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In memoriam
A look back at the LGBTQ voices we lost in 2020
Ed Flipowski, a public relations executive whose work with Gucci and other companies influenced the fashion industry, died on Jan. 10 at 58 from complications from surgery at his Manhattan home.
Michel Georges Alfred Catty, known as Michou, who ran a celebrated drag cabaret for decades died at 88 from a pulmonary embolism on Jan. 26 in a hospital in Saint-Mandé, a suburb of Paris.
Deborah A. Batts, the first openly LGBTQ federal court judge, died on Feb. 3 at her New York City home at 72 from knee replacement surgery complications.
Terry DeCarlo, an LGBTQ activist who was director of the Center, an LGBTQ advocacy group, died at age 57 from face and neck cancer in a Hollywood, Fla. hospital. He became nationally known as a Florida LGBTQ community spokesperson after the 2016 massacre at the Pulse nightclub in Orlando, Fla.
Johni Cerny, the chief genealogist for the PBS series “Finding Your Roots,” died on Feb. 19 in Lehi, Utah at age 76 from coronary heart disease and congestive heart failure.
Gerald S. Krone, a founder of the Negro Ensemble Company, died on Feb. 20 at age 86 at his Philadelphia home from Parkinson’s disease.
Mart Crowley, whose groundbreaking 1968 play “The Boys in the Band” told the story of gay characters who talked honestly about their lives, died on Feb. 7 at age 84 in Manhattan from heart surgery complications.
Charles Wuorinen, a Pulitzer Prize-winning composer who wrote the groundbreaking opera “Brokeback Mountain,” died on March 11 at age 81 from complications from a fall in Manhattan.
Terrence McNally, the four-time Tony Award-winning playwright died on March 24 at 81 at Sarasota Memorial Hospital in Sarasota, Fla. From complications of the coronavirus. His half century of work includes “Master Class” and “Love! Valour! Compassion!.”
Tomie dePaola, children’s book author and illustrator died on March 30 at 85 in Lebanon, N.H. from complications from surgery that he had after a fall. “Strega Nona” is his best-known work.
Tarlach MacNiallais, a New York City LGBTQ and disability rights advocate, died on April 1 at 57 from coronavirus complications.
Thomas L. Miller, producer of “Happy Days,” “Full House” and other popular TV shows died on April 5 in Salisbury, Conn. at 79 from heart disease.
Phyllis Lyon, pioneering lesbian activist and marriage equality advocate, died at age 95 on April 9 at her San Francisco home. Lyon and her partner of many decades Del Martin, along with three other lesbian couples founded the Daughters of Bilitis, one of the first United States lesbian political groups. In 2008, Lyon and Matin were the first California couple to legally marry.
Robert (Robby) Browne, real estate mogul and philanthropist died at age 72 on April 11 at his New York City apartment from multiple myeloma and the coronavirus. He socialized with Hillary Clinton, Martina Navratilova, and other celebs.
James Weaver, a Smithsonian curator, died on April 16 from the coronavirus in Rochester, N.Y. at age 82. He helped to bring American musical theater, jazz, hip-hop, folk music and early electric guitars to the Museum of American History, the Washington Post reported.
Iris Love, an archaeologist, art historian, champion dog breeder and gossip columnist Liz Smith’s partner, died at age 86 on April 17 from the coronavirus at New York/Presbyterian/Weill Cornell Medical Center in Manhattan.
Kenneth Lewes, the psychologist whose groundbreaking book “Psychoanalysis and Male Homosexuality” challenged the view that being gay was a mental illness, died on April 17 at age 76 at a Manhattan hospital from the coronavirus.
David Carter, Stonewall historian and author, died on May 1 at age 67 from a heart attack at his New York City apartment.
Thomas Sokolowski, an early organizer of the art world’s response to the AIDS crisis died on May 6 at age 70 from cardiac arrest following emergency surgery for a subdural hematoma in New Brunswick, N.J.
Roy Horn of the legendary illusionist team Siegfried & Roy died on May 8 at age 75 from complications from COVID-19 in Las Vegas. The famed act entertained millions from Japan to New York City.
Little Richard, the flamboyantly queer, groundbreaking, early rock ‘n roll star, known for such hits as “Slippin’ and Slidin’” and “Lucille,” died on May 9 at age 87 in Tullahoma, Tenn. from bone cancer.
Aimee Stephens, the plaintiff in the landmark R.G &G.R. Harris Funeral Homes Inc. V. Equal Employment Opportunity Commission Supreme Court case, died on May 12 at age 59 at her Redford, Mich. home from kidney failure. The Court ruled that LGBTQ people are protected from employment discrimination based on sexual orientation and gender identity.
Stacey Milbern, a queer disability rights activist, died on May 19 at age 33 from complications from surgery at a Stanford, Calif. hospital. “Oftentimes, disabled people have the solutions that society needs,” she told public radio station KQED.
The iconic Larry Kramer, playwright, author, film producer, and a founder of Gay Men’s Health Crisis and ACT UP died of pneumonia at age 84 on May 27.
Ron Simmons, executive director of Us Helping Us People Into Living, a Washington, D.C. AIDS service group died on May 28 at George Washington University Hospital from prostate cancer at age 79. Before serving with the AIDS organization, he was an assistant professor at Howard University’s School of Communications.
Roberto Faraone Mennella, renowned jewelry designer and inventor of the “Stella,” the iconic earring, died on June 4 in Torre del Greco near Naples, Italy from cancer at age 48.
Paul Fortune, the interior designer known as “the designer to the stars,” died on June 15 from cardiac arrest in Ojai, Calif. at age 69. Sofia Coppola and Marc Jacobs were among his clients.
Angela Madsen, a gold-medal-winning Paralympian Rower died on July 21 at age 40 while trying to row on the Pacific Ocean by herself from California to Hawaii. She wanted to be the first openly queer athlete with paraplegia to make this journey, The New York Times reported.
Kansai Yamanoto, the flamboyant designer who designed the look of David Bowie’s alter ego Ziggy Stardust, as well as looks for Elton John and Stevie Wonder, died on July 21 in a Tokyo hospital at age 76 from leukemia.
Lady Red Couture, a comedian singer and co-host of the LGBTQ talk show “Hey, Qween!,” died on July 25 at age 43 from complications of cyclic vomiting syndrome in Los Angeles.
Eric Bentley, the renowned theater critic, scholar, author and playwright died at age 103 on at his Manhattan home on Aug. 5.
Chi Chi DeVayne, the beloved “RuPaul’s Drag Race’ contestant died on Aug. 20 at a Shreveport, La. hospital from scleroderma.
Randall Kenan, an award-winning gay Southern, Black writer of fiction infused with magical realism, died on Aug. 28 at age 57 at his Hillsborough, N.C. home.
Tony Tanner, who directed “Joseph and the Amazing Technicolor Dreamcoat” on Broadway died on Sept. 8 at age 88 at his Los Angeles home.
Henry van Ameringen, a philanthropist and early, openly gay, donor to LGBTQ and AIDS organizations, died on Sept. 9 at age 88 at his Manhattan home.
Soraya Santiago Solla, trailblazing trans activist, died on Sept. 22 at her home in Carolina, Puerto Rico at age 72 from cancer and respiratory failure.
Virginia Ramey Mollenkott, lesbian theologian died on Sept. 25 at her Pompton Plains, N.J. home at 88 from respiratory failure and pneumonia.
Monica Roberts, trans advocate, journalist who wrote the blog TransGrief, died on Oct. 5 at age 58 at her Houston home.
Frederick Weston, an “outsider” artist acclaimed for his collages of male bodies and Black queerness, died on Oct. 21 at 73 in his Manhattan apartment.
David Easton, architect and interior designer for aristocrats died on Oct. 29 at 83 at his Tulsa, Okla. home from complications of dementia.
Leonard Kamsler, an award-winning golf photographer died on Nov. 18 from organ failure at 85 in Bethel, N.Y.
Jan Morris, the acclaimed British travel writer and historian who wrote about her life as a transwoman, died on Nov. 20 died at 94 in a hospital near where she lived in Wales.
Deb Price, the first nationally syndicated columnist on gay life, died at 62 of an autoimmune lung disease on Nov. 20 at a hospital in Hong Kong.
Pat Patterson, an out gay wrestling star, at 79 on Dec. 2 from liver failure at a Miami Beach hospital.
Anthony Veasna So, an acclaimed writer died from unknown causes at 28 on Dec. 8 at his San Francisco home. “Afterparties,” his debut book will be published by Ecco in August.
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MISTR’s Tristan Schukraft on evolution of HIV prevention
From ACT UP to apps, embracing stigma-free care
It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say, celebratory.
Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond, prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.
In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.
BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you?
SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for.
BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach?
SCHUKRAFT: This year, we held the first-ever National PrEP Day. Dua Lipa performed, and Cardi B was there. After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.
When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.
BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years?
SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.
For many sexually active gay men, taking PrEP is simply part of the gay experience. For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door.
BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level?
SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance.
BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic?
SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States. We have everything we need today. All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years.
HIV transmissions don’t pause because budgets change.
BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health?
SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding, we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results.
Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.
Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs.
Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business.
When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening.
BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding?
SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care.
BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs?
SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together.
BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level?
SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP.
BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026?
SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal.
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Visible and unapologetic: MAL brings the kink this weekend
Busy lineup includes dances, pups, super heroes, and more
MLK Weekend in D.C. brings the annual Mid-Atlantic Leather (MAL) Weekend. Just a short walk from where Congress has been attacking queer Americans this year, MAL takes place at the Hyatt Regency Washington for several days of intrigue, excitement, leather, and kink.
The Centaur Motorcycle Club — one of several similar groups dedicated to leather in the country — has been hosting MAL in its current form for more than 40 years. Originally a small gathering of like-minded people interested in the leather lifestyle, MAL has grown to include a full four days of events, taking place onsite at the Hyatt Regency Washington (400 New Jersey Ave., N.W.). Select partner happenings take place each night, and many more non-affiliated events are scattered across the DMV in honor of and inspired by MAL.
MAL Weekend has become an internationally renowned event that celebrates fetish culture, yet it also raises funds for LGBTQ organizations, “reinforcing its legacy as both a cultural and philanthropic cornerstone of the global leather community,” according to MAL organizers.
During the day, MAL events at the Hyatt include workshops, social gatherings, shopping, and other in-person engagements for the community.
“The Hyatt underwent an extensive top to bottom renovation after last year’s event,” says Jeffrey LeGrand-Douglass, the event chair. The lobby, meeting spaces, guest rooms, and other areas have been updated, he notes, “so I am very excited for our guests to experience the new design and layout for the first time. And of course as with every year, we look forward to the contest on Sunday afternoon and seeing who will become our new Mr. MAL.”
In the evening, MAL hands the reins to partner KINETIC Presents, the D.C.-based nightlife production company. KINETIC will host four consecutive nights of high-production events that fuse cutting-edge music, immersive environments, and performance. This year, KINETIC is popping open doors to new-to-MAL venues, international collabs, play zones, and a diverse lineup.
According to KINETIC managing partner Zach Renovátes, 2026 is the most extensive MAL production to date. “The talent lineup is unreal: an all-star roster of international DJs, plus drag superstar performances at the Saturday main event,” he says.
Renovátes added that he’s “most excited about the collaborations happening all weekend — from bringing in MACHO from WE Party Madrid, to teaming up with local leather groups, to nonprofit partners, and Masc Diva [a queer nightlife collective].”
Official MAL events begin on Thursday with the Full Package/Three Day Pass Pick-Up from 5:30-8:30 p.m. at the Hyatt.
Thursday night is also the KINETIC kickoff party, called LUST. Running 10 p.m. – 3 a.m., it’s being held at District Eagle. DJ Jay Garcia holds it down on the first floor, while DJ Mitch Ferrino spins in the expansive upstairs. LUST features special performances from the performers including Serg Shepard, Arrow, Chase, and Masterpiece.
Renovátes notes that the LUST opening party at District Eagle coincides with the bar’s grand re-opening weekend. The bar will unveil its new permanent home on the renovated second floor. “it felt like the perfect place to start Mid-Atlantic Leather weekend — right in D.C.’s only dedicated home for kink communities,” he says.
After Thursday night, Friday is when daytime events begin at the Hyatt. The Exhibit Hall, on the ballroom level below the lobby, hosts upwards of 30 vendors, exhibitors, and booths with leather goods, fetish wear, clothes, toys, other accessories, providing hours of time to shop and connect with attendees and business owners. The Exhibit Hall will be open on Friday from 4-10 p.m., as well as on Saturday and Sunday afternoons.
DC Health is once again back at MAL, to provide preventative health services. In the past, DC Health has provided MPox vaccines, Doxy PEP, HIV testing, Narcan kits, and fentanyl test strips. This booth will be open on Friday 4-10 p.m.
Later, at 6 p.m., the Centaur MC is holding its welcome reception on the ballroom floor. After the Centaur’s Welcome Reception, the MIR Rubber Social is 8-11 p.m. A Recovery Meeting is scheduled at 10 p.m.
Many attendees enjoy visiting the guest room levels of the hotel. Note that to get in an elevator up to a hotel room, a staff member will check for a hotel room wristband. Non-registered guests can only access host hotel rooms if they are escorted by a registered guest with a valid wristband. Registered guests are permitted to escort only one non-registered guest at a time. Non-registered guests with a wristband who are already in the hotel before 10 p.m. may remain until midnight. However, non-registered guests without a wristband will not be admitted after registration closes.
Friday night, for the first time, KINETIC Presents is joining forces with WE Party to bring MACHO to Washington, D.C. This official MAL Friday event delivers two stages and two genres. On the UNCUT XXL stage, international Brazilian circuit superstars Erik Vilar and Anne Louise bring their signature high-energy sound. On the MACHO stage, Madrid’s Charly is joined by Chicago’s tech-house force, Karsten Sollors, for a blend of techno and tech house. UNCUT also features the XL Play Zone, a massive, immersive space exclusive to this event. The party takes place at the Berhta space from 10 p.m.-4 a.m..
“This year we’re bringing back the two-room format we debuted at WorldPride for both Friday and Saturday, so attendees can really tailor their experience — whether they’re in the mood for circuit or tech house.” says Renovátes.
Directly after Friday’s UNCUT XXL, UNDERWORLD Afters takes over District Eagle, from 3:30-8 a.m. International DJ Eliad Cohen commands the music.
Saturday, the Exhibit Hall opens earlier, at 11 a.m.. DC Health will also be back from 11 a.m. to 6 p.m.
Saturday is also time for one of the most anticipated events, the Puppy Mosh, running from 11 a.m. to 1 p.m. During the event, pup culture comes to life, when pups, handlers, and friends can enjoy an inclusive, safe pup zone. There is also a Recovery Meeting at 11 a.m., and the IML Judges Announcement takes place at noon.
The popular Super Hero Meet Up will be held 1:30 p.m. – 3 p.m., sponsored by One Magical Weekend, for cosplayers, comic enthusiasts, and their friends.
From 2-6 p.m., the Onyx Fashion Show will take place to showcase and highlight people of color in leather.
Finally, the Leather Cocktail Party – the original event of MAL – will be held 7-9 p.m. in the Ballroom. While this requires special tickets to attend, at 9 p.m. is the MAL cocktail party, which is open to wider attendees.
The last event of Saturday leaves the hotel, again a partnership with KINETIC. Kicking off at 10 p.m. and running until 4 a.m., it’s just the second time that KINETIC’s Saturday night party is an official MAL event and serves as the main weekend engagement.
Saturday night’s centerpiece is called KINK: Double Trouble. The night will feature a first-ever back-to-back set from international electronic music icons Nina Flowers and Alex Acosta on the Circuit/Tribal Stage. The other room – the Tech House Stage – curated by The Carry Nation and Rose, provides a darker, underground counterpoint, reinforcing the event’s musical depth and edge.
Beyond the DJs, KINETIC has called in the big shots for this party: “RuPaul’s Drag Race” legends Nymphia Wind and Plastique Tiara are set to headline. The party also takes place at Berhta.
Sunday, back at the hotel, there will be another Recovery Meeting at 10 a.m., and the Exhibit Hall opens again from 11 a.m.-5 p.m.
At 1 p.m., the anticipated and prestigious Mr. MAL Contest that celebrates the achievements of the leather community will be held in the Ballroom. This highly sought after title gives one man the power to become the Mid-Atlantic Leather man of the year. Sash and title winners must be (1) male, (2), a resident of North America, (3) At least 21 years of age; and (4) self-identify as gay. The first Mr. MAL was crowned in 1985. The Winner of Mr. MAL has the privilege of later competing in International Mr. Leather (IML) in Chicago on Memorial Day Weekend 2025.
From 4 p.m. to 12 a.m., MAL will hold its Game Night for the gaymers in attendance. There will also be a special screening of A24’s new film, “Pillion,” about a man who is swept off his feet when an enigmatic, impossibly handsome biker takes him on as his submissive.
Sunday closes with a community partner event produced by Masc Diva, featuring Horse Meat Disco with support from Coach Chris, at A.I. Warehouse in the Union Market district. It’s the same team that produced HMD during WorldPride at A.I. Warehouse.
Note that there are several types of passes for attendance to the hotel and parties. KINK VIP Weekend Passes include express entry, VIP areas, and enhanced amenities throughout the weekend, while MAL Full Weekend Package holders receive access to the official Sunday closing event.
At last year’s MAL events, KINETIC Presents raised more $150,000 for LGBTQ charities, and expects to match or exceed that impact in 2026.
Renovátes stated that “now more than ever, it’s important to create safe, affirming spaces for our community — but it’s just as important to be visible and unapologetic. We want to make it clear that the LGBTQ+ and leather communities aren’t going anywhere. We’ve fought too long and too hard to ever feel like we have to shrink ourselves again, no matter what the political climate looks like.”
In addition to the KINETIC events, various LGBTQ bars will hold parties celebrating the theme of the weekend. For example, Kiki, located on U Street NW, is hosting a party called KINKI, hosted by DJ Dez, on Saturday night. Sister bar Shakiki, on 9th Street NW, is hosting a party called Railed Out, a fetish-inspired party that features a play zone, on Thursday night. Flash, on U Street NW, will hold its infamous Flashy Sunday party to close out the weekend.
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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
Top Democrats reintroduce bill to investigate discrimination against LGBTQ military members
From the Pentagon to politics, Bree Fram fighting for LGBTQ rights
Task Force urges renewed organizing amid growing political threats
Gay men, ketamine, and trauma. A therapy or a trap?
Russia designates ILGA World an ‘undesirable’ group
Judge denies D.C. request to dismiss gay police captain’s anti-bias lawsuit
Lawyer representing Renee Good’s family speaks out
Comings & Goings
Calendar: January 23-29
