Arts & Entertainment
The ‘Real’ deal: An interview with Julia Lemigova of RHOM
Navratilova’s spouse on reality TV, her chickens and Martina’s art
If you’ve managed to avoid watching even a single season of any of the “Real Housewives”shows, you now have a reason to watch. Julia Lemigova, who has been married to Martina Navratilova since 2014 is the first openly lesbian member of the cast in the history of the series. Initially introduced as a friend of “Real Housewives of Miami”cast member Adriana de Moura, the statuesque Lemigova towers over her castmates in more ways than one. She has a wonderful sense of humor, and her self-confidence is palatable. More than just a welcome addition to the cast, her presence is essential to making the show a well-rounded experience. Julia was gracious enough to answer a few questions.
BLADE: Julia, were you a fan of the Real Housewives franchise before you joined the cast of Real Housewives of Miami, now airing on Peacock?
JULIA LEMIGOVA: I had heard about the Real Housewives franchise. I always wanted to find time to watch, but life is busy with me farming or something else. I never watched the show until my dear friend Adriana called me and invited me to try to be her partner on the show. I was so thrilled because my real-life friendship with Adriana is like a show anyway [laughs], so it seemed like a natural fit. That same day, I watched the first season; all the episodes in one day. Then the next day I watched the second season of “Real Housewives of Miami” and the third day I watched the third season, and that’s it [laughs]. I was convinced! I loved it! I became an instant fan. It was like a natural chemistry.
BLADE: I was touched by the story of how you met Martina, to whom you’ve been married since December 2014. Did you do anything special to celebrate your wedding anniversary?
LEMIGOVA: We were actually in the middle of moving houses. We literally moved on that day because everything was kind of going fast and we wanted to get the house to ready for our daughters. So, we haven’t really celebrated. We’re kind of making jokes to each other that here we are moving boxes and packing on our anniversary. But we did open a bottle of something and had dinner. Now that both of our daughters came back from being abroad, we are looking forward to celebrating it together with them. We had a rain check, and we’ll celebrate it all together; Christmas, wedding anniversary, all of it in the new house.
BLADE: Another fascinating detail is the way you talk about how you had been closeted, but that living in Miami has allowed you to be more of yourself. Can you please say a few words about that?
LEMIGOVA: I felt free from the second I stepped onto U.S. soil. Being so shy and introverted about my life while living in Paris and then the first time we went for a vacation to the U.S. in Aspen followed by Miami, it just felt right. We stayed in a small art deco hotel on the beach. I remember having breakfast and looking at people walking, Somehow, I found myself walking around Ocean Drive with Martina, and here I am holding hands with her. I was like, “Oh, my God!” It was something I never ever did in Paris. I love Miami even more for that [laugh]. I’m crazy about it. I said, “Let’s move here.” It was wishful thinking, because back then same-sex marriage was not legal. We had to plan ahead and overcome quite a few challenges.
BLADE: We’re very glad you like it here. You have the distinction of being the first openly lesbian cast member in the history of “Real Housewives.” What does that honor mean to you?
LEMIGOVA: I feel so proud, and I never use this word lightly. Being a visible part of our LGBT community is quite new to me. I would not even try to pretend I am a spokesperson for it, but I’m so happy to be a spokesperson for myself and for my family. I hope that as a family we represent our LGBT community well. I’m thrilled and honored to shine a light on how we live; on our family, and share it with the world, and especially with those who may need it.
BLADE: Episode three of the new seasonincludes scenes from Wynwood Pride. Living in South Florida as we both do, we have multiple Pride festivals, including Miami Beach Pride, Fort Lauderdale Pride, Stonewall Pride in Wilton Manors, Pride of the Palm Beaches, and Key West Pride. Have you been able to partake in the myriad Pride festivals?
LEMIGOVA: Because of COVID, and all the difficulties that come with it, I was not able to participate in that this year, unfortunately, in a lot of Prides that I would have wanted to. However, when I was pregnant with my daughter in 2001, I was there on the street [for Pride] in New York. That was a lot of fun. Then, with Martina, during some of our vacations, we participated in a lot of different LGBT events, and I was a part of Pride in Paris, which was so much fun. Actually, New York again just before COVID started, which was amazing. And then my first time in Miami Pride this year.
BLADE: In addition to living with Martina in Miami Beach, you also have a farm in Broward County. What do you like best about the goats and chickens and all that goes with the farm?
LEMIGOVA: I grew up in Moscow. Every summer my parents would send me to this Russian dacha. Being around animals, farm animals is part of my growing up. It’s who I am. Living in Europe, I could never make this dream happen. In Florida, when we decided to be in Miami, it was such a natural fit. Not only did I feel like I could be me here, be open about how I live, who I am, and my sexuality, but I also realized my second dream, which is to live among my four-legged and two-legged creatures. I have an unusual farm. It is a working farm — it keeps me working [laughs], but it’s more like a retreat. They each have their habitat and I am I am just living with them. I’m part of their life. I talk to them, all of them, even my multiple numbers of chickens. I love milking my goats. Right now, three of them are pregnant, so I’ll have a lot of milk. I cannot wait to start showing my cast-member friends how to make goat cheese. It gives me a sense of kind of belonging, tranquility. What makes it even funnier is that I jiggle between high-heeled shoes and chicken galoshes. I’m comfortable in both [laughs]. I’m at the beach house in high-heeled shoes and I have galoshes in my pickup truck for when I pick up my hay and feed for the animals. Then I join Martina later for some glamorous dinner in Miami Beach.
BLADE: Initially in the first couple of episodes of the new season, you are introduced in the new season of RHOM as “Adriana’s friend.” Having only seen the first couple of episodes, it’s obvious that Adriana is a little bit of a flirt. Do you think that’s an accurate description of your friend?
LEMIGOVA: It’s funny because at first people were saying that I was a flirt. I actually looked up flirtation when people were telling me, “Julia, you are little bit of a flirt.” I hadn’t heard that about Adriana. But now that you’re saying so, I’ll ask her if she was told that as well. When I looked in the dictionary for the exact definition of the word there are lots. The one I found more accurate to me and flirt is like a butterfly. You’re flying from flower to flower. That’s how I interact with people, in general. Men, women, my chickens. Flirt to me is just a way to say I enjoy talking to you. There is no sexual connotation to me at all. It’s just a happy exchange of energy.
BLADE: Well said! In the first couple of episodes, we also learn about Martina’s talent for painting. How important do you think it is for people to have a creative outlet for expression such as painting?
LEMIGOVA: I think it’s so important. Whether it’s painting or any kind of art or whatever other outlet they could have for their emotions, to balance how they feel. To turn the feelings, the avalanche of different emotions into something so beautiful like art or, in my case [laughs], interacting with the animals. After Martina finishes playing or commentating tennis, she spreads the canvas on the floor with paint and takes the tennis balls, smashing them all over my beautiful floor [laughs]. Creating with multi-colors, and me being grumpy because, “Oh, my God! How am I going to clean this?” An hour later, I come back, and those colors became a beautiful piece of art. I’m fascinated by how she can do that. Then she’s fascinated how I talk to my parrots and chickens and tortoises, and all of that.
Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.
(Washington Blade photos by Michael Key)

















Arts & Entertainment
Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week
Pride on the Pier officially launches Pride Week in D.C.
The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.
Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.
“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”
Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.
Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.
Event Details:
📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026
⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

Theater
National tour of ‘Gatsby’ comes to National Theatre
Out actor Edward Staudenmayer talks playing the show’s gangster
‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com
Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.
Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.
It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”
Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).
While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.
WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?
EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].
There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.
BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.
STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].
BLADE: When did the 1925 novel first surface on your radar?
STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.
Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.
BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?
STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.
Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.
BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?
STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.
BLADE: Have you had to do that in your career?
STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.
It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.
BLADE: What was your coming of age like?
STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.
BLADE: Did he live to see your success in theater?
STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.
BLADE: Looking ahead, is there a part you’d especially like to play?
STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.
