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The ‘Real’ deal: An interview with Julia Lemigova of RHOM

Navratilova’s spouse on reality TV, her chickens and Martina’s art

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Julia Lemigova, who has been married to Martina Navratilova since 2014, is the first openly lesbian member of the ‘Real Housewives’ in the history of the series.

If you’ve managed to avoid watching even a single season of any of the “Real Housewives”shows, you now have a reason to watch. Julia Lemigova, who has been married to Martina Navratilova since 2014 is the first openly lesbian member of the cast in the history of the series. Initially introduced as a friend of “Real Housewives of Miami”cast member Adriana de Moura, the statuesque Lemigova towers over her castmates in more ways than one. She has a wonderful sense of humor, and her self-confidence is palatable. More than just a welcome addition to the cast, her presence is essential to making the show a well-rounded experience. Julia was gracious enough to answer a few questions.

BLADE: Julia, were you a fan of the Real Housewives franchise before you joined the cast of Real Housewives of Miami, now airing on Peacock?

JULIA LEMIGOVA: I had heard about the Real Housewives franchise. I always wanted to find time to watch, but life is busy with me farming or something else. I never watched the show until my dear friend Adriana called me and invited me to try to be her partner on the show. I was so thrilled because my real-life friendship with Adriana is like a show anyway [laughs], so it seemed like a natural fit.  That same day, I watched the first season; all the episodes in one day. Then the next day I watched the second season of “Real Housewives of Miami” and the third day I watched the third season, and that’s it [laughs]. I was convinced! I loved it! I became an instant fan. It was like a natural chemistry.

BLADE: I was touched by the story of how you met Martina, to whom you’ve been married since December 2014. Did you do anything special to celebrate your wedding anniversary?

LEMIGOVA: We were actually in the middle of moving houses. We literally moved on that day because everything was kind of going fast and we wanted to get the house to ready for our daughters. So, we haven’t really celebrated. We’re kind of making jokes to each other that here we are moving boxes and packing on our anniversary. But we did open a bottle of something and had dinner. Now that both of our daughters came back from being abroad, we are looking forward to celebrating it together with them. We had a rain check, and we’ll celebrate it all together; Christmas, wedding anniversary, all of it in the new house.

BLADE: Another fascinating detail is the way you talk about how you had been closeted, but that living in Miami has allowed you to be more of yourself. Can you please say a few words about that?

LEMIGOVA: I felt free from the second I stepped onto U.S. soil. Being so shy and introverted about my life while living in Paris and then the first time we went for a vacation to the U.S. in Aspen followed by Miami, it just felt right. We stayed in a small art deco hotel on the beach. I remember having breakfast and looking at people walking, Somehow, I found myself walking around Ocean Drive with Martina, and here I am holding hands with her. I was like, “Oh, my God!” It was something I never ever did in Paris. I love Miami even more for that [laugh]. I’m crazy about it. I said, “Let’s move here.” It was wishful thinking, because back then same-sex marriage was not legal. We had to plan ahead and overcome quite a few challenges.

BLADE: We’re very glad you like it here. You have the distinction of being the first openly lesbian cast member in the history of “Real Housewives.” What does that honor mean to you?

LEMIGOVA: I feel so proud, and I never use this word lightly. Being a visible part of our LGBT community is quite new to me. I would not even try to pretend I am a spokesperson for it, but I’m so happy to be a spokesperson for myself and for my family. I hope that as a family we represent our LGBT community well. I’m thrilled and honored to shine a light on how we live; on our family, and share it with the world, and especially with those who may need it.

BLADE: Episode three of the new seasonincludes scenes from Wynwood Pride. Living in South Florida as we both do, we have multiple Pride festivals, including Miami Beach Pride, Fort Lauderdale Pride, Stonewall Pride in Wilton Manors, Pride of the Palm Beaches, and Key West Pride. Have you been able to partake in the myriad Pride festivals?

LEMIGOVA: Because of COVID, and all the difficulties that come with it, I was not able to participate in that this year, unfortunately, in a lot of Prides that I would have wanted to. However, when I was pregnant with my daughter in 2001, I was there on the street [for Pride] in New York. That was a lot of fun. Then, with Martina, during some of our vacations, we participated in a lot of different LGBT events, and I was a part of Pride in Paris, which was so much fun. Actually, New York again just before COVID started, which was amazing. And then my first time in Miami Pride this year.

BLADE: In addition to living with Martina in Miami Beach, you also have a farm in Broward County. What do you like best about the goats and chickens and all that goes with the farm?

LEMIGOVA: I grew up in Moscow. Every summer my parents would send me to this Russian dacha. Being around animals, farm animals is part of my growing up. It’s who I am. Living in Europe, I could never make this dream happen. In Florida, when we decided to be in Miami, it was such a natural fit. Not only did I feel like I could be me here, be open about how I live, who I am, and my sexuality, but I also realized my second dream, which is to live among my four-legged and two-legged creatures. I have an unusual farm. It is a working farm — it keeps me working [laughs], but it’s more like a retreat. They each have their habitat and I am I am just living with them. I’m part of their life. I talk to them, all of them, even my multiple numbers of chickens. I love milking my goats. Right now, three of them are pregnant, so I’ll have a lot of milk. I cannot wait to start showing my cast-member friends how to make goat cheese. It gives me a sense of kind of belonging, tranquility. What makes it even funnier is that I jiggle between high-heeled shoes and chicken galoshes. I’m comfortable in both [laughs]. I’m at the beach house in high-heeled shoes and I have galoshes in my pickup truck for when I pick up my hay and feed for the animals. Then I join Martina later for some glamorous dinner in Miami Beach.

BLADE: Initially in the first couple of episodes of the new season, you are introduced in the new season of RHOM as “Adriana’s friend.” Having only seen the first couple of episodes, it’s obvious that Adriana is a little bit of a flirt. Do you think that’s an accurate description of your friend?

LEMIGOVA: It’s funny because at first people were saying that I was a flirt. I actually looked up flirtation when people were telling me, “Julia, you are little bit of a flirt.” I hadn’t heard that about Adriana. But now that you’re saying so, I’ll ask her if she was told that as well. When I looked in the dictionary for the exact definition of the word there are lots. The one I found more accurate to me and flirt is like a butterfly. You’re flying from flower to flower. That’s how I interact with people, in general. Men, women, my chickens. Flirt to me is just a way to say I enjoy talking to you. There is no sexual connotation to me at all. It’s just a happy exchange of energy.

BLADE: Well said! In the first couple of episodes, we also learn about Martina’s talent for painting. How important do you think it is for people to have a creative outlet for expression such as painting?

LEMIGOVA: I think it’s so important. Whether it’s painting or any kind of art or whatever other outlet they could have for their emotions, to balance how they feel. To turn the feelings, the avalanche of different emotions into something so beautiful like art or, in my case [laughs], interacting with the animals. After Martina finishes playing or commentating tennis, she spreads the canvas on the floor with paint and takes the tennis balls, smashing them all over my beautiful floor [laughs]. Creating with multi-colors, and me being grumpy because, “Oh, my God! How am I going to clean this?” An hour later, I come back, and those colors became a beautiful piece of art. I’m fascinated by how she can do that. Then she’s fascinated how I talk to my parrots and chickens and tortoises, and all of that.

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Photos

PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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Books

Susan Lucci on love, loss, and ‘All My Children’

New book chronicles life of iconic soap star

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(Book cover image courtesy of Blackstone Publishing)

‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages

They’re among the world’s greatest love stories.

You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.

Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.

That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”

She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.

Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.

She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.

And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.

And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”

“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.

If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.

These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.

The Blade may receive commissions from qualifying purchases made via this post.

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