAAD has been working on for years. Nick Adams and Alex Schmider, GLAAD’s Transgender Media Program team, work with TV networks, production companies, showrunners, script writers, casting directors and agencies as well as PR firms to help bring what it calls “fair and accurate representations for transgender people to the screen.”
They say things are improving dramatically.
“Hollywood is beginning to tell more accurate and well-rounded stories about transgender people and casting trans characters more authentically,” Schmider said in an e-mail comment to the Blade. “Not only are trans characters starting to be written with more nuance, complexity and humanity in the worlds in which they exist, but casting has also begun to evolve in positive ways.”
By their count, there’s only one cis actor still playing a trans role on TV.
The issue is a bit more complex, casting vets say, than “casting more authentically.” Alexa L. Fogel, casting director for “Pose” and a slew of HBO shows such as “Oz,” “The Wire,” and others, says it’s “a really complicated issue” that has multiple angles.
“TV is easier in that you’re creating characters, you’re creating roles, you’re creating stars,” she says. “In the case of ‘Pose,’ none of these people were known before. A lot of them hadn’t really acted before. These roles could be crafted around these people’s strengths to some degree, not so much in the character of Elektra, with her we had to find someone who could deliver what was on the page, and that was challenging for sure, but I think the other side of it is that certainly with films, there are certainly situations in which you need to sell tickets to things. Certain things might not get made without movie stars. These are complicated questions and I don’t know that anyone knows the answers to them all yet, but it’s a conversation.”
The decision to cast trans actors on “Pose” was made prior to Fogel’s involvement with the show. She says that added a layer to the casting process, but she didn’t see it as an extra burden.
“It’s part of the joy of the job,” says Fogel, who declined to state her own sexual orientation or gender identity. “It’s about rising to the challenge. I never considered that it couldn’t be done. It was just about, you know, doing the research, getting ambassadors to the community, making sure I had enough time to meet enough people. Anytime you do something that’s less visible, it’s more time consuming.”
How deep was the talent pool?
“I wouldn’t say it was a huge talent pool, but I’ve done a lot of projects where you just have to really put your head down and do extra research and this was one of them,” she says. “It was challenging but it never felt that it was going to be impossible. It just meant we had to do extra work.”
She’s not aware if the Screen Actors Guild tracks its members’ gender identity (SAG did not respond to requests for clarification on that). Fogel says membership is easy to secure once she casts a lead role.
Could ‘Pose’ be a fluke?

Is “Pose” a one-off or a game changer?
“I don’t have a crystal ball, but I think yeah, the ground is certainly shifting in terms of the conversation,” Fogel says. “I think it’s ultimately about the writing, about the culture and what people feel like they want to see. People want real representation and that seems to be happening across the board.”
Billik agrees.
“‘Pose’ is telling a story that’s really spectacular and a lot of people are really responding to it, so I don’t think it will be a one-off,” she says. “I think we’ll see a whole slew of trans actors cast because of it.”
Aneesh Seth, a trans actress on the Netflix show “Jessica Jones,” says there’s still “a long way to go.”
“Athough trans folks have gained some control over the types of trans narratives out there, they can still tend to be reductive and focused on our trauma,” she said in an e-mail. “Where are the stories of trans folks winning? Falling in love? Having successful marriages and careers?”
Is this the end, at least, of the big stars taking home Oscars and nominations for all the major trans movie roles? And how realistic is it — theoretically — for a trans actor to have given the caliber of performance Swank gave in “Boys Don’t Cry”?
Some say it’s a chicken-or-the-egg argument. If trans actors had been given time to build up their resumes on equal footing with a Swank or a Jared Leto, who knows what they might have achieved? That’s not to say they had easy rides — Swank and her mother, for a time, lived out of a car upon moving to Los Angeles as Swank pursued her dream. But inarguably, upon starting her acting career, she got cast in varied roles far faster and more regularly than any trans actor would have fared, especially in the ‘90s.
Fogel, especially, says it’s hard to account realistically for “what ifs.”
“You can’t really know the answer to that without doing the work,” she says. “I couldn’t have answered any of these questions about ‘Pose’ before I’d done it. The process is so important when it comes to casting. You really have to do the work to find the people, it’s all about the process.”
Looking ahead
The path ahead, many agree, is bright.
“I actually think Time magazine jumped the gun a little bit when they put Laverne Cox on the cover for ‘Orange is the New Black’ and said it was ‘The Transgender Tipping Point,’” Younes says. “Not to take anything away from her, but I think the tipping point is actually now because it’s not just one, it’s multiple roles. There’s a brand new pool of talent and we’re more open to the fact that it could come from anywhere.”
Several folks interviewed for this piece mentioned bit parts they’d seen trans actors cast in of late. Billik just saw “Moulin Rouge” on Broadway and said one of four ladies in the opening number was trans. Younes knows a trans colleague in the ensemble in “Tina: the Tina Turner Musical,” which opens at the Lunt-Fontanne Theatre on Broadway next month (previews are in October). He also cites two trans actors with brief speaking parts in this summer’s “Spider Man: Far From Home.”
GLAAD reps helped cast Zoey Luna, a trans Latina actress, in “The Craft” reboot from Sony as Lourdes, one of the lead girls in the coven who happens to be trans. In 2018, not one of the 110 major studio films released included a trans character, according to GLAAD.
“So this casting and character are game changers in the film landscape,” Schmider says.
Non-binary actor Asia Kate Dillon on Showtimes “Billions,” is another positive step, many agree. And Daniela Vega made history in “Fantastic Woman,” a 2017 Chilean drama that won an Oscar. Vega was the first trans presenter in the history of the Academy Awards when she presented in 2018.
“This isn’t a trend, this isn’t just the topic du jour,” Younes says. “For decades, all we could get were playing the dead hooker on ‘Law & Order: SVU.’ … I hope it’s a continuing trend for trans people making inroads in entertainment.”
SIDEBAR: ‘Boys Don’t Cry’: problematic in retrospect?
Although it was seen as fairly groundbreaking in its day, the 1999 film “Boys Don’t Cry” hasn’t aged particularly well, some argue.
Donna Minkowitz, the writer of the original Village Voice story that inspired the movie, apologized last year in a piece she wrote (also for the Voice) called “How I broke, and botched, the Brandon Teena Story.”
“For years, I have wanted to apologize for what I now understand, with some shame, was the article’s implicit anti-trans framing,” Minkowitz wrote. “Without spelling it out, the article cast Brandon as a lesbian who hated ‘her’ body because of prior experiences of childhood sexual abuse and rape. … At the time, I was extremely ignorant about trans people. Like many other cis queer people at the time, I didn’t know that there were gay trans men, trans lesbians, bisexual trans folks, that being trans had nothing to do with whether you were straight or gay, and that trans activism was not, as some of us feared, an effort to stave off queerness and lead ‘easier,’ more conventional heterosexual lives.”
The trope of the butch lesbian who takes things “just a little too far” and comes out as trans, is a recurring one, trans actor Samy Nour Younes says. He, too, found the film adaptation “problematic.”
“There was a similar storyline on ‘The L Word,’ when Max Sweeney starts taking hormones and becomes this raging monster, a really awful storyline. Seeing some of those things and ‘Boys Don’t Cry’ were the first representations I saw of a trans masculine storyline and stopped me from coming out sooner.”
a&e features
35 years after ‘Truth or Dare,’ Slam is still dancing
Salim Gauwloos on Madonna, HIV, and why he almost didn’t audition for Blond Ambition Tour
Most gay men of a certain age remember “the kiss.”
It was the moment Madonna’s dancers Salim Gauwloos and Gabriel Trupin locked lips in the hit 1991 documentary film “Truth or Dare,” which is celebrating its 35th anniversary this spring.
The kiss was hot, but what made it groundbreaking is that it appeared in a mainstream Hollywood movie that screened in suburban multiplexes across the country. This wasn’t an obscure art house film. The movie, and tour on which it was based, received months of breathless media attention all over the world for bold expressions of female empowerment and queer visibility. Madonna was threatened with arrest in Toronto for simulating masturbation on stage and Pope John Paul II urged Catholics to boycott the show, triggering a media firestorm.
“Truth or Dare” was billed as a behind-the-scenes documentary of the tour, but it quickly became clear that the real star of the show wasn’t Madonna, but rather her colorful troupe of seven backup dancers, six of whom identified as gay: Kevin Stea, Carlton Wilborn, Luis Xtravaganza Camacho, Jose Gutierez Xtravaganza, Gauwloos, and Trupin; Oliver Crumes III identifies as straight.
We saw them party and march in the New York City Pride parade. They were unabashedly queer at a dangerous time — before protease inhibitors began to stem the AIDS plague and before most celebrities and politicians embraced the gay community in any real way. Being out in 1991 carried major risks to career and reputation.
Enter Gauwloos, one of those brave dancers who vogued his way into the hearts of countless gay men entranced by his handsome looks, his stage presence, and dance skills.
Gauwloos — known then and now as “Slam”— sat down with the Blade to talk Madonna, the lasting impact of “Truth or Dare,” the public disclosure of his HIV status, and plans for a new book on his life.
His story is fascinating — from growing up in Europe to dancing in New York to landing the gig of a lifetime with Madonna. He performed on that tour while secretly HIV positive and went without medical treatment for 10 years because he was living in the United States as an undocumented immigrant. Not even Madonna knew of his HIV status. Two other dancers on the tour were also HIV positive but no one talked about it. Ironically, Madonna was singing “Express Yourself” and advocating for condom use during her concerts yet backstage three of her dancers were secretly positive.
“A lot of people were dying so I wasn’t going to tell Madonna I had HIV,” said Slam, now 57. “And the others didn’t either. It wasn’t the moment to do it. She used to make speeches about Keith Haring and AIDS and I thought it’s going to be me next.”
Gabriel Trupin died of AIDS in 1995. Slam was diagnosed at age 18 in 1987, a frightening time when a positive test result often meant a death sentence. He booked the “Blond Ambition Tour” at age 21 after moving to New York. His friends encouraged him to audition but Slam resisted because he wasn’t a big Madonna fan.
“It was crazy, everyone wanted that job,” he said, “but I wanted to dance with Janet Jackson and Paula Abdul.” He listened to his friends and shortly after the audition, Slam received a call from Madonna herself inviting him to join the tour.
“We all wanted to be stars but not even Madonna knew how big that tour would become. The way it was choreographed and directed, the stars aligned. … It never looks dated even today.”

The world tour kicked off in Japan in April 1990 then moved to the United States and Europe, stirring controversy wherever it went. There was the iconic cone bra; the aforementioned simulated masturbation during “Like a Virgin”; and religious imagery that offended many Catholic groups and the Vatican.
And the controversy didn’t end with the tour. Cameras were rolling throughout the tour for what Slam thought would be a “video memory” for Madonna. But as the tour unfolded, director Alek Keshishian reportedly became more interested in what was happening behind the scenes so plans for mere tour footage were expanded into a full documentary.
“We were young and partying and didn’t really know what was going on,” Slam said. “You live in this celebrity bubble and you sign a paper – I don’t even know what I signed.”
In 1992, Kevin, Oliver, and Gabriel sued Madonna for invasion of privacy and fraud claiming she used some footage without their consent. They claim they were told nothing would be included in the film that they didn’t want to be seen. In one specific incident, Gabriel alleged that he told producers he didn’t want the scene of him kissing Slam to be in the film as he wasn’t fully out.
“Gabriel was forcibly outed,” in the movie, Kevin said in a 2016 interview.
Slam did not join his colleagues in the lawsuit.
“I couldn’t sue because I was illegal but I wasn’t ever going to sue,” Slam said. “I’m not a suing kind of person. But good for them, they fought for it and won. A lot of people don’t have the balls to sue Madonna.” The suit was settled two years later for an undisclosed sum.
“We were all conflicted about the kiss,” he said with a laugh. “The kiss, oh my God, my boyfriend is going to kill me! Belgian stress!”
Beyond worrying about his boyfriend’s reaction, Slam had concerns about the impact of being openly gay on his modeling career.
“In 1990, you couldn’t get high fashion campaigns as an openly gay model,” he said. “I was worried about that. I couldn’t get a campaign because I was gay. My agency told me to say I was straight and it was just a game.”
In 2016, pegged to the 25th anniversary of “Truth or Dare,” the surviving six dancers filmed a documentary about their lives post-Madonna titled “Strike A Pose.” In it, Slam publicly revealed his HIV status for the first time in an emotional scene with his former colleagues.
“I found the strength to tell the world I have HIV,” he recalls. “I was scared but I felt brave. The outcome and messages were beautiful. After I saw ‘Strike A Pose,’ I knew we gave people hope. And not just for gay people.”
He was infected in 1987 but didn’t get treated until 1997. After the tour ended, he said he went into a depression and his agency dropped him.
“I was partying too much after the tour,” he recalls. “I made a decision to live as an illegal alien.” In 1997, Slam collapsed and was rushed to the hospital with pneumonia.
“They started treating me and thank God the new HIV drugs were out, the cocktails, it took me a couple months to get better.”
Madonna didn’t participate in “Strike A Pose” and Slam said he hasn’t seen or spoken to her since the end of the tour. He said he had no idea of the impact “Truth or Dare” would have.
“You look at this movie in 1991 and you don’t think it’s going to be such a big thing and 35 years later it’s still helping people,” he said. “It was helpful for people who felt alone at that time. It was such an important documentary.
“I don’t think younger gay people realize how important Madonna was to gay and queer visibility — she was a big part of it. We showed the world it’s OK to be gay and that was the great message of this movie.”
He noted that, decades later, many of his friends have transgender kids and that queer culture is represented in much of mainstream pop culture.
“It’s amazing how far we’ve come,” he said. “I know we’ll always be marginalized but we have come so far. I’m really proud of our community. The current nightmare will be over and I do believe that things will get better.”
Referencing President Trump’s attacks on the LGBTQ community and crackdown on immigration, Slam described the situation in the U.S. today as “sad.”
“Everything is such a mess,” he said. “Some of these people have lived here 30-40 years and they take you out of your home. I can’t even imagine. It breaks my heart. When I was illegal it was a different story.”
Slam met his husband, Facundo Gabba, who’s from Argentina, in 2000, and he helped him get a legal case together to win citizenship. He filed a case in 2001 and was told there was a 99 percent chance he wouldn’t be permitted to stay in the United States because they weren’t allowing HIV-positive immigrants to remain in the country. But he got his green card anyway in 2005 and became a U.S. citizen in 2012.
Today, Slam and Gabba live in Brooklyn, though they travel a lot because “I can’t take the cold.” The couple married in Argentina in 2010 and in the U.S. in 2016.
Slam is still dancing and working as a choreographer. He’s teaching at a contemporary dance festival in Vienna in July and even offers online lessons via Salimdans.com.
As a longtime HIV survivor, Slam is dedicated to a healthful lifestyle.
“You have to keep moving; when you move you stay healthy,” he says. “Dance heals everything. I do yoga, I eat healthy and clean as possible. I don’t watch much TV … I try to stay healthy and positive. If I absorb all of the negativity I would be sick.”

In addition to his ongoing work in dance and choreography, Slam is in the early stages of writing a book about his extraordinary life and pioneering career.
“I always knew I had a book inside of me. I want to talk about my HIV status. I know I can inspire more people. I want to tell even more secrets in the book; secrets are a poison so I want to tell everything.”
Among those secrets, he notes, is a desire to write about his strict Muslim father and the years he spent as an undocumented immigrant in America.
“Those are the things I want to talk about, the struggles. It’s a love story, hope and resilience. I know it will help people.”
As for his friends from the tour, Slam says he remains in contact with Gabriel’s mother and José Xtravaganza is his best friend. Baltimore’s Center Stage theater is currently developing a new musical about Xtravaganza’s life. And Slam said he occasionally talks to Oliver, though “he still can’t pronounce Sandra Bernhard’s name.”
At the end of our interview, Slam indulged a round a rapid fire questions:
• Favorite song to perform in the “Blond Ambition” tour? “Express Yourself.”
• Aside from Madonna, who was your favorite artist you worked with? Toni Braxton in “Aida” on Broadway.
• Favorite Madonna song? “Live to Tell”
• Favorite Madonna video? “Bedtime Stories”
• What’s more stressful: performing in a concert or performing on the VMAs? “Both, because we always had to be perfect.”
• Did you go to Madonna’s recent “Celebration” tour? “I didn’t see the show but I saw clips online.”
• What do you remember most about performing “Vogue” at the VMAs? “It was nerve-racking for them to flip those fans.”
• When was the last time you vogued? “I teach classes so a couple weeks ago.”
a&e features
Transmission DC breathes new life into a storied sound space
A fresh home for boundary-pushing culture on H Street
Late last year, phoenix-style, a fresh home for boundary-pushing culture arose on the H Street corridor. Transmission DC – a queer, trans, and POC-owned, operated, and centered community-focused venue – powered on in the former home to the Rock & Roll Hotel (famously, not a hotel, but very much rock & roll). Transmission (1353 H St., N.E.) arrives secure in its mandate – or even birthright – to provide a place to celebrate creativity and music through a lens of inclusivity and respect.
Transmission’s team brings experience, but also representation. Owners/partners Kabir Khanna (who is also programming director), Ellie McDyre, and Kelli Kerrigan together previously managed 618, a venue in Chinatown, crafting “some of D.C.’s freakiest parties, raves, and mosh pits” they note.
They packed up operations last fall to a space curated specifically for D.C.’s underground music and culture scene, building their efforts in Chinatown to bring in more fans in queer and POC circles.
Transmission, Khanna points out, is built on DIY values. In the music scene, DIY means that promoters and organizers – often disconnected from the mainstream and part of marginalized communities – build shows and programs collaboratively, but independently from institutions, supporting each other as smaller, independent venues close. Here, Transmission aims to ensure that those putting together these underground inclusive shows have a more permanent and stable home, can have access to resources, and can provide more sustainable income to artists. “We’re trying to get more people to support and enjoy the music, and also give artists and organizers within the DIY community more structure and a larger cut,” says Khanna.
Khanna also notes that Transmission operates “under the principles of safety, inclusivity, and respect.” McDyre added that even at venues that claim inclusivity, that statement might not take place in practice. We’re “not just putting up a rainbow flag,” says McDyre, but as some of the owners are trans and POC, audiences can see themselves reflected at the top.
Much like the DIY nature of the music community, the Transmission owners brought a DIY ethos to turning around their space.
In March 2020 – the height of COVID lockdowns – Rock & Roll Hotel suddenly shuttered, though not due to the pandemic; instead, the venue claimed that decreasing sales and increasing competition led to the closure. For 14 years, it was the central spot for cheap beer and lesser-known and celebrated acts. The space stood vacant for more than five years, until Transmission turned the power back on.
“When we got into the space, it was effectively abandoned for years,” says Khanna. “There was a ton of mold, and paint primer covering all surfaces. It was nearly falling apart.” Khanna noted that many music venues like this one, regardless of how well it was maintained, “get the shit kicked out of it,” given the nature of shows. The team called in mold removal contractors, ripped up most of the floorboards, and started fresh.
Transmission’s first floor is styled as a stripped-down black box: the better to take in the music. “It’s minimal on purpose to act as a canvas for set design and music,” without a specific aesthetic, says Khanna. Moving upstairs, the second floor has been opened up, removing some walls, and now has a larger dance area than the first floor. Beyond the first two performance levels, and a holdover from Rock & Roll Hotel, is the rooftop. Though without a stage, the rooftop space is filled with murals splashed across the walls, with a full bar. Transmission’s current capacity is 496, but the team is looking to grow that number. Transmission will also leverage the full kitchen that Rock & Roll Hotel operated, bringing in Third Hand Kitchen to offer a variety of food, including vegan and vegetarian options.
Khanna pointed out an upcoming show reflective of Transmission’s inclusive ethos: Black Techo Matters on Feb. 27. The event is set to be “a dynamic, collaborative night of underground electronic music celebrating Black History Month.” Khanna says that techno came from Black music origins, and this event will celebrate this genesis with a host of artists, including DJ Stingray 313, Carlos Souffront, and Femanyst.
a&e features
Meet D.C.’s Most Eligible Queer Singles
Our annual report, just in time for Valentine’s Day
Just in time for Valentine’s Day, the Blade is happy to present our annual Most Eligible Singles issue. The Singles were chosen by you, our readers, in an online nominations process.
John Marsh

Age: 35
Occupation: DJ and Drag Entertainer
How do you identify? Male
What are you looking for in a mate? I’m looking for someone who’s ready to dive into life’s adventures with me. someone independent and building their own successes, but equally open to supporting each other’s dreams along the way. I know that probably sounds simple because, honestly, who isn’t looking for that? But my life and career keep me very social and busy, so it’s important to me to build trust with someone who understands that. I want a partner who knows that even when life gets hectic or I’m getting a lot of attention through my work in the community, it doesn’t take away from my desire to build something real, intentional, and meaningful with the right person.
Biggest turn off: My biggest turnoff is arrogance or judgment toward others. I’m most drawn to people who are comfortable being themselves and who treat everyone with the same level of respect and care. I’ve worked hard for the success I’ve found, but I believe in staying humble and leading with kindness, and I’m attracted to people who live the same way. I’m also turned off by exclusionary mindsets, especially the idea that sapphic folks don’t belong in gay spaces. Our community is vibrant, diverse, and strongest when it’s shared with everyone who shows up with respect and love
Biggest turn on: I’m drawn to people who can confidently walk into new spaces and create connection. Being able to read a room and make others feel comfortable shows emotional intelligence and empathy, which I find incredibly attractive. I also come from a very social, open, and welcoming family environment, so being with someone who embraces community and enjoys bringing people together is really important to me.
Hobbies: I have a lot of hobbies and love staying creative and curious. I’m a great cook, so you’ll never have to worry about going hungry around me. In my downtime, I watch a lot of anime and I will absolutely talk your ear off about my favorites if you let me. I’m also a huge music fan and K-pop lover (listen to XG!), and I’m a musician who plays the cello. I spend a lot of time sewing as well, which is a big part of my creative expression. My hobbies can be a little all over the place, but I just genuinely love learning new skills and trying new things whenever I can.
What is your biggest goal for 2026? This year feels like a huge milestone for me. I’m getting ready to join a tour this summer and want to represent myself well while building meaningful connections in every city I perform in. I’m also focused on growing as a DJ, sharing more mixes and content online, and reaching a big creative goal of releasing original music that I’m producing.
Pets, Kids or Neither? I have a lovely Akita named Grady that I’ve had for 10 years and always want pets in my life. I’m open to kids when/if the time is right with the right person.
Would you date someone whose political views differ from yours? Hell no. I don’t see political differences as just policy disagreements anymore – they often reflect deeper values about how we treat people and support our communities. I’m very progressive in my beliefs, and I’m looking for a partner who shares that mindset. For me, alignment in values like equity, compassion, and social responsibility is non-negotiable in a relationship. To be very clear about my beliefs, I’m outspoken about my opposition to immigration enforcement systems like ICE and believe both political parties have contributed to policies that have caused real harm to vulnerable communities. I’m also deeply disturbed by the ongoing violence in Palestine and believe we need to seriously examine our support of military actions that have resulted in the loss of countless innocent lives. These aren’t abstract political opinions for me, they are moral issues that directly inform who I am and what I stand for.
Celebrity crush: Cocona
Name one obscure fact about yourself: I used to own a catering business in college that paid for my school — I also went to a Christian college, lol.
Jackie Zais

Age: 35
Occupation: Senior director at nonprofit
How do you identify? Lesbian woman
What are you looking for in a mate? Looking for someone who’s curious about the world and the people in it — the kind of person who’s down to explore a new spot one night and stay in with takeout the next. Confident in who they are, social without being exhausting, adventurous but grounded, thoughtful but not pretentious. Someone who can be funny while still taking life (and relationships) seriously.
Biggest turn off: Doesn’t have strong opinions. I love hearing a wild hot take.
Biggest turn on: When someone can make me belly laugh.
Hobbies: Number one will always be yapping with friends over food, but I also love collecting new hobbies. Currently, I crochet (and have some dapper sweater vests as a result), listen to audiobooks on what I personally think is a normal speed (2x) and play soccer and pickleball. But I’ve tried embroidery, papier-mâché, collaging, collecting plants, scrap booking, and mosaic.
What is your biggest goal for 2026? I’ve recently started swimming and I want to look less like a flailing fish and more like someone who knows what they’re doing.
Pets, Kids or Neither? I have neither but open to kids
Would you date someone whose political views differ from yours? My best friend is a moderate Democrat and that’s as far right as I’m willing to go.
Celebrity crush: Tobin Heath
Name one obscure fact about yourself: I’m the daughter of Little Miss North Quincy 1967.
Kevin Schultz

Age: 39
Occupation: Product manager
How do you identify? Gay
What are you looking for in a mate? You know 2001’s hottest Janet Jackson single, “Someone to Call My Lover?” To quote Janet, “Maybe, we’ll meet at a bar, He’ll drive a funky car; Maybe, we’ll meet at a club, And fall so deeply in love.”
Realistically though, I’d love to find someone who loves to walk everywhere and who avoids the club because it’s too loud and crowded. Later in the song, our songstress opines “My, my, looking for a guy, guy, I don’t want him too shy; But he’s gotta have the qualities, That I like in a man: Strong, smart, affectionate” and I’m quite aligned there – I’m an introvert looking for someone more extroverted.
I’m looking for someone who is different from me. When the math works, one plus one should equal two. Two becoming one is more art, and my relational approach is more science, or, I guess, math.
Biggest turn off: I’m turned off by a lot of superficially small things — chewing with one’s mouth open, dirty or untrimmed fingernails, oh, and also, lack of self awareness. My personal brand of anxiety is hyper self-aware, so I’m very turned off by someone who doesn’t realize that they exist in the world with others.
Biggest turn on: Competency. Or maybe…eyes? So perhaps, you see my conundrum — I’m very engaged by people who are deeply engaged by something, but I’d be lying if I said a sharp gaze and a wink didn’t get me. And, you know, some stamina in all avenues, mental and physical doesn’t hurt either.
Hobbies: Fixing everyone’s WiFi (this did actually get me a date once), and just generally fixing everyone’s everything. If it’s got a plug, screen, or buttons I can probably help you with it. On my own, I’m really into smart home devices and automation, and just to be timely, my latest thing is setting up and tuning my own instance of OpenClaw. (No one should actually do this, which is why I’m trying.) Together, we could also explore such hobbies as visiting every Metro station, visiting and exploring a new airport, and exploring why there are so many gay transit nerds. There’s no non-fake sounding way to say this but I also just love knowledge seeking, so I’d also love to go on an adventure with you where we learn something brand new.
What is your biggest goal for 2026? My biggest goal is to arrive to 2027 just a little better than I arrived to 2026. A few gym goals, a few personal goals, a few work goals; I hope to get a few of them across the finish line. At the risk of holding myself accountable, one of those goals is to be able to flawlessly side plank for over a minute. Please don’t mistake me for a huge gym rat; I just have a questionable relationship with balance and I’m really working on it.
Pets, Kids or Neither? I’ll just be blunt: no pets. Stating this on my Hinge profile resulted in an exponential loss of matches, so it’s very fun to trot out the idea. Primarily, I’m allergic to cats and dogs so my aversion is mostly biological. I’m not, however, allergic to kids — big fan of my various nieces and nephews — but I’d really only consider kids of my own if my chosen companion and I could financially afford them without compromise, and at this age I’ve become opinionated about the life I want to live.
Would you date someone whose political views differ from yours? No. This becomes a simpler answer with each passing day, unfortunately.
Celebrity crush: If I’m being of the moment, of course, it’s going to be one of the gentlemen on “Heated Rivalry,” but if I were to really dig into the archives it would be pre-Star Trek Chris Pine. I first saw him in an absolute train wreck of a movie called “Blind Dating” where he plays a blind guy who tries to pretend to be sighted in order to date. The movie was terrible, but I found him irresistible.
Name one obscure fact about yourself: I went suddenly deaf on one side only (my left) just before my 33rd birthday. After a bit of time in the wilderness (metaphorically) I got a cochlear implant a few years later, and it really changed my life. I will talk until someone stops me about hearing, sound, and the amazing arena of hearing loss technology. A lot of people, when they see my implant, assume I was born with hearing loss, so it’s always a bit odd (obscure even!) when I tell people I lost it as an adult. But, I also got my hearing back as an adult and am an eager advocate for assistive technology and visibility for people with disabilities that are not always immediately visible. I also work with prospective adult implant candidates to determine if an implant is right for them, because losing hearing suddenly as an adult is isolating and it’s helpful to talk to someone who’s been there.
Gabriel Acevero

Age: 35
Occupation: Maryland State Delegate
How do you identify? Gay
What are you looking for in a mate? Emotional intelligence and a sense of humor.
Biggest turn off: Fetishization.
Biggest turn on: Kindness and emotional intelligence.
Hobbies: Traveling and reading (I love books).
What is your biggest goal for 2026? More self care. I love what I do but it can also be physically taxing. In 2026, I’m prioritizing more self care.
Pets, Kids or Neither? I have neither but I’m open to both.
Would you date someone whose political views differ from yours? No.
Celebrity crush: Kofi Siriboe
Name one obscure fact about yourself: I’m a Scorpio who was raised by a Scorpio and I have many Scorpios in my life.
Vida Rangel

Age: 36
Occupation: Public Servant, Community Organizer
How do you identify? I am a queer transLatina
What are you looking for in a mate? I’m looking for a partner who is caring, socially aware, and passionate about meaningfully improving some part of this world we all live in. Ideally someone playful who can match my mischievous energy, will sing and dance with me whenever joy finds us, and will meet me at protests and community meetings when the moment calls for bold collective action.
Biggest turn off: Ego. Confidence can be cute, but humility is sexy.
Biggest turn on: Drive. Seeing someone put their heart into pursuing their goals is captivating. Let’s chase our dreams together!
Hobbies: Music in all its forms (karaoke, playing guitar, concerts, musicals…), finding reasons to travel to new places, and making (Mexican) tamales for friends and coworkers.
What is your biggest goal for 2026? My biggest goal for 2026 is to organize and a celebratory kiss on election night wouldn’t hurt.
Pets, Kids or Neither? An adorable black cat named Rio (short for Misterio)
Would you date someone whose political views differ from yours? Ma’am? If you feel the need to ask…
Celebrity crush: Mi amor, Benito Bad Bunny. Zohran Mamdani, too. I have lots of love to give.
Name one obscure fact about yourself: I worked at Chick-fil-A when I was in high school and was fired after just three months. At the time it was still legal to fire someone for being trans, but I’m pretty sure it was because I called out to go to a Halloween party.
Em Moses

Age: 34
Occupation: Publishing
How do you identify? Queer
What are you looking for in a mate? Companionship, passion, fun. I seek a confident partner who inspires me, someone to laugh and dance with, someone with a rich internal universe of interests and experiences to build upon. A lifelong friend.
Biggest turn off: Dishonesty.
Biggest turn on: I love when someone is exactly themselves, nurturing their passions and skills and showing up uniquely in this world as only they can.
Hobbies: I love to read. I create art with my hands. When the weather is nice I’m outside, walking around the District looking at flowers and trees.
What is your biggest goal for 2026? My main goal this year is to spend more time with my nieces and nephews.
Pets, Kids or Neither? No pets or children in my life currently.
Would you date someone whose political views differ from yours? While I consider myself quite openminded and genuinely enjoy learning from perspectives different from my own, I have clear boundaries around my morals and those pillars do not fall.
Celebrity crush: Luigi Mangione
Name one obscure fact about yourself: My first job was at a donut shop.
Nate Wong

Age: 41
Occupation: Strategy adviser to nonprofits and philanthropists to help ambitious ideas turn into meaningful, positive societal impact.
How do you identify? Gay (he/him)
What are you looking for in a mate? An additive partner: sociable, adventurous, and curious about the world. I’m drawn to warmth, openness, and people who show up fully — one-on-one and in community. If you enjoy a good dinner party, make eye contact, and actually talk to strangers (I know a D.C. no-no), we’ll get along just fine.
Biggest turn off: Not being present. Active listening matters to me; attention is a form of respect (and honestly, very attractive). And a picky food eater (how will we some day be joint food-critics?).
Biggest turn on: Curiosity, adventuresome spirit, and someone who can hold their own in a room — and still make others feel at ease. Confidence is best when it’s generous.
Hobbies: Splitting my time between the ceramics studio (District Clay), planning the next trip, and finding great food spots. I box to balance it all out, and I love curating small, adventurous gatherings that bring interesting people together — the kind where you stay later than planned.
What is your biggest goal for 2026? The last few years threw some curve balls. So 2026 is all about moving forward more freely and passionately, trusting what feels right and following it with intention (and joy).
Pets, Kids or Neither? Open to kids (in a variety of forms — already have some adorable god kids). A hypoallergenic dog would absolutely raise the cuddle quotient; cats are best admired from a respectful, allergy-safe distance.
Would you date someone whose political views differ from yours? I value thoughtful listening and sincere debate; shared values around the honoring of everyone’s humanity, equity, and justice matter to me and aren’t up for debate.
Celebrity crush: Bad Bunny style with Jason Momoa humble confidence (harking to my Hawaiian roots) and Idris Elba charm — range matters.
Name one obscure fact about yourself: I celebrated medical clearance by going surfing in El Salvador. I’ve also nearly been arrested in Mozambique and somehow walked away unscathed (and without complying with a bribe) — happy to explain over an excursion.
Diane D’Costa

Age: 29
Occupation: Artist + Designer
How do you identify? Queer/lesbian
What are you looking for in a mate? A cuddle buddy, a fellow jet setter, a muse! Someone to light my soul on fire (in a good way).
Biggest turn off: Apathy. I care deeply about a lot of things and need someone with a similar curiosity and zest for life.
Biggest turn on: Mutuality really does it for me — a push and pull, someone who will throw it back and also catch it. I love someone who takes initiative, shows care and compassion, and expresses fluidity and confidence.
Hobbies: You can find me throwing pottery, painting, sipping natural wine, supporting local coffee shops, and most definitely tearing up a QTBIPOC dance floor.
What is your biggest goal for 2026? Producing my first solo art show. This year I’m really leaning into actualizing all my visions and dreams and putting them out into the world.
Pets, Kids or Neither? I’ve got a Black Lab named Lennox after the one and only D.C. icon, Ari Lennox. I love supporting the youth and (made a career out of it), but don’t necessarily need to have little ones of my own.
Would you date someone whose political views differ from yours? No. Values alignment is key, but if you wanna get into the nuances of how we actualize collective liberation let’s get into it.
Celebrity crush: Queen Latifah
Name one obscure fact about yourself: I’m in the “Renaissance” movie. I know, I know slight flex… but “Crazy In Love” bottom left corner for a split second and a harsh crop, but I’m in there. “You are the visuals, baby” really hit home for me.
Donna Marie Alexander

Age: 67
Occupation: Social Worker
How do you identify? Lesbian
What are you looking for in a mate? Looking for a smart, kind, emotionally grown woman who knows who she is and is ready for real companionship. Also, great discernment and a good lesbian processor. Bonus points if you’ll watch a game with me— or at least cheer when I do. Extra bonus if you already know that women’s sports matter.
Ideal first date: Out for tea or a Lemon Drop that turns into dinner, great conversation, and a few laughs. Low drama, high warmth.
Must haves: A sense of humor, curiosity about the self, curiosity about me, and curiosity about the world. An independence, and an appreciation for loyalty—on and off the field. Dealbreaker: Anyone who thinks “it’s just a game.”
Biggest turn off: Self-centered and a lack of discernment.
Biggest turn on: Great conversation and a sense of humor.
Hobbies: Watching the Commanders game
What is your biggest goal for 2026? Self-growth and meeting an amazing friend.
Pets, Kids or Neither? I have two kids and grandkids.
Would you date someone whose political views differ from yours? No
Celebrity crush: Pam Grier
Name one obscure fact about yourself: She’s way more superstitious about game-day routines than she lets on
Joe Reberkenny

Age: 24
Occupation: Journalist
How do you identify? Gay
What are you looking for in a mate? Someone who’s driven, flexible, and independent. I’m a full-time journalist so if there’s news happening, I’ve gotta be ready to cover breaking stories. I’m looking for someone who also has drive in their respective career and is always looking to the future. I need someone who gets along with my friends. My friends and community here are so important to me and I’m looking for someone who can join me in my adventures and enjoys social situations.
Biggest turn off: Insecurity and cocky men. Guys who can’t kiki with the girls. Early bedtimes.
Biggest turn on: Traits: Emotional stability and reliability. A certain sense of safety and trust. Someone organized and open to trying new things. Physical: Taller than I am (not hard to do at 5’7″) but also a preference for hairy men (lol). Someone who can cook (I am a vegetarian/occasional pescatarian and while it’s not a requirement for me in a partner it would need to be something they can accommodate).
Hobbies: Exploring D.C. — from museums to nightlife, reading (particularly interested in queer history), dancing, frolicking, playing bartender, listening to music (preferably pop), classic movie connoisseur (TCM all the way).
What is your biggest goal for 2026? Continue my work covering LGBTQ issues related to the federal government, uplift queer voices, see mother monster (Lady Gaga) in concert.
Pets, Kids or Neither? I’ve got neither but I love a pet.
Would you date someone whose political views differ from yours? No
Celebrity crush: Pedro Pascal
Name one obscure fact about yourself: I’ve been hit by multiple cars and I have a twin sister.
