Books
A worthy sequel to ‘Maurice’ revisits classic love story
After going to war, couple reunite in intriguing ‘Alec’
‘Alec’
By William di Canzio
c.2021, Farrar, Straus & Giroux
$27/336 pages
A sequel that’s nearly as good as the original! An intriguing queer love story! What more could you ask for as summer ends?
Today, on and off the page, queers fall in love, have sex, couple up, marry – embrace polyamory – as frequently and openly as politicos trade insults.
But, until recently, you rarely found LGBTQ+ characters in books. With few exceptions, when you encountered queer people in fiction, they were sick, dying, or in jail.
It’s hard to overstate how revolutionary it was for queers when “Maurice” by the queer, British writer E.M. Forster was posthumously published in 1971.
For many of us, it was the first time we read a love story in which queer lovers ended up alive – unrepentant and unpunished.
Forster, who died at 91 in 1970, began writing “Maurice” in 1913 and finished it in 1914. Yet, he felt it couldn’t be published during his lifetime.
Forster’s novels (especially, “A Passage to India” and “Howards End”) were critically acclaimed.
Forster lectured in England and the United States. Listeners heard him on the radio as he read his acclaimed 1939 essay “What I Believe.”
In this essay, Forster spoke of his belief in personal relations, endorsed the humanistic values of “tolerance, good temper and sympathy” and decried authoritarianism.
His assertion in “What I Believe, that “if I had to choose between betraying my country and betraying my friend I hope I should have the guts to betray my country,” has been a credo for many.
Yet, because being queer was illegal in the United Kingdom for most of his lifetime, Forster didn’t want to publish “Maurice” while he was alive.
Homosexuality wasn’t decriminalized in the United Kingdom until 1967.
Though he was out to some of his friends, Forster couldn’t be openly gay because of the homophobia of his time.
“Maurice,” which Forster dedicated “To a Happier Year,” doesn’t just have LGBTQ characters. Its two gay male lovers, Cambridge-educated, upper-class Maurice, and Alec, a gamekeeper, end up happily.
We may worry about what obstacles they’ll run into while living in such a repressive time. But we know that they’ve gone off together.
“A happy ending was imperative,” Forster writes in a 1960 “Terminal Note” on “Maurice,” “I shouldn’t have bothered to write otherwise.”
“I was determined that in fiction anyway,” he adds, “two men should fall in love and remain in it for the ever and ever that fiction allows, and in this sense Maurice and Alec still roam the greenwood.”
Forster’s legacy has had a reemergence in this century. “On Beauty,” the 2005 novel by Zadie Smith is an homage to “Howards End.”
Matthew Lopez’s play “The Inheritance,” which ran on Broadway, is, also, in part, an homage to “Howards End.”
Many sequels, no matter how well-intended, aren’t good. This is even more true when classic novels like “Maurice” are involved.
Yet, in “Alec,” distinguished, gay playwright di Canzio has pulled off an engrossing, lively, moving feat of the imagination.
In “Maurice,” we see things from Maurice’s perspective. On a visit to his friend Clive, a country squire, he meets Alec, Clive’s game keeper.
We know that Alec and Maurice, after both trying to blackmail each other, fall in love. But we learn little about Alec except that he loves Maurice.
In “Alec,” we view things from Alec’s eyes. Alec, in di Canzio’s reimagining, is a three-dimensional character with feelings, ambitions and a back story.
Born in Dorset, England in 1893 to working class parents, Alec loves to read. He knows, because of his class, that he won’t be able to go to college.
But he soaks up as much literature as he can at the library.
He enjoys reading about classic Greek myths and looking at pictures of art depicting the hunky, mythic heroes.
Early on, Alec knows that he likes boys and men. Though there’s no way he can be openly gay, he’s fine with his sexuality.
“It kept him out of trouble with girls,” di Canzio writes.
Following his father in his line of work, doesn’t appeal to Alec. His dad is a butcher. He doesn’t want to become a servant to rich people if he’d have to be at their beck and call inside their house. Knowing that he has to do some type of work, Alec becomes a gamekeeper for Clive, a country squire.
He and Maurice meet when Maurice visits Clive. As in “Maurice,” the lovers, after much angst and bungled blackmail attempts, go off together.
Up to this point, di Canzio is following the plot of “Maurice” – even quoting some of the dialogue from the novel.
In lesser hands, this might seem too plodding or too derivative. But di Canzio’s retelling the story, though a bit slow, is fresh. You want to keep reading.
The lovers live together happily for a time. They can’t be openly gay. Yet, they find people like themselves and LGBTQ-friendly folk in salons, clubs, and other underground queer spaces.
World War I shatters their happiness. Serving under horrific conditions in separate places, Alec and Maurice don’t know if they’ll survive or find each other after the war.
“How many of our stories have been expunged – from history, from memory?” a friend asks the couple.
You’ll keep turning the page to discover how Alec and Maurice’s story ends.
‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages
They’re among the world’s greatest love stories.
You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.
Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.
That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”
She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.
Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.
She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.
And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.
And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”
“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.
If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.
These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.
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Books
Risking it all for love during World War II
New book follows story of Black, gay expat in Paris
‘The Remarkable Life of Reed Peggram’
By Ethelene Whitmire
c.2026, Viking
$30/308 pages
You couldn’t escape it.
When you fell in love, that was it: you were there for good. Leaving your amour’s side was unthinkable, turning away was impossible. You’d do anything for that person you loved – even, as in the new biography, “The Remarkable Life of Reed Peggram” by Ethelene Whitmire, you’d escape toward danger.

On Aug. 28, 1938, Reed Peggram boarded a ship from Hoboken, N.J., hoping to “become a proper gentleman” and fulfill his dreams. A prolific writer and Harvard scholar of comparative literature, he’d recently been awarded the Rosenwald Fellowship, which put him in the company of literary stars like Du Bois, Hurston, and Hughes.
Both Peggram’s mother and grandmother were then domestic workers, and they had big expectations for him. Reed himself was eager to study abroad, for professional and personal reasons; he was “determined to become a French professor and an accomplished linguist” and “He also hoped to find love.”
What better place to do it than in Paris?
Outgoing and confident, Peggram made friends easily and had no trouble moving “through the world of his white male peers.” Where he faltered was in his lack of funds. He relied on the kindness of his many friends – one of whom introduced Peggram to a “man who would become so pivotal in his life,” a Danish man named Arne.
Peggram and Arne had a lot in common, and they began to enmesh their lives and dreams of living in the United States. But there were complications: homosexuality was largely forbidden, World War II was in its early stages, and it quickly became apparent that it was dangerous to stay in Europe.
And yet, Peggram loved Arne. He refused to leave without him and so, while most visiting Black Americans fled the war in Europe, “Reed was trying to stay.”
There’s so much more to the story inside “The Remarkable Life of Reed Peggram,” so much to know about Reed himself. Problem is, it’s a long haul to get to the good stuff.
In her introduction, author Ethelene Whitmire explains how she came to this tale and yes, it needs telling but probably not with the staggering number of inconsequential details here. Peggram moved homes a lot, and many people were involved in keeping him in Europe. That alone can be overwhelming; add the fact that costs and other monetary issues are mentioned in what seems like nearly every page, and you may wonder if you’ll ever find the reason for the book’s subtitle.
It’s there, nearly halfway through the book, which is when the tale takes a tender, urgent turn — albeit one with determination, rashness, and a dash of faux nonchalance. Also, if you’re expecting an unhappily-ever-after because, after all, it’s a World War II tale, don’t assume anything.
Reading this book will take a certain amount of patience, so skip it if you don’t have that fortitude. If you’re OK with minuscule details and want a heart-pounder, though, “The Remarkable Life of Reed Peggram” might be a good escape.
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Books
Laverne Cox, Liza Minnelli among authors with new books
A tome for every taste this reading season
Spring is a great time to think about vacations, spring break, lunch on the patio, or an afternoon in the park. You’ll want to bring one (or all!) of these great new books.
So let’s start here: What are you up for? How about a great new novel?
If you’re a mystery fan, you’ll want to make reservations to visit “Disaster Gay Detective Agency” by Lev AC Rosen (Poisoned Pen Press, June 2). It’s a whodunit featuring a group of gay roommates, one of whom is a swoony romantic. Add a mysterious man who disappears and a murder, of course, and you’ve got the novel you need for the beach.
Don’t discount young adult books, if you want something light to read this spring. “What Happened to Those Girls” by Carlyn Greenwald (Sourcebooks Fire, June 30) is a thriller about mean girls and a camping trip that goes terribly, bloodily wrong. Meant for teens ages 14 and up, young adult books are breezier and lighter fare for the busy grown-up reader.
If you loved “Boyfriend Material” and “Husband Material,” you’ll be eager for the next installment from author Alexis Hall. “Father Material” (Sourcebooks Casablanca, June 2) takes Luc and Oliver to the next step. First was dating. Then was marriage. Is it time for the sound of pitter-patter on the kitchen floor?
Maybe something even lighter? Then how about a book of essays – like “The Terrible, Horrible, No Good, Very Bad Gay” bycomedian and writer Eliot Glazer (Gallery Books, Aug. 11). It’s a book of essays on being gay today, the irritations, the joys, and fitting in. Be aware that these essays may contain a bit of spice – but isn’t that what you want for your reading pleasure anyhow, hmmm?
But okay, let’s say you want something with a little more heft to it. How about a biography?
Look for “Transcendant” by Laverne Cox (Gallery Books, June 9), or “Kids, Wait Till You Hear This” by Liza Minnelli (Grand Central Publishing, March 10), and “Every Inch a Lady” by Audrey Smaltz with Alina Mitchell (Amistad, July 14). Keep your eyes open for “Without Prejudice: My Life as a Gay Judge” by Harvey Brownstone (ECW Press, May 26) or “The Double Dutch Fuss” by Phill Branch (Amistad, June 2).
Then again, maybe you want some history, or something different.
So here: look for “Queer Saints: A Radical Guide to Magic, Miracles, and Modern Intercession” by Antonio Pagliarulo (Weiser, June 1) for a little bit of faith-based gay. Music lovers will want “Mighty Real: A History of LGBTQ Music, 1969-2000” by Barry Walters (Viking, May 12). Activists will want “In the Arms of Mountains: A Memoir of Land, Love, and Queer Resistance in Red America” byformer Idaho state Sen. Cole Nicole LeFavour (Beacon Press, May 26).
And if these books aren’t enough, then be sure to check with your favorite bookseller or librarian. They’ll have exactly what you’re in the mood to read. They’ll find what you need for that patio, beach towel, or easy chair.
